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    <loc>https://www.roborantreview.com/reviews/justin-wong</loc>
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    <lastmod>2026-04-03</lastmod>
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      <image:title>Reviews - Justin Wong</image:title>
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      <image:title>Reviews - Justin Wong - Carry On exterior installation at San Francisco's Chinese Cultural Center</image:title>
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      <image:title>Reviews - Justin Wong - Carry On exhibition at San Francisco's Chinese Cultural Center</image:title>
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      <image:title>Reviews - Justin Wong - Illustration by Justin Wong</image:title>
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      <image:title>Reviews - Justin Wong - Illustration by Justin Wong</image:title>
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      <image:title>Reviews - Justin Wong - Illustration by Justin Wong</image:title>
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      <image:title>Reviews - Justin Wong - Illustration from the series From Home to Home by Justin Wong. Courtesy of the artist.</image:title>
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      <image:title>Reviews - Justin Wong - Illustration from the series From Home to Home by Justin Wong. Courtesy of the artist.</image:title>
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    <loc>https://www.roborantreview.com/reviews/6mwhbq2ie63tc46gi75ivx5b7l6x6t</loc>
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    <lastmod>2026-04-03</lastmod>
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      <image:title>Reviews - In the Company of Still Life, ArtYard, Frenchtown, New Jersey - Make it stand out</image:title>
      <image:caption>Susan Jane Walp, Blueberries on a White Cloth, oil on linen,1997, 9" x 9". Collection of the Artist. Courtesy of ArtYard/Photo, photo by Paul Warchol</image:caption>
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      <image:title>Reviews - In the Company of Still Life, ArtYard, Frenchtown, New Jersey - Make it stand out</image:title>
      <image:caption>Margaret Parish, Windowsill Installation, 2026, mixed media and found objects, dimensions variable. Courtesy of ArtYard/Photo, photo by Paul Warchol.</image:caption>
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      <image:title>Reviews - In the Company of Still Life, ArtYard, Frenchtown, New Jersey - Make it stand out</image:title>
      <image:caption>Left, Allie Webb, Teabags, 2024, Linocut relief print on Stonehenge, 16" x 15" Maple frame by Alex Cohen. right, Johnny Izatt-Lowry, 4 Pieces of asparagus, on a table, ii, 2021, pigment and pastel on crepe, 18' x 20" Collection of Aubrey Levinthal and Alex Kursman. Courtesy of Cooke Latham Gallery. on table: Mayumi Sarai, Basket of Oranges After Van Gogh, 2025, wood, 12" x 9" x 8". Courtesy of ArtYard/Photo, photo by Paul Warchol.</image:caption>
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      <image:title>Reviews - In the Company of Still Life, ArtYard, Frenchtown, New Jersey - Make it stand out</image:title>
      <image:caption>Left Alex Cohen, Still Life with Gerber Daisy, 2022, oil on board, 12" x12". Artist gessoed frame. John F. Peto, Still Life with Mug, Pipe, and Matchstick, c. 1890's Oil on board, 9" x 6 1/8" Private Collection Courtesy of ArtYard/Photo, photo by Paul Warchol.</image:caption>
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      <image:title>Reviews - In the Company of Still Life, ArtYard, Frenchtown, New Jersey - Make it stand out</image:title>
      <image:caption>Edward Gorey, Papier maché doughnut (diameter 4') made by D. Guest, from Alms for Oblivion, 1978 Pen and ink on paper, 4.25” x 6.25” Copyright 1978, Maple frame by Alex Cohen. Courtesy of the Edward Gorey Charitable Trust Courtesy of ArtYard/Photo, photo by Paul Warchol.</image:caption>
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      <image:title>Reviews - In the Company of Still Life, ArtYard, Frenchtown, New Jersey - Make it stand out</image:title>
      <image:caption>Robert M. Kulicke: Two Peaches, 1988 Oil on gessoed masonite, 6 1/8" x 8 1/2" Artist’s gold leaf and faux marble Casetta frame. Red and Pink Flowers, c. 1980's Oil on museum board, 6" x 6". 22 Karat Gold Louis 14th frame by Pam Sheehan. Still Life with Sweet Williams, 1987 Oil on panel, 7 1/4" x 7" Artist’s fruitwood frame. Wedge of Watermelon, 1985-1986 Oil on panel, 5 1/4" x 5 3/4" Artist’s gessoed cast frame. John F.Peto, Still life with Jug and Cakes, c. 1980's. Oil on board, 6 1/2" x 9 1/2" Photo by Frank Parisi. Courtesy of John F. Peto Studio Museum. Brian Guerin: Fruit, 2026, Unfired wild earthenware clay, Pit-fired wild earthenware clay. Cup 1, 2019, Porcelain, 3 3/4 x 2 1/4 x 2 1/4".  Courtesy of ArtYard/Photo, photo by Paul Warchol.</image:caption>
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      <image:title>Reviews - In the Company of Still Life, ArtYard, Frenchtown, New Jersey - Make it stand out</image:title>
      <image:caption>Alisa Maslova, A Holiday That is Always With You, 2023, Oil on canvas, 19.7" x 23.6". Carved gessoed frame by Alex Cohen. Collection of Alex Cohen and Clara Weishahn Installation collaboration: flowers: Clara Weishahn, metal vessels: Margaret Parish Courtesy of ArtYard/Photo, photo by Paul Warchol.</image:caption>
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  <url>
    <loc>https://www.roborantreview.com/reviews/jim-campbell</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-04-02</lastmod>
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      <image:title>Reviews - Jim Campbell - Jim Campbell</image:title>
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      <image:title>Reviews - Jim Campbell - Jim Campbell's Salesforce Tower, San Francisco, CA</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1774830827983-NJ3U7TMECWF6FFZBG4ZH/635e12a3b59636b4e56ba6d5_IMG_3279_re_jc_master_crvs4+%281%29.jpg</image:loc>
      <image:title>Reviews - Jim Campbell - Last Day In The Beginning Of March, 2003 Dimensions Variable 26 light bulbs, custom electronics, speakers, sound Edition of 1</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1774830907797-64602UU28YXHRPQB839O/635e12a3708045617d4b250f_I08-2HallucinationRE-scaled+%281%29.jpg</image:loc>
      <image:title>Reviews - Jim Campbell - Hallucination, 1990 Dimensions Variable</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1774830957439-EEI77T6Z8QRD9FMFJ23A/635e12a4c7a1a74d14709c49_shock-treatment-new_03.jpg</image:loc>
      <image:title>Reviews - Jim Campbell - Shock Treatment, 1988 Dimensions Variable Video monitor, video camera, custom electronics Edition of 1</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1774831045418-IRRPMDY75D86ULFM8RRZ/637511bca7f8b703190fb2d0_mother-father_019_both_8bit-1.jpg</image:loc>
      <image:title>Reviews - Jim Campbell - PHOTO OF MY MOTHER (1996) // PORTRAIT OF MY FATHER (1994 TO 1995), 1996 71 x 15 x 6 in Custom electronics, glass, photograph, LCD material</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1774831215417-Y4JI6VUX63UVQTMXMYCB/63496ac1f22b13062c19e8e9_JC__023.jpg</image:loc>
      <image:title>Reviews - Jim Campbell - Tilted Plane, 2011 Variable dimensions Custom electronics, LEDs, light bulbs, wire, steel</image:title>
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  <url>
    <loc>https://www.roborantreview.com/reviews/rupy-c-tut</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-04-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/e5840d36-e6ab-42ab-a7a0-539fc629b94b/Screenshot+2026-03-27+at+5.20.44%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Rupy C. Tut - Rupy C. Tut Portrait Courtesy of the artist and Jessica Silverman, San Francisco Photo: Em Monforte</image:title>
      <image:caption>Rupy C. Tut Portrait Courtesy of the artist and Jessica Silverman, San Francisco Photo: Em Monforte</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/3af0e5c0-1485-4e5f-b57b-43774d2282cf/Screenshot+2026-03-27+at+5.20.58%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Rupy C. Tut - Make it stand out</image:title>
      <image:caption>ICA SF Rupy C Tut The Picnic Potluck Installation Photo by Nicholas Lea Bruno</image:caption>
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      <image:title>Reviews - Rupy C. Tut - Make it stand out</image:title>
      <image:caption>ICA SF Rupy C Tut The Picnic Potluck Installation Photo by Nicholas Lea Bruno</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/5d9fad67-5e7a-464a-b051-edc14177377d/Screenshot+2026-03-27+at+5.21.27%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Rupy C. Tut - Make it stand out</image:title>
      <image:caption>Rupy C. Tut, Portrait of a Woman, 2023. Courtesy of the artist and Jessica Silverman, San Francisco. Photo: Phillip Maisel. This is hanging in the National Portrait Gallery.</image:caption>
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  <url>
    <loc>https://www.roborantreview.com/reviews/jonathan-runcio-shadow-work-et-al-gallerynbsp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/6e0e0e28-851f-4907-aa55-711640f7e166/Screenshot+2026-03-27+at+6.41.11%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Jonathan Runcio, Shadow Work, Et al. Gallery&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Congo/Ognoc. Oil paint, rabbit skin glue, plywood, hardware. 18 x 24 inches. 2026.</image:caption>
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      <image:title>Reviews - Jonathan Runcio, Shadow Work, Et al. Gallery&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Tega/Aget. Oil paint, rabbit skin glue, plywood, hardware. 22 x 29 inches. 2026.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/4d682f67-f004-4a99-9d41-ca5348a6732f/Screenshot+2026-03-27+at+6.41.47%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Jonathan Runcio, Shadow Work, Et al. Gallery&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Ceres/Serec. Oil paint, rabbit skin glue, plywood, hardware. 34 x 18 inches. 2026.</image:caption>
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  <url>
    <loc>https://www.roborantreview.com/reviews/ydmrldpvi4if88rmonf4wokd0oi7mz</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-30</lastmod>
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      <image:title>Reviews - Deep with a Camera: A Profile of Photographer Brian McDonnell - Make it stand out</image:title>
      <image:caption>Shipyard worker, Maker Series, by Brian McDonnell</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c223fe04-e6da-495e-ac4b-8493861064cb/Screenshot+2026-03-27+at+6.08.19%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Deep with a Camera: A Profile of Photographer Brian McDonnell - David Slader in his studio by Brian McDonnell</image:title>
      <image:caption>The camera started clicking . . . and we talked. About why I paint, about what he sees through the lens, about craft and the task of creating, and about the mysterious magic and challenge of the photo portrait . . . and about our lives, our goals and our history. McDonnell’s camera was an excuse, a prop, to engage and discover each other. A camera records the surface, but a portrait photographer needs to delve deep, to find soul. This is what McDonnell came up with.</image:caption>
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      <image:title>Reviews - Deep with a Camera: A Profile of Photographer Brian McDonnell - Hat Maker, Maker Series, by Brian McDonnell</image:title>
      <image:caption>For McDonnell, knowing into another comes from first knowing into himself. Henri Cartier-Bresson called it “looking for the silence in somebody.” It is his way, McDonnell told me, “to hold on to the self we are becoming.” For many artists, creating is how we cope with the world, how we survive griefs and losses and keep faith with yet unfulfilled hopes. It is a railing to hold onto as life spins. So it is for McDonnell. And so it is with many of his favorite subjects, as in this portrait of a hatmaker absorbed by his craft.</image:caption>
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      <image:title>Reviews - Deep with a Camera: A Profile of Photographer Brian McDonnell - Model by Brian McDonnell</image:title>
      <image:caption>McDonnell has little interest in glamour shots, but when he does it, he can’t help but read the subject’s energy. There is the beauty and the gloss—and more than a hint of heat. But this model is not just posing, she is focused and engaged. She has purpose.</image:caption>
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      <image:title>Reviews - Deep with a Camera: A Profile of Photographer Brian McDonnell - David Slader in his studio by Brian McDonnell</image:title>
      <image:caption>In his The Heart of Craft project, McDonnell describes how his creative process comes through the creativity of his subjects. He wrote: “Craft shapes more than objects. It shapes the one who practices it …These moments do not announce themselves. They surface when things slow down, when there is room for something genuine to emerge. In my hands, I see knowledge made physical, skill refined through dedication.”</image:caption>
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      <image:title>Reviews - Deep with a Camera: A Profile of Photographer Brian McDonnell - Make it stand out</image:title>
      <image:caption>Winston Churchill by Yousuf Karsh</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/cc760821-73b9-41f0-932e-5efc869d2580/Screenshot+2026-03-27+at+6.09.32%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Deep with a Camera: A Profile of Photographer Brian McDonnell - Make it stand out</image:title>
      <image:caption>Meryl Streep by Annie Leibovitz</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/94224adf-93cf-417f-b26b-00569224c94a/Screenshot+2026-03-27+at+6.09.43%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Deep with a Camera: A Profile of Photographer Brian McDonnell - Make it stand out</image:title>
      <image:caption>Blacksmith, Maker Series, by Brian McDonnell</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/3ad29e56-afdc-4626-89c4-ded9b6c3cacd/Screenshot+2026-03-27+at+6.09.53%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Deep with a Camera: A Profile of Photographer Brian McDonnell - Proud Man by Brian McDonnell</image:title>
      <image:caption>McDonnell is a storyteller. He is increasingly drawn to subjects with years behind them and a lifetime of stories. But we all want to be seen and heard, and McDonnell’s camera can shine a light on any one of us looking forward, looking back, or coping with invisibility. In this image, he was drawn to a moment of pride in a homeless man’s eyes.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/5c17f8ba-856c-44de-b6e7-53aa6f5cc214/Screenshot+2026-03-27+at+6.10.04%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Deep with a Camera: A Profile of Photographer Brian McDonnell - Shipyard worker, Maker Series, by Brian McDonnell</image:title>
      <image:caption>As McDonnell and I talked, he began to reveal his story, much as I had to him a week earlier. Most of us see the present through the eyes of the past, and every new experience has a subtext of history, usually so quiet and subtle that we are unaware. McDonnell has an unusual power to concentrate on what is immediately before him. Observation is his strength, memory is not. “This work is necessary for me,” he has written. “It is a way to understand connection through how others relate to their craft. It helps me hold the truths my memory cannot keep ...”</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/f0f0c4bf-518b-4ce7-9597-40ff22eb2d68/Screenshot+2026-03-27+at+6.10.16%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Deep with a Camera: A Profile of Photographer Brian McDonnell - Alexandra Becker Black by Brian McDonnell</image:title>
      <image:caption>Free of associations, McDonnell can see the truth behind the curtain. And, with his camera as a social shield, he can also intrude without being intrusive and create portraits of exceptional intimacy as in this one of the artist Alexandra Becker Black.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/bacb638e-b152-4bb6-b3f5-dc720a4c2485/Screenshot+2026-03-27+at+6.10.25%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Deep with a Camera: A Profile of Photographer Brian McDonnell</image:title>
      <image:caption>Oscar Keeping Watch, by Brian McDonnell McDonnell reads the energy in the person before him with a clarity that might unnerve most of us—creating less a portrait than a visual poem. It also allows him to notice unplanned moments like this view of my shoes and my dog, Oscar. Brian McDonnell might struggle to hold onto past experiences, but that frees his artistic eye and his camera to record the present with an uncanny focus. His lens will find you... and who you are.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/seeing-silence-the-paintings-of-helene-schjerfbeck-the-metropolitan-museum-of-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/2fd67734-c714-44bc-a99d-e4cc682009d5/Finish+Art.png</image:loc>
      <image:title>Reviews - Seeing Silence: The Paintings of Helene Schjerfbeck, The Metropolitan Museum of Art - Make it stand out</image:title>
      <image:caption>From left: Self-portrait (1884–1885), Self-portrait, Black Background (1919) and Self-portrait with Red Spot (1944).Photos: Jenni Nurminen, Hannu Aaltonen, Hannu Aaltonen/Finnish National Gallery/Ateneum Art Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/58a2be38-6f49-4a04-8eb2-68f3565a2b00/Screenshot+2026-03-20+at+5.37.34%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Seeing Silence: The Paintings of Helene Schjerfbeck, The Metropolitan Museum of Art - Helene Schjerfbeck (Finnish, 1862–1946), Silence, tempera and oil on canvas, 67.2 × 59.2 × 6.5 cm (26 7/16 × 23 5/16 × 2 9/16 cm), 1907, Nordea Art Foundation Finland.</image:title>
      <image:caption>In most of her portraits, Schjerfbeck captured her family members or friends in the middle of their own activities, oblivious to the artist’s presence. This naturalistic approach had always been in her artistic genes, but she started from a vastly different place before she arrived at the modernist destination, as seen in Silence.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/7b56bff4-307a-4b24-a350-60e1ada91cc8/Screenshot+2026-03-20+at+5.37.43%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Seeing Silence: The Paintings of Helene Schjerfbeck, The Metropolitan Museum of Art - Make it stand out</image:title>
      <image:caption>Helene Schjerfbeck (Finnish, 1862–1946), The Convalescent, oil on canvas, 92 × 107 cm (36 1/4 × 42 1/8 in.), 1888, Ateneum Art Museum, Helsinki.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1f9dda02-da96-4d8d-a8da-c70176aabc4b/Helen+Finland+ARt.jpg</image:loc>
      <image:title>Reviews - Seeing Silence: The Paintings of Helene Schjerfbeck, The Metropolitan Museum of Art - Make it stand out</image:title>
      <image:caption>Helene Schjerfbeck (Finnish, 1862–1946), The Lace Shawl, oil on canvas, 58 × 36.5 cm (22 13/16 x 14 3/8 in.), 1920, the Met.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/81986f31-30f0-44da-a924-bea56a523b9f/Screenshot+2026-03-20+at+5.37.57%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Seeing Silence: The Paintings of Helene Schjerfbeck, The Metropolitan Museum of Art - Make it stand out</image:title>
      <image:caption>Helene Schjerfbeck (Finnish, 1862–1946), The Tapestry, oil on canvas, 89.5 × 92 × 2.5 cm (35 1/4 × 36 1/4 × 1 in.), 1914-1916, private collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/ae8a63c7-0802-4ef5-b637-d7231aef3e9c/Screenshot+2026-03-20+at+5.38.07%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Seeing Silence: The Paintings of Helene Schjerfbeck, The Metropolitan Museum of Art - Helene Schjerfbeck (Finnish, 1862–1946), Red Apples, oil on canvas, 40.5 × 40.5 cm (15 15/16 × 15 15/16 in.), 1915, Ateneum Art Museum, Helsinki.</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1ab1bd6e-e89f-49a8-be80-e54686fd2c59/Screenshot+2026-03-20+at+5.38.15%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Seeing Silence: The Paintings of Helene Schjerfbeck, The Metropolitan Museum of Art - Helene Schjerfbeck (Finnish, 1862–1946), Still Life with Blackening Apples, oil on canvas, 36 × 50 cm (14 3/16 × 19 11/16 in.), 1944, Didrichsen Art Museum, Helsinki.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a6d33ecf-8b74-444d-84d0-ea295d7a522c/Screenshot+2026-03-20+at+5.38.27%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Seeing Silence: The Paintings of Helene Schjerfbeck, The Metropolitan Museum of Art - Make it stand out</image:title>
      <image:caption>Helene Schjerfbeck (Finnish, 1862–1946), Self-Portrait, Light and Shadow, oil on canvas, 34 × 36 cm (13 3/8 × 14 3/16 in.), Villa Gyllenberg, Helsinki.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/ken-feingold</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1774224433345-YLNS02YGRCS7287VLKBG/Ken_Feingold_2021.jpg</image:loc>
      <image:title>Reviews - Ken Feingold - Artist Ken Feingold</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1774224424360-Y9YCTX7PK0HJSUV4ONCC/61Mh4%2BJErUL._AC_UF1000%2C1000_QL80_.jpg</image:loc>
      <image:title>Reviews - Ken Feingold - The Animal, Vegetable, Mineralness of Everything 2004</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1774224425732-MYRVL2517XASTY4J4GUC/sddefault.jpg</image:loc>
      <image:title>Reviews - Ken Feingold - Box of Men 2007</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1774224673231-KRSC4AKDOH7447FJXYF8/Screenshot+2026-03-22+at+5.09.36%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Ken Feingold - Sinking Feeling (2001), detail</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1774224672908-DKV0T2FRCKNRDOZQD6AQ/Screenshot+2026-03-22+at+5.10.07%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Ken Feingold - Self-Portrait as the Center of the Universe (2001), installation view</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1774224675035-IFCI4LSMZQ6KNU0PMDQC/Screenshot+2026-03-22+at+5.10.21%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Ken Feingold - If/Then (2001)</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/making-moves-a-collection-of-feminisms-at-the-crocker-art-museum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/4cab495b-8c71-46a3-ada7-6eeb5b96c93e/Faith-Wilding_FW1168_1698857946.jpg</image:loc>
      <image:title>Reviews - Making Moves: A Collection of Feminisms at the Crocker Art Museum - Make it stand out</image:title>
      <image:caption>Faith Wilding, Firebrush Cactus, 2020, watercolor, pencil, and gold leaf on paper, 25.25 x 32.75 in</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/32267201-3b76-4cae-a286-9110c27795d6/Screenshot+2026-03-20+at+4.40.40%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Making Moves: A Collection of Feminisms at the Crocker Art Museum - Make it stand out</image:title>
      <image:caption>Angelica Kauffman, Portrait of the Singer Sarah Bates, c, 1780, oil on canvas, 23.25 x 19 in</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/bd5a57d7-b133-4f3d-b824-8e9894e82755/3+OKLA+HOMMA+OHOYO.webp</image:loc>
      <image:title>Reviews - Making Moves: A Collection of Feminisms at the Crocker Art Museum - Make it stand out</image:title>
      <image:caption>Raven Halfmoon, Okla Homma Ohoyo, 2020, stoneware and glaze, 36 x 16 x 14 in</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/ff3c9d74-2b44-43a2-b1d1-1ddb95229129/Screenshot+2026-03-20+at+4.40.56%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Making Moves: A Collection of Feminisms at the Crocker Art Museum - Make it stand out</image:title>
      <image:caption>Roz Ritter, Self Portrait, 1962 - 1977, deconstructed linen wedding dress (belonging to the artist), hand embroidery, photo transfer, 61 x 26 x 2 in</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/554cdfb1-a03f-4ab3-8a83-5524445faa77/Screenshot+2026-03-20+at+4.41.22%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Making Moves: A Collection of Feminisms at the Crocker Art Museum - Make it stand out</image:title>
      <image:caption>Frida Kahlo, Self-Portrait with Loose Hair, 1947, oil on masonite, 24 x 17.75 in</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/women-of-afrofuturism-sfo-airport-harvey-milk-terminal-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/8c1edc96-eb71-4ad5-a7f7-013fcb5b1390/Screenshot+2026-03-20+at+4.15.54%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Women of Afrofuturism, SFO Airport, Harvey Milk Terminal 1 - Make it stand out</image:title>
      <image:caption>Octavia E. Butler, 2024 | Nettrice Gaskins, Digital art / AI-assisted generative portrait Courtesy of SFO Museum, San Francisco International Airport</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/530fde2f-0672-43ba-a32e-bf967dddd0ac/Screenshot+2026-03-20+at+4.14.48%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Women of Afrofuturism, SFO Airport, Harvey Milk Terminal 1 - Make it stand out</image:title>
      <image:caption>Installation view featuring works by Nettrice Gaskins in Women of Afrofuturism Courtesy of SFO Museum, San Francisco International Airport</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/878b474a-ece4-4f9b-9f97-0b5fe9aa76c4/Screenshot+2026-03-20+at+4.15.20%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Women of Afrofuturism, SFO Airport, Harvey Milk Terminal 1 - Make it stand out</image:title>
      <image:caption>Garments by D. Denenge Duyst-Akpem | Afrofuturist wearable art installation Featured in Women of Afrofuturism | Courtesy of SFO Museum, San Francisco International Airport</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1ae7b267-46d2-4248-ab66-c565d4615155/Screenshot+2026-03-20+at+4.16.48%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Women of Afrofuturism, SFO Airport, Harvey Milk Terminal 1 - Make it stand out</image:title>
      <image:caption>Afro-Surrealist Carnival (series)  2023  Artwork by Nettrice Gaskins (b. 1970) Tools applied: Generative AI (text-2-image and neural style transfer) and Adobe Photoshop</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/hidden-harmony-lady-henze-amp-joshua-rampage</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1774046440588-C871JSDP02P99OLBRUGQ/15.%252BA%252Bsecret%252Bsurrender.%252B2026.%252B51%252Bx%252B31%252Bin.%252B130%252Bx%252B79%252Bcm.%252BOil%252Band%252Boil%252Bpastel%252Bon%252Bcanvas%252B%2525281%252529.jpg</image:loc>
      <image:title>Reviews - Hidden Harmony: Lady Henze &amp;amp; Joshua Rampage</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1774046232901-BZSHSVENW2MEWR1PS8AK/LadyHenze-OneLifeStand+%281%29.jpg</image:loc>
      <image:title>Reviews - Hidden Harmony: Lady Henze &amp;amp; Joshua Rampage</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/fb1cb093-cd7a-4b5f-8fda-557f890ba58a/Screenshot+2026-03-20+at+3.40.02%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Hidden Harmony: Lady Henze &amp;amp; Joshua Rampage - Make it stand out</image:title>
      <image:caption>Lady Henze Loud Places</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c0fee7df-aefb-4db9-a340-387b7591a3bb/RR+Lady+Henze.png</image:loc>
      <image:title>Reviews - Hidden Harmony: Lady Henze &amp;amp; Joshua Rampage - Make it stand out</image:title>
      <image:caption>Lady Henze, Nobody Speak</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/d305ec0e-9dcf-4341-9cd1-f0b80d0232cc/RR.+Like+a+pulse+spilling+secrets+before+the+act+begins.+2026.+46+x+40+in.+117+x+102+cm.+Oil+and+oil+pastel+on+canvas+%281%29.jpg</image:loc>
      <image:title>Reviews - Hidden Harmony: Lady Henze &amp;amp; Joshua Rampage - Make it stand out</image:title>
      <image:caption>Like a pulse spilling secrets before the act begins. 2026. 46 x 40 in. 117 x 102 cm. Oil and oil pastel on canvas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/17b49439-9a5d-4891-a04f-993a1b1ab70b/Screenshot+2026-03-20+at+3.43.23%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Hidden Harmony: Lady Henze &amp;amp; Joshua Rampage - Make it stand out</image:title>
      <image:caption>Along with the pounding of his most secret heart. 2025. 42 x 40 in. 107 x 102 cm. Oil and oil pastel on canvas</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/chris-feliciano-arnold-and-ingrid-rojas-contreras</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1773871020164-ATXAEZ63OFNQQFHT5M4H/Screenshot+2026-03-18+at+2.55.56%E2%80%AFPM+%281%29.png</image:loc>
      <image:title>Reviews - Chris Feliciano Arnold and Ingrid Rojas Contreras</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1773544418761-D5QSJ6CS8ISDHSDDPB19/maxresdefault.jpg</image:loc>
      <image:title>Reviews - Chris Feliciano Arnold and Ingrid Rojas Contreras - Chris Feliciano Arnold</image:title>
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      <image:title>Reviews - Chris Feliciano Arnold and Ingrid Rojas Contreras - Ingrid Rojas Contreras</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1773544416153-9AG2VJ233X0PKELH1V76/81A8CqjS5xL._AC_UF1000%2C1000_QL80_.jpg</image:loc>
      <image:title>Reviews - Chris Feliciano Arnold and Ingrid Rojas Contreras</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1773544417275-0NZKQMLZYG7ZKBL9JPRR/TheManWhoCouldMoveClouds.webp</image:loc>
      <image:title>Reviews - Chris Feliciano Arnold and Ingrid Rojas Contreras</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1773544416487-MVPQKS3AD7GGZZUT3JRW/cfarnold_author_photo_2018.webp</image:loc>
      <image:title>Reviews - Chris Feliciano Arnold and Ingrid Rojas Contreras - Chris Feliciano Arnold</image:title>
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    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1773544420506-FIC5LZABEGFLZG89PAGB/third_bank_cover.webp</image:loc>
      <image:title>Reviews - Chris Feliciano Arnold and Ingrid Rojas Contreras</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/laina-terpstra-solutio-incline-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/d42b518a-aeb6-442b-a5f7-404cd26ddee1/Screenshot+2026-03-19+at+8.54.05%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Laina Terpstra, Solutio, Incline Gallery - Make it stand out</image:title>
      <image:caption>Laina Terpstra, Solutio, acrylic on canvas, 36 x 48 inches, 2025.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Reviews - Laina Terpstra, Solutio, Incline Gallery - Make it stand out</image:title>
      <image:caption>Laina Terpstra, Variation #2 from Jacques Louis David’s ‘The Death of Socrates,’ oil on canvas, 13.5 x 20 inches, 2016.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/7a7177db-4fbf-4987-ab4c-8c4df64e5300/Screenshot+2026-03-19+at+8.54.23%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Laina Terpstra, Solutio, Incline Gallery - Make it stand out</image:title>
      <image:caption>Laina Terpstra, Variation #2 from Jan Steen’s ‘The Card Players in an Interior’, acrylic on canvas, 48 x 60 inches, 2025.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/9b1fbc51-c4ba-4811-a2c6-34d7e2215107/Screenshot+2026-03-19+at+8.54.35%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Laina Terpstra, Solutio, Incline Gallery - Make it stand out</image:title>
      <image:caption>Laina Terpstra, Untitled, acrylic on canvas, 48 x 48 inches, 2025.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/e5b97d60-dfa5-4f29-b075-37555b75adf0/Screenshot+2026-03-19+at+8.54.43%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Laina Terpstra, Solutio, Incline Gallery - Make it stand out</image:title>
      <image:caption>Laina Terpstra, Untitled, acrylic on canvas, 48 x 48 inches, 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/8e3981d8-d765-4e0e-944c-998013a095d2/Screenshot+2026-03-19+at+8.54.57%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Laina Terpstra, Solutio, Incline Gallery - Make it stand out</image:title>
      <image:caption>Laina Terpstra, Self Portrait, Black and white housepaint on paper, 56 x 38 inches, 2013.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/e7edfffd-6bcc-4888-8f29-f6457ba80fb2/Screenshot+2026-03-19+at+8.55.06%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Laina Terpstra, Solutio, Incline Gallery - Make it stand out</image:title>
      <image:caption>Laina Terpstra, Untitled (Vibrations no. 1), oil on canvas, 16.5 x 22 inches, 2016.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c6126253-e775-4048-89d2-bc923eac009f/Screenshot+2026-03-19+at+8.55.16%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Laina Terpstra, Solutio, Incline Gallery - Make it stand out</image:title>
      <image:caption>Laina Terpstra, Unfurling, acrylic on canvas, 36 x 48 inches, 2025.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/0dfd1c48-3525-4ae2-a7b2-d20c73de000c/Screenshot+2026-03-19+at+8.55.33%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Laina Terpstra, Solutio, Incline Gallery - Make it stand out</image:title>
      <image:caption>Laina Terpstra, installation at Incline Gallery, March 2026.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/amy-sherald-american-sublime-baltimore-museum-of-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/7c3d7b74-e552-4bbc-a305-1ef5932acf06/6.Amy+Sherald_photo+by+Olivia+Lifungula.jpg</image:loc>
      <image:title>Reviews - Amy Sherald, American Sublime, Baltimore Museum of Art - By Liz Goldner</image:title>
      <image:caption>During my recent tour of “American Sublime” at the Baltimore Museum of Art, the many visitors there (mostly women of all ages and races) were so enchanted by the 40-plus portraits that they began to spontaneously converse with each other, to share stories from their own lives. Indeed Amy Sherald’s (born 1973) subjects appear to look out directly from their canvases, to reveal their true natures to viewers, while inviting us to dialogue.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/38eb0015-5ebf-41c2-b86a-6d4ac288e2b8/1.Trans+Forming+Liberty.jpg</image:loc>
      <image:title>Reviews - Amy Sherald, American Sublime, Baltimore Museum of Art - Make it stand out</image:title>
      <image:caption>Amy Sherald, Trans Forming Liberty, 2024, Oil on linen, 123 × 76 1/2 × 2 1/2 in.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/edd91219-3ee0-4b2c-b8ac-4ff780f79b4e/2.They+Call+Me+Redbone.jpg</image:loc>
      <image:title>Reviews - Amy Sherald, American Sublime, Baltimore Museum of Art - Make it stand out</image:title>
      <image:caption>Amy Sherald, They Call Me Redbone, 2009, Oil on linen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a4f7a7fe-5ce4-4717-ac7d-bc1e85f87353/3.Breonna+Taylor.jpg</image:loc>
      <image:title>Reviews - Amy Sherald, American Sublime, Baltimore Museum of Art - Make it stand out</image:title>
      <image:caption>Amy Sherald, Breonna Taylor, 2020, Oil on linen, 54 × 43 × 2 1/2 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/9c5843c2-1f0c-4357-b4de-889fe255c238/4.For+Love%2C+and+for+Country.jpg</image:loc>
      <image:title>Reviews - Amy Sherald, American Sublime, Baltimore Museum of Art - Make it stand out</image:title>
      <image:caption>Amy Sherald, For Love, and for Country, 2022, Oil on linen, 3 1/4 × 93 1/8 × 2 1/2 in</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/f0cfbbd8-7b17-44c5-960e-a22c6a55f859/5.Michelle+LaVaughn+Robinson+Obama.jpg</image:loc>
      <image:title>Reviews - Amy Sherald, American Sublime, Baltimore Museum of Art - Make it stand out</image:title>
