Shane Denson is Professor of Film and Media Studies and, by Courtesy, of German Studies and of Communication at Stanford University, where he also serves as Director of the PhD Program in Modern Thought & Literature. His research interests span a variety of media and historical periods, including phenomenological and media-philosophical approaches to film, digital media, and serialized popular forms. He is the author of Bride of Frankenstein [film|minutes] (2025), Post-Cinematic Bodies (2023), Discorrelated Images (2020), and Postnaturalism: Frankenstein, Film, and the Anthropotechnical Interface (2014). See shanedenson.com for more information.