      <image:caption>Amy Sherald, Michelle LaVaughn Robinson Obama, 2018, Oil on linen, 72 1/8 × 60 1/8 × 2 3/4 in.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/jerry-lyles-outside-blue-star-arts-complex-san-antonio-texas</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/8e349d0c-e109-4ff9-9b59-0f4d8e853770/Screenshot+2026-03-15+at+9.08.32%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Jerry Lyles, Outside, Print-Matrix Space, Upstairs Studios at Blue Star Arts Complex, San Antonio, Texas&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Jerry Lyles, Stadium Mesquite, oil on panel, 13 x 21 inches, 2018.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/7ec57119-f4f3-4fed-9bb0-2097c813c4df/Screenshot+2026-03-15+at+9.08.45%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Jerry Lyles, Outside, Print-Matrix Space, Upstairs Studios at Blue Star Arts Complex, San Antonio, Texas&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Jerry Lyles, The Shoulder Ends, oil on panel, 9 x 16 inches, 2024.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/0bb687ba-d0e1-4f46-a8a9-38f11ec01a7c/Screenshot+2026-03-15+at+9.08.55%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Jerry Lyles, Outside, Print-Matrix Space, Upstairs Studios at Blue Star Arts Complex, San Antonio, Texas&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Jerry Lyles, East Side Refrain, 12 x 24 inches, 2024.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/906d1366-c4dd-4096-b905-7bd259a3f20e/Screenshot+2026-03-15+at+9.09.04%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Jerry Lyles, Outside, Print-Matrix Space, Upstairs Studios at Blue Star Arts Complex, San Antonio, Texas&amp;nbsp; - Jerry Lyles, Untitled, oil on canvas.</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/f7f30106-ed6b-4b90-89bc-12ccff1aa457/Screenshot+2026-03-15+at+9.09.18%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Jerry Lyles, Outside, Print-Matrix Space, Upstairs Studios at Blue Star Arts Complex, San Antonio, Texas&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Jerry Lyles, Studio View, At the Truck Rest, oil on canvas, 2025.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/bc0ed6ec-2e60-4aca-9a5f-c4bb19fa113c/Screenshot+2026-03-15+at+9.16.23%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Jerry Lyles, Outside, Print-Matrix Space, Upstairs Studios at Blue Star Arts Complex, San Antonio, Texas&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Jerry Lyles, Untitled, oil on canvas, 2024.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c493adce-bf1d-487f-abe6-70f8cda31d20/Screenshot+2026-03-15+at+9.09.36%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Jerry Lyles, Outside, Print-Matrix Space, Upstairs Studios at Blue Star Arts Complex, San Antonio, Texas&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Jerry Lyles, Rest Stop on 281, oil on canvas, 12 x 16 inches, 2024.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/850622e1-328c-411d-b532-805f8cf2512b/Screenshot+2026-03-15+at+9.09.46%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Jerry Lyles, Outside, Print-Matrix Space, Upstairs Studios at Blue Star Arts Complex, San Antonio, Texas&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Jerry Lyles, Moon Rising, oil on canvas, 12 x 12 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/8fa606f0-223c-4a70-aeaf-9532e65bee8b/Screenshot+2026-03-15+at+9.09.54%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Jerry Lyles, Outside, Print-Matrix Space, Upstairs Studios at Blue Star Arts Complex, San Antonio, Texas&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Jerry Lyles, Soft Evening, oil on canvas, 12 x 12 inches, 2024.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/hkk0ceqchz4stke6bixpvdrf9vshut</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/68d6cda7-f943-401b-9d2d-3a4d6aaa3f2e/roborant+Scott+Snibbe.png</image:loc>
      <image:title>Reviews - Video Craft, Museum of Craft and Design - Make it stand out</image:title>
      <image:caption>Sydney Cash, ADHD Party, 2024 (detail). Steel frame, Flutex glass, computer generated drawings, self-contained lighting, mirror, fabric.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/900af103-b322-46ba-9090-98a5d7d813fb/Screenshot+2026-03-14+at+7.49.26%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Video Craft, Museum of Craft and Design - Make it stand out</image:title>
      <image:caption>Gregory Climer, The Animated Quilt of Nathan and Bryan, 2016-2022. Quilt panels, digital video.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/3acb4f38-d0fb-4257-9b43-7732d59d0d5d/Screenshot+2026-03-14+at+7.49.38%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Video Craft, Museum of Craft and Design - Make it stand out</image:title>
      <image:caption>Sabrina Gschwandtner, Arts and Crafts in American and Peruvian Weaving , 2016/2025. 16mm polyester film, polyester thread, LEDs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/27f7109c-7426-41d3-9265-96c1f4616525/Screenshot+2026-03-14+at+7.49.55%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Video Craft, Museum of Craft and Design - Make it stand out</image:title>
      <image:caption>Kelly Egan, Athyrium Felix-Femina (For Anna Atkins) , 2016 (detail). 35mm hand-coated and handmade cyanotype gelatin emulsion, animated optical sound.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/786629c6-9d6d-4b39-906d-99b98d4eefc0/Screenshot+2026-03-14+at+7.50.10%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Video Craft, Museum of Craft and Design - Make it stand out</image:title>
      <image:caption>Shaheer Zazai, ECfdV_EC, 2023 (detail). Digital video, 5:21.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/d18e80f5-34be-4c4e-a308-cb9140bcc54a/Screenshot+2026-03-14+at+7.50.19%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Video Craft, Museum of Craft and Design - Make it stand out</image:title>
      <image:caption>Richard Vijgen, Hyperthread series, 2024. Various yarns, Jacquard woven.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/63a1d9d5-e868-438c-8cb5-df49479ffbf4/Screenshot+2026-03-14+at+7.50.29%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Video Craft, Museum of Craft and Design - Make it stand out</image:title>
      <image:caption>Lauren Kalman, To Have or to Hold…, 2024. Red stoneware, digital video.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/d40mozfr553vfaxmywqxabcb7gwqz1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1773023221879-3FY1GANBWRP5AVLJ940G/IMG_4408.jpeg</image:loc>
      <image:title>Reviews - A Conversation with Jack Fischer - Jack Fischer</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1773023220966-IZAOCPZM1NTN4BYGFV0K/IMG_2334.jpeg</image:loc>
      <image:title>Reviews - A Conversation with Jack Fischer - Elana Cooper’s wall at the gallery and Elana Cooper</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1773023220760-5FT6XLPO8PAHJUXKP5NF/IMG_2349.jpeg</image:loc>
      <image:title>Reviews - A Conversation with Jack Fischer - Artist who works at Creativity Explored</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1773023223024-W6II9UJWYF73KWV0RA7G/IMG_5974.jpeg</image:loc>
      <image:title>Reviews - A Conversation with Jack Fischer - Jack's prized fish trap</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1773023226946-CSUWE2FRPXRL8CH8HKYM/IMG_6147.jpeg</image:loc>
      <image:title>Reviews - A Conversation with Jack Fischer - A review by Kenneth Baker from August ,2007 show of Marlon Mullen paintings</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1773023226718-7FW2J0GO1HJ0VJZH9WZZ/Unknown+2.jpeg</image:loc>
      <image:title>Reviews - A Conversation with Jack Fischer - The early days, a business card for the gallery</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1773023228694-Q894UBX2YGQ5VMQW40M0/Unknown.jpeg</image:loc>
      <image:title>Reviews - A Conversation with Jack Fischer - Postcard from a 2004 show featuring work of 3 artists from Creative Growth : Judith Scott, Dwight Mackintosh, and Daniel Miller.</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/kevin-t-leongs-an-artist-introductionnbspstudio-shop-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a9ea86ca-3070-4e66-b631-8ef65e404009/Screenshot+2026-03-12+at+5.27.00%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Kevin T. Leong’s: An Artist Introduction,&amp;nbsp;Studio Shop Gallery - Make it stand out</image:title>
      <image:caption>Kevin T. Leong, Orange Tabletop, oil on linen, 34 x 32 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/de347694-c813-41f6-9172-58ce4480f4b3/Screenshot+2026-03-12+at+5.27.14%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Kevin T. Leong’s: An Artist Introduction,&amp;nbsp;Studio Shop Gallery - Make it stand out</image:title>
      <image:caption>Kevin T. Leong, installation view, courtesy of Studio Shop Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/da82e0ed-c6a4-4d50-bceb-d3161f6186c4/Screenshot+2026-03-12+at+5.27.23%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Kevin T. Leong’s: An Artist Introduction,&amp;nbsp;Studio Shop Gallery - Make it stand out</image:title>
      <image:caption>Kevin T. Leong, White Sweater, oil on linen, 26 x 24 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/e9c1ac00-3214-42ca-bb3e-6e3c17bc4640/Screenshot+2026-03-12+at+5.27.34%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Kevin T. Leong’s: An Artist Introduction,&amp;nbsp;Studio Shop Gallery - Make it stand out</image:title>
      <image:caption>Kevin T. Leong, Gallery 2, oil on linen, 50 x 56 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/fc50b495-e882-4730-960f-f934fc282071/Screenshot+2026-03-12+at+5.27.46%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Kevin T. Leong’s: An Artist Introduction,&amp;nbsp;Studio Shop Gallery - Make it stand out</image:title>
      <image:caption>Kevin T. Leong, The Swimmer, oil on canvas, 52 x 48 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/d035de1e-0cd3-4a17-9686-2b37d53b60f4/Screenshot+2026-03-12+at+5.27.53%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Kevin T. Leong’s: An Artist Introduction,&amp;nbsp;Studio Shop Gallery - Make it stand out</image:title>
      <image:caption>Kevin T. Leong, Striped Shirt, oil on canvas, 52 x 48 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/52be32f8-b065-451a-b187-615ef629d9f0/Screenshot+2026-03-12+at+5.28.00%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Kevin T. Leong’s: An Artist Introduction,&amp;nbsp;Studio Shop Gallery - Make it stand out</image:title>
      <image:caption>Kevin T. Leong, Gold Lamp, oil on linen, 36 x 34 in.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/olin-marcus-johanssen-guy-diehl-a-retrospective-works-from-1957-2025-at-caada-college</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-13</lastmod>
    <image:image>
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      <image:title>Reviews - Olin Marcus Johanssen, Guy Diehl: A Retrospective - Works from 1957-2025, Cañada College - Make it stand out</image:title>
      <image:caption>Installation photograph, courtesy of Emilio Villalba.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/bf7ddaa8-c483-48c4-92a4-5d5efe88b7c1/Guy+Diehl.png</image:loc>
      <image:title>Reviews - Olin Marcus Johanssen, Guy Diehl: A Retrospective - Works from 1957-2025, Cañada College - Make it stand out</image:title>
      <image:caption>Guy Diehl, Riverboat, graphite and crayon on paper, 8.5 × 11 inches, 1957.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/5d1591e1-f42b-412c-9f92-400a713a303a/Screenshot+2026-03-07+at+12.59.45%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Olin Marcus Johanssen, Guy Diehl: A Retrospective - Works from 1957-2025, Cañada College - Make it stand out</image:title>
      <image:caption>Guy Diehl, Norton Commando 750, acrylic on canvas, 24 × 24 inches, 1969.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/93a64b35-7471-449d-86fc-cf7a97f8dadf/guy+diehl+1.png</image:loc>
      <image:title>Reviews - Olin Marcus Johanssen, Guy Diehl: A Retrospective - Works from 1957-2025, Cañada College - Make it stand out</image:title>
      <image:caption>Guy Diehl, Four Beets, acrylic on canvas, 14 × 16 inches, 1970.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/9cbc9aef-0421-4500-ae20-3a830df654c2/Screenshot+2026-03-07+at+1.00.00%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Olin Marcus Johanssen, Guy Diehl: A Retrospective - Works from 1957-2025, Cañada College - Make it stand out</image:title>
      <image:caption>Guy Diehl, Cocoanut Grove, (Santa Cruz, CA), acrylic on canvas, 48 × 36 inches, 1984.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/9715cf6e-78f8-4c68-a91e-cee23e4dc544/Screenshot+2026-03-07+at+1.02.14%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Olin Marcus Johanssen, Guy Diehl: A Retrospective - Works from 1957-2025, Cañada College - Make it stand out</image:title>
      <image:caption>Guy Diehl, Hot Dog &amp; Plate, acrylic on canvas, 12 × 16 inches, 1987.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1336aae7-d1b0-4f3d-8036-bba027403e00/Screenshot+2026-03-07+at+1.00.17%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Olin Marcus Johanssen, Guy Diehl: A Retrospective - Works from 1957-2025, Cañada College - Make it stand out</image:title>
      <image:caption>Guy Diehl, Still Life with Ilya Chashnik, acrylic on canvas, 24 × 36 inches, 2013.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/44d90055-47e1-460e-a1c3-2aa4c4f461f2/Screenshot+2026-03-07+at+1.01.02%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Olin Marcus Johanssen, Guy Diehl: A Retrospective - Works from 1957-2025, Cañada College - Make it stand out</image:title>
      <image:caption>Guy Diehl, Kelly's Coffee, acrylic on linen paper, 10.9 × 10.9 inches, 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/756e0235-d917-4898-a1dd-11b654c7bd5d/guy+23.png</image:loc>
      <image:title>Reviews - Olin Marcus Johanssen, Guy Diehl: A Retrospective - Works from 1957-2025, Cañada College - Make it stand out</image:title>
      <image:caption>Installation photograph, courtesy of Emilio Villalba.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/hilda-robinson-retrospective-beth-van-hoesen-felt-though-line-and-waling-the-quiet-a-collaborative-commission-by-zach-clark-st-marys-college-museum-of-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/9095a8e4-1561-45b2-bc62-1792ff1d7d2e/Beth+Van+Hoesen%2C+Carrots%2C+etching%2C+1971.png</image:loc>
      <image:title>Reviews - Hilda Robinson: Retrospective, Beth Van Hoesen: Felt Through Line, and Walking the Quiet: A Collaborative Commission by Zach Clark, St. Mary’s College Museum of Art - Make it stand out</image:title>
      <image:caption>Beth Van Hoesen, Carrots, etching, 1971</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/4030fc41-ffa7-4527-b8f2-718d496f5ce3/Screenshot+2026-03-06+at+11.18.11%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - Hilda Robinson: Retrospective, Beth Van Hoesen: Felt Through Line, and Walking the Quiet: A Collaborative Commission by Zach Clark, St. Mary’s College Museum of Art - Make it stand out</image:title>
      <image:caption>Beth Van Hoesen (1926-2010) From Mt. Angel [From Mount Angel, Oregon], 1973, Aquatint, etching: Printer’s ink on paper, Press/Printer: Gwen Gugell, 7 ⅞ x 15 ⅞ inches, Gift of the E. Mark Adams and Beth Van Hoesen Adams Trust, Saint Mary’s College Museum of Art Permanent Collection, 2025.2.35</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/e0aa9696-6182-4891-a387-16a3f8db24a3/Screenshot+2026-03-06+at+11.17.59%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - Hilda Robinson: Retrospective, Beth Van Hoesen: Felt Through Line, and Walking the Quiet: A Collaborative Commission by Zach Clark, St. Mary’s College Museum of Art - Make it stand out</image:title>
      <image:caption>Beth Van Hoesen (1926-2010), Fleishhacker Pool, 1966, Etching and aquatint, printed with retroussage: Printer’s ink on paper, handcolored with watercolor, 11 ¼ x 15 inches, Press/Printer: Crown Point Press, Gift of the E. Mark Adams and Beth Van Hoesen Adams Trust, Saint Mary’s College Museum of Art Permanent Collection,2025.2.31</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/e45c873e-564b-4453-aefb-55ccb3f99dbb/Screenshot+2026-03-06+at+11.18.21%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - Hilda Robinson: Retrospective, Beth Van Hoesen: Felt Through Line, and Walking the Quiet: A Collaborative Commission by Zach Clark, St. Mary’s College Museum of Art - Beth Van Hoesen (1926-2010), Ninfa,1971, Drypoint with roulette: Printer's ink on paper, hand colored with watercolor, Press/Printer: Artist, 6 ⅞ x 3 7/16 inches, Gift of the E. Mark Adams and Beth Van Hoesen Adams Trust, Saint Mary’s College Museum of Art Permanent Collection, 2025.2.52</image:title>
      <image:caption>In 1959, Adams and Van Hoesen paid $7500 at auction for a 1910 firehouse at 22nd and Castro Street in San Francisco—affordable, she maintained, because no one wanted it, renovated for living and work space. They were a formidable San Francisco artworld power couple, and exhibited regularly at blue-chip galleries like John Berggruen Gallery. Van Hoesen’s work was collected by institutions from the Metropolitan Museum of Art to the Bone Creek Museum of Agrarian Art, in David City, Nebraska (an image of sow and piglets). Their drawing sessions with live models or themselves as subjects included the likes of Wayne Thiebaud, William Theophilus Brown, Ruth Asawa, and Gordon Cook. Indeed, the large flower drawings showcased at the recent Asawa SFMOMA retrospective keep company with Cook’s spidery plants and Van Hoesen’s Cornflowers (1959). Friendship infuses the affectionate Imogene Cunningham portrait (1971-84), Ruth’s Faces (clay masks, 1966), and Ninfa (1971), a Fine Arts Museum curator, nearly a caricature of chic sophistication. A forerunner of the more imposing in scale and ambition productions she’s best known for—subtle washes of aquatint backgrounds and sure line—occurs with Carrot (1971), suggesting an elegant Chinese famille noire porcelain, with quirky, oddly shaped carrots on a rich black background, and vivid Halloween colors.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/8cb703e2-c3b5-4128-bd1d-c8ca988df56c/Screenshot+2026-03-06+at+11.20.18%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - Hilda Robinson: Retrospective, Beth Van Hoesen: Felt Through Line, and Walking the Quiet: A Collaborative Commission by Zach Clark, St. Mary’s College Museum of Art - Make it stand out</image:title>
      <image:caption>Hilda Robinson (1928-2023), Benediction, 1987, oil pastel on paper, 40 3/4 x 52 ¾ inches, Courtesy of the Bishop Family</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/d2092943-bf06-42f0-a295-7e37fb783bc3/Screenshot+2026-03-06+at+11.18.34%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - Hilda Robinson: Retrospective, Beth Van Hoesen: Felt Through Line, and Walking the Quiet: A Collaborative Commission by Zach Clark, St. Mary’s College Museum of Art - Make it stand out</image:title>
      <image:caption>Hilda Robinson (1928-2023), Mandela, 1991, oil pastel on paper, 54 x 42 inches, Courtesy of the Bishop Family.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/9bc91c2e-4465-4765-93b4-799f3ae099e9/Screenshot+2026-03-06+at+11.18.48%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - Hilda Robinson: Retrospective, Beth Van Hoesen: Felt Through Line, and Walking the Quiet: A Collaborative Commission by Zach Clark, St. Mary’s College Museum of Art - Make it stand out</image:title>
      <image:caption>Hilda Robinson (1928-2023), Porch, 2023, oil pastel on paper, 39 1/2 x 38 ½ inches, Courtesy of the Bishop Family</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/002ff0d9-6e68-4a73-b55b-32d3d2f6cdbb/WTQ+_+300-16+-+inset.jpg</image:loc>
      <image:title>Reviews - Hilda Robinson: Retrospective, Beth Van Hoesen: Felt Through Line, and Walking the Quiet: A Collaborative Commission by Zach Clark, St. Mary’s College Museum of Art - Zach Clark (b. 1983) Walking the Quiet, riso ink on paper, Saint Mary’s College Museum of Art, Acquisition fund for Core 370: Acquiring Art.</image:title>
      <image:caption>Zach Clark (b. 1983) Walking the Quiet, riso ink on paper, Saint Mary’s College Museum of Art, Acquisition fund for Core 370: Acquiring Art.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/2isny44xsyd5iroqu8jgz1rcrnnabj</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1772774033206-BSX5DEWYAJ296V808HAS/zo.png</image:loc>
      <image:title>Reviews - Zoë Latzer</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1772773820908-O8T41NSZ851WTEIASUGO/ica_facade_retouched_103-scaled.jpg</image:loc>
      <image:title>Reviews - Zoë Latzer - Masako Miki: Night Parade of One Hundred Demons</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1772773821453-1C51SFIF48DCHIIX2AQE/ICASJ+-+Data+Trust+-+Stephanie+Dinkins.png</image:loc>
      <image:title>Reviews - Zoë Latzer - Stephanie Dinkins: Data Trust</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1772773823813-9EKPZFZ6QHFR9RG5YIZL/Screenshot+2026-03-05+at+9.05.38%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Zoë Latzer - Stephanie Dinkins: Data Trust</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1772773822863-L5LW0OR7HHLJYV4Y9QPP/SF%2BCamerawork.webp</image:loc>
      <image:title>Reviews - Zoë Latzer - Nasim Moghadam's at SF Camerawork</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/nbspslow-burn-san-francisco-state-university</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/cd5dded5-d64d-48f3-b3e6-b54d4cfa03e3/slow+burn+SFSU.png</image:loc>
      <image:title>Reviews - slow burn, San Francisco State University - Make it stand out</image:title>
      <image:caption>A participant holds up a hole-punched photograph after a 'Disappearance Jail' workshop facilitated by artist Maria Gaspar. (Courtesy of the artist)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/4cd7cdc9-409d-422b-9946-8e0483bb1b26/Screenshot+2026-03-06+at+11.04.41%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - slow burn, San Francisco State University - Make it stand out</image:title>
      <image:caption>Disappearance Jail (excerpt; series), 2021-Ongoing, Hundreds of perforated Archival Inkjet prints on rice paper, courtesy San Francisco State University Fine Arts Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1a39f9ce-156b-4ced-a8f2-eded5b5f4296/slow+burn+sfsu+1.png</image:loc>
      <image:title>Reviews - slow burn, San Francisco State University - Make it stand out</image:title>
      <image:caption>Disappearance Jail (detail)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/5525a2e3-6a9c-4b37-87ba-d1474ba0a9a0/Mendieta%2C+SFSU+slow+burn.png</image:loc>
      <image:title>Reviews - slow burn, San Francisco State University - Make it stand out</image:title>
      <image:caption>Untitled (Blood Sign #2/Body Tracks), Super-8 film (color, silent) transferred to video, Running time: 1:20 minutes, 1974, Collection Walker Art Center, Minneapolis, T.B. Walker Acquisition Fund, 2011. © The Estate of Ana Mendieta Collection LLC. Courtesy Galerie Lelong &amp; Co. Licensed by Artists Rights Society (ARS), New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/0356c4dd-8823-4ac6-8796-1c43f919d3e0/Screenshot+2026-03-06+at+11.05.02%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - slow burn, San Francisco State University - Make it stand out</image:title>
      <image:caption>Ngoạ i ă n, Ngoạ i có sứ c khỏ e, 2024,  Elaine Nguyen, Porcelain and cyanotype on canvas, 12'x12', courtesy of San Francisco University Fine Arts Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/87c4ae82-c5a7-4a7d-b6f3-c4c506e51508/Screenshot+2026-03-06+at+11.05.16%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - slow burn, San Francisco State University - Make it stand out</image:title>
      <image:caption>a holding place, installation, 2021, Tesora Garcia, courtesy San Francisco State University Fine Arts Gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/chloe-early-futures-corey-helford-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/9d486675-0d3c-46fb-aa4e-800b0476468f/Chloe+Early+art.jpg</image:loc>
      <image:title>Reviews - Chloe Early, FUTURES, Corey Helford Gallery - Make it stand out</image:title>
      <image:caption>Chroma (oil on aluminum panel, 60.25” x 72.25”)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/f47298a6-e719-4bf1-9b99-65d278c332cb/_42bbeecfc33aafb5f62307c09298f2ed_2848.jpg</image:loc>
      <image:title>Reviews - Chloe Early, FUTURES, Corey Helford Gallery - Make it stand out</image:title>
      <image:caption>Arcadia (oil on aluminum panel, 60.25" x 72.25")</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/2b743388-a927-448b-9a3e-8676fef31e67/_1f1f0f20a8c2e30edaaca92333c06392_3182.jpg</image:loc>
      <image:title>Reviews - Chloe Early, FUTURES, Corey Helford Gallery - Make it stand out</image:title>
      <image:caption>Tide (oil on aluminum panel, 54" x 48.25")</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/ba957d3c-8cc1-4892-bd16-d59976415939/_959c10952df2ecab82c561c8dbe217de_7898.jpg</image:loc>
      <image:title>Reviews - Chloe Early, FUTURES, Corey Helford Gallery - Make it stand out</image:title>
      <image:caption>Route 2 (oil on paper, 37.5" x 27.75")</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1772578339146-DSAINHZX6BSLD7OL3DII/_2082d12b7716259120524adc41f5cba9_5154.jpg</image:loc>
      <image:title>Reviews - Chloe Early, FUTURES, Corey Helford Gallery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1772578339310-186BS8OJOG9FK20XMUYG/_2082d12b7716259120524adc41f5cba9_9096.jpg</image:loc>
      <image:title>Reviews - Chloe Early, FUTURES, Corey Helford Gallery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/71c5f11a-fc64-4432-8241-cbe0f98c409e/_5bb2de61245dbd81023a607c491e8431_3612.jpg</image:loc>
      <image:title>Reviews - Chloe Early, FUTURES, Corey Helford Gallery - Make it stand out</image:title>
      <image:caption>Astral (oil on aluminum panel, 72.25" x 60.25")</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/7ea2404e-17d9-4436-b91d-41d7685b7f06/_42bbeecfc33aafb5f62307c09298f2ed_4367.jpg</image:loc>
      <image:title>Reviews - Chloe Early, FUTURES, Corey Helford Gallery - Make it stand out</image:title>
      <image:caption>Shore (oil on aluminum panel, 48.25" × 54")</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/multiple-offerings-a-retrospective-of-theresa-hak-kyung-cha-bampfa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-05</lastmod>
    <image:image>
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      <image:title>Reviews - Multiple Offerings, a retrospective of Theresa Hak Kyung Cha, BAMPFA - Make it stand out</image:title>
      <image:caption>Theresa Hak Kyung Cha, Aveugle Voix, 1975. Documentation of performance rehearsal at Greek Theater, University of California, Berkeley. Photograph by Trip Callaghan. Collection of Berkeley Art Museum and Pacific Film Archive; Gift of the Theresa Hak Kyung Cha Memorial Foundation.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/2e32667c-cb98-495d-9cfb-7d07468374b2/Screenshot+2026-03-01+at+1.51.30%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Multiple Offerings, a retrospective of Theresa Hak Kyung Cha, BAMPFA - Make it stand out</image:title>
      <image:caption>Theresa Hak Kyung Cha, Dictée, 1982. Manuscript: ink and correction fluid on photocopies. Collection of Berkeley Art Museum and Pacific Film Archive; Gift of Reese Williams.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/312705de-955e-4173-802d-31dd44ddb9be/Screenshot+2026-03-01+at+1.51.50%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Multiple Offerings, a retrospective of Theresa Hak Kyung Cha, BAMPFA - Make it stand out</image:title>
      <image:caption>Apple Computer, 1976</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/fd434450-668f-4aa5-8316-201290fb1414/Screenshot+2026-03-01+at+1.52.15%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Multiple Offerings, a retrospective of Theresa Hak Kyung Cha, BAMPFA - Make it stand out</image:title>
      <image:caption>Theresa Hak Kyung Cha, Untitled, c. 1970s. Glazed ceramic. Theresa Hak Kyung Cha Collection and Archive, Berkeley Art Museum and Pacific Film Archive. Gift of Chiye Tamaki, 2019.50.3. Photo: Chris Grunder.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/robert-flynn-johnson</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1771808788561-WZ04OQON7G53GRM43FEG/Screenshot+2026-01-07+at+1.27.17%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Robert Flynn Johnson - Portrait of Robert Flynn Johnson by Donald Farnsworth</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1771808777623-0ESHS6ZGFF4NLP76OGE8/Unknown-2.jpeg</image:loc>
      <image:title>Reviews - Robert Flynn Johnson - Wayne Thiebaud portrait of Robert Flynn Johnson (1981) that Wayne Thiebaud gave to the Achenbach Collection at the Fine Arts Museums of San Francisco</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1771808779298-NK7AVZSP0LU5SDYSCA20/IMG_9097.jpg</image:loc>
      <image:title>Reviews - Robert Flynn Johnson - (R) Robert Flynn Johnson with friend Ed Ruscha</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1771808777786-A7WJ8G4J1QEE5NSOPEHU/Unknown-1.jpeg</image:loc>
      <image:title>Reviews - Robert Flynn Johnson - Robert Flynn Johnson in Paris</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1771808780364-NXQ5UN4S2CT8GBYNM8HQ/IMG_9100.jpg</image:loc>
      <image:title>Reviews - Robert Flynn Johnson - Micheal Brennan (2022) painting with the ghost of my surgeon father hovering over me</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1771808780913-L0N0D5PCH55KYDCXKXTN/4008240.webp</image:loc>
      <image:title>Reviews - Robert Flynn Johnson - Catalog of Robert's collection of original Edgar Degas drawings</image:title>
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    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/jerry-kearns-zero-sum-modernism</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a83167d3-677b-4478-bfaf-70f2541d642e/The_Dealmaker--1768013828%402x.jpg</image:loc>
      <image:title>Reviews - Jerry Kearns, Zero-Sum, Modernism - Make it stand out</image:title>
      <image:caption>The Dealmaker, acrylic on canvas, 2022 48 x 48 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/3c027bd2-1404-4226-9d80-92c17003062f/The_Thief--1767901571%402x.jpg</image:loc>
      <image:title>Reviews - Jerry Kearns, Zero-Sum, Modernism - Make it stand out</image:title>
      <image:caption>The Thief, acrylic and graphite on paper, 2022 16 x 16 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/dadcb4a8-edf3-4b79-bc3d-9a219937acd9/Untitled--1767901171%402x.jpg</image:loc>
      <image:title>Reviews - Jerry Kearns, Zero-Sum, Modernism - Make it stand out</image:title>
      <image:caption>Untitled, acrylic on canvas, 2024 48 x 48 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/974d2deb-4bef-403a-bc9d-0c44d1159d75/Untitled--1767900931%402x.jpg</image:loc>
      <image:title>Reviews - Jerry Kearns, Zero-Sum, Modernism - Make it stand out</image:title>
      <image:caption>Untitled, acrylic on canvas, 2024 48 x 48 inches</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/5723dde3-437c-4f74-9d21-a7d1b921bfb9/Good_Times--1767901342%402x.jpg</image:loc>
      <image:title>Reviews - Jerry Kearns, Zero-Sum, Modernism - Make it stand out</image:title>
      <image:caption>Good Times, acrylic on canvas, 2023 48 x 48 inches</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/listening-with-the-body-christian-marclay-fraenkel-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/e2ab17df-abac-498f-93b4-ad95147419df/CM-01-320-Framed-Edit-003.webp</image:loc>
      <image:title>Reviews - Listening With the Body: Christian Marclay, Fraenkel Gallery - Make it stand out</image:title>
      <image:caption>Oculi (Hand Signals), 2025 two record covers and sleeves, 18 x 30-1/4 inches (framed)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/59fce3c8-bb7c-4da5-8e58-709c388f714b/Oculi+%28looking%29.jpg</image:loc>
      <image:title>Reviews - Listening With the Body: Christian Marclay, Fraenkel Gallery - Make it stand out</image:title>
      <image:caption>Oculi (looking) 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/90e2a381-d140-4b18-bd9a-384fe14c62e5/Oculi+%28listening%29.jpg</image:loc>
      <image:title>Reviews - Listening With the Body: Christian Marclay, Fraenkel Gallery - Make it stand out</image:title>
      <image:caption>Oculi (Listening), 2025 six record covers and sleeves, 30-3/4 x 42-3/4 inches (framed)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/7503876d-5464-453c-b49d-34869ee864c2/Sleeves+and+Covers+%28Nine+7%2522%3ANo7%29.jpg</image:loc>
      <image:title>Reviews - Listening With the Body: Christian Marclay, Fraenkel Gallery - Make it stand out</image:title>
      <image:caption>Sleeves and Covers (Nine 7"/No7) 2025 unique monoprint on Somerset paper, 37-1/8 x 37-1/8 inches (framed)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/324e1d9c-97a0-4e75-ab64-e2667d7fc5e0/ani.png</image:loc>
      <image:title>Reviews - Listening With the Body: Christian Marclay, Fraenkel Gallery - Make it stand out</image:title>
      <image:caption>Fraenkel Gallery, San Francisco, CA</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/what-in-a-name-chris-bucks-chris-bucks-at-cafe-alma-san-francisco</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/5d0d00bf-b38e-4683-9547-19ce72cd36ce/Screenshot+2026-02-27+at+11.14.30%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - What’s In a Name? Chris Buck’s Chris Bucks at Cafe Alma, San Francisco - By Matt Gonzalez</image:title>
      <image:caption>In 2000, New York based photographer Chris Buck began a side-project, one outside of his commercial and advertising work, when another person he didn’t know named Christopher Buck (a Georgian-era furniture dealer in Kent, England) reached out to him via email. Quite serendipitously, this furniture salesman wanted to congratulate him on his new photography website. That random hello got him thinking of a namesakes project: Chris Buck, the photographer, would photograph others named Chris Buck. According to the U.S. Census Bureau there are an estimated 40,000 persons with the surname Buck in the United States alone and Chris is one of the more common boy’s names (10th most popular male names with an estimated over 2 million people in the U.S. named Christopher). Put these numbers together and photographer Chris Buck had vastly more material to work with than you might think, certainly hundreds (if not thousands) of people in the U.S. alone were eligible for the project.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/e92d8a5c-ebba-4974-9b5f-92b537578027/Screenshot+2026-02-27+at+11.14.21%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - What’s In a Name? Chris Buck’s Chris Bucks at Cafe Alma, San Francisco - Make it stand out</image:title>
      <image:caption>Chris Buck, Chicago IL, 2005</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/cb2a864d-ea85-4f1d-b4a8-2ceac9f5104d/Screenshot+2026-02-26+at+5.48.38%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - What’s In a Name? Chris Buck’s Chris Bucks at Cafe Alma, San Francisco - Make it stand out</image:title>
      <image:caption>German language edition of Karl Marx / Friedrich Engels - Manifest der Kommunistischen Partei, published by Pretorian Books.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/88cf4f6e-68c3-40af-a628-7477820dd2db/Screenshot+2026-02-27+at+11.14.39%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - What’s In a Name? Chris Buck’s Chris Bucks at Cafe Alma, San Francisco - Make it stand out</image:title>
      <image:caption>Chris Buck, Waco TX, 2007</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/0c3bac96-99ed-4fd8-b6be-1ef34c54fa1d/Screenshot+2026-02-27+at+11.15.19%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - What’s In a Name? Chris Buck’s Chris Bucks at Cafe Alma, San Francisco - Make it stand out</image:title>
      <image:caption>Chris Buck, Warwick UK, 2005</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/4ab69748-dab7-4f4a-8552-1a5ee82e18c7/Screenshot+2026-02-27+at+11.14.30%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - What’s In a Name? Chris Buck’s Chris Bucks at Cafe Alma, San Francisco - Make it stand out</image:title>
      <image:caption>Chris Buck, San Francisco CA, 2006</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1772157592807-LMYYWYA89IZ61DJIBMBK/Screenshot+2026-02-26+at+5.49.21%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - What’s In a Name? Chris Buck’s Chris Bucks at Cafe Alma, San Francisco</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1772157592866-TXMO9X2SF9PFKAR01OEI/Screenshot+2026-02-26+at+5.49.28%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - What’s In a Name? Chris Buck’s Chris Bucks at Cafe Alma, San Francisco</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1772157594494-QYFDK75ZW8OSDOFUDKAU/Screenshot+2026-02-26+at+5.49.35%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - What’s In a Name? Chris Buck’s Chris Bucks at Cafe Alma, San Francisco</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1772157595422-PP2EMF896966YWOXZZMM/Screenshot+2026-02-26+at+5.49.44%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - What’s In a Name? Chris Buck’s Chris Bucks at Cafe Alma, San Francisco</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1772157596543-ZXIC1VUJSPEHEA22VQUC/Screenshot+2026-02-26+at+5.49.51%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - What’s In a Name? Chris Buck’s Chris Bucks at Cafe Alma, San Francisco</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1772157597686-FXYDTSOXTHQOVFXQG6EH/Screenshot+2026-02-26+at+5.49.57%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - What’s In a Name? Chris Buck’s Chris Bucks at Cafe Alma, San Francisco</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1772157599277-C8BDKH2KZBWFGYQDQ6XJ/Screenshot+2026-02-26+at+5.50.05%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - What’s In a Name? Chris Buck’s Chris Bucks at Cafe Alma, San Francisco</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/lee-materazzi-playmate-eleanor-harwood-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/50847477-cdcc-40a8-8165-a25011a4ad39/Screenshot+2026-02-25+at+9.27.52%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Lee Materazzi, PLAYMATE, Eleanor Harwood Gallery - Make it stand out</image:title>
      <image:caption>Lee Materazzi, Baby Blue, archival inkjet print with diabond mount in polished aluminum frame and UV plexi, 22 5/8 x 33 in, edition of 2 plus 1 artist's proof (#1/2)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c21c7ade-d746-4eda-9e36-1b0870430068/Screenshot+2026-02-25+at+9.28.09%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Lee Materazzi, PLAYMATE, Eleanor Harwood Gallery - Make it stand out</image:title>
      <image:caption>Lee Materazzi, The Last Piece of Fruit, archival inkjet print with diabond mount in polished aluminum frame and UV plexi, 24 x 33 in, edition of 2 plus 1 artist's proof (#1/2)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/2badb4d7-f9ca-4f4d-a77e-eaac60528e60/Screenshot+2026-02-25+at+9.28.22%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Lee Materazzi, PLAYMATE, Eleanor Harwood Gallery - Make it stand out</image:title>
      <image:caption>Lee Materazzi, Tangle, archival inkjet print with diabond mount in polished, aluminum frame and UV plexi, 23 1/2 x 33 in, edition of 2 plus 1 artists proof (#1/2)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/2667efad-1842-42f5-9a2d-ad0b79c07edb/Screenshot+2026-02-25+at+9.28.34%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Lee Materazzi, PLAYMATE, Eleanor Harwood Gallery - Make it stand out</image:title>
      <image:caption>Lee Materazzi, Incomplete, archival inkjet print with diabond mount in polished aluminum frame and UV plexi, 25 1/4 x 29 in, edition of 2 plus 1 artist's proof (#1/2)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/e7464c8f-5289-46bb-bc81-90343c5f8268/Screenshot+2026-02-25+at+9.28.44%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Lee Materazzi, PLAYMATE, Eleanor Harwood Gallery - Make it stand out</image:title>
      <image:caption>Lee Materazzi, The Fit, archival inkjet print with diabond mount in polished aluminum frame and UV plexi, 23 1/4 x 33 in, edition of 2 plus 1 artist's proof (#1/2)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/01f32714-54ec-4a47-87f8-361026e81223/Screenshot+2026-02-25+at+9.28.56%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Lee Materazzi, PLAYMATE, Eleanor Harwood Gallery - Make it stand out</image:title>
      <image:caption>Lee Materazzi, installation at Eleanor Harwood Gallery, courtesy of Eleanor Harwood Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/f09fd3aa-89f6-4340-bb2e-6f355b511f8c/Screenshot+2026-02-25+at+9.29.06%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Lee Materazzi, PLAYMATE, Eleanor Harwood Gallery - Make it stand out</image:title>
      <image:caption>Lee Materazzi, installation at Eleanor Harwood Gallery, courtesy of Eleanor Harwood Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/who-is-america-at-250-artists-books-on-the-state-of-democracy-san-francisco-center-for-the-book</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1772055273465-DZBVOU9EJNPLRTYAG0CI/Screenshot+2026-02-25+at+1.33.42%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Who Is America at 250 ?: Artists’ Books on the State of Democracy, San Francisco Center for the Book</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1772055281585-T5A9TGY6G51ZMKNY33C4/Screenshot+2026-02-25+at+1.32.45%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Who Is America at 250 ?: Artists’ Books on the State of Democracy, San Francisco Center for the Book</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/4406bf83-d328-467b-8c29-4f39abe4845d/Screenshot+2026-02-22+at+8.47.50%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Who Is America at 250 ?: Artists’ Books on the State of Democracy, San Francisco Center for the Book - Make it stand out</image:title>
      <image:caption>Gaylord Schanilec, American Crow: Report from Quarantine 2021 (2021), ed. 88, wood engravings printed on French folded gampi paper w/typeset in various typefaces; wood, 9-¼ x 12-¼ (individual leaves); 9-½ x 12-⅜” (portfolio, closed), Collection of the artist; Photo: San Francisco Center for the Book</image:caption>
    </image:image>
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      <image:title>Reviews - Who Is America at 250 ?: Artists’ Books on the State of Democracy, San Francisco Center for the Book - Make it stand out</image:title>
      <image:caption>Anne Covell, In the Dark, 2024, wooden boards covered in black suede with brass embellishments, text pages waxed black pigment over beaten handmade paper, 15-1/2 x 4-3/4 x 1-7/8”; Photo: Von Span, 2025</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/f03da286-7a0d-42eb-a012-72263bd7c71c/Screenshot+2026-02-22+at+8.48.22%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Who Is America at 250 ?: Artists’ Books on the State of Democracy, San Francisco Center for the Book - Make it stand out</image:title>
      <image:caption>Robert Kalman, What’s it Like for You to be an American? 2025, Archival inkjet prints in clamshell box, Coptic binding, 14 x 11-1-1/2 x 2-1/2”; Photo: Von Span, 2025</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/3a22d2b2-6e95-4232-a5f2-4d12d0e121fe/Screenshot+2026-02-22+at+8.48.35%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Who Is America at 250 ?: Artists’ Books on the State of Democracy, San Francisco Center for the Book - Art Hazelwood, Tipping Point, 2021, silkscreen prints, Drumleaf binding with interactive pull-down mechanism on final page of book, 12 x 9 x 1-3/8” (closed); Photo: Von Span, 2025</image:title>
      <image:caption>Other artists foreground the frictions within democracy through direct quotation and recontextualization. KaKeArt (Ann Kalmbach and Tatana Kellner)’s Whereas We Declare (2018) boldly presents text from the Universal Declaration of Human Rights—proposed to the United Nations by Eleanor Roosevelt in 1948—asserting a vision of dignity and belonging that remains aspirational in the United States. Using a very different visual language, Tyler Starr’s Flags, Placards, and Illicit Climbers of the Capitol Insurrection (January 6, 2021) (2022) isolates cropped images of rioters scaling the walls of the Capitol. Stripped of surrounding context, these figures become semiotic reminders that justice and equality are not inherited truths but demands that must be continually reasserted.</image:caption>
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      <image:title>Reviews - Who Is America at 250 ?: Artists’ Books on the State of Democracy, San Francisco Center for the Book - Make it stand out</image:title>
      <image:caption>Tyler Starr, Flags, Placards, and Illicit Climbers of the Capital Insurrection (January 6, 2021), 2022, pigment prints on Moab Entrada Rag Bright paper coated with Moab Desert Spray. 9-1/4 x 12” (book, open)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/07383b3a-1549-4cab-8309-b1cae83056aa/Screenshot+2026-02-22+at+8.49.02%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Who Is America at 250 ?: Artists’ Books on the State of Democracy, San Francisco Center for the Book - Make it stand out</image:title>
      <image:caption>Kimi Hanauer, Calling All Denizens, 2019 (composite image) letterpress and digital printing, silkscreen, dimensions variable; Photo: Von Span, 2025</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1771823256819-RGL24AZLE3S1B3K2NCVX/Screenshot+2026-02-21+at+7.15.09%E2%80%AFPM+2.png</image:loc>
      <image:title>Reviews - Who Is America at 250 ?: Artists’ Books on the State of Democracy, San Francisco Center for the Book</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1771823257493-ZL5UG3A6MKR9P5M2JCA8/Screenshot+2026-02-21+at+7.15.41%E2%80%AFPM+2.png</image:loc>
      <image:title>Reviews - Who Is America at 250 ?: Artists’ Books on the State of Democracy, San Francisco Center for the Book</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/7102c087-93dc-4e5b-b734-e27dc7ff253c/Screenshot+2026-02-22+at+8.49.16%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Who Is America at 250 ?: Artists’ Books on the State of Democracy, San Francisco Center for the Book - Make it stand out</image:title>
      <image:caption>Beth Grossman, Searching for Democracy (cover of J), 2024, performance, Minnesota Street Project, San Francisco; Photo: Courtesy Beth Grossman</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/b08e674e-66d2-4dbb-ab97-445864b4f94b/Screenshot+2026-02-22+at+8.49.33%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Who Is America at 250 ?: Artists’ Books on the State of Democracy, San Francisco Center for the Book - Beth Grossman, The Preamble (money bag), From Searching for Democracy: An Act of Civil Obedience, 2012 - ongoing, ink on deaccessioned money bags, dimensions variable; Photo: Courtesy Beth Grossman</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/how-to-be-a-guerrilla-girl-getty-research-institute</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c45f0d7e-5594-4ddf-8530-75dcb032bb55/Show+Graphics.jpeg</image:loc>
      <image:title>Reviews - How to Be a Guerrilla Girl, Getty Research Institute - By Carlos Alcalá</image:title>
      <image:caption>November 18, 2025—April 12, 2026 This is about art, but it is not an art review. It’s the review of a show, but not an art show. How to Be a Guerrilla Girl is the Getty Research Institute’s (GRI) brilliant take on 40 years of the Guerrilla Girls, a feminist collective that aims, as its motto claims, to be “The Conscience of the Art World.” They act as a conscience by exposing the art world’s failures and biases, focusing on discrimination against women in art and against female artists.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/963d762d-24c0-4ab8-8885-db5301b96a97/Commission.jpeg</image:loc>
      <image:title>Reviews - How to Be a Guerrilla Girl, Getty Research Institute - Make it stand out</image:title>
      <image:caption>The Guerrilla Girls embellished “Diana and Her Nymphs Bathing,” with a feminist art historical perspective.</image:caption>
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      <image:title>Reviews - How to Be a Guerrilla Girl, Getty Research Institute - A working list to compare the advantages of being a man or a woman artist.</image:title>
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      <image:title>Reviews - How to Be a Guerrilla Girl, Getty Research Institute - A detail of the wall showing at least three languages and pointed political statements.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/7764abac-bbd0-470e-8b66-8d4390404736/Advantages.jpeg</image:loc>
      <image:title>Reviews - How to Be a Guerrilla Girl, Getty Research Institute - Make it stand out</image:title>
      <image:caption>A working list to compare the advantages of being a man or a woman artist.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1771632709339-ZHU1QLHUY67JMHGH2HBP/Advantages+draft.jpg</image:loc>
      <image:title>Reviews - How to Be a Guerrilla Girl, Getty Research Institute - Advantages Draft: A working list to compare the advantages of being a man or a woman artist.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1771632709616-EYGYUVK1HGLJUSRYAN2E/Naked+drawing+Kathe+Kollwitz+Collection%5B1%5D.jpg</image:loc>
      <image:title>Reviews - How to Be a Guerrilla Girl, Getty Research Institute - Draft: The famous bus billboard used to show how women were kept out of museums, except as objects of lust.</image:title>
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      <image:title>Reviews - How to Be a Guerrilla Girl, Getty Research Institute - The famous bus billboard used to show how women were kept out of museums, except as objects of lust.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/462761d9-8360-46dd-905d-7318750a2fda/How+to+be+card.jpg</image:loc>
      <image:title>Reviews - How to Be a Guerrilla Girl, Getty Research Institute - Make it stand out</image:title>
      <image:caption>After constant queries on how people could join the movement, the Guerrilla Girls created this card.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a35d408b-d056-44bc-a789-9dc23d969f8f/Mask.jpeg</image:loc>
      <image:title>Reviews - How to Be a Guerrilla Girl, Getty Research Institute - Make it stand out</image:title>
      <image:caption>A gorilla mask greets exhibit visitors.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/205ab21d-21a3-49d6-9569-eb19de333721/Richard+Serra.jpeg</image:loc>
      <image:title>Reviews - How to Be a Guerrilla Girl, Getty Research Institute - Make it stand out</image:title>
      <image:caption>Guerrilla Girls mailed cards to artists asking them to commit support to their principles and work with their galleries to promote equality.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1771707922554-XA039TX2W0BODZ6XCQCY/Archival+photo.jpg</image:loc>
      <image:title>Reviews - How to Be a Guerrilla Girl, Getty Research Institute - Photo from the Getty Research Institute archive.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1771707923416-D9FKOEHU1DWIKHDRTV7F/Video.jpeg</image:loc>
      <image:title>Reviews - How to Be a Guerrilla Girl, Getty Research Institute - An area of the show with seats and headphones where visitors could watch and listen to Guerrilla Girls interviews.</image:title>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/grounded-and-rooted</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/73ac6926-8476-417a-9ae2-7d442dcac788/Living+on+the+Edge+2024+IMG_3581.JPG</image:loc>
      <image:title>Reviews - Ken Goldberg and Tiffany Shlain, Ancient Wisdom for a Future Ecology: Trees, Time, and Technology, di Rosa San Francisco - Make it stand out</image:title>
      <image:caption>Living on the Edge</image:caption>
    </image:image>
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      <image:title>Reviews - Ken Goldberg and Tiffany Shlain, Ancient Wisdom for a Future Ecology: Trees, Time, and Technology, di Rosa San Francisco - Ken Goldberg and Tiffany Shlain at the di Rosa Art Center</image:title>
      <image:caption>In collaboration, Ken Goldberg and Tiffany Shlain have taken these testaments of life and used them as support for timelines of feminist history, developments in mathematics and physics, Judaic history, and the posing of ever-recurring and persistent philosophical questions bearing down on the very meaning of life.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c0733803-fae4-46f9-938e-5100562befbf/Ken+Goldberg+Self+Portrait+IMG_3569.JPG</image:loc>
      <image:title>Reviews - Ken Goldberg and Tiffany Shlain, Ancient Wisdom for a Future Ecology: Trees, Time, and Technology, di Rosa San Francisco - Make it stand out</image:title>
      <image:caption>Ken Goldberg Self Portrait</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/7ce14ff2-2a87-4adc-b884-78223b1acb04/Tiffany+Shlain+Self+Portrait+IMG_3566.JPG</image:loc>
      <image:title>Reviews - Ken Goldberg and Tiffany Shlain, Ancient Wisdom for a Future Ecology: Trees, Time, and Technology, di Rosa San Francisco - Make it stand out</image:title>
      <image:caption>Tiffany Shlain Self Portrait</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/ed6c8815-44c7-46d3-87c7-3df5b44b5a73/Dendrofemonology+IMG_3548.JPG</image:loc>
      <image:title>Reviews - Ken Goldberg and Tiffany Shlain, Ancient Wisdom for a Future Ecology: Trees, Time, and Technology, di Rosa San Francisco - Make it stand out</image:title>
      <image:caption>Dendrofemonology: A Feminist History Tree Ring</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/7747f74d-e7cb-4852-8eb4-5e49bbad466f/Abstract+Expression+2024+IMG_3583.JPG</image:loc>
      <image:title>Reviews - Ken Goldberg and Tiffany Shlain, Ancient Wisdom for a Future Ecology: Trees, Time, and Technology, di Rosa San Francisco - Make it stand out</image:title>
      <image:caption>Abstract Expression</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/50ca4002-7fa9-4628-92bb-ae8577a0c083/DendroJudaeology+2024+IMG_3593.JPG</image:loc>
      <image:title>Reviews - Ken Goldberg and Tiffany Shlain, Ancient Wisdom for a Future Ecology: Trees, Time, and Technology, di Rosa San Francisco - Make it stand out</image:title>
      <image:caption>DendroJudaeology: A Timeline of the Jewish People</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/beau-stanton</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1771119625312-NVZAHKOH7WDNNLRA8D1T/Image+courtesy+of+Valery+Rizzo.png</image:loc>
      <image:title>Reviews - Beau Stanton - Beau Stanton, Image courtesy of Valery Rizzo</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1771614478276-Q3RZCGEKALITEVS4WC7T/Screenshot+2026-02-20+at+11.07.29%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - Beau Stanton - “An Onerous Embrace”  After Bernini's Abduction of Persephone, France</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1771119470790-JJPDR1GQ0U9WHS530MOW/EntropicEdificesmall.webp</image:loc>
      <image:title>Reviews - Beau Stanton - Entropic Edifice II Oil and acrylic on canvas, 96 × 72 inches</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1771119484264-69CJH69BZXI5NUWX85Q7/BuffaloVerdantVessel.webp</image:loc>
      <image:title>Reviews - Beau Stanton - Verdant Vessel, Buffalo NY</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1771119482000-ZZSPSTC187BHJS2SM106/Canicule%2B.webp</image:loc>
      <image:title>Reviews - Beau Stanton - Canicule, Paris</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1771174479261-3UNNJY4ZHEGYH7CCY1HT/beau.png</image:loc>
      <image:title>Reviews - Beau Stanton - Lady of the Grove, before controversy, LA School District attempts to censor this mural</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1771604643884-GVACMKAZDN7D7ZSW3DM8/Screenshot+2026-02-20+at+8.23.09%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - Beau Stanton - Lady of the Grove (Revised) L.A., CA</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1771119482013-JW4PXTAPI3OT37ODYIFU/IMG_5093.webp</image:loc>
      <image:title>Reviews - Beau Stanton - Global Exploration Summit 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1771119467026-9K8GA5EZ69JZKWHKVMOF/Beau_Stanton_TenebrasLux_OrnamentedMan_Right_web.webp</image:loc>
      <image:title>Reviews - Beau Stanton - ORNAMENTED MAN (Right) Enamel on Leaded Stained Glass in LED Light Frame • 25 × 48 × 3</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1771119467022-7SNB9SZHFDXZZY9QCE50/Beau_Stanton_EntropicEdifice_front.webp</image:loc>
      <image:title>Reviews - Beau Stanton - ENTROPIC EDIFICE Wood, glass, acrylic and aerosol in solid walnut light box frame • 49.75 × 49.75 × 5.5</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1771119469073-IEFB99OB8QKVU7SJAY7L/BeauStantonStillLifePainting.webp</image:loc>
      <image:title>Reviews - Beau Stanton - STILL LIFE Oil and acrylic on wood • 30 x 22 in • 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1771604467094-X9C5G7FIUNAWZXXCKE0C/Screenshot+2026-02-20+at+8.19.39%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - Beau Stanton - Times Square Arts, Beau Stanton’s multi-channel animation Voyage</image:title>
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    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1771604465278-0T83O4QA91NW74MELCXM/Screenshot+2026-02-20+at+8.19.14%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - Beau Stanton - Times Square Arts, Beau Stanton’s multi-channel animation Voyage</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1771604465569-IX0ESZQLQ18M618Q9TIA/Screenshot+2026-02-20+at+8.19.30%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - Beau Stanton - Times Square Arts, Beau Stanton’s multi-channel animation Voyage</image:title>
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    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/pictures-of-belonging-miki-hayakawa-hisako-hibi-and-min-okubo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/9d8a8045-95e8-4ba1-9c99-83cb4e3f42d4/hibi.png</image:loc>
      <image:title>Reviews - Pictures of Belonging: Miki Hayakawa, Hisako Hibi, and Miné Okubo, Monterey Museum of Art - Make it stand out</image:title>
      <image:caption>Miki Hayakawa (1899–1953), From My Window, 1935, oil on canvas, 28 x 28 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/52da5c70-7875-4a64-ab47-54e230c102b8/janm-exhibition-pictures-of-belonging-miki-hayakawa-one-afternoon-no-frame-med-res+%281%29.png</image:loc>
      <image:title>Reviews - Pictures of Belonging: Miki Hayakawa, Hisako Hibi, and Miné Okubo, Monterey Museum of Art - Make it stand out</image:title>
      <image:caption>Miki Hayakawa (1899–1953), One Afternoon, ca. 1935, oil on canvas, 40 x 40 in.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1e471150-8320-4d16-9e9d-e2acdbd98da5/Hibi2.png</image:loc>
      <image:title>Reviews - Pictures of Belonging: Miki Hayakawa, Hisako Hibi, and Miné Okubo, Monterey Museum of Art - Make it stand out</image:title>
      <image:caption>Hisako Hibi (1907–1991), Autumn, 1970, oil on canvas, 38 1/2 x 31 1/2 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c3acbfcd-7b5d-48b8-bc74-9e230c87a0a4/Screenshot+2026-02-19+at+8.57.22%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - Pictures of Belonging: Miki Hayakawa, Hisako Hibi, and Miné Okubo, Monterey Museum of Art - Make it stand out</image:title>
      <image:caption>Miné Okubo (1912–2001), Grocer Weighing Produce, 1940, tempera on hardboard, 43 1/2 x 39 in.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/5cbab449-0437-4df1-95b9-9254fd54db0d/Screenshot+2026-02-19+at+9.00.12%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - Pictures of Belonging: Miki Hayakawa, Hisako Hibi, and Miné Okubo, Monterey Museum of Art - Make it stand out</image:title>
      <image:caption>Hisako Hibi (1907–1991), Study for a Self-Portrait, ca. 1944, oil on canvas, 21 3/4 × 17 1/2 in.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/95c83792-0906-4419-8d31-d5a10806d867/Screenshot+2026-02-19+at+9.03.00%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - Pictures of Belonging: Miki Hayakawa, Hisako Hibi, and Miné Okubo, Monterey Museum of Art - Make it stand out</image:title>
      <image:caption>Hisako Hibi (1907–1991), Eastern Sky 7:50 A.M., Feb. 25, 1945, oil on canvas, 21 3/4 x 17 1/2 in.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/8079a507-6ac3-45bb-ab19-7849b3954fe6/Screenshot+2026-02-19+at+9.10.46%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - Pictures of Belonging: Miki Hayakawa, Hisako Hibi, and Miné Okubo, Monterey Museum of Art - Make it stand out</image:title>
      <image:caption>Miki Hayakawa (1899–1953), Untitled (young man playing ukulele), c. 1934-1936, oil on canvas, 20 x 26 in. (50.8 x 66.04 cm).</image:caption>
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  <url>
    <loc>https://www.roborantreview.com/reviews/rebel-forms-romer-young-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1771117347050-ENM47PF49EFTA0KUKLYD/RYG.Rebel.Forms_Install.2.jpg</image:loc>
      <image:title>Reviews - Rebel Forms, Romer Young Gallery</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1771117347224-IUOKSK9JGPNUUYPXOWFQ/RYG.Rebel.Forms_Install.4.jpg</image:loc>
      <image:title>Reviews - Rebel Forms, Romer Young Gallery</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/f2e9d59b-caee-43ab-8ff1-3c95660b8f78/RYG.Uman%CC%83a_Night.Driving.jpg</image:loc>
      <image:title>Reviews - Rebel Forms, Romer Young Gallery - Make it stand out</image:title>
      <image:caption>Kev i n Umaña Night Driving With Halo Around Lights and Increased Glare, 2025 Acrylic, oil, vinyl paint, flock, sand, oil pastel, ink, gouache, and ceramics on canvas 20 × 16 × 2 in. Courtesy: Romer Young Gallery, San Francisco</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/04b55e5a-6a76-44ed-bc78-e37abb254691/RYG.Guradiola_Sea.Wall.Glass_sideview.jpg</image:loc>
      <image:title>Reviews - Rebel Forms, Romer Young Gallery - Make it stand out</image:title>
      <image:caption>Pablo Guardiola Sea Glass Wall , 201 1 brick concreet and sea glass 8" x 4" x 2" courtes y : Romer Young Gallery</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/56cec3b7-c96f-4435-9fd4-8cd5d4f05d4b/RYG.Fernandez_Serpent.jpg</image:loc>
      <image:title>Reviews - Rebel Forms, Romer Young Gallery - Make it stand out</image:title>
      <image:caption>Ana Teresa Fernández Coatl , 2025 wood and plexiglass 42” x 60” courtesy : Romer Young Gallery , San Francisco</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/ff2e2707-255c-4d07-8b68-b1695f115ca9/RYG.Fernandez_Serpent.detail.jpg</image:loc>
      <image:title>Reviews - Rebel Forms, Romer Young Gallery - Make it stand out</image:title>
      <image:caption>Detail: Coatl , 2025, Ana Teresa Fernández wood and plexiglass 42” x 60” courtesy : Romer Young Gallery , San Francisco</image:caption>
    </image:image>
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  <url>
    <loc>https://www.roborantreview.com/reviews/y84nbs9qyjhe39smhpmccgwpsxo88y</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-18</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/3a13684d-cde3-46f9-b286-a497b519d22d/municipal+bonds.png</image:loc>
      <image:title>Reviews - ​​Alternating Currents: Austin Thomas and Nick Polansky, Municipal Bonds - Make it stand out</image:title>
      <image:caption>Installation view. Austin Thomas and Nick Polansky at Municipal Bonds, 2026.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/06f53058-9970-4b60-8156-534e1e147575/municipal+bonds.png.png</image:loc>
      <image:title>Reviews - ​​Alternating Currents: Austin Thomas and Nick Polansky, Municipal Bonds - Make it stand out</image:title>
      <image:caption>Austin Thomas. Uruguayan Vintage Libertadores Notebook - Power to the People (Pink), 2024. Ink on paper. 8.5 x 13.5 inches.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/cf0ecadb-1095-4072-ab19-31ba71fe3a3f/municipal+bonds.art.png</image:loc>
      <image:title>Reviews - ​​Alternating Currents: Austin Thomas and Nick Polansky, Municipal Bonds - Make it stand out</image:title>
      <image:caption>Installation View. Austin Thomas and Nick Polansky at Municipal Bonds, 2026</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/139e4a67-399b-427e-b4f9-bdcbcd8a4ec6/municipal+bonds.artwork.png</image:loc>
      <image:title>Reviews - ​​Alternating Currents: Austin Thomas and Nick Polansky, Municipal Bonds - Make it stand out</image:title>
      <image:caption>Nick Polansky. Splay No. 18, 2025. Walnut and stone. 61 x 17.5 x 6 inches.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/marie-wilson-a-poet-of-colors-and-forms-gallery-wendi-norris</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/19e0d8ea-c6d0-47d6-afc4-46e475196450/Rites+of+Passage.jpg</image:loc>
      <image:title>Reviews - Marie Wilson, A Poet of Colors and Forms, Gallery Wendi Norris - Make it stand out</image:title>
      <image:caption>Rites of Passage, 1957-58 Oil on canvas 13 x 18 1/8 inches</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c3bba2c8-aa9a-4aa1-bab9-ca4d21913c82/Andre%CC%81+Breton%2C+Wolfgang+Paalen%2C+Marie+Wilson%2C+and+Benjamin+Pe%CC%81ret%2C+in+Saint-Cirq-Lapopie%2C+1953..JPG</image:loc>
      <image:title>Reviews - Marie Wilson, A Poet of Colors and Forms, Gallery Wendi Norris - Make it stand out</image:title>
      <image:caption>André Breton, Wolfgang Paalen, Marie Wilson, and Benjamin Péret, in Saint-Cirq-Lapopie, 1953.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1f3193b6-9fea-4757-831f-46fc894ad307/The+Birth+of+the+Celestial+Monkey.jpg</image:loc>
      <image:title>Reviews - Marie Wilson, A Poet of Colors and Forms, Gallery Wendi Norris - Make it stand out</image:title>
      <image:caption>The Birth of the Celestial Monkey, 1957 Oil on canvas 22 7/8 x 18 inches</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1770854878636-FSRHRQWNOLPVOXS8JV2V/mw0003-creation-of-the-world.webp</image:loc>
      <image:title>Reviews - Marie Wilson, A Poet of Colors and Forms, Gallery Wendi Norris - Creation of the World, 1952-54 Oil on canvas board on timber cradle 18 1/8 x 21 5/8 in.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1770854879030-2CU4ZMTSYL1UVMYGORU0/mw0008-going-back-in-time.webp</image:loc>
      <image:title>Reviews - Marie Wilson, A Poet of Colors and Forms, Gallery Wendi Norris - Going Back in Time, 1952-54 Oil and sand on laminated paperboard on timber panel 15 x 18 1/8 in</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1770927191768-N43SHOIA23UL3AA3W86H/Portrait+of+the+Poet+in+a+State+of+Delirium.jpg</image:loc>
      <image:title>Reviews - Marie Wilson, A Poet of Colors and Forms, Gallery Wendi Norris - Portrait of the Poet in a State of Delirium, 1952-54 Oil on canvas board 17 3/4 x 15 in</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1770855195398-0LCYWVX4TA25MQBS5IXF/Marie+Wilson+by+Andreas+Embirikos%2C+circa+early+1960s..jpeg</image:loc>
      <image:title>Reviews - Marie Wilson, A Poet of Colors and Forms, Gallery Wendi Norris - Marie Wilson</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1770855195858-TP05STBJJ65D1BG173JT/Unknown.jpeg</image:loc>
      <image:title>Reviews - Marie Wilson, A Poet of Colors and Forms, Gallery Wendi Norris - Spirit of the North Star, 1957-81 Oil and sand on laminated paperboard 14 x 10 1/2 in</image:title>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/elmer-bischoff-nelson-duni</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/546df061-5dde-4969-845b-403247b366b7/Screenshot+2026-02-09+at+1.31.31%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Elmer Bischoff, Nelson Duni - Make it stand out</image:title>
      <image:caption>Elmer Bischoff in his studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/0f258582-7923-489f-85a5-3605ad04dd54/Objects+Above+and+Below+the+Horizon%2C+1947.+Oil+on+canvas%2C+28+x+22+in%2C+%C2%A9+Bischoff+Family+Art+Trust.+Photo+courtesy+of+George+Adams+Gallery..jpg</image:loc>
      <image:title>Reviews - Elmer Bischoff, Nelson Duni - Make it stand out</image:title>
      <image:caption>Objects Above and Below the Horizon, 1947. Oil on canvas, 28 x 22 in, © Bischoff Family Art Trust. Photo courtesy of George Adams Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/61b0dd52-67ee-4ae3-baed-1036996ee86d/201510_bischoff_02.jpg</image:loc>
      <image:title>Reviews - Elmer Bischoff, Nelson Duni - Make it stand out</image:title>
      <image:caption>Elmer Bischoff, Untitled, 1950, oil on canvas, 66×56 inches</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/93e264f7-f9ab-4789-909c-e3f05ee91dcc/ELmer.png</image:loc>
      <image:title>Reviews - Elmer Bischoff, Nelson Duni - Make it stand out</image:title>
      <image:caption>Artist and Model, 1969 charcoal and wash on paper 44.5 x 57.8 cm. (17.5 x 22.8 in.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/6c597ea0-465c-43c8-940a-c9c40bee97c3/Playground%2C+1954.+Oil+on+canvas%2C+68+x+55+in%2C+%C2%A9+Bischoff+Family+Art+Trust.+Photo+courtesy+of+George+Adams+Gallery..jpg</image:loc>
      <image:title>Reviews - Elmer Bischoff, Nelson Duni - Make it stand out</image:title>
      <image:caption>Playground, 1954. Oil on canvas, 68 x 55 in, © Bischoff Family Art Trust. Photo courtesy of George Adams Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/superradiance-memo-akten-and-katie-hofstadter-gray-area</loc>
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    <lastmod>2026-02-27</lastmod>
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      <image:caption>Superradiance, 2024, Memo Akten and Katie Hofstadter</image:caption>
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      <image:caption>Superradiance, 2024, Memo Akten and Katie Hofstadter</image:caption>
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      <image:title>Reviews - Superradiance, Memo Akten and Katie Hofstadter, Gray Area - Make it stand out</image:title>
      <image:caption>Superradiance, 2024, Memo Akten and Katie Hofstadter</image:caption>
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    <loc>https://www.roborantreview.com/reviews/a-tale-of-two-first-thursdays</loc>
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    <lastmod>2026-02-13</lastmod>
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      <image:title>Reviews - A Tale Of Two First Thursdays</image:title>
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      <image:title>Reviews - A Tale Of Two First Thursdays</image:title>
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      <image:title>Reviews - A Tale Of Two First Thursdays</image:title>
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      <image:title>Reviews - A Tale Of Two First Thursdays</image:title>
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      <image:title>Reviews - A Tale Of Two First Thursdays</image:title>
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      <image:title>Reviews - A Tale Of Two First Thursdays - Moth Belly Gallery Entrance</image:title>
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      <image:title>Reviews - A Tale Of Two First Thursdays - Moth Belly Gallery interviews with artists</image:title>
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      <image:title>Reviews - A Tale Of Two First Thursdays - Moth Belly Gallery's Magazine</image:title>
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      <image:title>Reviews - A Tale Of Two First Thursdays - Opening night at Moth Belly Gallery</image:title>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/collecting-impressionism-los-angeles-county-museum-of-artnbsp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-12</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/3d8488b1-4b8e-4c9e-946b-fdcaca9d3951/1.Beraud%2C+A+Parisian+Street+Scene.png</image:loc>
      <image:title>Reviews - Collecting Impressionism, Los Angeles County Museum of Art&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Jean Béraud, A Parisian Street Scene: Boulevard des Capucines, c. late 1897–early 1898 Oil on panel 14 5/8 x 211/2 in.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/99a0ffd6-67be-45bc-9703-f013df35e526/2.Renoir.Two+Girls+Reading.jpg</image:loc>
      <image:title>Reviews - Collecting Impressionism, Los Angeles County Museum of Art&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Pierre-Auguste Renoir, Two Girls Reading, c. 1890-1891 Oil on canvas 22 1/4 x 19 in.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/5ddde1c7-3f67-4211-86ae-7b7e77c64320/3.Wendt.Where+Nature+God+Hath+Wrought.jpg</image:loc>
      <image:title>Reviews - Collecting Impressionism, Los Angeles County Museum of Art&amp;nbsp; - William Wendt, Where Nature’s God Hath Wrought, 1925 Oil on canvas 60 1/16 x 60 1/16 in.</image:title>
      <image:caption>William Wendt, known as the dean of Southern California landscape painters, used the Impressionist technique to create the oil painting, Where Nature God Hath Wrought (1925). It illustrates a mountain in central California lit by vibrant mid-day light. American Impressionism, similar to the California style, was employed by F. Childe Hassam. His Point Lobos, Carmel (1914) illustrates the rocky cliffs and wind-blown cypress trees of the rugged northern California coastline. One of the museum’s earliest gifts was Point Lobos, Carmel. This painting and nine others by the artist were donated to LACMA in 1929 by the pioneering American art collector William Preston Harrison.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c6fca419-e93d-422d-87fc-88f20c2c83cd/5.Pissarro.La+Place+du+Theatre+Francais.jpg</image:loc>
      <image:title>Reviews - Collecting Impressionism, Los Angeles County Museum of Art&amp;nbsp; - Camille Pissarro, La Place du Théâtre Français, 1898 Oil on canvas 28 1/2 × 36 1/2 in.</image:title>
      <image:caption>Another significant donation was Pissarro’s La Place du Théâtre Français (1898), gifted to LACMA in 1946, along with many other Impressionist and modern artworks, by Hollywood songwriter and film producer George Gard (Buddy) de Sylva and his wife, Marie Wallace. The detailed painting depicts urban life of the Impressionist period with an aerial view of pedestrians and horse-drawn carriages, created with energetic brushstrokes.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/5f7a0f43-c8fb-4128-9ca0-5b3220f89721/6.Monet.The+Artist%27s+Garden.jpg</image:loc>
      <image:title>Reviews - Collecting Impressionism, Los Angeles County Museum of Art&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Claude Monet, The Artist's Garden, Vétheuil, 1881 Oil on canvas 39 3/8 × 32 1/4 in.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/de1d82d0-cbec-49e0-8f77-10b2e836c008/7.Van+Gogh.Tarascon+Stagecoach.jpg</image:loc>
      <image:title>Reviews - Collecting Impressionism, Los Angeles County Museum of Art&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Vincent van Gogh, Tarascon Stagecoach, 1888 Oil on canvas 28 1/8 x 36 7/16 in.</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/roderick-kiracofe</loc>
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    <priority>0.5</priority>
    <lastmod>2026-02-11</lastmod>
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      <image:title>Reviews - Roderick Kiracofe - Guest Curater Roderick Kiracofe talks to exhibit guests during the opening reception at the "Found/Made" exhibition at the San Jose Museum of Quilts &amp;amp; Textiles</image:title>
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      <image:title>Reviews - Roderick Kiracofe - Roderick's collection in exhibition</image:title>
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      <image:title>Reviews - Roderick Kiracofe - Unconventional &amp;amp; Unexpected: American Quilts Below the Radar 1950-2000</image:title>
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      <image:title>Reviews - Roderick Kiracofe - The American Quilt: A History of Cloth and Comfort 1750-1950</image:title>
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      <image:title>Reviews - Roderick Kiracofe - Unique (double sided) - c. 1930 - 1950, found in Missouri, rayon, wool, corduroy, panne velvet, banner material, tied, 65 × 78 inches</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1770608693183-KHFRTRFMZXPN4L52J683/02%2B2005_37%2Bclean%2B%2Bgallery.webp</image:loc>
      <image:title>Reviews - Roderick Kiracofe - Original Design c. 1960 - 1990, made by Odie Wright, found in Hale County, Alabama, cotton, blends, corduroy, upholstery "fabric, bed sheet, old quilt or blanket used at batting, 70 x 80 inches</image:title>
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      <image:title>Reviews - Roderick Kiracofe - String Diamond c. 1930 - 1960, found in Alabama, cotton, blends backing of unbleached 100lbs. cuben sugar sacks, 79 × 79 inches</image:title>
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  <url>
    <loc>https://www.roborantreview.com/reviews/ga8wfvz6tlywthgcmhec7mffllfoud</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-10</lastmod>
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      <image:caption>And Yet, We See installation</image:caption>
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      <image:caption>Fallen Eyes, magnolia leaves</image:caption>
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      <image:caption>Black Series</image:caption>
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      <image:title>Reviews - And Yet, We See, Nasim Moghadam, SF Camerawork - Make it stand out</image:title>
      <image:caption>Noose II</image:caption>
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  <url>
    <loc>https://www.roborantreview.com/reviews/censorship-art-and-the-nazis-a-personal-reflection</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-12</lastmod>
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      <image:title>Reviews - Censorship, Art and the Nazis: A personal reflection - Make it stand out</image:title>
      <image:caption>“Entartete Kunst,” Degenerate Art exhibition guide, 1937, featuring The New Man, Otto Freundlich</image:caption>
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      <image:title>Reviews - Censorship, Art and the Nazis: A personal reflection - Make it stand out</image:title>
      <image:caption>Portrait of Adolph Goldschmidt, Max Lieberman, etching, 1912, collection of the writer</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1769810249729-C4CVJTXF3MO8S8TBBWHD/Italian%2BSailor%252C%2BH%2BMax%2BPechstein%252C%2Blithograph%252C%2B1917%252C%2Bcollection%2Bof%2Bthe%2Bwriter.jpg</image:loc>
      <image:title>Reviews - Censorship, Art and the Nazis: A personal reflection</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1769810218112-7YH71EUUTTE1DPZ452RQ/Untitled+%28Tamarind+961%29%2C+Gego%2C+lithograph%2C+1963%2C+collection+of+the+writer.jpeg</image:loc>
      <image:title>Reviews - Censorship, Art and the Nazis: A personal reflection</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/d45332e4-37e9-49e8-b773-09bcfd5ea08b/Untitled+pastel%2C+Otto+Freundlich%2C+undated%2C+collection+of+Rebecca+Alexander+%28a+cousin%29.jpeg</image:loc>
      <image:title>Reviews - Censorship, Art and the Nazis: A personal reflection - Make it stand out</image:title>
      <image:caption>Untitled pastel, Otto Freundlich, undated, collection of Rebecca Alexander (a cousin)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/6dd4efa0-d2db-4cc2-a2f5-659c4032e2a6/Bathing+Place%2C+Lovis+Corinth%2C+drypoint+etching%2C+1919%2C+collection+of+the+writer.jpeg</image:loc>
      <image:title>Reviews - Censorship, Art and the Nazis: A personal reflection - Make it stand out</image:title>
      <image:caption>Bathing Place, Lovis Corinth, drypoint etching, 1919, collection of the writer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/58ffbfd6-229d-43b6-a676-7360260d083a/Crouching+Woman%2C+Karl+Schmidt-Rottluff%2C+woodcut%2C+1911%2C+collection+of+the+writer.jpeg</image:loc>
      <image:title>Reviews - Censorship, Art and the Nazis: A personal reflection - Make it stand out</image:title>
      <image:caption>Crouching Woman, Karl Schmidt-Rottluff, woodcut, 1911, collection of the writer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/ef491994-693c-4aea-a6c7-bbf00a6ce39f/Former+Goldschmidt+family+home+with+plaque+honoring+Gego%2C+Hamburg%2C+Germany.jpeg</image:loc>
      <image:title>Reviews - Censorship, Art and the Nazis: A personal reflection - Former Goldschmidt family home with plaque honoring Gego, Hamburg, Germany</image:title>
      <image:caption>Today, there is a German plaque for Gego at the home she had to escape in 1939. Today, too, German museums make explicit what happened to the art and artists of the Nazi period. I come from a line of lovers of art, degenerate and otherwise.</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/anthony-mccall-first-light-fort-mason-center-for-arts-culture</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/e71df93b-8ec7-4fa3-8ede-57460e2c6328/Anthony+McCall.png</image:loc>
      <image:title>Reviews - Anthony McCall: First Light, Fort Mason Center for Arts &amp;amp; Culture - Make it stand out</image:title>
      <image:caption>Line Describing a Cone 1973, Anthony McCall, Digital transfer from 16mm film</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a7e61e89-9414-4133-b5c9-6776d2a82061/Mcall+art.png</image:loc>
      <image:title>Reviews - Anthony McCall: First Light, Fort Mason Center for Arts &amp;amp; Culture - Make it stand out</image:title>
      <image:caption>Line Describing a Cone 1973, Anthony McCall, Digital transfer from 16mm film</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/f9d68832-54f1-41fe-8697-f3aafc349f81/Fort+Mason+McCall.png</image:loc>
      <image:title>Reviews - Anthony McCall: First Light, Fort Mason Center for Arts &amp;amp; Culture - Make it stand out</image:title>
      <image:caption>Video still from Anthony McCall’s First Light, Fort Mason Center for Arts &amp; Culture</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/echoes-of-a-journey-stphane-villafane-dolby-chadwick-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/6284a762-fe35-4c62-9b8b-37523d6df143/1.jpg</image:loc>
      <image:title>Reviews - Echoes of a Journey: Stéphane Villafane, Dolby Chadwick Gallery - Make it stand out</image:title>
      <image:caption>Stéphane Villafane 20.03.2024, 2024. Acrylic on canvas, 79 x 79 in</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/3f69433e-3d9b-4963-a847-4df7ccf9f8a3/2.jpg</image:loc>
      <image:title>Reviews - Echoes of a Journey: Stéphane Villafane, Dolby Chadwick Gallery - Make it stand out</image:title>
      <image:caption>Stéphane Villafane 06.05.2025, 2025. Acrylic on canvas 80 x 68.75 in</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/402d7631-6bed-4aa3-b478-e0b9bda40503/3.jpg</image:loc>
      <image:title>Reviews - Echoes of a Journey: Stéphane Villafane, Dolby Chadwick Gallery - Make it stand out</image:title>
      <image:caption>Stéphane Villafane 30.04.2024, 2024. Acrylic on canvas 79.75 x 69 in</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/99b132b1-0492-4cd0-930c-c141dab0f36c/4.jpg</image:loc>
      <image:title>Reviews - Echoes of a Journey: Stéphane Villafane, Dolby Chadwick Gallery - Make it stand out</image:title>
      <image:caption>Stéphane Villafane 30.05.2024, 2024. Acrylic on canvas 80 x 66.25 in</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/7865f6c5-9773-4d76-a5b0-a6754a7eeeb2/5.jpg</image:loc>
      <image:title>Reviews - Echoes of a Journey: Stéphane Villafane, Dolby Chadwick Gallery - Make it stand out</image:title>
      <image:caption>Stéphane Villafane 28.02.2025, 2025. Acrylic on canvas 80 x 69 in</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/099bb5cc-d9e9-4a65-9fa5-039f902f145b/6.jpg</image:loc>
      <image:title>Reviews - Echoes of a Journey: Stéphane Villafane, Dolby Chadwick Gallery - Make it stand out</image:title>
      <image:caption>Stéphane Villafane 16.08.2023, 2023. Acrylic on canvas31.75 x 24.25 in</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/4ab1667d-65c2-4832-9f82-c3a06d429670/7.jpg</image:loc>
      <image:title>Reviews - Echoes of a Journey: Stéphane Villafane, Dolby Chadwick Gallery - Make it stand out</image:title>
      <image:caption>Stéphane Villafane 18.03.2025, 2025. Acrylic on canvas 51 x 38.25 in</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/emory-douglas</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1769816063346-334EID35RRW054MOOUKH/Emory_Douglas.jpg</image:loc>
      <image:title>Reviews - Emory Douglas - Emory Douglas</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1769816062653-WC5GGLSCAO4AKE2AHC93/20201203_112222+%282%29.jpg</image:loc>
      <image:title>Reviews - Emory Douglas - Emory Douglas</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1769816060846-XRBILSQ367V217R4LX18/2EA69CDB-B4C9-4F77-9568-1CEE561B9DBC.jpeg</image:loc>
      <image:title>Reviews - Emory Douglas - Emory Douglas</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1769816061178-EUSGF8DH127R7KVMD2TP/Mothers+Love_+300res+.jpg</image:loc>
      <image:title>Reviews - Emory Douglas - Digital Media © 2026 Emory Douglas/ Licensed by AFNYLAW.com</image:title>
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      <image:title>Reviews - Emory Douglas - "Revolution in Our LifeTime" Paint, pencil, pen and fabric; 60in x 72in. Collaboration by William Rhodes and Minister of Culture for the Black Panther Party, Emory Douglas.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1769816058258-2BCRK41Q25HCCUFEHAWR/1-+All+Power+to+the+People+Quilt%3B+Wm.+Rhodes.jpg</image:loc>
      <image:title>Reviews - Emory Douglas - "All Power to the People Quilt"; Paint, pencil, pen and fabric; 60in x 72in. Collaboration by William Rhodes and Minister of Culture for the Black Panther Party, Emory Douglas.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1769816062212-9568N7UF7I83WYCNPSZM/3-+Free+the+NY+21.+Wm.+Rhodes.jpg</image:loc>
      <image:title>Reviews - Emory Douglas - "Free the NY 21"; Paint, ink and thread on fabric, 60 in x 72 in x.5in. Collaboration by William Rhodes and Minister of Culture for the Black Panther Party, Emory Douglas.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1769816070485-GH3HPDZ79ZJV79HYC62I/PaperGirl_+%C2%A9+2026+Emory+Douglas+-+Licensed+by+AFNYLAW.com+.jpg</image:loc>
      <image:title>Reviews - Emory Douglas - Digital Media © 2026 Emory Douglas/ Licensed by AFNYLAW.com</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1769816070356-YE8LQU565UMM30JQAPIU/Screenshot+2026-01-30+at+3.32.12%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Emory Douglas - William Rhodes and Emory Douglas</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1769816066380-7K4HO94VAKLUSTK3YXJQ/Free+The+Land_300res.jpg</image:loc>
      <image:title>Reviews - Emory Douglas - Digital Media © 2026 Emory Douglas/ Licensed by AFNYLAW.com</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1769816071904-FVN6QBX75QR20NPSX5VK/Unknown-1.jpeg</image:loc>
      <image:title>Reviews - Emory Douglas - "Black Solidarity Quilt"; Paint, pencil, pen and fabric; 60in x 72in. Collaboration by William Rhodes and Minister of Culture for the Black Panther Party, Emory Douglas.</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/art-of-manga-de-young-museum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-03</lastmod>
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      <image:title>Reviews - Art of Manga, de Young Museum</image:title>
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      <image:title>Reviews - Art of Manga, de Young Museum</image:title>
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      <image:title>Reviews - Art of Manga, de Young Museum - Make it stand out</image:title>
      <image:caption>The Piazzoni Murals Room transformed into a stylish printing press. (Photo Greg Niemeyer)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/5ce3b882-0d59-48c7-ad05-6276b3738cad/manga+de+young+museum.png</image:loc>
      <image:title>Reviews - Art of Manga, de Young Museum - Make it stand out</image:title>
      <image:caption>Flooding Screen by Tanaami Keiichi (Photo Greg Niemeyer)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/d7dc6c06-ec77-42c0-9828-14049f7055a9/manga+de+young+art.png</image:loc>
      <image:title>Reviews - Art of Manga, de Young Museum - Make it stand out</image:title>
      <image:caption>Detail from Chiba Tetsuya's original drawing for Stay Fine, 1981-1991, showing ink lines and dry transfer techniques expertly modulated to suggest a lightly overcast sky. © Tetsuya Chiba</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/f745fcae-ced6-4355-9c9b-1252dcbf86e5/manga+art+de+young+japan.png</image:loc>
      <image:title>Reviews - Art of Manga, de Young Museum - Make it stand out</image:title>
      <image:caption>Art of Manga, de Young, 2025. Photograph by Gary Sexton</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/black-spaces-reclaim-amp-remain-oakland-museum-of-california</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/3b116f4b-d458-4c7f-94e6-e3ae5e4500c9/Oakland+Museum+of+CA.png</image:loc>
      <image:title>Reviews - Black Spaces: Reclaim &amp;amp; Remain, Oakland Museum of California - Make it stand out</image:title>
      <image:caption>Adrian Burrell, “Imperial Boomerang,” 2025. Quilted flag in carbon print</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/721b81b4-03b6-41ca-aa9d-1c70fbff940e/Oakland+Museum+of+CA+Black+art+history.png</image:loc>
      <image:title>Reviews - Black Spaces: Reclaim &amp;amp; Remain, Oakland Museum of California - Make it stand out</image:title>
      <image:caption>Marion Coleman;Close Ties 2014 - Textile and Mixed Media</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/cf2ea0ca-dc4a-4fd1-9ace-86a13ac22a64/Rashaad+Newsome%2C+Parenting+While+Black%2C+2020.+Collection+of+the+Oakland+Museum+of+California%2C+Courtesy+of+the+Rashaad+Newsome+Studio%2C+New+York..png</image:loc>
      <image:title>Reviews - Black Spaces: Reclaim &amp;amp; Remain, Oakland Museum of California - Make it stand out</image:title>
      <image:caption>Rashaad Newsome ; Parenting While Black 2020</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/54b9d979-6b39-46c4-8704-83dec6d0ff10/Oakland+Museum+of+CA+Black+art.png</image:loc>
      <image:title>Reviews - Black Spaces: Reclaim &amp;amp; Remain, Oakland Museum of California - Make it stand out</image:title>
      <image:caption>Marion Coleman; Country Club Nights 2014 - Textile and Mixed Media</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/peter-coyote</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1769668263239-A22J7NKKAMKTW12QVJFJ/peter+coyote+interview+11.png</image:loc>
      <image:title>Reviews - Peter Coyote - Peter Coyote</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1769668249154-V1P3NZITIAU5CSHGIP57/peter+coyote+interview+2.png</image:loc>
      <image:title>Reviews - Peter Coyote - My Harley I built living with Pete Knell, 1st day on the Harley</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1769668262376-OF8GGJ6LYFFAOO18GZIF/peter+coyote+interview+10.png</image:loc>
      <image:title>Reviews - Peter Coyote - Peyote</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1769668253155-WYS1FWH4V6HP8B1JGGFF/peter+coyote+interview+3.png</image:loc>
      <image:title>Reviews - Peter Coyote - Peter eating at the Digger Free Food event.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1769668256195-6OV1NWOEUVSWSTVL45U5/peter+coyote+interview+4.png</image:loc>
      <image:title>Reviews - Peter Coyote - Peter and Bob Slattery (Tux) Robbie Robertson and Bill Lindyn under arrest in Denver</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1769668250523-YHKB1ECEUZ8ZJGAYJUB1/peter+coyote+interview+1.png</image:loc>
      <image:title>Reviews - Peter Coyote - Emmett Grogan, a founder of the Diggers, a radical community-action group of Improvisational actors in the Haight-Ashbury district of San Francisco.</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1769668256951-2W4EZECI7MZK39LQPRNC/peter+coyote+interview+5.png</image:loc>
      <image:title>Reviews - Peter Coyote - A Digger who became a Hells Angel and behnd him Moose, Moose Sweet Wiliam, a Hell's Angel who mentored me for three years.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1769668261488-P8SYF2MROW6AKMNA4WIV/peter+coyote+interview+9.png</image:loc>
      <image:title>Reviews - Peter Coyote - Peter, recent photo</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1769668259577-5HC0MX6CY9IYLIGCUP06/peter+coyote+interview+7.png</image:loc>
      <image:title>Reviews - Peter Coyote - A photo from my 50s when I was modeling for Nino Cerruti (the teacher of Armani) and a surrogate father to me.</image:title>
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    <changefreq>monthly</changefreq>
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    <lastmod>2026-02-10</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.roborantreview.com/reviews/seongmin-yoo-spirit-made-visible-dougherty-station-community-arts-center</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-28</lastmod>
    <image:image>
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      <image:title>Reviews - Seongmin Yoo, Spirit Made Visible, Dougherty Station Community Arts Center - Make it stand out</image:title>
      <image:caption>Seongmin Yoo, Celestial Tides, oil, ink, rice paper on panel, 50 × 50 inches, 2025.</image:caption>
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      <image:title>Reviews - Seongmin Yoo, Spirit Made Visible, Dougherty Station Community Arts Center - Make it stand out</image:title>
      <image:caption>Seongmin Yoo, Stirring for Stars, oil, ink, ricepaper on panel, 24 x 24 inches, 2024</image:caption>
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      <image:caption>Seongmin Yoo, Big Moon, oil, ink, ricepaper on panel, 18 x 18 inches, 2025.</image:caption>
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      <image:caption>Seongmin Yoo, Spectrum of Soul, oil, ink, ricepaper on panel, 24 x 24 inches, 2024.</image:caption>
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      <image:title>Reviews - Seongmin Yoo, Spirit Made Visible, Dougherty Station Community Arts Center - Make it stand out</image:title>
      <image:caption>Seongmin Yoo, Celestial City, oil, ink, ricepaper on canvas , 48 x 53 inches, 2024.</image:caption>
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      <image:title>Reviews - Seongmin Yoo, Spirit Made Visible, Dougherty Station Community Arts Center - Make it stand out</image:title>
      <image:caption>Seongmin Yoo, Offset Magnetic System, oil, ink, ricepaper on panel, 24 x 24 inches, 2024.</image:caption>
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  </url>
  <url>
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    <changefreq>monthly</changefreq>
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    <lastmod>2026-01-30</lastmod>
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  </url>
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    <loc>https://www.roborantreview.com/reviews/09z0rlapz9knx95pdqs8pe96khn2ay</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-02</lastmod>
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      <image:title>Reviews - Love Letters to Aliens, Southern Exposure (SoEx)</image:title>
      <image:caption>Yue Xiang Witness, 2025 10’ x 16’ x 6’3 Broken china, Buttons, Chiffon, Dried flowers, Embroidery thread, hand labor, Palestine vs Hong Kong 2023 Asia Cup Group C game comments, Radio speaker, Refurbished cabinet, Recorded artist breathing, Resin, Soccer turf Detail image taken by the writer</image:caption>
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      <image:title>Reviews - Love Letters to Aliens, Southern Exposure (SoEx)</image:title>
      <image:caption>Yue Xiang Witness, 2025 10’ x 16’ x 6’3 Broken china, Buttons, Chiffon, Dried flowers, Embroidery thread, hand labor, Palestine vs Hong Kong 2023 Asia Cup Group C game comments, Radio speaker, Refurbished cabinet, Recorded artist breathing, Resin, Soccer turf Detail image taken by the writer</image:caption>
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      <image:title>Reviews - Love Letters to Aliens, Southern Exposure (SoEx) - Osvaldo Ramirez Castillo Untitled , 2025, mixed media drawing, 12.25 x 16 inches Image taken by the writer</image:title>
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      <image:title>Reviews - Love Letters to Aliens, Southern Exposure (SoEx) - Osvaldo Ramirez Castillo Nahual , 2025, site-specific mural, black acrylic paint, 20 x 7.5 feet Detail image taken by the writer</image:title>
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      <image:title>Reviews - Love Letters to Aliens, Southern Exposure (SoEx) - Osvaldo Ramirez Castillo Nahual , 2025, site-specific mural, black acrylic paint, 20 x 7.5 feet Photograph by Minoosh Zomorodinia</image:title>
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      <image:title>Reviews - Love Letters to Aliens, Southern Exposure (SoEx) - Osvaldo Ramirez Castillo Nahual , 2025, site-specific mural, black acrylic paint, 20 x 7.5 feet Detail image taken by the writer</image:title>
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      <image:title>Reviews - Love Letters to Aliens, Southern Exposure (SoEx) - Osvaldo Ramirez Castillo Nahual , 2025, site-specific mural, black acrylic paint, 20 x 7.5 feet Detail image taken by the writer</image:title>
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      <image:title>Reviews - Love Letters to Aliens, Southern Exposure (SoEx)</image:title>
      <image:caption>Maryam Tafakory نظربازی. / Nazarbazi 2021. 19 minutes, with support from Film and Video Umbrella Detail image taken by the writer</image:caption>
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      <image:title>Reviews - Love Letters to Aliens, Southern Exposure (SoEx)</image:title>
      <image:caption>Maryam Tafakory نظربازی / Nazarbazi. 2021, 19 minutes, with support from Film and Video Umbrella Detail image taken by the write</image:caption>
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      <image:title>Reviews - Love Letters to Aliens, Southern Exposure (SoEx)</image:title>
      <image:caption>Maryam Tafakory نظربازی / Nazarbazi. 2021, 19 minutes, with support from Film and Video Umbrella Detail image taken by the write</image:caption>
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      <image:title>Reviews - Love Letters to Aliens, Southern Exposure (SoEx)</image:title>
      <image:caption>Maryam Tafakory نظربازی / Nazarbazi. 2021, 19 minutes, with support from Film and Video Umbrella Detail image taken by the write</image:caption>
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      <image:title>Reviews - Love Letters to Aliens, Southern Exposure (SoEx)</image:title>
      <image:caption>Maryam Tafakory نظربازی / Nazarbazi. 2021, 19 minutes, with support from Film and Video Umbrella Detail image taken by the write</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/masami-teraoka-from-here-to-eternity-five-decades-of-art-making-catharine-clark-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-04-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/9381004c-d0a2-4d50-8497-52bae9dd7a0b/Screenshot+2026-01-20+at+8.11.47%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Masami Teraoka, From Here to Eternity, Five Decades of Art Making, Catharine Clark Gallery - Make it stand out</image:title>
      <image:caption>Wave Series/Tattooed Woman at Makapuu Beach, 1984 Watercolor on paper Sheet: 20 x 29 inches</image:caption>
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      <image:title>Reviews - Masami Teraoka, From Here to Eternity, Five Decades of Art Making, Catharine Clark Gallery - Make it stand out</image:title>
      <image:caption>31 Flavors Invading Japan/Spiral Uzumaki Tattoo, 1980–1982 / 2025</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/11c6118a-ffc7-4449-b53a-e3f462f9ebe3/Screenshot+2026-01-20+at+7.50.32%E2%80%AFPM+%281%29.png</image:loc>
      <image:title>Reviews - Masami Teraoka, From Here to Eternity, Five Decades of Art Making, Catharine Clark Gallery - Wave Series/Tattooed Woman at Sunset Beach, 1984</image:title>
      <image:caption>The erotic embrace of the sea holds tight through the decades: from the octopus of 1984's Wave Series/ Tattooed Woman at Makapuu Beach to Sarah and Octopus/ Seventh Heaven of 2001, sea life continues to swirl around the women with tentacles wrapping around body and limb, a binding echoed in the tresses of hair and affirmed with mutual caress. Giving emotional expression to the sea creatures - octopus or whale or dolphin - has a corresponding transmigration as Sarah, in head-thrown-back ecstatic swoon, has been rendered with a phallic fish head contenance.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/ffe84b41-d721-414c-9e08-293fc1b59881/Screenshot+2026-01-20+at+7.52.23%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Masami Teraoka, From Here to Eternity, Five Decades of Art Making, Catharine Clark Gallery - Make it stand out</image:title>
      <image:caption>Installation image of Masami Teraoka’s “AIDS Series/Mother and Child” and “AIDS Series/Father and Son” (1990)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/bb7b444f-f260-44e2-b186-7fd7b064d021/Teraoka_Hideous_Ugliest_Orange_Toad_s_Last_Bolero_Viagra_Falls_2019_opened_view_WEB+%281%29.jpg</image:loc>
      <image:title>Reviews - Masami Teraoka, From Here to Eternity, Five Decades of Art Making, Catharine Clark Gallery - Make it stand out</image:title>
      <image:caption>Masami Teraoka, “Hideous Ugliest Orange Toad’s Last Bolero/Viagra Falls” (2019), oil on panel, 120 by 120 inches</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/d474a1f6-733e-4de7-afa7-59598d28f837/Screenshot+2026-01-20+at+8.02.03%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Masami Teraoka, From Here to Eternity, Five Decades of Art Making, Catharine Clark Gallery - Masami Teraoka, born in 1936 in Onomichi, Hiroshima, Japan</image:title>
      <image:caption>Masami Teraoka has imbued his art with beauty and grace while holding a mirror to society so that we may calibrate to a moral compass. A life of ninety years lived in Japan, California, and Hawaii has given rise to a flowering of art that has explored the depths of life and the passionate forces that fuel the sublime. To swim within these waters is to be buoyed and raised above the crest.</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/david-deweerdt-excessive-body-ryan-graff-contemporary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-22</lastmod>
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      <image:title>Reviews - David Deweerdt, Excessive Body, Ryan Graff Contemporary</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1768965578635-623DUUHF3ODSU8YF0N6C/David_Deweerdt_17_Ink_on_mylar+%281%29.jpg</image:loc>
      <image:title>Reviews - David Deweerdt, Excessive Body, Ryan Graff Contemporary</image:title>
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      <image:title>Reviews - David Deweerdt, Excessive Body, Ryan Graff Contemporary</image:title>
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      <image:title>Reviews - David Deweerdt, Excessive Body, Ryan Graff Contemporary</image:title>
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      <image:title>Reviews - David Deweerdt, Excessive Body, Ryan Graff Contemporary</image:title>
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      <image:title>Reviews - David Deweerdt, Excessive Body, Ryan Graff Contemporary</image:title>
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      <image:title>Reviews - David Deweerdt, Excessive Body, Ryan Graff Contemporary</image:title>
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      <image:title>Reviews - David Deweerdt, Excessive Body, Ryan Graff Contemporary</image:title>
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      <image:title>Reviews - David Deweerdt, Excessive Body, Ryan Graff Contemporary</image:title>
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      <image:title>Reviews - David Deweerdt, Excessive Body, Ryan Graff Contemporary</image:title>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/tiffany-shlain-and-ken-goldberg</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-04</lastmod>
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      <image:title>Reviews - Tiffany Shlain and Ken Goldberg</image:title>
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      <image:title>Reviews - Tiffany Shlain and Ken Goldberg - The artists with Tree of Knowledge</image:title>
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      <image:title>Reviews - Tiffany Shlain and Ken Goldberg</image:title>
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      <image:title>Reviews - Tiffany Shlain and Ken Goldberg</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1768889611194-KBNW3J5V7E9YSAMOZIXJ/Screenshot+2026-01-19+at+10.10.34%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Tiffany Shlain and Ken Goldberg - Carbon tracing paper used in preparation 8 pg. 19 for pyrography for Ancient Wisdom artwork</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1768889612701-AFSJR981FSHTXMKIESGM/Screenshot+2026-01-19+at+10.11.29%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Tiffany Shlain and Ken Goldberg - Tiffany Shlain and Ken Goldberg DendroJudaeology: A Timeline of the Jewish People 62 in. x 3 in. Reclaimed poplar wood EV 3/18 + 2AP 2024</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1768889614178-C186H1O35GAJ7OMDVK71/Screenshot+2026-01-19+at+10.11.43%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Tiffany Shlain and Ken Goldberg - Two Notes 18 in. x 18 in. Reclaimed elm wood Edition 1/5 + 2 AP 2024</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1768890130539-3IAHZNE7TT0ART0D1P47/Screenshot+2026-01-19+at+10.21.40%E2%80%AFPM+%281%29.png</image:loc>
      <image:title>Reviews - Tiffany Shlain and Ken Goldberg - Tiffany Shlain A Female Gaze into History 34 in. x 38 in. x 2.25 in. Three-minute time-based artwork, film projected onto elm wood EV 1/3 + 2 AP 2024</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1768889952541-VHUJ5G85818YJKP74PK9/Screenshot+2026-01-19+at+10.18.13%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Tiffany Shlain and Ken Goldberg - Telegarden Custom 3m x 3m aluminum frame, plants, soil, industrial robot arm and internet interface 1995–2004</image:title>
      <image:caption>The Telegarden art installation, online from 1995–2004, was the first robot. on the internet. This art installation and feasibility study allowed anyone on the internet to view and interact with a real remote garden filled with living plants. Ken Goldberg in collaboration with Joseph Santarromana, George Bekey, Steven Gentner, Rosemary Morris, Carl Sutter, and Jeff Wiegley</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/rebecca-manson-time-you-must-be-laughing-jessica-silverman-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-20</lastmod>
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      <image:title>Reviews - Rebecca Manson, Time You Must Be Laughing, Jessica Silverman Gallery - Make it stand out</image:title>
      <image:caption>Installation view. Rebecca Manson at Jessica Silverman, 2026.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/41cef927-a376-4990-b300-c3055089ff61/Installation+view.+Rebecca+Manson+at+Jessica+Silverman%2C+2026.png</image:loc>
      <image:title>Reviews - Rebecca Manson, Time You Must Be Laughing, Jessica Silverman Gallery - Make it stand out</image:title>
      <image:caption>Left: Rebecca Manson. Black Swallowtail, 2025. Porcelain, glaze, adhesives, canvas, and hardware. 108 x 80 x 3 inches. Right: detail, Rebecca Manson, Opal, 2025. Porcelain, glaze, adhesives, canvas, and hardware.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/f3c5235a-4904-447b-aaa6-abac7237e0ed/Installation+view.+Rebecca+Manson+at+Jessica+Silverman%2C+2026+art.png</image:loc>
      <image:title>Reviews - Rebecca Manson, Time You Must Be Laughing, Jessica Silverman Gallery - Make it stand out</image:title>
      <image:caption>Rebecca Manson. Oilslick, 2025. Porcelain, glaze, adhesives, canvas, and hardware. 38 x 64 x 3 inches.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/lines-on-wayne-thiebaud-sebarts</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/4d7adcbc-2f3c-4295-a952-296ffa0cae03/Wayne+Thiebaud.png</image:loc>
      <image:title>Reviews - Wayne Thiebaud, The Unknown Thiebaud: Passionate Printmaker, SebArts - Make it stand out</image:title>
      <image:caption>Wayne Thiebaud Pie Case, 2020 Color direct gravure with aquatint and drypoint printed by Dena Shuckit</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/9e5811d2-83e8-4ed8-8754-264b9531da32/Wayne+Thiebaud+cake.png</image:loc>
      <image:title>Reviews - Wayne Thiebaud, The Unknown Thiebaud: Passionate Printmaker, SebArts - Make it stand out</image:title>
      <image:caption>Wayne Thiebaud Cut cakes, 2015 Sugar lift aquatint with drypoint printed in black, printed by Emily York. Collection of Mari Andrews</image:caption>
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      <image:title>Reviews - Wayne Thiebaud, The Unknown Thiebaud: Passionate Printmaker, SebArts - Make it stand out</image:title>
      <image:caption>Wayne Thiebaud Dark Candy Apples, 1987 Woodcut printed by Tadashi Toda. Collection of the Wayne Thiebaud Foundation</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c47d9361-ba7f-43b6-b787-639ec139c876/Wayne+Thiebaud+lollis.png</image:loc>
      <image:title>Reviews - Wayne Thiebaud, The Unknown Thiebaud: Passionate Printmaker, SebArts - Make it stand out</image:title>
      <image:caption>Wayne Thiebaud Big Suckers, from Seven Still Lifes and a Silver Landscape, 1971, Aquatint and soft ground etching, printed by Kathan Brown of Crown Point Press for Parasol Press. Collection of Heather Stone.</image:caption>
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      <image:title>Reviews - Wayne Thiebaud, The Unknown Thiebaud: Passionate Printmaker, SebArts - Images of all progress prints are courtesy of Crown Point Press</image:title>
      <image:caption>Images of all progress prints are courtesy of Crown Point Press</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/3ee6bab7-cbe6-449f-9b91-fffcf5526e0c/Wayne+Thiebaud+landscape.png</image:loc>
      <image:title>Reviews - Wayne Thiebaud, The Unknown Thiebaud: Passionate Printmaker, SebArts - Make it stand out</image:title>
      <image:caption>Wayne Thiebaud Park Place, 1995 Color hard ground etching with drypoint, spite bite aquatint and aquatint, printed by Daria Sywulak</image:caption>
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      <image:title>Reviews - Wayne Thiebaud, The Unknown Thiebaud: Passionate Printmaker, SebArts - Make it stand out</image:title>
      <image:caption>(left) Wayne Thiebaud Land Cloud, 2011, Hard ground etching and drypoint, printed by Emily York. Collection of Crown Point Press (right) Wayne Thiebaud Untitled (Cloud Study), 1980 Oil on board. Collection of Heather Stone</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a6bcd207-5277-455e-8fec-c661ee0c2f2a/Wayne+Thiebaud+landmass.png</image:loc>
      <image:title>Reviews - Wayne Thiebaud, The Unknown Thiebaud: Passionate Printmaker, SebArts - Make it stand out</image:title>
      <image:caption>(left) Wayne Thiebaud Canyon Mountains, 2014 Direct gravure on gampi paper chine collé, printed by Emily York. Collection of Crown Point Press (center) Wayne Thiebaud Dark Canyon Bluffs, 2014 Spite bite aquatint with direct drypoint on gampi paper on chine collé, printed by Emily York. Collection of Crown Point Press (right) Wayne Thiebaud Canyon Bluffs (color), 2014 Color spite bite aquatint with direct gravure and drypoint on gampi paper on chine collé, printed by Emily York. Collection of Paul Thiebaud Gallery</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/119b2a46-f1d5-4bf8-aa3a-534037e75237/Wayne+Thiebaud+bus.png</image:loc>
      <image:title>Reviews - Wayne Thiebaud, The Unknown Thiebaud: Passionate Printmaker, SebArts - Make it stand out</image:title>
      <image:caption>Wayne Thiebaud Van, 1988 Pastel over etching, printed by Lawrence Hamlin. Collection of Heather Stone</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/0d166794-49c2-4b9f-94f9-0848db52b9ee/Screenshot+2026-01-18+at+1.46.08%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Wayne Thiebaud, The Unknown Thiebaud: Passionate Printmaker, SebArts - Make it stand out</image:title>
      <image:caption>Willem de Kooning Untitled, 1941-1951, Oil on paper mounted to masonite. Collection of Heather Stone.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/f3a4e445-3f2c-48bf-87fa-4268139442e3/Screenshot+2026-01-18+at+1.46.18%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Wayne Thiebaud, The Unknown Thiebaud: Passionate Printmaker, SebArts - Make it stand out</image:title>
      <image:caption>Robert Baribeu Untitled, 1984, Oil on Canvas. Collection of Heather Stone.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/presumed-guilty</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-18</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/f3423b42-d849-443f-aaed-35cb48513a1b/Screenshot+2026-01-14+at+5.55.44%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - PRESUMED GUILTY - Stephanie Jolluck &amp; Gio Rossilli</image:title>
      <image:caption>In November 2022, the Guatemalan authorities issued press releases about the arrest of an American woman involved in smuggling hundreds of Mayan artifacts out of Guatemala. The media reports are sensational: "American Busted Twice in 3 Days Smuggling Mayan Artifacts Out of Guatemala" and "American Woman Tried to Smuggle 166 Maya Objects From Guatemala." To any reader, the actions would appear to be a gross violation of international law and an affront to Guatemalan cultural patrimony.</image:caption>
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      <image:title>Reviews - PRESUMED GUILTY - Jolluck with longtime friend Justina Patzun.</image:title>
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      <image:title>Reviews - PRESUMED GUILTY - Jolluck with longtime friend Justina Patzun.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1768442752435-6PRUU5TRDRPP6KE7EKM0/Screenshot+2026-01-14+at+6.02.54%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - PRESUMED GUILTY - Jolluck with her friend of 25 years, Ana Mateo of Chajul and Antigua.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1768442753939-DYFMWTBUQSKWK77C4UWE/Screenshot+2026-01-14+at+6.03.00%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - PRESUMED GUILTY - Jolluck with her friend of 25 years, Lidia Aguarre of Chichicastenango and Patzicia.</image:title>
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      <image:title>Reviews - PRESUMED GUILTY - Jolluck with friends Juana Lopez Muy and her family in Nahuala.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1768442755794-BSSV22U8FF57PXYT85WG/Screenshot+2026-01-14+at+6.03.23%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - PRESUMED GUILTY - Stephanie and Manuela, from Nahuala.</image:title>
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      <image:title>Reviews - PRESUMED GUILTY - Make it stand out</image:title>
      <image:caption>Announcement for “Leg Up” Female Entrepreneur Award from Spanx, 2013.</image:caption>
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      <image:title>Reviews - PRESUMED GUILTY - "Sunshine Walks Beside Her" Antigua, Guatemala, photograph by Stephanie Jolluck.</image:title>
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      <image:title>Reviews - PRESUMED GUILTY - "The Musician" Antigua, Guatemala, photograph by Stephanie Jolluck.</image:title>
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      <image:title>Reviews - PRESUMED GUILTY - “Kites” Santiago Sacatepequez, Guatemala, photograph by Stephanie Jolluck.</image:title>
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      <image:title>Reviews - PRESUMED GUILTY - Rossili with his good friend of over twenty-five years, Antonio Lopez Muy, a farmer and folk artist from Nahula.</image:title>
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      <image:title>Reviews - PRESUMED GUILTY - Rossili with his good friend of over thirty years, Don Cruz Jaminez of Nahuala.</image:title>
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      <image:title>Reviews - PRESUMED GUILTY - Gio and Stephanie</image:title>
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      <image:title>Reviews - PRESUMED GUILTY - Make it stand out</image:title>
      <image:caption>“Las Hondas Guatemaltecas / The Guatemalan Slingshot” (Antigua: La Ruta Maya Conservation Foundation, 2007) by Anabella Paiz and Valia Garzon.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1768445453980-01RLCTQZG2OJGD2TATYG/Screenshot+2026-01-14+at+6.48.38%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - PRESUMED GUILTY</image:title>
      <image:caption>"Masks of Guatemalan Traditional Dances, Vol 1 &amp; 2" (Longboat Key, FL: JEB, 2008) by Joel E. Brown and Giorgio Rossilli. One online reviewer noted "This is the ultimate comprehensive survey of Guatemalan Masks ever assembled and the most accurate and serious exploration of the subject. The two-volume book examines the history, traditions and artistry behind the creation of these extraordinary objects and places them into the historical and cultural context of Guatemalan life and idiosyncrasy. The two books (Volume I and II) are a unique, high quality visual document with 651 pages of full color photographs of rare ceremonies, dance scripts, and profound investigation made over many years by Dr. Joel Brown and Gio Rossilli; both enormous connoisseurs of the subject." [FN 7]</image:caption>
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      <image:title>Reviews - PRESUMED GUILTY - Make it stand out</image:title>
      <image:caption>Vintage ethnographic photograph of the "Devil Dance Troupe," courtesy of the Valey Family Estate, Santa Lucia Cotzumalguapa, Guatemala, which Rossilli helped the Xipe Foundation secure for their archive of Guatemala's masked dance tradition.</image:caption>
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      <image:title>Reviews - PRESUMED GUILTY</image:title>
      <image:caption>An eight-foot-long stucco Maya sculpture of a warrior with a jaguar mask ("Crouching Jaguar") which was part of the "Treasures of the Maya Spirit" exhibit at the Los Angeles Art Show in 2014.</image:caption>
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      <image:caption>Fernando Paiz, directors/producers Gregory Nava &amp; Barbara Martinez, actor Edward James Olmos, with Maya elders ("Cofradia"), of Chichicastenango , Guatemala.</image:caption>
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      <image:title>Reviews - PRESUMED GUILTY - Make it stand out</image:title>
      <image:caption>Fernando Paiz, directors/producers Gregory Nava &amp; Barbara Martinez, actor Edward James Olmos, with Maya elders (“Cofradia”), of Chichicastenango , Guatemala.</image:caption>
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      <image:title>Reviews - PRESUMED GUILTY - Photograph of Rossilli, during the Los Angeles Art Show in 2014, being honored and blessed by the religious Mayan elders of Chichicastenango, Guatemala.&amp;nbsp;</image:title>
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      <image:title>Reviews - PRESUMED GUILTY - Maya artifact Rossilli previously donated to La Ruta Maya Conservation Foundation</image:title>
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      <image:title>Reviews - PRESUMED GUILTY - Maya artifact Rossilli previously donated to La Ruta Maya Conservation Foundation</image:title>
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      <image:title>Reviews - PRESUMED GUILTY - Maya artifact Rossilli previously donated to La Ruta Maya Conservation Foundation</image:title>
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      <image:title>Reviews - PRESUMED GUILTY - Maya artifact Rossilli previously donated to La Ruta Maya Conservation Foundation</image:title>
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      <image:title>Reviews - PRESUMED GUILTY - Front and back of one of the pieces authorities confiscated.&amp;nbsp;</image:title>
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      <image:title>Reviews - PRESUMED GUILTY - These are the two artifacts (stone hachas) that Jolluck was carrying when stopped by the Guatemalan authorities.</image:title>
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      <image:title>Reviews - PRESUMED GUILTY - Close up photo of the two artifacts.</image:title>
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      <image:title>Reviews - PRESUMED GUILTY - Offered at auction in the U.S. on 6/14/25. It sold for $650.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1768454112284-8GYTVHX4E4M6Q63GEMDA/Screenshot+2026-01-14+at+8.38.07%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - PRESUMED GUILTY - Offered at auction in the U.S. on 12/22/24. It sold for $500.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1768454114400-9HJCW39Q3E8IPNY0EFV6/Screenshot+2026-01-14+at+8.38.18%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - PRESUMED GUILTY - Offered at auction in the U.S. on 12/6/18 with an opening bid of $1,700.  It received no bids.</image:title>
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      <image:title>Reviews - PRESUMED GUILTY - Offered at auction in the U.S. on 3/15/17. It sold for $7,750.</image:title>
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      <image:title>Reviews - PRESUMED GUILTY - Offered at auction in the U.S. on 7/13/22. It sold for $1,300.</image:title>
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      <image:title>Reviews - PRESUMED GUILTY - From the collection of Dumbarton Oaks, Washington, D.C.</image:title>
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      <image:title>Reviews - PRESUMED GUILTY - From the collection of Dumbarton Oaks, Washington, D.C.</image:title>
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      <image:title>Reviews - PRESUMED GUILTY - From the collection of Dumbarton Oaks, Washington, D.C.</image:title>
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      <image:title>Reviews - PRESUMED GUILTY - From the collection of the Denver Art Museum.</image:title>
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      <image:title>Reviews - PRESUMED GUILTY - From the collection of the Cleveland Art Museum.</image:title>
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      <image:title>Reviews - PRESUMED GUILTY - From the collection of the Cleveland Art Museum.</image:title>
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      <image:title>Reviews - PRESUMED GUILTY - From the collection of the Cleveland Art Museum.</image:title>
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      <image:title>Reviews - PRESUMED GUILTY - From the collection of the Museum of Art and Design, Miami Dade College.</image:title>
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      <image:title>Reviews - PRESUMED GUILTY - From the collection of the Israel Museum, Jerusalem.</image:title>
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      <image:title>Reviews - PRESUMED GUILTY - From the collection of the Israel Museum, Jerusalem.</image:title>
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      <image:title>Reviews - PRESUMED GUILTY - From the collection of La Ruta Maya Conservation Foundation, Guatemala.</image:title>
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      <image:title>Reviews - PRESUMED GUILTY - Maria Consuelo Porras, 2018.</image:title>
      <image:caption>Guatemala's current Attorney General Maria Consuelo Porras, who has been in office since 2018, has been deemed by the U.S. State Department as "undemocratic and corrupt."  The State Department has criticized her for undermining corruption investigations initiated by her predecessors and special prosecutors (not directly under her control) and the European Union, Canada, and the United Kingdom have all sanctioned her for her participation in anti-democratic activity. She has been criticized for persistent efforts to overthrow the 2023 national election and has been widely criticized for abusing her office to harass journalists and independent judges, in some cases specifically initiating knowingly-false criminal proceedings against them. [FN 26]</image:caption>
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      <image:title>Reviews - PRESUMED GUILTY - Make it stand out</image:title>
      <image:caption>Gio Rossilli and Fernando Paiz at the Los Angeles Art Show’s exhibition "Treasures of the Maya Spirit.”</image:caption>
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      <image:title>Reviews - PRESUMED GUILTY - Roger Carstens, the Special Presidential Envoy for Hostage Affairs in the State Department, 2020-2025.</image:title>
      <image:caption>After their arrest in November 2022, Jolluck notified the U.S. Embassy in Guatemala, and they arranged to have lawyers from the embassy attend court hearings. Although the attorneys saw a number of legal and procedural irregularities, American officials told Jolluck and Rossilli they did not feel they could intervene at that point. However, that changed on March 10, 2023 when a previously agreed upon postponement of a court hearing was ignored and the judge and prosecutors proceeded to address substantive issues in the absence of Jolluck and Rossilli's attorneys, who had expressly relied on the court's assurances that their presence was not needed. The absence of defense counsel was significant because prosecutors sought an extension of the investigative deadline which was to expire that very day. The court granted this request without any opportunity for the defense to raise objections.</image:caption>
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      <image:title>Reviews - PRESUMED GUILTY - Jolluck and Rossilli with Manuela Gaurchaj from Nahualá.</image:title>
      <image:caption>No media outlet resisted the narrative, which the Guatemalan government controlled, once the avalanche of reporting began in this matter. Good journalism would have seen through the politically motivated attacks Jolluck and Rossili have endured. For their part, the Guatemalan government should admit that Jolluck's and Rossilli's case is not what they have claimed. Jolluck should have been given the benefit of the doubt, or at the least, treated as anyone else would have been. The entire case against Rossilli should be dismissed. Thus, any artifacts confiscated, which were at Rossilli’s home and which had been promised to La Ruta Maya Conservation Foundation as a donation, should be transferred to the Foundation’s collection.</image:caption>
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      <image:title>Reviews - PRESUMED GUILTY - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Reviews - PRESUMED GUILTY - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Reviews - PRESUMED GUILTY - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Reviews - PRESUMED GUILTY - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Reviews - PRESUMED GUILTY - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Reviews - PRESUMED GUILTY - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Reviews - PRESUMED GUILTY - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Reviews - PRESUMED GUILTY - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Reviews - PRESUMED GUILTY - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Reviews - PRESUMED GUILTY - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Reviews - PRESUMED GUILTY - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Reviews - PRESUMED GUILTY - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Reviews - PRESUMED GUILTY - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Reviews - PRESUMED GUILTY - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Reviews - PRESUMED GUILTY - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Reviews - PRESUMED GUILTY - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/the-stars-we-do-not-see-australian-indigenous-art-national-gallery-of-art-washington-dc</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/2db92397-5e28-462d-b8ed-dcd8722de791/the+stars+we+do+not+see.png</image:loc>
      <image:title>Reviews - The Stars We Do Not See: Australian Indigenous Art, National Gallery of Art, Washington, D.C - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/73ac085a-f225-48bd-92b9-800b71317e89/1.Tim+Leura+Tjapaltjarri+and+Clifford+Possum+Tjapaltjarri.jpg</image:loc>
      <image:title>Reviews - The Stars We Do Not See: Australian Indigenous Art, National Gallery of Art, Washington, D.C - Make it stand out</image:title>
      <image:caption>Tim Leura Tjapaltjarri, Cliﬀord Possum Tjapaltjarri, Spirit Dreaming through Napperby Country, 1980, synthetic polymer paint on canvas, 207.7 x 670.8 cm (81 3/4 x 264 1/8 in.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/30a17f04-cd76-4db0-9ecd-cbeaade6c49c/2.Kuruwarriyingathi+Bijarrb.jpg</image:loc>
      <image:title>Reviews - The Stars We Do Not See: Australian Indigenous Art, National Gallery of Art, Washington, D.C - Make it stand out</image:title>
      <image:caption>Kuruwarriyingathi Bijarrb Paula Paul, My Country, 2009, synthetic polymer paint on canvas, 198.1 x 305.2 cm (78 x 120 3/16 in.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/4822707a-42bf-49f3-8e03-ee61238da0a5/3.Jimmy+Njiminjuma.jpg</image:loc>
      <image:title>Reviews - The Stars We Do Not See: Australian Indigenous Art, National Gallery of Art, Washington, D.C - Make it stand out</image:title>
      <image:caption>Jimmy Njiminjuma Ngalyod, the Rainbow Serpent, 1993, earth pigments on stringybark (Eucalyptus sp.), 166.5 x 66.2 cm (65 9/16 x 26 1/16 in.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/096828a9-da0c-4950-b1ba-6afbac2ece97/4.Mani+Mani+Necklace.jpg</image:loc>
      <image:title>Reviews - The Stars We Do Not See: Australian Indigenous Art, National Gallery of Art, Washington, D.C - Make it stand out</image:title>
      <image:caption>Rose Mamuniny Gurruwiwi, Mani Mani (Necklace), 1993, welirr (shells), butju (feathers), nylon thread, 30.5 x 21 x 5 cm (12 x 8 1/4 x 1 15/16 in.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/00136829-60c5-40b7-9019-a0566793c9fc/5.Kaylene+Whiskey.jpg</image:loc>
      <image:title>Reviews - The Stars We Do Not See: Australian Indigenous Art, National Gallery of Art, Washington, D.C - Make it stand out</image:title>
      <image:caption>Kaylene Whiskey, Seven Sisters Song, 2021, enamel paint on road sign, 120 x 180 cm (47 1/4 x 70 7/8 in.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/970b0b14-5d74-4e46-adbc-a961c4d0bfe2/6..Brook+Andrew.jpg</image:loc>
      <image:title>Reviews - The Stars We Do Not See: Australian Indigenous Art, National Gallery of Art, Washington, D.C - Make it stand out</image:title>
      <image:caption>Brook Andrew, Sexy and Dangerous, 1996, printed 2005, computer-generated color transparency on transparent synthetic polymer resin, 145.9 x 96 cm (57 7/16 x 37 13/16 in.)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/hillary-olcott</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/654573bd-0c15-4c41-9501-5ebedbb44e11/Woj-Arts-Native-8005.jpg</image:loc>
      <image:title>Reviews - Hillary Olcott - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1768191172066-JUZGCUQ39OZSBA5N4WIU/Screenshot+2026-01-11+at+8.05.13%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Hillary Olcott - Installation view of "Arts of Indigenous America," at the de Young Museum, San Francisco, 2025. Photograph by Gary Sexton.</image:title>
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      <image:title>Reviews - Hillary Olcott - Installation view of "Arts of Indigenous America," at the de Young Museum, San Francisco, 2025. Photograph by Gary Sexton.</image:title>
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      <image:title>Reviews - Hillary Olcott - Installation view of "Arts of Indigenous America," at the de Young Museum, San Francisco, 2025. Photograph by Gary Sexton.</image:title>
      <image:caption />
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1768191175429-0723DOMQSHCHFJSQSJUV/Screenshot+2026-01-11+at+8.05.36%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Hillary Olcott</image:title>
      <image:caption>Dorothy Grant (Kaigani Haida, b. 1955) (Maker) Robert Davidson (Haida, b. 1946) (Designer) Robe, 1992 Cashmere wool; fulled, appliqué, reverse appliqué, applied mother-of-pearl buttons, and glass beads, 56 1/2 x 58 13/16 x 5/16 in. Photo Randy Dodson</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1768191171359-53GUMR4SR130OYRGHDLU/Screenshot+2026-01-11+at+8.05.06%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Hillary Olcott - Maria Martinez (San Ildefonso Pueblo, 1887–1980) Julian Martinez (San Ildefonso Pueblo 1879–1943) Jar, 1939 Earthenware, 7 x 9 x 9 in.</image:title>
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      <image:title>Reviews - Hillary Olcott - Rick Bartow (Wiyot, 1946–2016) "The Magical Mind in Rural America," 2015 Acrylic and graphite on unstretched canvas, 73 1/2 x 219 1/2 in. Artwork © Rick Bartow Trust Photograph by Randy Dodson</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1768191176344-YE0YQCQ3S7I2MZCD6I8R/Screenshot+2026-01-11+at+8.05.43%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Hillary Olcott - Installation view of "Arts of Indigenous America," at the de Young Museum, San Francisco, 2025. Photograph by Gary Sexton.</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/monique-duncan-nostos-algos-birdhouse-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1424125f-9c59-4cb3-8001-3841c11f6398/Screenshot+2026-01-12+at+3.28.45%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Monique Duncan, Nostos Algos, Birdhouse Gallery - Make it stand out</image:title>
      <image:caption>Installation view of “Nostos Algos” by Monique Duncan at Birdhouse Gallery</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/562485dd-88cf-4d08-b53d-39bc880a5cc9/Screenshot+2026-01-12+at+3.29.29%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Monique Duncan, Nostos Algos, Birdhouse Gallery - Make it stand out</image:title>
      <image:caption>“5 Northwest 61st” by Monique Duncan - Acrylic and China Marker - 20” x 20”</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/e1afc444-b8d9-4227-a7d2-895335d330dc/Screenshot+2026-01-12+at+3.29.55%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Monique Duncan, Nostos Algos, Birdhouse Gallery - Make it stand out</image:title>
      <image:caption>“Mother II” by Monique Duncan - Acrylic and Graphite - 20” x 20”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/440ee304-5764-4246-97ee-ed7b3855c11c/Screenshot+2026-01-12+at+3.30.08%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Monique Duncan, Nostos Algos, Birdhouse Gallery - Make it stand out</image:title>
      <image:caption>“Nostos Algos” by Monique Duncan - Acrylic and Graphite - 24” x 24”</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/judith-schaechter-supernatural-museum-of-craft-and-design</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/9c43484c-d0ab-473f-83d4-c5fa90a19ef3/3.png</image:loc>
      <image:title>Reviews - Judith Schaechter, Super/Natural, Museum of Craft and Design - Make it stand out</image:title>
      <image:caption>Super/Natural, Installation</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/31f5b93e-3308-48d8-b51e-2dd3081ece6f/7.png</image:loc>
      <image:title>Reviews - Judith Schaechter, Super/Natural, Museum of Craft and Design - Make it stand out</image:title>
      <image:caption>Swarm (2023) Stained-glass Lightbox, 26 x 62 in.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/8787eeb4-05bf-44c8-ae17-8a68b1e2cc3b/6.png</image:loc>
      <image:title>Reviews - Judith Schaechter, Super/Natural, Museum of Craft and Design - Make it stand out</image:title>
      <image:caption>Passengers (2022) Stained-glass Lightbox, 31 x 44 in.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/412f9722-d45c-4093-b649-0932b8449cf3/My+One+Desire.png</image:loc>
      <image:title>Reviews - Judith Schaechter, Super/Natural, Museum of Craft and Design - Make it stand out</image:title>
      <image:caption>My One Desire (2007) Stained-glass Lightbox, 35 x 52 in.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/4df250e6-3a71-4df7-849a-e2b6e89fde71/Screenshot+2026-01-10+at+4.48.05%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Judith Schaechter, Super/Natural, Museum of Craft and Design - Make it stand out</image:title>
      <image:caption>Beached Whale (2018)  Stained-glass Panel, 27 x 40 in.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/41be8e4d-87bd-4838-8df7-2adb31a10864/Screenshot+2026-01-12+at+2.29.33%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Judith Schaechter, Super/Natural, Museum of Craft and Design - Make it stand out</image:title>
      <image:caption>Efflorescence, 31″ x 41″, 2019</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1768109540267-5OCHHUVKGOO03GUAF32N/3.png</image:loc>
      <image:title>Reviews - Judith Schaechter, Super/Natural, Museum of Craft and Design - Super/Natural (2025) 96 x 66 in</image:title>
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      <image:title>Reviews - Judith Schaechter, Super/Natural, Museum of Craft and Design - (Detail) Super/Natural (2025) 96 x 66 in</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1768109320403-YO6IDUW47Y0CVYLMJWC5/Screenshot+2026-01-10+at+9.26.11%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Judith Schaechter, Super/Natural, Museum of Craft and Design - (Detail) Super/Natural (2025) 96 x 66 in</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1768109318606-2C71SAUE6TO8T27JMBEY/Screenshot+2026-01-10+at+9.25.59%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Judith Schaechter, Super/Natural, Museum of Craft and Design - (Detail) Super/Natural (2025) 96 x 66 in</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1768109317336-XPN8PABSAQ5UX4H73ZY0/Screenshot+2026-01-10+at+9.25.40%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Judith Schaechter, Super/Natural, Museum of Craft and Design - (Detail) Super/Natural (2025) 96 x 66 in</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1768109315382-YVOD3E1EP6GHGMK0ZS6E/Screenshot+2026-01-10+at+9.25.29%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Judith Schaechter, Super/Natural, Museum of Craft and Design - (Detail) Super/Natural (2025) 96 x 66 in</image:title>
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    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/ken-feingold-the-animal-vegetable-mineralness-of-everything</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/24c3a136-a32b-4b3d-9890-9a27527cba5e/Screenshot+2025-12-28+at+10.59.21%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Ken Feingold, The Animal, Vegetable, Mineralness of Everything - Make it stand out</image:title>
      <image:caption>Silicone, fiberglass, steel, software, electronics, computers, algorithmic digital audio approx. 48"h × 60"w × 60"d</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/32db7554-bd6a-47a2-834a-24e93db8a745/eliza.webp</image:loc>
      <image:title>Reviews - Ken Feingold, The Animal, Vegetable, Mineralness of Everything - Make it stand out</image:title>
      <image:caption>ELIZA the early chatterbot</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/9d115c78-00a7-4b5c-9cfe-3e7b8e5610b8/Wendy+Hiller+as+Eliza+Doolittle+and+Leslie+Howard+as+Henry+Higgins+in+the+1938+film+version+of+George+Bernard+Shaw%27s+Pygmalion.webp</image:loc>
      <image:title>Reviews - Ken Feingold, The Animal, Vegetable, Mineralness of Everything - Wendy Hiller as Eliza Doolittle and Leslie Howard as Henry Higgins in the 1938 film version of George Bernard Shaw's Pygmalion.</image:title>
      <image:caption>Language Models have been studied and experimented with, albeit in a rudimentary form, since the 1960s, when MIT computer scientist Joseph Weizenbaum created ELIZA. The early language model was named after Eliza Doolittle, a fictional character in George Bernard Shaw's play Pygmalion, written in 1912. In the British play, Eliza quickly loses her Cockney working-class accent and, with the help of Henry Higgins, a phonetics professor, refines her speech to blend in with upper-class society. Eventually, Eliza rejects Higgins, who treats her as an object, and asserts her independence.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/deafef15-4945-4fef-b6a8-ad4502ca25f6/Screenshot+2025-12-28+at+11.02.35%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Ken Feingold, The Animal, Vegetable, Mineralness of Everything - Make it stand out</image:title>
      <image:caption>Transcript from an early ELIZA conversation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/fd394c05-b3ab-4f57-9477-014fe0ea27dd/Ken-Feingold-Courtesy-of-Artist-769x1024.jpg</image:loc>
      <image:title>Reviews - Ken Feingold, The Animal, Vegetable, Mineralness of Everything - The artist with The Animal, Vegetable, Mineralness of Everything</image:title>
      <image:caption>The piece, which first showed in 2003 at the Shrewsbury Museum and Art Gallery in Shropshire, United Kingdom, before touring the United States, used three life-sized silicone self-portraits that "debate the nature of violence with each other, and discuss their fears – generally their fears about each other." Each head takes on a persona representing a different realm of existence; one speaks for the animals, another for the vegetables, and yet another for the minerals.</image:caption>
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      <image:title>Reviews - Ken Feingold, The Animal, Vegetable, Mineralness of Everything - Make it stand out</image:title>
      <image:caption>Silicone head from The Animal, Vegetable, Mineralness of Everything</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/4ac48985-8940-4fe4-9618-2d348a80cf08/Marshall_McLuhan_with_and_on_television_%28cropped%29.jpg</image:loc>
      <image:title>Reviews - Ken Feingold, The Animal, Vegetable, Mineralness of Everything - Marshall McLuhan with a television showing his own image, 1967</image:title>
      <image:caption>Feingold's piece made at the start of the 21st century could well be a testament to the often cited 20th century Canadian media theorist Marshall McLuhan, who once said, "I think of art, at its most significant, as a DEW line, a Distant Early Warning system that can always be relied on to tell the old culture what is beginning to happen to it. Art acts as an early distant warning system, warning the old culture about the psychic and social targets so that we may have plenty of time to prepare for change."</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/of-gatherings</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/bd846874-0408-4909-a18f-c8fd6ff32f86/Screenshot+2026-01-06+at+4.39.40%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Of Gatherings: Meandering through the City - Make it stand out</image:title>
      <image:caption>Khayali Pulav, April 2025, with Yellow Streets, Rafooghar, and Artreach India, at Yellow Streets, Delhi. Image Courtesy - Shivangi Singh.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/127e6d86-cef8-466d-b164-b971412697ad/Screenshot+2026-01-06+at+4.37.43%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Of Gatherings: Meandering through the City - Make it stand out</image:title>
      <image:caption>26-27. ‘Lexicon of the Night-sky (Pixel:dust)’ gathering, night-long session 10-11 June, 2024, Terrace/6464, New Delhi, Photo courtesy- first draft (left- seeing the sunrise from the star-gazing app; right- gatherers gazing at the sky and talking)</image:caption>
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      <image:title>Reviews - Of Gatherings: Meandering through the City - Make it stand out</image:title>
      <image:caption>‘(Im)mobility-In Pursuit of Legacy’ gathering on 24 February 2024 in collaboration with Nick Ferguson. (left- gatherers halted and assembled during the walk; right- mapping the walk on a printed layout-plan of Imperial Delhi)</image:caption>
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      <image:title>Reviews - Of Gatherings: Meandering through the City - Make it stand out</image:title>
      <image:caption>21. ‘What brings us together?’ gathering in collaboration with Kaalo.101, Studio Kayamai, Ghartera and We Friends of Toto. Photo courtesy- Merose Hwang.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/09a2d2f6-1289-4e9d-a1d3-40440c3c0729/Screenshot+2026-01-06+at+4.38.30%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Of Gatherings: Meandering through the City - Make it stand out</image:title>
      <image:caption>22. ‘What brings us together?’ gathering in collaboration with Kaalo.101, Studio Kayamai, Ghartera and We Friends of Toto. Drawing by Heena Gyawali. Photo courtesy- first draft.</image:caption>
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      <image:title>Reviews - Of Gatherings: Meandering through the City - Make it stand out</image:title>
      <image:caption>11. 'Silences, Narrative otherwise’ gathering in collaboration with Bazik Thlana, a gathering in Zotlang (Aizawl, Mizoram) to gestate on the idea of silence and narratives around it, by bringing an image/object/anecdote/sound.</image:caption>
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      <image:title>Reviews - Of Gatherings: Meandering through the City - Make it stand out</image:title>
      <image:caption>20. first draft at Barasati, Delhi. 9 June 2025. (left to right) Front: Priyesh and Akshay, Back: Priyank, Anarya and Sonam. Photo courtesy- first draft.</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/nigel-poor</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-15</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1767401638749-0WLSK2L553OH0ART99Y1/Poor%2CNigel_20161018_0005-01+%281%29.jpg</image:loc>
      <image:title>Reviews - Nigel Poor - Nigel Poor</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1767401218987-05C57D9GRH45RDJOZ7UE/SQP1-01_Sternfeld-Side-A-Mapped-by-Frankie.jpg</image:loc>
      <image:title>Reviews - Nigel Poor - San Quentin Project 1, Mapping, Frankie Mapping Joel Sternfeld Side A</image:title>
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      <image:title>Reviews - Nigel Poor - San Quentin Project 1, Marvin Mapping William Eggleston Side A</image:title>
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      <image:title>Reviews - Nigel Poor - San Quentin Project 1, Marvin Mapping William Eggleston Side B</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1767401218006-4UL4JKAQ9ETCZQOLAYTN/sq-Mapping-Archive-title.jpg</image:loc>
      <image:title>Reviews - Nigel Poor - San Quentin Project #2, Part # 2 Archive images with text 11″ x 17″ inkjet prints with text 2012-Present</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1767401228526-6ORHCM9K6AAHIKGRSVH5/04_Divan-Mapped-by-Kevin.jpg</image:loc>
      <image:title>Reviews - Nigel Poor - San Quentin Project #2, Divan — 8.2.71 by Kevin Tindall 2013</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1767401230702-7VJHZ0DMNVT2H00MEZTV/1280px-Ear_Hustle.jpg</image:loc>
      <image:title>Reviews - Nigel Poor - Ear Hustle Podcast</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1767402248656-1OC0SNCAKCP8OKAA3L1J/Earlonne_Woods_and_Nigel_Poor_at_Ear_Hustle_Live_01+%281%29.png</image:loc>
      <image:title>Reviews - Nigel Poor - Nigel Poor and Earlonne Woods</image:title>
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      <image:title>Reviews - Nigel Poor - Weeks Stabbing in the Gym — 9.24.63 by Rubin Ramirez 2013</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1767401227663-4GL8MAIXO8MS21986OQE/001_Hair_title-2.jpg</image:loc>
      <image:title>Reviews - Nigel Poor - What Did Not Go Down the Drain the Year I Took a Tenure Track Job</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1767401973219-CXRCLT7AELLDQEXP0UWW/hair-03_Oct-1-03.jpg</image:loc>
      <image:title>Reviews - Nigel Poor - What Did Not Go Down the Drain the Year I Took a Tenure Track Job, inkjet prints</image:title>
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      <image:title>Reviews - Nigel Poor - Installation View Gallery for Visual Arts Denver, CO 2009</image:title>
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      <image:title>Reviews - Nigel Poor - Team Ear Hustle (inside) L-R: Lt. Sam Robinson, Antwan Williams, Earlonne Woods, Nigel Poor Photo by Eddie Herena</image:title>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/rave-into-the-future-art-in-motion-asian-art-museum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-13</lastmod>
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      <image:title>Reviews - Rave into the Future: Art in Motion, Asian Art Museum - Make it stand out</image:title>
      <image:caption>Installation view.  Photograph © Asian Art Museum of San Francisco, by Kevin Candland</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/34d2b5b0-c6aa-4eb7-8bc2-ad9cf0c31e1b/Screenshot+2026-01-03+at+4.48.16%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Rave into the Future: Art in Motion, Asian Art Museum - Make it stand out</image:title>
      <image:caption>Installation view.  Photograph © Asian Art Museum of San Francisco, by Kevin Candland</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/74ded81a-c5ff-4f80-8145-ce020463ab72/Screenshot+2026-01-03+at+4.48.27%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Rave into the Future: Art in Motion, Asian Art Museum - Make it stand out</image:title>
      <image:caption>Sahar Khoury, Untitled (radio towerwith accessories), 2023. Plastic, steel, soda-fired ceramic, glazed and unglazedceramic, anchoring resin, waxed plaster, cast glass, animal cages, wax, radios, FM transmitter, party light, timers, glass, clock, and sound.</image:caption>
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      <image:title>Reviews - Rave into the Future: Art in Motion, Asian Art Museum - Woman on Joe Namy’s Disguise As Dancefloor, Sculpture, performance, and research project; copper tiles, custom puffer jacket, and recorded harp, 2022-ongoing.</image:title>
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      <image:title>Reviews - Rave into the Future: Art in Motion, Asian Art Museum - Make it stand out</image:title>
      <image:caption>Detail of Sahar Khoury’s Untitled (dj deck for8ulentina and Lara), Animal cages, glazed ceramics, DJ deck, 2025.</image:caption>
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      <image:title>Reviews - Rave into the Future: Art in Motion, Asian Art Museum - Make it stand out</image:title>
      <image:caption>Performance activation of For Your Eyes Only, by Yasmine Nasser Diaz, at Oxy Arts, Los Angeles, 2023. Photograph by Tracy Nguyen</image:caption>
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      <image:title>Reviews - Rave into the Future: Art in Motion, Asian Art Museum - Make it stand out</image:title>
      <image:caption>Maryam Yousef, Juliana Jendo. Vol. 2, Ishtar Records, Palm Tree For Parties I, Palm Tree For Parties II, Glazed stoneware, 2025.</image:caption>
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      <image:title>Reviews - Rave into the Future: Art in Motion, Asian Art Museum - Make it stand out</image:title>
      <image:caption>Party on the Caps, 2018–2019, by Meriem Bennani. Single-channel HD video with sound, (video still). Courtesy of the artist; François Ghebaly, Los Angeles, New York; Lodovico Corsini, Brussels; and Sadie Coles HQ, London.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/dd0a5fd3-52cb-4fce-aa9f-6a9730a82a02/Screenshot+2026-01-03+at+4.49.22%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Rave into the Future: Art in Motion, Asian Art Museum - Make it stand out</image:title>
      <image:caption>PUFF OUT M_2002, 2020, by _mentalKLINIK. 16 vacuum cleaning robots with special caps and charging units, various glitters. Photograph by Özge Balkan, courtesy of Borusan Contemporary</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/john-mattson-blue-star-arts-complex-san-antonio-texas</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-05</lastmod>
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      <image:title>Reviews - John Mattson, Blue Star Arts Complex, San Antonio, TEXAS - Make it stand out</image:title>
      <image:caption>“Starting Anew” 21 x 26”, mixed media on paper, 2025</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/18d8d12e-c135-4c2b-aa4b-3753a753f168/Unknown-1.jpeg</image:loc>
      <image:title>Reviews - John Mattson, Blue Star Arts Complex, San Antonio, TEXAS - Make it stand out</image:title>
      <image:caption>“Happy Dance” 21 x 21”, mixed media on paper, 2025</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/160c3f8e-4c1e-471a-94b9-e44729b595e8/IMG_1792.jpg</image:loc>
      <image:title>Reviews - John Mattson, Blue Star Arts Complex, San Antonio, TEXAS - Make it stand out</image:title>
      <image:caption>“Night Thoughts” 21 x 21”, mixed media on paper, 2025</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c52ba953-8700-41a0-81fb-c06f2fe44634/IMG_1793.jpg</image:loc>
      <image:title>Reviews - John Mattson, Blue Star Arts Complex, San Antonio, TEXAS - Make it stand out</image:title>
      <image:caption>“Feeling Penitent” 21 x 21”, mixed media on paper, 2025</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/copying-as-education-student-group-exhibition-at-caada-college-art-gallery-redwood-city-ca</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-09</lastmod>
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      <image:title>Reviews - Copying as Education, Student Group Exhibition at Cañada College Art Gallery, Redwood City, CA - Make it stand out</image:title>
      <image:caption>Installation photograph, Cañada College Art Gallery, all photos courtesy of Emilio Villalba.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/3259cda1-615d-4440-acc4-4a5c204590da/Screenshot+2026-01-01+at+6.32.41%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Copying as Education, Student Group Exhibition at Cañada College Art Gallery, Redwood City, CA - Isabella Burns, “Self-Portrait,” oil on paper, 16 x 20 inches, 2025; Isabella Burns, “The Lady with a Fan (after Diego Velázquez, c. 1640),” oil on paper, 16 x 20 inches, 2025.</image:title>
      <image:caption>Isabella Burns Burns worked from a Diego Velazquez oil painting, The Lady with a Fan,” depicting a woman wearing a black lace veil on her head and a low-cut bodice and dark dress. Burns focuses on the upper torso of the figure, the original being a lengthier composition, and thereafter renders herself in a similar pose. Her original work, an oil on paper, lightens the background of the Velazquez painting and eliminates the lazy eye of the original sitter. She adeptly handles impasto to heighten the emotion she projects to the viewer.</image:caption>
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      <image:title>Reviews - Copying as Education, Student Group Exhibition at Cañada College Art Gallery, Redwood City, CA - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Reviews - Copying as Education, Student Group Exhibition at Cañada College Art Gallery, Redwood City, CA - Cece Escobar, “Woman playing the guitar (after Auguste Renoir, 1897)"</image:title>
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      <image:title>Reviews - Copying as Education, Student Group Exhibition at Cañada College Art Gallery, Redwood City, CA - Cece Escobar, charcoal on paper, 14 x 11 inches, 2025; Cece Escobar, “Guitar,” oil on canvas, 24 x 18 inches, 2025.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/06634ee3-bca6-4b0a-a18d-17060703fdbc/Screenshot+2026-01-01+at+6.33.40%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Copying as Education, Student Group Exhibition at Cañada College Art Gallery, Redwood City, CA - Make it stand out</image:title>
      <image:caption>Violaine Mraihi, “Nice Soleil Fleurs (after Marc Chagall, 1961),” chalk pastel on paper, 17.5 x 14 inches, 2025; Violaine Mraihi, “Playground,” chalk pastel on paper, 17.5 x 14 inches, 2025.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/ee47f9f8-d63a-4e8e-b016-ad5443839c98/Screenshot+2026-01-01+at+6.33.52%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Copying as Education, Student Group Exhibition at Cañada College Art Gallery, Redwood City, CA - Make it stand out</image:title>
      <image:caption>Violaine Mraihi, “Playground,” chalk pastel on paper, 17.5 x 14 inches, 2025.</image:caption>
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      <image:title>Reviews - Copying as Education, Student Group Exhibition at Cañada College Art Gallery, Redwood City, CA</image:title>
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      <image:title>Reviews - Copying as Education, Student Group Exhibition at Cañada College Art Gallery, Redwood City, CA</image:title>
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      <image:title>Reviews - Copying as Education, Student Group Exhibition at Cañada College Art Gallery, Redwood City, CA</image:title>
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      <image:title>Reviews - Copying as Education, Student Group Exhibition at Cañada College Art Gallery, Redwood City, CA</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1767322825407-5NRASUX1M7K2V0BU0J3Z/Screenshot+2026-01-01+at+6.34.45%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Copying as Education, Student Group Exhibition at Cañada College Art Gallery, Redwood City, CA</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/7404fe3b-36eb-4875-bc7f-646e8e35edf0/Screenshot+2026-01-01+at+6.34.59%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Copying as Education, Student Group Exhibition at Cañada College Art Gallery, Redwood City, CA - Make it stand out</image:title>
      <image:caption>Evie Rosmando, “Results of Nugatio and Gaudium,” acrylic on canvas paper, 38 cm x 50 cm, 2025.</image:caption>
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      <image:title>Reviews - Copying as Education, Student Group Exhibition at Cañada College Art Gallery, Redwood City, CA - Make it stand out</image:title>
      <image:caption>Evie Rosmando, “Results of Nugatio and Gaudium,” acrylic on canvas paper, 38 cm x 50 cm, 2025; Evie Rosmando, “Images of a Woman (after The Beatles: John Lennon, Paul McCartney, George Harrison, and Ringo Starr, 1966),” acrylic on canvas paper, 38 cm x 50 cm, 2025.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/85a30d99-44bf-4213-8365-e534f6436757/evie1.png</image:loc>
      <image:title>Reviews - Copying as Education, Student Group Exhibition at Cañada College Art Gallery, Redwood City, CA - Make it stand out</image:title>
      <image:caption>Evie Rosmando, “My Portrait in the Year 1960 (after James Ensor, 1888),” pen, tea, and coffee on paper, 13.5 x 15.5 inches, 2025</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/32c3a83c-9f5f-45d1-baab-1fa4fa5f8286/evie2.png</image:loc>
      <image:title>Reviews - Copying as Education, Student Group Exhibition at Cañada College Art Gallery, Redwood City, CA - Make it stand out</image:title>
      <image:caption>Evie Rosmando, “My Life or Otherwise in the Year 2106, acrylic on canvas paper, 17.5 x 23.5 inches, 2025</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1767323054543-D8ELMYFTEPABQ2QAKLXC/Screenshot+2026-01-01+at+6.35.21%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Copying as Education, Student Group Exhibition at Cañada College Art Gallery, Redwood City, CA</image:title>
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      <image:title>Reviews - Copying as Education, Student Group Exhibition at Cañada College Art Gallery, Redwood City, CA</image:title>
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    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/we-should-be-talking-about-john-mckies-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-13</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/ad45cee4-742a-44a9-a86e-a0bb623bdfd7/Screenshot+2025-12-31+at+5.33.12%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - We Should Be Talking About John McKie’s Art - Make it stand out</image:title>
      <image:caption>John McKie, Relaxing Walk With His Animals, gouache on paper, 14 x 10.5 inches.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/d16a125d-5414-45a1-99ad-31dd26c9b33c/Screenshot+2025-12-31+at+5.33.32%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - We Should Be Talking About John McKie’s Art - Make it stand out</image:title>
      <image:caption>John McKie, Self Portrait With A Face Of Many Colours, gouache and paint pen on paper, 16.5 x 11.7 inches.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/f88ae609-0002-4564-a12b-1795385541a3/Screenshot+2025-12-31+at+5.33.47%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - We Should Be Talking About John McKie’s Art - John McKie with his beloved wife, Sarah McKie, courtesy of Sarah McKie’s Instagram.</image:title>
      <image:caption>John McKie with his beloved wife, Sarah McKie, courtesy of Sarah McKie’s Instagram.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1767231696257-9YR0GEFDVWJP4CYEAX9L/Screenshot+2025-12-31+at+5.34.00%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - We Should Be Talking About John McKie’s Art - John McKie, No Title, gouache on paper, 16.5 x 11.7 inches.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1767231696511-8AIS13949QGDKTINT6EK/Screenshot+2025-12-31+at+5.34.14%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - We Should Be Talking About John McKie’s Art - John McKie, A Man In The Countryside, pen on vintage found envelope, 9.75 x 8.7 inches.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1767231698693-89VFFCAU17FLAC4ZSI0L/Screenshot+2025-12-31+at+5.34.29%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - We Should Be Talking About John McKie’s Art - John McKie, Bird With Exotic Plumage, gouache and paint pen on paper, 23.5 x 16.5 inches.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/2641b4bd-b620-4595-95c3-df9223c6ebdd/Screenshot+2025-12-31+at+5.34.38%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - We Should Be Talking About John McKie’s Art - Make it stand out</image:title>
      <image:caption>John McKie, Man And Animals, gouache and tipp-ex on paper, 21.75 x 14.75 inches.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/5f76020e-3de0-4825-a60d-45eca9f8790d/Screenshot+2025-12-31+at+5.34.54%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - We Should Be Talking About John McKie’s Art - Make it stand out</image:title>
      <image:caption>John McKie, Head, gouache on found card, 14.7 x 11.2 inches.</image:caption>
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      <image:title>Reviews - We Should Be Talking About John McKie’s Art - Make it stand out</image:title>
      <image:caption>John McKie, Park, gouache and paint pen on paper, 24.8 x 15 inches.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1767232000025-LGJ40OUR96XET6L88SJC/Screenshot+2025-12-31+at+5.37.38%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - We Should Be Talking About John McKie’s Art - John McKie, Time Stood Still, gouache on found hand-made paper, 15.75 x 12 inches.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1767232033797-VY0NSOL2SAUQSETZ8TOY/Screenshot+2025-12-31+at+5.46.46%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - We Should Be Talking About John McKie’s Art - John McKie, Scene With People And Birds, gouache and paint pen on cardboard, 18 x 11.25 inches.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1767232145600-V0GSP1P9J6B1NLNRJPY2/Screenshot+2025-12-31+at+5.35.59%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - We Should Be Talking About John McKie’s Art - John McKie, Self Portrait in Full Colour, pen on paper, 20.75 x 16.5 inches.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1767232145047-RXJE92Q88GD6NRYZIZKZ/Screenshot+2025-12-31+at+5.36.12%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - We Should Be Talking About John McKie’s Art - John McKie, The Biscuit Will Placate The Beast, oil marker and paint pen on vintage paper, 14.25 x 10.5 inches.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1767232147026-P2QMMWIVAEEIK6VHJ2XW/Screenshot+2025-12-31+at+5.36.19%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - We Should Be Talking About John McKie’s Art - John McKie, No Title, oil marker and paint pen on book page, 9.6 x 7.25 inches.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1767232148351-3TKYFYGZQSG3SKIA1SP3/Screenshot+2025-12-31+at+5.36.30%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - We Should Be Talking About John McKie’s Art - John McKie, Self Portrait At The Weekend, gouache and paint pen on cardboard, 11.7 x 11.7 inches.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1767232149972-IJ062C12915K7KJT4VSL/Screenshot+2025-12-31+at+5.36.41%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - We Should Be Talking About John McKie’s Art - John McKie, Man And Black Dogs, gouache and paint pen on cardboard, 15 x 12 inches.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1767232151736-S6U2RYMW4QHAE1OXMMGH/Screenshot+2025-12-31+at+5.37.58%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - We Should Be Talking About John McKie’s Art - John McKie, Relaxation, water based paint pen on hardback book cover, 12.75 x 9.5 inches.</image:title>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/francesca-wilmottnbspand-sara-morris-curators-at-the-crocker-art-museum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-15</lastmod>
    <image:image>
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      <image:title>Reviews - Francesca Wilmott, Sara Morris, Curators at the Crocker Art Museum - Francesca Wilmott and Sara Morris</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1767071972373-W5Z2K8PG4J1Q0OZQOQ0T/RS109531__50A3915.webp</image:loc>
      <image:title>Reviews - Francesca Wilmott, Sara Morris, Curators at the Crocker Art Museum - Making Moves exhibition entrance, Crocker Art Museum</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1767071971373-Q57XCLQHYOEJBK9FJIZB/RS109528__50A3928.webp</image:loc>
      <image:title>Reviews - Francesca Wilmott, Sara Morris, Curators at the Crocker Art Museum - Crocker Art Museum, Installation, Making Moves</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1767071972688-EGFP18QWR8W4LHNCHELT/RS109543__50A3958.webp</image:loc>
      <image:title>Reviews - Francesca Wilmott, Sara Morris, Curators at the Crocker Art Museum - Crocker Art Museum, Installation, Making Moves</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1767071971001-OPPM3DTH45554Y1XSZZ1/2008.webp</image:loc>
      <image:title>Reviews - Francesca Wilmott, Sara Morris, Curators at the Crocker Art Museum - Zoe Longfield (American, 1924-2013), Untitled , 1949. Oil on canvas, 34 x 40 in. Crocker Art Museum, from the Collection of George Y. and LaVona J. Blair</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1767071969783-TVXO6V6G1GREB45QW9MS/2024.webp</image:loc>
      <image:title>Reviews - Francesca Wilmott, Sara Morris, Curators at the Crocker Art Museum - Andrea Chung (American, born 1978), The Load Is Heavy, And My Back is Tired, IV , 2023. Collage, gold ink, pins, and beads on paper handmade from traditional birthing cloth, 50 x 30 x 2 in.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1767124177764-MMGH51ULQRT6D3LNDIEX/Screenshot+2025-12-30+at+11.49.19%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - Francesca Wilmott, Sara Morris, Curators at the Crocker Art Museum - Raven Halfmoon (Caddo Nation, born 1991), OKLA HOMMA OHOYO and glaze, 36 x 16 x 14 in. Croc</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1767124444746-GB6F4PHFMET1DVJKADBA/Screenshot+2025-12-30+at+11.52.29%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - Francesca Wilmott, Sara Morris, Curators at the Crocker Art Museum - Frida Kahlo (Mexican, 1907–1954), Self-Portrait with Loose Hair, 1947. Oil on Masonite, 24 x 17 3/4 in.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1767124446384-UJE24B77NYY8U8O1GIS0/Screenshot+2025-12-30+at+11.52.50%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - Francesca Wilmott, Sara Morris, Curators at the Crocker Art Museum - Judy Chicago (American, born 1939) Test Plate for Hatshepsut , 1977–78. Prismacolor over color pencil on porcelain, 13 5/8 (diam.) in.</image:title>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/paul-kos-and-isabelle-sorrell-anglimtrimble</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/b629b15e-a4e6-48cd-9eb3-0f378dfe2719/Unknown.png</image:loc>
      <image:title>Reviews - Paul Kos and Isabelle Sorrell, Anglim/Trimble - Make it stand out</image:title>
      <image:caption>(L) Paul Kos, Migration 2025 Lino print on cotton rag, wood and elk antlers(R) Isabelle Sorrell, Cenotaph, 2024/25, Acrylic on canvas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/faea1a24-eebb-42b7-8de2-787651774d19/echo.png</image:loc>
      <image:title>Reviews - Paul Kos and Isabelle Sorrell, Anglim/Trimble - Paul Kos Echo 2024 Red Fir, scale model conifers</image:title>
      <image:caption>With Echo (2024), an installation of sculpture, sections of logs with scaled miniature trees stand on pedestals spread to form a visual rendering of the acoustic phenomenon. One centered tree communicates with another spaced to the right, bouncing further back to hit a left positioning, continuing back again further to the right. Like the reverberations of a call for help, the shift is slightly off, beyond the straight or direct and never quite in alignment. Logging, deforestation, drought, environmental degradation –elemental stresses resting in the lone pine. Standing on the ridge, on the edge of a sheer precipice, this tiny survivor sends a warning that is amplified as it echoes through space.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1476370e-bd8c-4268-b685-e6eda43b510d/Paul+Kos+Echo+Detail+IMG_3126.jpeg</image:loc>
      <image:title>Reviews - Paul Kos and Isabelle Sorrell, Anglim/Trimble - Make it stand out</image:title>
      <image:caption>(Detail) Paul Kos Echo 2024 Red Fir, scale model conifers</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/57dccd81-ae8f-4a9e-92f0-0443bfab35c0/haiku.png</image:loc>
      <image:title>Reviews - Paul Kos and Isabelle Sorrell, Anglim/Trimble - Paul Kos Haiku 2025 Stones, wood, paint</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c6c59396-223e-4912-908f-d62cba0ca74c/IIsabelle+Sorrell+MG_3140+%281%29.jpg</image:loc>
      <image:title>Reviews - Paul Kos and Isabelle Sorrell, Anglim/Trimble - Make it stand out</image:title>
      <image:caption>Isabelle Sorrell Bien-Veillance 2023/24 Acrylic on canvas</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/cb437172-79a4-4c23-936e-85994b2b033d/log+2.png</image:loc>
      <image:title>Reviews - Paul Kos and Isabelle Sorrell, Anglim/Trimble - Paul Kos Dance 2024 Lodgepole pine</image:title>
      <image:caption>Throughout the decades, Paul Kos has rendered the delicate balances in nature both directly and subtly: heart-wrenchingly sad and deeply humorous. It is rare to realize art that instructs without recrimination and bitterness, honors and cherishes without nostalgia and sentimentality. It is a wonder of this profound legacy that the beauty and fragility of nature enter the room and, from gesture and notation, expand to create poetic worlds of fragrance and song. Dance (2024) brings two pieces of wood together, still, they remain anchored just apart, always split, fragments wanting to be whole. It is a dance of tension, longing, desire –yet never fulfilled.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/f3f0be96-16e9-4600-bbd7-0505abd83118/Jack+Fischer+IMG_3149.jpeg</image:loc>
      <image:title>Reviews - Paul Kos and Isabelle Sorrell, Anglim/Trimble - Gallery owner Jack Fischer, surveys the moment</image:title>
      <image:caption>Adjacent is the recently shuttered Rena Bransten Gallery, another loss of support devoted to a resonant chorus of voices that have spoken through painting, sculpture, and photography. And as the eye moves on, it comes to rest in the Jack Fischer Gallery, a place for the unexpected, the idiosyncratic, the raw, the honest. As of the end of January, Jack Fischer, too, will be closing the gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/where-the-boundaries-are-jim-melchert-di-rosa-sf</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/5c6a65a5-aef7-4f0a-9d6e-a1c0ccfa1307/Screenshot+2025-12-28+at+10.11.28%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Jim Melchert, Where The Boundaries Are, di Rosa SF - Make it stand out</image:title>
      <image:caption>Jim Melchert after submerging his head in clay slip during his 1972 Netherlands performance piece “Changes.” Photo by Mieke Hille. (All photographs courtesy of di Rosa SF.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/7d2cee17-6e92-47fd-b4a1-38bae8c216b9/Screenshot+2025-12-28+at+10.11.51%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Jim Melchert, Where The Boundaries Are, di Rosa SF - Make it stand out</image:title>
      <image:caption>Jim Melchert, “Slow Boat,” assemblage of clay, wood, and lead, 42 x 20 x 8 inches, 1962.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/668d9261-2068-4a11-bf72-0c32fb96ccef/Screenshot+2025-12-28+at+10.12.10%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Jim Melchert, Where The Boundaries Are, di Rosa SF - Make it stand out</image:title>
      <image:caption>Jim Melchert, “Earthdoor,” concrete and paint, approximately nine feet tall, 1965.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/4fc9e408-2f4b-47d5-a0c4-add75bd2c1d9/Screenshot+2025-12-28+at+10.12.23%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Jim Melchert, Where The Boundaries Are, di Rosa SF - Make it stand out</image:title>
      <image:caption>Photos from the performance ‘Changes’ (1972) by Mieke Hille, courtesy of di Rosa SF.</image:caption>
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      <image:title>Reviews - Jim Melchert, Where The Boundaries Are, di Rosa SF - Make it stand out</image:title>
      <image:caption>From the performance ‘Changes’ (1972)</image:caption>
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      <image:title>Reviews - Jim Melchert, Where The Boundaries Are, di Rosa SF - Make it stand out</image:title>
      <image:caption>Jim Melchert, "Feathers of a Phoenix (Blue), broken and glazed porcelain tile, 2003-2004.</image:caption>
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      <image:title>Reviews - Jim Melchert, Where The Boundaries Are, di Rosa SF - Make it stand out</image:title>
      <image:caption>Jim Melchert, "Desire as Terrain," broken and fired porcelain tile with glaze, 1996.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/7447b2ba-cfa3-40b0-8b94-14ababcea414/Jim+Melchert+%26+Galen+Melchert%2C+-The+Move+That+Won+the+Game-+%28Jim%27s+Final+Tile%29%2C+broken+and+fired+porcelain+tile%2C+and+glaze%2C+2023.jpg</image:loc>
      <image:title>Reviews - Jim Melchert, Where The Boundaries Are, di Rosa SF - Make it stand out</image:title>
      <image:caption>Jim Melchert &amp; Galen Melchert, "The Move That Won the Game" (Jim's Final Tile), broken and fired porcelain tile with glaze, 2023.</image:caption>
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      <image:title>Reviews - Jim Melchert, Where The Boundaries Are, di Rosa SF - Make it stand out</image:title>
      <image:caption>Jim Melchert, Alternating Current #4, fired porcelain tile with glaze, 1985.</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/porfirio-gutierrez</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-13</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/2df1e932-a3cf-47a0-bc8c-7f3873556c2f/Unknown-2.jpeg</image:loc>
      <image:title>Reviews - Porfirio Gutierrez - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1768167489254-VUAKZD7WJHOPKN73UID3/NPR-2836_DDLMAltarInstallation-6996.webp</image:loc>
      <image:title>Reviews - Porfirio Gutierrez</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1766717967200-B2WZR869B9AREDKOUTS9/blue-gold-opening-reception-103.webp</image:loc>
      <image:title>Reviews - Porfirio Gutierrez</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1766717978140-5PQPVIDJF8F0YU6KUEHC/Porfirio_dance_5_w.webp</image:loc>
      <image:title>Reviews - Porfirio Gutierrez</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1766717970519-Y4GXKWGCTS0QX8KTGZCX/108A2179-Edit.webp</image:loc>
      <image:title>Reviews - Porfirio Gutierrez</image:title>
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      <image:title>Reviews - Porfirio Gutierrez</image:title>
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      <image:title>Reviews - Porfirio Gutierrez</image:title>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/bay-area-then-yerba-buena-center-for-the-arts</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-27</lastmod>
    <image:image>
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      <image:title>Reviews - Bay Area Then, Yerba Buena Center for the Arts - Make it stand out</image:title>
      <image:caption>Terra Nullius, 2025 by Rigo 23 (paint and masonite)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/b269f5ec-9dc1-4925-8e0e-e3a8ff73c316/Screenshot+2025-12-24+at+1.06.28%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Bay Area Then, Yerba Buena Center for the Arts - Make it stand out</image:title>
      <image:caption>Terra Nullius, 2025 by Rigo 23 (paint and masonite)</image:caption>
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      <image:title>Reviews - Bay Area Then, Yerba Buena Center for the Arts - Make it stand out</image:title>
      <image:caption>Chris Johanson and Ajax Oakford’s 2 Love, 3 Love, 4 Love…, 2025 (reclaimed wood, particle board, paint, and previous and recent works by Chris Johanson)</image:caption>
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      <image:title>Reviews - Bay Area Then, Yerba Buena Center for the Arts - Make it stand out</image:title>
      <image:caption>Detail, 2 Love, 3 Love, 4 Love…</image:caption>
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      <image:title>Reviews - Bay Area Then, Yerba Buena Center for the Arts - Make it stand out</image:title>
      <image:caption>I Am Vertical, 2003–2025 (tree, glazed porcelain)</image:caption>
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      <image:title>Reviews - Bay Area Then, Yerba Buena Center for the Arts - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/66fdff1c-1cc8-4494-a3ac-2c0682f69d3b/Screenshot+2025-12-24+at+1.07.16%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Bay Area Then, Yerba Buena Center for the Arts - Make it stand out</image:title>
      <image:caption>Untitled (4 ORFN/Aaron Curry Drawings), 2010–2025 (water-based spray paint on wall, four framed drawings with collage on paper)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/693c5b61-0b4b-453a-aae0-52dc4d17b293/Screenshot+2025-12-24+at+1.07.25%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Bay Area Then, Yerba Buena Center for the Arts - Detail, Untitled (4 ORFN/Aaron Curry Drawings)</image:title>
      <image:caption>In the far corner of the same gallery space, Margaret Kilgallen’s Main Drag mounts an inescapable presence. This was Kilgallen’s last installation commission for East Meets West at ICA Philadelphia in 2001, the year she died. It has been recreated based upon “precise documentation” by “Kilgallen’s friend, the artist Jeff Canham, and family member Mike McGee.”</image:caption>
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      <image:title>Reviews - Bay Area Then, Yerba Buena Center for the Arts - On The Wall, 2025 (acrylic on canvas)</image:title>
      <image:caption>There’s a compulsive quality to Main Drag which pulls in the viewer and asks you to get close—closer.</image:caption>
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      <image:title>Reviews - Bay Area Then, Yerba Buena Center for the Arts - Make it stand out</image:title>
      <image:caption>Main Drag, 2001 (paint, wood, steel, canvas, mixed media)</image:caption>
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      <image:title>Reviews - Bay Area Then, Yerba Buena Center for the Arts - Make it stand out</image:title>
      <image:caption>Detail Main Drag</image:caption>
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      <image:title>Reviews - Bay Area Then, Yerba Buena Center for the Arts - Make it stand out</image:title>
      <image:caption>Bicycle Messenger Portraits, 1989/2025</image:caption>
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      <image:title>Reviews - Bay Area Then, Yerba Buena Center for the Arts - Make it stand out</image:title>
      <image:caption>Detail, Bicycle Messenger Portraits</image:caption>
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      <image:title>Reviews - Bay Area Then, Yerba Buena Center for the Arts</image:title>
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      <image:title>Reviews - Bay Area Then, Yerba Buena Center for the Arts</image:title>
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      <image:title>Reviews - Bay Area Then, Yerba Buena Center for the Arts</image:title>
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      <image:title>Reviews - Bay Area Then, Yerba Buena Center for the Arts</image:title>
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      <image:title>Reviews - Bay Area Then, Yerba Buena Center for the Arts</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1766611601553-2228FKBGU5LX46J8BV4C/Screenshot+2025-12-24+at+1.09.06%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Bay Area Then, Yerba Buena Center for the Arts</image:title>
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      <image:title>Reviews - Bay Area Then, Yerba Buena Center for the Arts - Make it stand out</image:title>
      <image:caption>Yenia Jimenez reads her poetry on the deck of 2 Love, 3 Love, 4 Love… November 8, 2025.</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/of-gatherings-oscillating-between-the-social-the-public-and-the-community</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/4579599c-bc53-4bd6-92e4-5e02eb985204/Screenshot+2025-12-22+at+2.39.04%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Of Gatherings: Oscillating between the social, the public and the community; Part 1 - (L) On walking, wandering, Sanjay Van, Delhi, 2022 , Pc- first draft</image:title>
      <image:caption>I first met some of the artists of the first draft collective in Delhi in summer, 2024. In pursuing a research project on art collectives and urban experience, a friend recommended that I meet them and hear about their gathering practice. In this essay, the artists chronicle a series of recent gatherings that they have initiated, in Delhi and beyond, and the themes that emerged from these meetings. While the conversations among participants are the most tangible takeaway from these events, these are not presented here for needs of brevity. Gathering is a time-based media, a form of social practice, and a community-building exercise, so capturing the dynamic can be tricky in written form. This is the first of a two-part series on these gatherings. Printing this series in Roborant Review is a means of expanding the geographical scope of the journal while also inviting artists to write about practices whose results fall outside the scope of an exhibition. - John Zarobell</image:caption>
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      <image:title>Reviews - Of Gatherings: Oscillating between the social, the public and the community; Part 1 - Make it stand out</image:title>
      <image:caption>Shared Spaces, a gathering with the prompt to bring a space. Baroda, Jan 2023.</image:caption>
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      <image:title>Reviews - Of Gatherings: Oscillating between the social, the public and the community; Part 1 - Make it stand out</image:title>
      <image:caption>Shared Spaces, hoarding, Baroda, 2023, Pc first draft</image:caption>
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      <image:title>Reviews - Of Gatherings: Oscillating between the social, the public and the community; Part 1 - Make it stand out</image:title>
      <image:caption>(L) Shared Spaces, shadows, Baroda, 2023, Pc- first draft (R) Shared Spaces, shadows, Baroda, 2023, Pc- first draft</image:caption>
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      <image:title>Reviews - Of Gatherings: Oscillating between the social, the public and the community; Part 1 - Make it stand out</image:title>
      <image:caption>Shared Spaces, night-time, Baroda, 2023, Pc- first draft</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/db540371-809b-46bb-9cd0-af1d2c6798e2/we.png</image:loc>
      <image:title>Reviews - Of Gatherings: Oscillating between the social, the public and the community; Part 1 - Make it stand out</image:title>
      <image:caption>Shared Spaces, community park, Baroda, 2023, Pc- first draft</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/dd7dc504-0313-4c10-875b-5fd0be280e1c/Screenshot+2025-12-22+at+2.40.50%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Of Gatherings: Oscillating between the social, the public and the community; Part 1 - Make it stand out</image:title>
      <image:caption>Khayali Pulav, April 2025, with Yellow Streets, Rafooghar, and Artreach India, at Yellow Streets, Delhi. Image Courtesy - Shivangi Singh.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/50f31796-f57b-44a4-908d-c37c1d301c53/Screenshot+2025-12-22+at+2.41.09%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Of Gatherings: Oscillating between the social, the public and the community; Part 1 - Make it stand out</image:title>
      <image:caption>Time as an ingredient, Vienna, 2025 Pc- first draft</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/helen-frankenthaler-a-grand-sweep-museum-of-modern-art-new-york</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/11524b07-37f2-499b-a5ba-c530b445a240/Helen+Frankenthaler.png</image:loc>
      <image:title>Reviews - Helen Frankenthaler: A Grand Sweep, Museum of Modern Art, New York - Make it stand out</image:title>
      <image:caption>Chairman of the Board, 1971, Helen Frankenthaler, acrylic and felt-tip pen on canvas, 6' 10 x 16' 2</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/49d5425a-9727-40f7-9b8a-6995b24934b1/Helen+Frankenthaler.2.png</image:loc>
      <image:title>Reviews - Helen Frankenthaler: A Grand Sweep, Museum of Modern Art, New York - Jacob's Ladder, 1957, Helen Frankenthaler, oil on canvas, 9' 5" x 5' 10"</image:title>
      <image:caption>The first painting, Jacob's Ladder (1957), carries an unmistakable biblical reference—unusual for an artist who mostly spoke about her work in formal, technical, or experiential terms. Like many cosmopolitan New York Jews of the 1950s, Frankenthaler's public life was secular and modern. Yet this work refers to one of the Hebrew Bible's enduring stories: Jacob's dream of a ladder connecting heaven and earth. The painting's muted sage and moss strokes on its lower half clash with dried-blood bolts. These dissipate into the raw linen sky above, stained with exuberant pink splashes I couldn't help but see as wings. Heavily worked in multiple layers, this abstract expressionist canvas is knottier than Frankenthaler's later luminous color fields—a testament to its creator grappling with a new idiom.</image:caption>
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      <image:title>Reviews - Helen Frankenthaler: A Grand Sweep, Museum of Modern Art, New York - Make it stand out</image:title>
      <image:caption>Commune, 1969, Helen Frankenthaler, acrylic on canvas, 9' 3 1/2" x 8' 9 1/4"</image:caption>
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      <image:title>Reviews - Helen Frankenthaler: A Grand Sweep, Museum of Modern Art, New York - Make it stand out</image:title>
      <image:caption>Untitled, 1960, Friedal Dzubas, acrylic on canvas, 20" x 19"</image:caption>
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      <image:title>Reviews - Helen Frankenthaler: A Grand Sweep, Museum of Modern Art, New York - Make it stand out</image:title>
      <image:caption>Chairman of the Board, 1971, Helen Frankenthaler (detail)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/f33c9521-f22b-4a1f-99da-2197e35bf348/Helen+Frankenthaler.6.png</image:loc>
      <image:title>Reviews - Helen Frankenthaler: A Grand Sweep, Museum of Modern Art, New York - Make it stand out</image:title>
      <image:caption>Mauve District, 1966, Helen Frankenthaler, acrylic on canvas, 8' 7" x 7' 11"</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/3f786475-0f1d-4a25-96b6-7e814b9d2c4e/Helen+Frankenthaler.7.png</image:loc>
      <image:title>Reviews - Helen Frankenthaler: A Grand Sweep, Museum of Modern Art, New York - Make it stand out</image:title>
      <image:caption>Mauve District, 1966, Helen Frankenthaler (detail)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/e0979100-8210-41b9-ada9-8c954c07460a/Helen+Frankenthaler.8.png</image:loc>
      <image:title>Reviews - Helen Frankenthaler: A Grand Sweep, Museum of Modern Art, New York - Make it stand out</image:title>
      <image:caption>Toward Dark, 1988, Helen Frankenthaler, acrylic on canvas, 9' 10" × 7' 4"</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/5789373d-c2cf-4574-a7cd-c67ff98ebb3b/Helen+Frankenthaler.9.png</image:loc>
      <image:title>Reviews - Helen Frankenthaler: A Grand Sweep, Museum of Modern Art, New York - Make it stand out</image:title>
      <image:caption>Toward Dark, 1988, Helen Frankenthaler, (Detail)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/kota-ezawa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/8e9176b2-fe55-43df-8501-0b3bf562d70a/headshot.jpg</image:loc>
      <image:title>Reviews - Kota Ezawa - Kota Ezawa (b. 1969 Cologne, Germany) visually transforms imagery he mines from the news, the history of art, photography, film, and popular culture in his acclaimed video animations, light boxes, murals, sculptures, watercolors, and other artworks. His process of translating primarily charged depictions from one visual form to another, is an inquiry, for the artist and viewer alike, into our cultural consciousness shaped by images. Kota Ezawa’s artworks have been presented in solo exhibitions at the Baltimore Museum of Art, Baltimore, MD; Museum of Contemporary Art, Santa Barbara, CA; SITE Santa Fe, NM; Mead Art Museum, Amherst, MA; and Vancouver Art Gallery Offisite, Canada. Ezawa participated in the Whitney Biennial in 2019 and the Shanghai Biennale in 2004.  A recipient of a Louis Comfort Tiffany Foundation Award, a SECA Art Award, and a Eureka Fellowship, Ezawa studied at the Kunstakademie Düsseldorf, the San Francisco Art Institute, and Stanford University. The artist lives and works in Oakland, CA. Kota Ezawa’s website.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1766339779597-4TT9KGEGY7MPDE2VPOS5/01.video+light.jpg</image:loc>
      <image:title>Reviews - Kota Ezawa - Video Light, ca. 1992</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1766335068442-9RGW4QXXQPFSW4JT3M7R/02.sv.jpg</image:loc>
      <image:title>Reviews - Kota Ezawa - The Simpson Verdict, 2002</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1766335068434-OAYZPP5CN0L1VXNCBUE9/03.sv.jpg</image:loc>
      <image:title>Reviews - Kota Ezawa - The Simpson Verdict, 2002</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1766335070433-CB9ZI713O27X6ROJKK3X/04.lyam.jpg</image:loc>
      <image:title>Reviews - Kota Ezawa - LYAM, 2008, installation view at Kunsthalle Bremen, Germany, 2015</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1766335070864-2OZB9NA4RQUCI4SUL2SW/05.hv.JPG</image:loc>
      <image:title>Reviews - Kota Ezawa - Hand Vote, painted wood, installation view at Vancouver Art Gallery Offsite, Vancouver, BC, Canada, 2012</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1766335072610-3GLXATI7N02W8J3SSQVM/06.hv.jpg</image:loc>
      <image:title>Reviews - Kota Ezawa - Hand Vote, painted wood, installation view at Vancouver Art Gallery Offsite, Vancouver, BC, Canada, 2012</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1766335073813-U1WZNOYU4GG7QBG1NQGS/07.png</image:loc>
      <image:title>Reviews - Kota Ezawa - Hand Vote, painted wood, installation view at Canal Park, Washington, DC, 2014</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1766335074544-5812SCU9PC1BFT15PI2N/08.sfo.jpg</image:loc>
      <image:title>Reviews - Kota Ezawa - Mondrian Meets the Beatles, painted wood, commissioned for International Terminal, San Francisco International Airport, 2017</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1766335075422-60MTCVVMOF7OHZNPI91P/09.coa.jpg</image:loc>
      <image:title>Reviews - Kota Ezawa - Gardner Museum Revisited, installation view at Christopher Grimes Gallery, Santa Monica, CA, 2016</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1766335076240-MF2NK9HZ0MXHIRQZAOJ4/10.wb.jpg</image:loc>
      <image:title>Reviews - Kota Ezawa - National Anthem, installation view, 2019 Whitney Biennial, Whitney Museum of American Art, New York, NY</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1766335080973-UISMMMHHHWAFEL4BKGC0/11.na.jpg</image:loc>
      <image:title>Reviews - Kota Ezawa - National Anthem (San Francisco 49ers), watercolor on paper, 2019</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1766335081837-GN5KVT0BT67W1M6KXUJ0/12.pu.jpg</image:loc>
      <image:title>Reviews - Kota Ezawa - Paint Unpaint, Installation view at Times Square, New York, 2020, San Francisco Art Institute 150th Anniversary Art Projection.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1766335084127-45ZGHBSCPV09TXSTG3SQ/13.fm.jpg</image:loc>
      <image:title>Reviews - Kota Ezawa - Grand Princess, video, sound, wallpaper, installation view at Fort Mason Center for Arts &amp;amp;b Culture, 2025</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1766335084367-7OWCQC4HZDM40OC1X4IN/14.ek.jpg</image:loc>
      <image:title>Reviews - Kota Ezawa - Untitled (Eggleston/Kelly), acrylic print and paint on wood, 2025</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1766335085709-G6B1TTWRDJOS74O729ZX/15.k.jpg</image:loc>
      <image:title>Reviews - Kota Ezawa - Kabul, transparency in lightbox, 2021</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/mark-engel-shifting-terrain-triton-art-museum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/d08693ad-3927-498e-b6d5-fc5bf37cd4a3/Screenshot+2025-12-18+at+8.05.29%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Mark Engel, Shifting Terrain, Triton Museum of Art - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c89eb42d-d78c-4459-a229-d445fee24dcc/Screenshot+2025-12-18+at+8.07.37%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Mark Engel, Shifting Terrain, Triton Museum of Art - Make it stand out</image:title>
      <image:caption>Shifting Terrain // acrylic and spray paint on canvas, 60" x 96", 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/cbb752e0-b529-4b26-b5a4-116cf82d5c7c/Screenshot+2025-12-18+at+8.03.13%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Mark Engel, Shifting Terrain, Triton Museum of Art - Make it stand out</image:title>
      <image:caption>Echo Chamber, acrylic on canvas, 30” x 40”, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1766117832711-FNL5NHPSYK8CTQBEWNMK/Screenshot+2025-12-18+at+8.03.00%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Mark Engel, Shifting Terrain, Triton Museum of Art - Strata // acrylic on birch. ≈ 72" x 46", 2025</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1766117834972-KOFZK712J3M6Y60K3M17/Screenshot+2025-12-18+at+8.03.38%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Mark Engel, Shifting Terrain, Triton Museum of Art</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/87696226-1485-4adc-b379-c9e356f7d88c/Screenshot+2025-12-18+at+8.08.12%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Mark Engel, Shifting Terrain, Triton Museum of Art - Make it stand out</image:title>
      <image:caption>Three Graces// acrylic and spray paint on canvas, 48" x 60", 2024</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/b5c16ba0-1cd2-49e7-9be8-84d3ac2c6c52/Screenshot+2025-12-18+at+8.02.35%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Mark Engel, Shifting Terrain, Triton Museum of Art - Make it stand out</image:title>
      <image:caption>Continuum // acrylic and spray paint on canvas, 48" x 60", 2025</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c511bc10-2522-4728-9cd0-161d883b2c66/Screenshot+2025-12-18+at+8.04.24%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Mark Engel, Shifting Terrain, Triton Museum of Art - Make it stand out</image:title>
      <image:caption>New Skin // acrylic on canvas, 18" x 24", 2025</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/hilary-pecis-geraniums-and-camellias-crown-point-press</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/65f8b538-9cb8-4f66-8fdc-1e4982fec607/Screenshot+2025-12-17+at+8.25.25%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Hilary Pecis, Geraniums and Camellias, Crown Point Press - Make it stand out</image:title>
      <image:caption>Hilary Pecis, Geraniums and Camellias, color aquatint with sugar lift aquatint, 24½ x 19¾ inches, edition 30, published by Crown Point Press and printed by Emily York, 2025.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/955f9edc-8ce3-4273-a5e9-77c97e8c86c6/Screenshot+2025-12-17+at+8.25.40%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Hilary Pecis, Geraniums and Camellias, Crown Point Press - Make it stand out</image:title>
      <image:caption>Hilary Pecis, Lemons and Camellias, color aquatint and sugar lift aquatint, 24½ x 19¾ inches, edition 30, published by Crown Point Press and printed by Emily York, 2025.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/2a7433da-9eb9-484e-961d-e41278678f82/Screenshot+2025-12-17+at+8.25.58%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Hilary Pecis, Geraniums and Camellias, Crown Point Press - Make it stand out</image:title>
      <image:caption>William Brice, Untitled #4 (Pattern), color soft ground etching with aquatint, 6 x 8 inches, edition 25, published by Crown Point Press and printed by Hidekatsu Takada, 1985.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/0d7b249c-79f3-4c9a-9439-6c3364dc674c/Screenshot+2025-12-17+at+8.26.14%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Hilary Pecis, Geraniums and Camellias, Crown Point Press - Make it stand out</image:title>
      <image:caption>Mamma Andersson, Abandoned, color spit bite and sugar lift aquatints with aquatint and soft ground etching, 24¼ x 36 inches, edition 40, published by Crown Point Press and printed by Emily York, 2008.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/803d0672-f2fd-44f7-9db2-57a460d1b0ad/Screenshot+2025-12-17+at+8.26.25%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Hilary Pecis, Geraniums and Camellias, Crown Point Press - Make it stand out</image:title>
      <image:caption>Tomma Abts, Untitled (wavy line), color aquatint, 22¾ x 16¾ inches, edition 20, published by Crown Point Press and printed by Emily York, 2015</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/6cb8f1ae-1f27-4924-92d0-171510593674/Screenshot+2025-12-17+at+8.26.49%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Hilary Pecis, Geraniums and Camellias, Crown Point Press - Make it stand out</image:title>
      <image:caption>Hilary Pecis, Blue Still Life, acrylic on linen, 32 x 42 inches, 2021.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/52710cc3-3cf4-452d-85a8-0375e0af0506/Screenshot+2025-12-17+at+8.27.08%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Hilary Pecis, Geraniums and Camellias, Crown Point Press - Make it stand out</image:title>
      <image:caption>Photo: Hilary Pecis in the Crown Point studio, 2025, courtesy of Crown Point Press.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/unboundart-blackness-amp-the-universe-museum-of-african-diaspora</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/b3426ed3-0a41-49d2-8702-af32ea57faa1/Screenshot+2025-12-18+at+8.45.26%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - UNBOUND: Art, Blackness &amp;amp; the Universe, Museum of African Diaspora - Make it stand out</image:title>
      <image:caption>Mikael Owunna, ‘The Resurrection of Eke-Nnechukwu,’ 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/2ffd3e82-72ee-470c-9749-cc9e06e15e9b/Screenshot+2025-12-14+at+2.30.43%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - UNBOUND: Art, Blackness &amp;amp; the Universe, Museum of African Diaspora - Make it stand out</image:title>
      <image:caption>Blue Turned Temporal, 2019 by Lorna Simpson</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/3f85c3f8-10aa-43bd-97c1-ba7e8552e9c5/Screenshot+2025-12-14+at+2.28.15%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - UNBOUND: Art, Blackness &amp;amp; the Universe, Museum of African Diaspora - Make it stand out</image:title>
      <image:caption>Orishas + Orixas: Afro-Atlantic Spacetime by Gustavo Nazareno</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/9813ef2e-e30b-40b5-9a75-e1afea2d8f52/Gustavo+Nazareno%2C+The+Secret+Matrices+of+Creation%2C+2025.webp</image:loc>
      <image:title>Reviews - UNBOUND: Art, Blackness &amp;amp; the Universe, Museum of African Diaspora - Make it stand out</image:title>
      <image:caption>Gustavo Nazareno, ‘The Secret Matrices of Creation,’ 2025</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/alex-kanevsky-dolby-chadwick-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a17607ed-ed32-47b2-8b83-65f3280603c1/Screenshot+2025-12-15+at+8.45.39%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Alex Kanevsky, Dolby Chadwick Gallery - Make it stand out</image:title>
      <image:caption>Alex Kanevsky, Art Books I, oil on wood, 6 x 16 inches (Framed 7 x 17 inches), 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/094fbb6a-cdf3-40b2-9cc7-7623b47f1427/Screenshot+2025-12-15+at+8.46.02%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Alex Kanevsky, Dolby Chadwick Gallery - Detail of Art Books I</image:title>
      <image:caption>This painting honors the long-standing tradition of the nude in art, recalling the works of Giorgione's Sleeping Venus and Titian's Venus of Urbino. It demonstrates Kanevsky's broad engagement with the figure throughout art history. The red passages in the composition compete visually with the dominant figure, while a red scarf around her neck frames her face and invites the question: Is she awake or asleep? Also, the infinite black background draws our attention to the figure by creating a vacuum-like feeling, as if the air around her is about to smother her.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/38afd6d1-68c8-4871-a376-66ad7b3d5e7e/Screenshot+2025-12-15+at+8.46.40%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Alex Kanevsky, Dolby Chadwick Gallery - Detail of Art Books I</image:title>
      <image:caption>Small works of this nature, with provocative subjects, often attract more attention than one might initially expect. This does not mean that Kanevsky's larger works should be overlooked because of their size; he is capable of creating equally compelling paintings at any scale. While one might be tempted to correct certain anatomical anomalies in the paintings, I see these instead as part of the artist's eﬀort to balance the figurative elements with their painterly, abstract counterparts. Throughout the exhibition, the paintings achieve a harmonious balance between representation and abstraction, creating a captivating visual impact and a sense of harmony that I find highly engaging, especially as a realist painter myself.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/the-deported-artist-aka-javier-salazar-rojas</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c611c208-0ea1-4f23-a4b8-d2cbc24d4f06/c-JavierSalazar__7070E207257C465783912B73BE787087_1648655167870.jpg</image:loc>
      <image:title>Reviews - The Deported Artist a.k.a. Javier Salazar Rojas - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1765519552387-G98FNG9IDUH2JGP0GTFQ/CADBBBA3-6708-4B40-AFFB-295C0A1F119F.jpg</image:loc>
      <image:title>Reviews - The Deported Artist a.k.a. Javier Salazar Rojas - Adding artwork to the U.S. Mexico border wall</image:title>
      <image:caption />
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1765519551608-YIIHKQUNVV9NBKSIME0J/AF93E541-1F2F-46B8-938E-9C64DC314812.jpg</image:loc>
      <image:title>Reviews - The Deported Artist a.k.a. Javier Salazar Rojas</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1765519559369-MPN9Z8BWZXKIAWGX2FAR/Screenshot+2025-12-11+at+10.02.12%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - The Deported Artist a.k.a. Javier Salazar Rojas - Acrylic painting dedicated to all those who never made it to their final destination</image:title>
      <image:caption />
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1765519548681-L64VVOVO6UQTTYOY26BY/5D35D362-D6FD-4D29-84CB-ED430950596F.jpg</image:loc>
      <image:title>Reviews - The Deported Artist a.k.a. Javier Salazar Rojas - Biden and Trump Kissing at the border</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1765519550296-AZCNR0F4WQ3P9512GYSF/2928532F-3E85-49F4-AB9A-7D8761C175DA.jpg</image:loc>
      <image:title>Reviews - The Deported Artist a.k.a. Javier Salazar Rojas - After adding the Biden and Trump art to the border wall.</image:title>
      <image:caption />
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1765519561436-NJFQ190LGDLYR03IFNZN/Screenshot+2025-12-11+at+10.02.30%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - The Deported Artist a.k.a. Javier Salazar Rojas - A mother carries her baby across the border. Acrylic painting on canvas.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1765519559649-1AMK8EJ71MB8L94RQ85K/Screenshot+2025-12-11+at+10.02.20%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - The Deported Artist a.k.a. Javier Salazar Rojas - Acrylic painting on canvas of immigrant labor and ICE official.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1765519548428-LH2KR3UM2RF1L7EZ3CKR/0124+OFIREDEPORTEE+fire.jpg</image:loc>
      <image:title>Reviews - The Deported Artist a.k.a. Javier Salazar Rojas - The Deported Artist serving the final part of incarceration as a Wildlands Firefighter.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1765519562205-GHFD76EYZK6A6ZHMD9JL/Screenshot+2025-12-11+at+10.02.41%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - The Deported Artist a.k.a. Javier Salazar Rojas - Acrylic self portrait as a firefighter</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1765519553231-MJWAZBGU3VLCQVA74KUE/IMG_6278.jpeg</image:loc>
      <image:title>Reviews - The Deported Artist a.k.a. Javier Salazar Rojas - Certificate of Achievement</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1765519549869-F43QS5C7PXHGONYGZRYW/84292CEE-77CF-4087-A809-FA86CC72EC7C.jpg</image:loc>
      <image:title>Reviews - The Deported Artist a.k.a. Javier Salazar Rojas - Flyer for art workshop for people deported to Mexico.</image:title>
      <image:caption />
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1765519551021-0RRKQO3K5FAOFW05OOIR/A173C03C-989C-49DB-BE55-C916E2954ABF.jpg</image:loc>
      <image:title>Reviews - The Deported Artist a.k.a. Javier Salazar Rojas - Mural Ni de Aquí ni de alla - Neither from here nor from there</image:title>
      <image:caption />
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1765519709553-YWRNPOAQZ6I6ET7DVE4F/IMG_6280.jpg</image:loc>
      <image:title>Reviews - The Deported Artist a.k.a. Javier Salazar Rojas - Self Portrait of incarceration.</image:title>
      <image:caption />
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1765519557139-RZWQ2SBFWKB2LV88W02L/Screenshot+2025-12-11+at+10.00.37%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - The Deported Artist a.k.a. Javier Salazar Rojas - Crossing the Rio Grande digital artwork.</image:title>
      <image:caption />
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1765519555027-DTNOQ2X2VXDQHOL6IZHW/Screenshot+2025-12-11+at+10.00.16%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - The Deported Artist a.k.a. Javier Salazar Rojas - Digital art of young boy.</image:title>
      <image:caption />
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1765519556884-HOAH114AU4GSNKDT1QXR/Screenshot+2025-12-11+at+10.00.25%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - The Deported Artist a.k.a. Javier Salazar Rojas - Digital artwork</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/artist-paul-gibson-at-hunters-point-shipyard-open-studios-fall-2025-san-francisco</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/df2b0055-1d2b-41f1-8d94-b828a0f69350/Screenshot+2025-12-11+at+9.17.06%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Artist Paul Gibson at Hunters Point Shipyard Open Studios, Fall 2025, San Francisco - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/8db4ca64-debb-4289-8139-7d3f50a6ac4a/4858773B-A8D8-4CEA-9E3C-F72296D1D6CE.jpeg</image:loc>
      <image:title>Reviews - Artist Paul Gibson at Hunters Point Shipyard Open Studios, Fall 2025, San Francisco</image:title>
      <image:caption>Gibson probes other objects as well. The toys he paints trigger a nostalgia for a time he may have lovingly handled such objects. The paintings exemplify how maturity separates us from an earlier and simpler time, raising issues of how societal expectations alienate us from our essential nature. In each case, whether the object is a toy or a worker’s tool, Gibson offers the dichotomy between realism and something vaguer, more emotionally charged. When Gibson paints in an expressionist manner, he invokes Alberto Giacometti’s drawing work, which employed the looseness realist painters usually disavow. He renders spiritual portraits, from live models, where the dark paint and bold moves capture the impassioned qualities he discerns in the sitter. The objective is to represent a person as they are, regardless of strict realism. Gibson chases the essence of things and people.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1a3ac8d6-66c1-4a4d-97ce-c309049325e4/Screenshot+2025-12-11+at+9.16.33%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Artist Paul Gibson at Hunters Point Shipyard Open Studios, Fall 2025, San Francisco - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1f2b6045-dafe-49d6-a623-ef74d424a248/Screenshot+2025-12-11+at+9.17.41%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Artist Paul Gibson at Hunters Point Shipyard Open Studios, Fall 2025, San Francisco - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/4a6ed92e-67a4-4715-9a4d-37aee84e8bbc/Screenshot+2025-12-11+at+9.17.26%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Artist Paul Gibson at Hunters Point Shipyard Open Studios, Fall 2025, San Francisco - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/e2ba58e2-50fe-475e-a892-56d4d412b82c/Screenshot+2025-12-11+at+9.38.20%E2%80%AFPM+%281%29.png</image:loc>
      <image:title>Reviews - Artist Paul Gibson at Hunters Point Shipyard Open Studios, Fall 2025, San Francisco - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/7da63221-2282-47b5-8379-933c00f0e54a/A35F0579-DE7D-4CF6-A65C-E3F2CF6398F1.jpeg</image:loc>
      <image:title>Reviews - Artist Paul Gibson at Hunters Point Shipyard Open Studios, Fall 2025, San Francisco - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1765517216758-XTZVWF5ETFP1LM21LINX/Screenshot+2025-12-11+at+9.14.59%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Artist Paul Gibson at Hunters Point Shipyard Open Studios, Fall 2025, San Francisco</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1765517216613-GLD7S5C1Y2WIB5CHSVGG/Screenshot+2025-12-11+at+9.15.13%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Artist Paul Gibson at Hunters Point Shipyard Open Studios, Fall 2025, San Francisco</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a8d5e58a-754d-46f9-a407-d0da77fa564d/Screenshot+2025-12-11+at+9.19.16%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Artist Paul Gibson at Hunters Point Shipyard Open Studios, Fall 2025, San Francisco - Make it stand out</image:title>
      <image:caption>Blue Still Acrylic on linen 36 x 48 in</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/3a7604b8-c52e-4ae3-b9f3-772e1ad6c679/Screenshot+2025-12-11+at+9.18.40%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Artist Paul Gibson at Hunters Point Shipyard Open Studios, Fall 2025, San Francisco - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/32edb873-9b8c-450a-a3d8-0f924647a124/Unknown-1.jpeg</image:loc>
      <image:title>Reviews - Artist Paul Gibson at Hunters Point Shipyard Open Studios, Fall 2025, San Francisco - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/tabled-recently-acquired-contemporary-still-lifes-crocker-art-museum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a59e9864-7f35-47bf-8c68-9d7968e7ed6d/Crocker-art-tabled-4.jpeg</image:loc>
      <image:title>Reviews - Tabled: Recently Acquired Contemporary Still Lifes, Crocker Art Museum - Make it stand out</image:title>
      <image:caption>Enrique Chagoya, (American, born Mexico, 1953), The Enlightened Savage / Cannibull’s II, 2002. Suite of 10 Digital Prints on Soup Cans, 4 1/2 x 6 1/4 x 20 1/4 box, 4 x 2 1/2 each can.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c82ffa36-ffc7-4cc6-bb25-f48082b7ef65/Crocker-art-tabled-2.jpeg</image:loc>
      <image:title>Reviews - Tabled: Recently Acquired Contemporary Still Lifes, Crocker Art Museum - An Te Liu (Canadian, born Taiwan, 1967), Wúxiàn II, 2025. Cement, 46 1/2 x 6 1/2 x 6 1/2 in.</image:title>
      <image:caption>Shields pointed at An Te Liu’s sculpture Wúxiàn II. At first glance, it looks like a brutalist column in miniature. Closer examination reveals an assembly of molded concrete in the shape of take-out food containers, the kind usually made from a single piece of folded cardboard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/7d8da017-ba3a-445a-9ec7-6180c153ea08/Crocker-art-tabled-5.jpeg</image:loc>
      <image:title>Reviews - Tabled: Recently Acquired Contemporary Still Lifes, Crocker Art Museum - Make it stand out</image:title>
      <image:caption>Gary Bukovnik (American, born 1947), Peonies: Symphony, 2004. Watercolor on paper, 57 x 40 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/773bb72c-f09f-4bf3-8194-c71ff680d69a/IMG_1983.jpeg</image:loc>
      <image:title>Reviews - Tabled: Recently Acquired Contemporary Still Lifes, Crocker Art Museum - Make it stand out</image:title>
      <image:caption>(Detail) Enrique Chagoya, (American, born Mexico, 1953), The Enlightened Savage / Cannibull’s II, 2002. Suite of 10 Digital Prints on Soup Cans, 4 1/2 x 6 1/4 x 20 1/4 box, 4 x 2 1/2 each can.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/ff98d395-c5e5-474b-92e3-eae346a46660/Crocker-art-tabled-2.png</image:loc>
      <image:title>Reviews - Tabled: Recently Acquired Contemporary Still Lifes, Crocker Art Museum - Make it stand out</image:title>
      <image:caption>Frank Romero (American, born 1941), Natura Morta with Pingo y Calavera, 2020. Acrylic on canvas, 36 x 48 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/44f11d13-b2b0-4766-a3e8-209978d6f08e/Crocker-art-tabled.png</image:loc>
      <image:title>Reviews - Tabled: Recently Acquired Contemporary Still Lifes, Crocker Art Museum - Make it stand out</image:title>
      <image:caption>Gordon Cook (American, 1927–1985), Cardboard Box, circa 1970. Oil on canvas, 12 x 26 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/42e79305-3e70-4500-98c6-c236e806556d/Crocker-art-tabled-1.jpeg</image:loc>
      <image:title>Reviews - Tabled: Recently Acquired Contemporary Still Lifes, Crocker Art Museum - Make it stand out</image:title>
      <image:caption>Robert Rauschenberg (American, 1925–2008), Cardbirds VII, from Cardbird series, 1971. Offset lithograph in colors and collage with tape and polyethylene on corrugated cardboard, 33 ¼ x 33 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/7345b779-074e-439e-b2cf-a67208c7ad05/Screenshot+2025-12-09+at+3.40.54%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Tabled: Recently Acquired Contemporary Still Lifes, Crocker Art Museum - Make it stand out</image:title>
      <image:caption>Emilio Villalba (American, born 1984), Home Again, 2023. Oil on canvas, 48 x 48 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/4daf9701-f69f-42c5-9c28-881b9b7ac7b0/Screenshot+2025-12-09+at+4.05.37%E2%80%AFPM+%281%29.png</image:loc>
      <image:title>Reviews - Tabled: Recently Acquired Contemporary Still Lifes, Crocker Art Museum - Make it stand out</image:title>
      <image:caption>Emilio Villalba (American, born 1984), Everything is Something 5, 2023. Oil on canvas, 60x 72 in.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/jaibao-li</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/22bb6ab4-39ee-4751-9ac7-6dca4010849f/Jiabao+Li.png</image:loc>
      <image:title>Reviews - Jiabao Li - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1765000115989-L2XWRA0FX9MIQHZ87AA3/10.+Menstrual+Garden.jpg</image:loc>
      <image:title>Reviews - Jiabao Li - Menstrual Garden 2022 Scientific experiment, olfactory sculpture</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1765000118090-3BWMZTWTVLO8E0W8VTTF/14.+Gift.jpg</image:loc>
      <image:title>Reviews - Jiabao Li - Gift 2024 3D bioprinting, photography, scientific experiment</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1765000124813-BRW4E924X7D6I95X4GDX/Screenshot+2025-12-05+at+9.43.59%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Jiabao Li - Nocturnal Fugue 2024 Audio visual performance at Ars Electronica Deep Space</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1765000307979-IO2FV5YDKNTCC87NRU4I/Screenshot+2025-12-05+at+9.50.48%E2%80%AFPM+%281%29.png</image:loc>
      <image:title>Reviews - Jiabao Li - EchoVision 2024 Augmented Reality experience with custom designed bat masks</image:title>
      <image:caption />
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1764535605954-SO4G035N25D6P4C0D9PT/20220804-Everything-She-Has-Installation-0035.jpeg</image:loc>
      <image:title>Reviews - Abby Chen - Asia Society Texas Center  Everything She Has Within Herself brings together three murals of empowerment by Jas Charanjiva, Chanel Miller, and Jenifer K. Wofford.</image:title>
      <image:caption>Inspired by community, vulnerability, and the simple gesture of acknowledgment, each artwork in its own way rejects common destructive myths created to preserve historical power structures. Asia Society Texas is the first institution to recreate the trio of murals, which were originally commissioned for display at the Asian Art Museum of San Francisco in 2020. The title for the Asia Society Texas exhibition takes its inspiration from the poem: what is the greatest lesson a woman should learn that since day one she's already had everything she needs within herself it's the world that convinced her she did not — Rupi Kaur Credit: Chris Dunn</image:caption>
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      <image:title>Reviews - Abby Chen - Kongkee Installation, Asian Art Museum</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1764535608203-A4OK4VKIQXCDDQ4N90ZY/Copy+of+IMG_8004.jpeg</image:loc>
      <image:title>Reviews - Abby Chen - Kongkee Exhibition, Asian Art Museum</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1764535610923-S3KOB4GLJU1CPRXIDXF7/Screenshot+2025-11-30+at+12.42.00%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Abby Chen - Kongkee Exhibition, Asian Art Museum</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1764535613194-7JPW9411ONZHV210H1S2/Screenshot+2025-11-30+at+12.42.11%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Abby Chen - Outside the Kongkee Exhibition, Asian Art Museum</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1764535614246-K0GQ46QFAU5UNNDSC9LQ/Screenshot+2025-11-30+at+12.42.19%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Abby Chen - Line to enter the Kongkee Exhibition, Asian Art Museum</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1764535615256-4NKRYIONMY6C2MHSZ606/Screenshot+2025-11-30+at+12.45.25%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Abby Chen - Occupy Shanghai Subway 2012 Performance Shanghai NvAi &amp;amp; Gao Ling From WOMEN我們 Project</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1764535616314-IUOO7AV4ODYB4ZKRGSWI/Tran%2CArlette_Chen%2CAbby_Do%2CVicky_Cuguoglu%2CNaz_Chen_byPamelaGentile_005.jpg</image:loc>
      <image:title>Reviews - Abby Chen - With Practice Institute Fellows 2022</image:title>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/cunning-folk-witchcraft-magic-and-occult-knowledge-cantor-arts-center-at-stanford-university</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/6c7d7ab2-bcff-4df6-9ebc-5d850cc35caf/Screenshot+2025-12-02+at+8.51.43%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - Cunning Folk: Witchcraft, Magic, and Occult Knowledge, Cantor Arts Center at Stanford University - Make it stand out</image:title>
      <image:caption>Agostino Musi (Italian, c. 1490–after 1536), The Carcass or The Witch’s Procession, c. 1520. Engraving. Cantor Arts Center, Stanford University. Gift of Theodore B. Donson and Marvel M. Griepp, 2003.139 (detail)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/e6ade2ce-a617-486d-aa22-961081666b90/Screenshot+2025-12-01+at+2.00.03%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Cunning Folk: Witchcraft, Magic, and Occult Knowledge, Cantor Arts Center at Stanford University - Hans Baldung (Hans Baldung Grien) (German, 1484-1545), The Witches' Sabbath, 1510. Chiaroscuro woodcut, printed in black and gray-green inks. Fine Arts Museum of San Francisco, Achenbach Foundation for Graphic Arts Art Trust Fund, Ludwig A. Emge Fund, and Gift of Ruth Haas Lilienthal. 1984.1.111</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/41077336-a48a-409b-9ddb-3a8d3bda59b4/Screenshot+2025-12-02+at+8.52.02%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - Cunning Folk: Witchcraft, Magic, and Occult Knowledge, Cantor Arts Center at Stanford University - Make it stand out</image:title>
      <image:caption>Jan van de Velde II (Dutch, c. 1593– 1641), The Sorceress, 1626. Engraving. Cantor Arts Center, Stanford University. Robert E. and Mary B. P. Gross Fund, 2005.16</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/3942da9d-b11c-4c64-96c1-3ddf72ddafde/1972.34_Magician.jpg</image:loc>
      <image:title>Reviews - Cunning Folk: Witchcraft, Magic, and Occult Knowledge, Cantor Arts Center at Stanford University - Make it stand out</image:title>
      <image:caption>Giovanni Battista Tiepolo (Italian, 1696–1770), Magician Pointing out a Burning Head to Two Youths, c. 1735-1740. Etching. Cantor Arts Center, Stanford University. Mortimer C. Leventritt Fund, 1972.34</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1764694574462-I0QPWFN5VW8ETFNE08V9/2007.15_Jason+and+Medea.jpg</image:loc>
      <image:title>Reviews - Cunning Folk: Witchcraft, Magic, and Occult Knowledge, Cantor Arts Center at Stanford University</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1764694573584-IHAJBHX257D46N6868BQ/1941.279_Woman+with+Distaff.jpg</image:loc>
      <image:title>Reviews - Cunning Folk: Witchcraft, Magic, and Occult Knowledge, Cantor Arts Center at Stanford University</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/b067aa4c-e433-4b8c-b362-8f07df594896/Screenshot+2025-12-01+at+2.01.40%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Cunning Folk: Witchcraft, Magic, and Occult Knowledge, Cantor Arts Center at Stanford University - Make it stand out</image:title>
      <image:caption>Albrecht Dürer (German, 1471–1528) The Four Witches, 1497. Engraving. Cantor Arts Center, Stanford University, Alice Meyer Buck Fund, 1981.55</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/muzae-sesay-domestic-demo-pt-2-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a0ce55e7-c990-471a-954c-5d8b41bfab4f/pt.+2+gallery.png</image:loc>
      <image:title>Reviews - Muzae Sesay, Domestic Demo, pt. 2 Gallery - Make it stand out</image:title>
      <image:caption>Muzae Sesay, As We Are Stepping Through the Gates, Oil and Oil pastel on canvas, 48 x 72 inches, 2025</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/81e6e407-f9f3-4966-a38b-1115ed7fe6e7/Muzae+Sesay%2C+Cheers+to+Nothing+Really%2C+Oil%2C+oil+pastel%2C+and+vinyl+emulsion+on+canvas.+24+x+24+inches%2C+2025.png</image:loc>
      <image:title>Reviews - Muzae Sesay, Domestic Demo, pt. 2 Gallery - Muzae Sesay, Cheers to Nothing Really, Oil, oil pastel, and vinyl emulsion on canvas. 24 x 24 inches, 2025</image:title>
      <image:caption>Sesay presents paintings, almost all made in 2025, falling into two groups. In Room II, the works examine destruction, including that of the Palisades fires in January of this year. In Room IV, the paintings investigate social and romantic themes. The two rooms share Sesay’s color palette of the last several years: orange, dark green, and pinkish purple. In both rooms, we see an obsession with the transmutation of form—and a lack of interest in paint, beyond its utility.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/995f1029-bf7d-43cb-89a3-4f04e3c0fe46/Muzae+Sesay%2C+Flower+Water%2C+Oil+pastel+and+oil+pencil+on+canvas.+59.35+x+63+inches%2C+2025.png</image:loc>
      <image:title>Reviews - Muzae Sesay, Domestic Demo, pt. 2 Gallery - Make it stand out</image:title>
      <image:caption>Muzae Sesay, Flower Water, Oil pastel and oil pencil on canvas. 59.35 x 63 inches, 2025</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/cbcc9b53-7e8d-4a35-9f68-0b6d8a8704be/Ashley+Wentling%2C+Vanessa%E2%80%99s+house%2C+Acrylic+on+canvas%2C+31+x+25+inches%2C+2025.png</image:loc>
      <image:title>Reviews - Muzae Sesay, Domestic Demo, pt. 2 Gallery - Make it stand out</image:title>
      <image:caption>Ashley Wentling, Vanessa’s house, Acrylic on canvas, 31 x 25 inches, 2025</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/eae53537-953b-4b14-bb55-5ea4768ca3f5/Screenshot+2025-11-30+at+11.16.07%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - Muzae Sesay, Domestic Demo, pt. 2 Gallery - Make it stand out</image:title>
      <image:caption>Partial view of Demo Room: An Unclean Wash, Cheflee and Muzae Sesay</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/tyler-ormsbynbspballoon-house-of-seiko</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/79187dc1-2968-4985-a0a9-6ca0a8f75808/Tyler+Ormsby.png</image:loc>
      <image:title>Reviews - Tyler Ormsby, Balloon, House of Seiko - Make it stand out</image:title>
      <image:caption>Tyler Ormsby, Belly, 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/3280319f-b373-4491-ba56-e4a1f28dae57/Screenshot+2025-11-25+at+5.14.38%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Tyler Ormsby, Balloon, House of Seiko - Make it stand out</image:title>
      <image:caption>Tyler Ormsby, Pollen Kid, 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/88256475-2dca-45ac-981a-f7314b94158c/Screenshot+2025-11-25+at+5.14.57%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Tyler Ormsby, Balloon, House of Seiko - Make it stand out</image:title>
      <image:caption>Left: Tyler Ormsby, Crushing Leaves, 2025; Right: Tyler Ormsby, Pink, 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/6ca5e24a-06cf-45a0-b550-352c8132fdd0/Screenshot+2025-11-25+at+5.15.27%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Tyler Ormsby, Balloon, House of Seiko - Make it stand out</image:title>
      <image:caption>Tyler Ormsby, Reaching With Gourd, 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c86bca68-e68f-4ee9-a3fe-97ec29ef5e19/Screenshot+2025-11-25+at+5.16.02%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Tyler Ormsby, Balloon, House of Seiko - Make it stand out</image:title>
      <image:caption>Tyler Ormsby, Balloon, 2025</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/30521633-099e-4549-9fbf-61fb509e1ecb/Screenshot+2025-11-25+at+5.16.28%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Tyler Ormsby, Balloon, House of Seiko - Make it stand out</image:title>
      <image:caption>Tyler Ormsby, Boy with Gourd, 2025</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/human-nature-california-zen-in-big-sur-and-the-bay-area-monterey-museum-of-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c1b4b256-a880-4392-8b95-4de16f779bfc/Untitled%2C+undated%2C+Arthur+Monroe%2C+oil+on+canvas%2C+18%E2%80%9D+x+14%E2%80%9D.png</image:loc>
      <image:title>Reviews - Human / Nature: California Zen in Big Sur and the Bay Area, Monterey Museum of Art - Make it stand out</image:title>
      <image:caption>Untitled, undated, Arthur Monroe, oil on canvas, 18” x 14”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/9058e6c2-9bac-4a41-971a-5da69b93efb9/Screenshot+2025-11-22+at+5.01.01%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Human / Nature: California Zen in Big Sur and the Bay Area, Monterey Museum of Art - Make it stand out</image:title>
      <image:caption>Untitled (detail), Lee Mullican, oil on board, 1958, 24” x 24”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/bc6bfb44-e47a-4588-b941-76575f7ff1ba/Screenshot+2025-11-25+at+4.34.43%E2%80%AFPM+%281%29.png</image:loc>
      <image:title>Reviews - Human / Nature: California Zen in Big Sur and the Bay Area, Monterey Museum of Art - Make it stand out</image:title>
      <image:caption>Untitled, John Baxter, stone assemblage, 1950s, 14” x 12”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/8ae781e0-0448-45a5-bcdc-52d5e6612dac/Plate+IX%2C+Claire+Falkenstein%2C+wove+paper%3Acollagraph%2C+1963%2C+15%E2%80%9D+x+20%E2%80%9D.png</image:loc>
      <image:title>Reviews - Human / Nature: California Zen in Big Sur and the Bay Area, Monterey Museum of Art - Make it stand out</image:title>
      <image:caption>Plate IX, Claire Falkenstein, wove paper/collagraph, 1963, 15” x 20”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/67d0ec15-b682-4e14-96cb-44dbae31987d/Lozenge+II%2C+Richard+Faralla%2C+wood%3Apaint%2C+1960%2C+51%E2%80%9D+x+51%E2%80%9D.png</image:loc>
      <image:title>Reviews - Human / Nature: California Zen in Big Sur and the Bay Area, Monterey Museum of Art - Make it stand out</image:title>
      <image:caption>Lozenge II, Richard Faralla, wood/paint, 1960, 51” x 51”</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/669f8790-29d8-4523-86f8-fadd5d24c6ce/Lozenge+II%2C+Richard+Faralla%2C+wood%3Apaint%2C+1960%2C+51%E2%80%9D+x+51%E2%80%9D.png</image:loc>
      <image:title>Reviews - Human / Nature: California Zen in Big Sur and the Bay Area, Monterey Museum of Art - Make it stand out</image:title>
      <image:caption>Tidelines, Nancy Genn, cast bronze, 16”x12”x20”, 1964</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/52c1cff6-8d75-416a-a800-4ca87fd7a90f/Untitled%2C+Peter+Voulkos%2C+earthenware%2C+undated.png</image:loc>
      <image:title>Reviews - Human / Nature: California Zen in Big Sur and the Bay Area, Monterey Museum of Art - Make it stand out</image:title>
      <image:caption>Untitled, Peter Voulkos, earthenware, undated</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/e7e114b2-5efc-4172-9e1a-a3260a6b19ce/Screenshot+2025-11-22+at+5.02.20%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Human / Nature: California Zen in Big Sur and the Bay Area, Monterey Museum of Art - Make it stand out</image:title>
      <image:caption>Hands, Louis Stanislas Slevin, Photograph,1920, 7.5” x 9.5” Courtesy Monterey County Free Libraries, Marina, CA</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/sylvia-fernndez</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/354142a8-9d8a-401e-8d40-03efc3662157/Screenshot+2025-11-24+at+5.54.18%E2%80%AFPM+%281%29.png</image:loc>
      <image:title>Reviews - Sylvia Fernández - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/6ea730a0-e79c-4a05-95dd-87bb4064b1a9/16.Home+24+x+18in.jpg</image:loc>
      <image:title>Reviews - Sylvia Fernández - Make it stand out</image:title>
      <image:caption>Home, 24 x 28 inches, oil on wood panel, 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/6d757a87-6803-4bbb-a354-f4eb91317a65/1.abuela+rosada+30x.25cmjpg.jpg</image:loc>
      <image:title>Reviews - Sylvia Fernández - Make it stand out</image:title>
      <image:caption>Abuela rosada, 30 x 25 cm, oil on canvas, 2017 (Series Incubaciones Lima-Peru) This is a portrait of my grandma, since she was losing her sight she has no eyes. This portrait is before starting Conversaciones con Carmen series.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/5726ab59-7f62-4e5d-9b16-fb395f659934/13.+Mother.jpg</image:loc>
      <image:title>Reviews - Sylvia Fernández - Mother, 15 x 20 inches, oil on paper, 2025</image:title>
      <image:caption>Mother, 15 x 20 inches, oil on paper, 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/83b65df9-962e-4b01-9efc-9e4550c53569/10.Touching+you.jpg</image:loc>
      <image:title>Reviews - Sylvia Fernández - Make it stand out</image:title>
      <image:caption>Touching you, 11 x 14 inches, oil on paper, 2024 (Sembrando un jardin series, SD, California)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/94e3e0d2-b99f-4558-80d3-ddb2b9742e21/5.llueve.jpg</image:loc>
      <image:title>Reviews - Sylvia Fernández - Make it stand out</image:title>
      <image:caption>Llueve, 90 x 83 cm, oil on canvas, 2021 (Series Volvamos Lima- Peru) Surrendering to nature, the beginning of a new relation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/96c3db54-f58a-40fc-af78-229a048458f1/8.Belong.jpg</image:loc>
      <image:title>Reviews - Sylvia Fernández - Make it stand out</image:title>
      <image:caption>Belong, 48 x 72 inches, oil on canvas, 2024 (Sembrando un jardin series, SD, California)</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/fa7e5c6a-5d53-4667-b5bd-1f6663f7194b/9.+Take+with+my+roots.jpg</image:loc>
      <image:title>Reviews - Sylvia Fernández - Make it stand out</image:title>
      <image:caption>Take me with my roots, 36 x 48 inches, oil on canvas, 2024 (Sembrando un jardin series, SD, California)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/3f1665d5-206d-427d-b312-b273945fed2a/3.conversacio%CC%81n+9+300x200cm.jpg</image:loc>
      <image:title>Reviews - Sylvia Fernández - Make it stand out</image:title>
      <image:caption>Conversacion 9, 300 x 200 cm, oil on canvas, 2019 (Series Conversasiones con Carmen Lima -Peru) A body on the shores of a river, taken by the water, speaking of death and its meaning.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/2b80d8c4-7101-44f6-8903-6ca1d21d6a0e/2.conversacion19+200x200cm.jpg</image:loc>
      <image:title>Reviews - Sylvia Fernández - Make it stand out</image:title>
      <image:caption>Conversacion 19, 200x 200 cm, oil on canvas, 2019 (Series Conversasiones con Carmen Lima - Peru) This work is based on my grandma's color skin of her hands, all her freckles, and spots, shades, and flesh at 100 yrs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/173b743f-1f76-4061-aab5-dc02dce7eda2/4.dos+orillas+50+x+40cm.jpg</image:loc>
      <image:title>Reviews - Sylvia Fernández - Make it stand out</image:title>
      <image:caption>Dos Orillas, 50 x 40 cm, oil on canvas, 2021 (Series Volvamos Lima- Peru) Jungle landscape, the river, encounter.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/41b6677b-a452-4b53-a253-92174f84d9fa/14.The+ilussin+of+Paradise+30+x+40in.jpg</image:loc>
      <image:title>Reviews - Sylvia Fernández - Make it stand out</image:title>
      <image:caption>The Illusion of Paradise, 30 x 40 inches, oil on canvas, 2025</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/ihim2ldi7ou20ezubkuftqehu5z954</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1ff32684-973d-490e-95e6-a48091ef07fe/Screenshot+2025-11-22+at+4.31.04%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Lee Upton and Jim Toia, The Never Lost Forest, Hunterdon Art Museum - Make it stand out</image:title>
      <image:caption>From the Trees Date/Year: 2025 Medium: Wall installation of sycamore leaves with laser cut words, pins, Ash tree ashes, charcoal and graphite Dimensions: Size variable</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/4b2b4fa8-fa04-44d9-a0f3-8a374f4496f4/Jim+Toia+and+Lee+Upton_The+Forest+Sways+and+Breaks+in+Waves+.jpeg</image:loc>
      <image:title>Reviews - Lee Upton and Jim Toia, The Never Lost Forest, Hunterdon Art Museum - Make it stand out</image:title>
      <image:caption>The Forest Sways and Breaks in Waves Date/Year: 2025 Medium: Laser etching on birch bark Dimensions: 18 x 8 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c2712ac5-d5f9-46a6-99b5-b3c5718b1294/JIm+Toia+and+Lee+Upton_The+Body+Hive.jpg</image:loc>
      <image:title>Reviews - Lee Upton and Jim Toia, The Never Lost Forest, Hunterdon Art Museum - Make it stand out</image:title>
      <image:caption>Title: The Body Hive Date/Year: 2025 Medium: Laser cut wasp nest paper, glass. Dimensions: 18" x 18"</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c487b87f-7e71-4d3d-a87e-9e031b8c0d59/Jim+Toia+and+Lee+Upton_Born+as+a+Ruin.jpeg</image:loc>
      <image:title>Reviews - Lee Upton and Jim Toia, The Never Lost Forest, Hunterdon Art Museum - Make it stand out</image:title>
      <image:caption>Born as a Ruin Date/Year: 2025 Medium: Wooden paddle and bench, Text in braille "You were born as a ruin" in black plastic beads, Text on bench "Yet I felt everything you feel", Ash tree ashes and chalk Dimensions: 62" x 16" x 24"</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/5259ca0e-2cd9-4559-9214-46632a86f46b/Screenshot+2025-11-22+at+4.14.37%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Lee Upton and Jim Toia, The Never Lost Forest, Hunterdon Art Museum - Make it stand out</image:title>
      <image:caption>People are Camouflage Date/Year: 2025 Medium: Ink, gouache and graphite over Palm tree rubbing on mulberry paper Dimensions: 36 x 25 in.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/adam-hunter-caldwell-coverage-ryan-graff-contemporary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/2821d934-d448-4f13-9acb-502473593edb/Screenshot+2025-11-24+at+11.40.40%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - Adam Hunter Caldwell, Coverage, Ryan Graff Contemporary - Make it stand out</image:title>
      <image:caption>Adam Hunter Caldwell,  Social Justice, Oil on Canvas, 18 x 20 inches &amp; Social Justice Verso, Mixed Media on Canvas, 20 x 16 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/3b7c8878-5a22-448c-bf2c-ada9957601f8/Screenshot+2025-11-24+at+11.38.48%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - Adam Hunter Caldwell, Coverage, Ryan Graff Contemporary - Make it stand out</image:title>
      <image:caption>Adam Hunter Caldwell,  Refugee, Oil on Canvas, 24 x 20 inches &amp; Refugee Verso, Mixed Media on Canvas, 20 x 16 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/742f3a34-6e86-4ef3-99d0-9331c73dc304/Screenshot+2025-11-24+at+11.37.53%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - Adam Hunter Caldwell, Coverage, Ryan Graff Contemporary - Make it stand out</image:title>
      <image:caption>Adam Hunter Caldwell, Ethnicity (Oil on Canvas, 22 x 30 inches) &amp; Ethnicity Verso (Mixed Media on Canvas, 20 x 16 inches)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1224e191-90b3-4b65-8605-2fa31fa4d157/Adam_Caldwell_Belong_oil_on_canvas_30x22_1920.webp</image:loc>
      <image:title>Reviews - Adam Hunter Caldwell, Coverage, Ryan Graff Contemporary - Make it stand out</image:title>
      <image:caption>Adam Hunter Caldwell, Belong, Oil on Canvas, 22 x 30 inches</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c3775f98-7523-45e0-94e7-41fca6d990c7/Screenshot+2025-11-24+at+11.36.51%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - Adam Hunter Caldwell, Coverage, Ryan Graff Contemporary - Make it stand out</image:title>
      <image:caption>Adam Hunter Caldwell, Climate Change, Oil on Canvas, 18 x 24 inches &amp; Climate Change Verso Mixed Media on Canvas, 20 x 16 inches</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/35f2f956-7eb5-47dc-89f2-54a709f927d2/Screenshot+2025-11-22+at+1.43.20%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Adam Hunter Caldwell, Coverage, Ryan Graff Contemporary - Make it stand out</image:title>
      <image:caption>Adam Hunter Caldwell,  Disabilities, Oil on Canvas, 24 x 18 inches &amp; Disabilities Verso, Mixed Media on Canvas, 20 x 16 inches</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/322b0e47-5cea-4f2a-ab8c-19edf82354d3/Adam_Caldwell_An_End_to_All_Tyrants_oil_on_canvas_%28triptych%29_64x24_1920.webp</image:loc>
      <image:title>Reviews - Adam Hunter Caldwell, Coverage, Ryan Graff Contemporary - Make it stand out</image:title>
      <image:caption>Adam Hunter Caldwell, An End to All Tyrants, Oil on Canvas triptych, total measurement 64 x 24 inches.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/richard-misrach-roaming-the-deserts-and-plumbing-the-seas-fraenkel-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/f31b3283-9ced-471e-b396-75507d700346/Screenshot+2025-11-15+at+6.30.54%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Richard Misrach, Roaming the Deserts and Plumbing the Seas, Fraenkel Gallery - Make it stand out</image:title>
      <image:caption>Self Portrait, 1975 gelatin silver print, 16 x 20 inches (sheet) [40.6 x 50.8 cm]</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/3dceecac-e403-4e10-aa92-50f4d91df933/Screenshot+2025-11-15+at+6.30.42%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Richard Misrach, Roaming the Deserts and Plumbing the Seas, Fraenkel Gallery - Make it stand out</image:title>
      <image:caption>Desert Fire #1 (Burning Palms), 1983 pigment print, 20 x 24 inches (sheet &amp; mount) [50.8 x 61 cm], edition of 50</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1dba2f22-e6d7-493f-9653-805e506c51f3/Screenshot+2025-11-15+at+6.30.33%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Richard Misrach, Roaming the Deserts and Plumbing the Seas, Fraenkel Gallery - Make it stand out</image:title>
      <image:caption>Shopping Cart, Tanger Factory Outlet Center, Interstate I-10, Gonzales, Louisiana, 2010 pigment print, 61-1/4 x 81-1/8 inches (framed) [155.6 x 206.1 cm], edition of 3</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/f1418683-de13-4c94-b5ff-9d6774f1a629/RM-CS-01-08-2025-713am-Framed.webp</image:loc>
      <image:title>Reviews - Richard Misrach, Roaming the Deserts and Plumbing the Seas, Fraenkel Gallery - Make it stand out</image:title>
      <image:caption>Cargo Ships (January 8, 2025, 7:13 am), 2025 pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/sarah-cain-you-aurora-borealis-me-too-atrium-projects-at-bampfanbsp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/b6095f93-1daf-4c26-95c1-b0b4abe2199a/Sarah+Cain+art.png</image:loc>
      <image:title>Reviews - Sarah Cain, You Aurora Borealis Me Too, Atrium Projects, at BAMPFA&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Installation view: Atrium Projects / Sarah Cain: To—you know—you, Berkeley Art Museum and Pacific Film Archive, October 30, 2025–June 6, 2027. Photo by Chris Grunder.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a1554737-b1c4-450a-8d8d-b01584fb92df/Screenshot+2025-11-18+at+11.11.48%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - Sarah Cain, You Aurora Borealis Me Too, Atrium Projects, at BAMPFA&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Photo by Chris Grunder.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/21341619-a47c-49d2-b228-eeb228d077db/Screenshot+2025-11-18+at+11.12.05%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - Sarah Cain, You Aurora Borealis Me Too, Atrium Projects, at BAMPFA&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Photo by Chris Grunder.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/78e2567a-3993-4718-ae66-aed39c245fa1/Screenshot+2025-11-18+at+11.18.59%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - Sarah Cain, You Aurora Borealis Me Too, Atrium Projects, at BAMPFA&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/e023938b-c4ac-4f67-8520-8fe02b93eb33/Screenshot+2025-11-18+at+11.21.43%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - Sarah Cain, You Aurora Borealis Me Too, Atrium Projects, at BAMPFA&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Photo by Chris Grunder.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/mildred-howard</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/f5627cb3-9a19-4437-b3a6-9eca53fff0f8/IMG_8673A.jpeg</image:loc>
      <image:title>Reviews - Mildred Howard - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/ef815325-1c4a-4153-8d8a-98ff82cc7a8e/Howard+Moving+Stills+3+36+x+49+_DSF2904.jpeg</image:loc>
      <image:title>Reviews - Mildred Howard - Make it stand out</image:title>
      <image:caption>Moving Stills III, 2024 UV-cured acrylic ink on vintage wallpaper mounted to Rives BFK 36 x 49” Published at Magnolia Editions</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/b781442e-9ae0-40ff-b97a-a3a548acfeea/Howard+Moving+Stills+22+26+x+22.5_DSF2923.jpeg</image:loc>
      <image:title>Reviews - Mildred Howard - Make it stand out</image:title>
      <image:caption>Moving Stills XXII, 2024 UV-cured acrylic ink on vintage wallpaper mounted to Rives BFK 26 x 22.5 Inches Published at Magnolia Editions</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/61745baf-af54-4bd2-9302-abed165e14a6/Howard+Moving+Stills+2+22.5+x+30_DSF2903.jpeg</image:loc>
      <image:title>Reviews - Mildred Howard - Make it stand out</image:title>
      <image:caption>Moving Stills II, 2024  UV-cured acrylic ink on vintage wallpaper mounted to Rives BFK 22.5 x 30 inches Published at Magnolia Editions</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/56c0ac17-e657-4225-8524-3ea8ad10455a/1.+Delivered%2C+Mables+Promissory+Note%2C+2024.jpeg</image:loc>
      <image:title>Reviews - Mildred Howard - Make it stand out</image:title>
      <image:caption>Mables Promissory Note, Delivered,  2024 Sculpture Bronze, Steel, 10’  x 4’  CX 10’ Commissioned by the Berkeley Civic Arts Commission</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/e2568c6f-c499-460c-9449-f9754b759775/Screenshot+2025-11-17+at+5.15.19%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Mildred Howard - I’ve Been a Witness to This Game, IV, 2016 Media: Chine Colle’ on antique paper 20” x 16” Published at Shark’s Ink</image:title>
      <image:caption>HL: There's one series that has stood out to me. You created a series of monoprints that explore the image of a spade, a symbol that has many layered meanings in culture and language. Can you give context to the meanings of the spade and what inspired you to focus on it for that print series?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/20873ba9-6c8b-4318-90a1-7670ae9fbe2c/Screenshot+2025-11-17+at+5.17.44%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Mildred Howard - I’ve Been a Witness to This Game, III, 2016 Media: lithography, Chine Colle’ on antique paper 20” x 16” Published at Shark’s Ink</image:title>
      <image:caption>HL: What would you want to say if you met him again?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/8bea79aa-59c1-4da4-a69a-6947b1fddf8b/Mildred+Howard+In+the+Line+of+Fire+1991%5B2%5D+copy.jpg</image:loc>
      <image:title>Reviews - Mildred Howard - Make it stand out</image:title>
      <image:caption>In the Line of Fire, 1991 Installation Dimensions Vary 40 Silkscreen laser cut figures Boulders</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a6a2858f-87a3-464f-b534-9fce1c0782d3/Howard+Moving+Stills+36+42+x+55+_DSF2938%281%29.jpeg</image:loc>
      <image:title>Reviews - Mildred Howard - Make it stand out</image:title>
      <image:caption>Moving Stills XXXIV, 2024 UV-cured acrylic ink on vintage wallpaper mounted to Rives BFK 42 x 55 Inches Published at Magnolia Editions</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a037acba-70c8-43ef-b7cb-07aa582c18c3/8.+Salty+Peanutsntitled.jpeg</image:loc>
      <image:title>Reviews - Mildred Howard - Salty Peanuts, 2000 Sculpture San Francisco International Airport Powder Coated Steel, 130 saxophones First four movements of Salt Peanuts Commissioned by the San Francisco former Redevelopment Agency</image:title>
      <image:caption>HL: I want to talk more about this project. Some 20 years ago, you were turned down for the Venice Biennale and you had an epiphany saying to yourself effectively, I'm not going to wait to be invited, I'm going to have my own. This leads to the Collaborating with the Muses project. When you began with this, you said, "I want to set the groundwork for other artists." Can you tell about that groundwork?</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/14beb02c-d02d-4659-b62c-d8838716fc1c/Mildred-Howard.webp</image:loc>
      <image:title>Reviews - Mildred Howard - Make it stand out</image:title>
      <image:caption>Mildred Howard, Untold Histories / Hidden Truths, 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/afc871b8-e478-4269-b447-da7ec9808a75/Screenshot+2025-11-17+at+6.48.56%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Mildred Howard - Make it stand out</image:title>
      <image:caption>Promissory Note, 2022 Sculpture Bronze, steel Approx. overall dimensions: 16’ x 20’ x 20’ Commissioned by San Francisco Art Commission and Bayview Community Center</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/ca95ed5e-e4ca-46cf-8ccc-f81b7d2f265e/Glide3.jpeg</image:loc>
      <image:title>Reviews - Mildred Howard - Make it stand out</image:title>
      <image:caption>Language of Music, 2016(?) detail 2-dimensional relief Glide Affordable Housing San Francisco Hand cut bronze letters, ceramic tile 18’ x 40’ Commissioned by Glide</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/3349b4c8-d1bf-482d-bb5b-2261d7ce2fe1/3.+Mildred+Howard_FrameRefrain_2015_bronze_22+x+20+x+3+feet+copy.jpeg</image:loc>
      <image:title>Reviews - Mildred Howard - Make it stand out</image:title>
      <image:caption>FrameRefrain, 2015 (Refrain in the background) Sculpture Bronze, Steel, Concrete 22 x 20 x 3 feet Mildred Howard, Frame;  Walter Hood, Refrain  100’ though the frame Commissioned by the San Francisco former Redevelopment Agency</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/printing-color-chiaroscuro-to-screenprint-legion-of-honor</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/d2a3b93e-d17c-4a6e-bc15-91830eea5f3c/unnamed-2.jpg</image:loc>
      <image:title>Reviews - Printing Color: Chiaroscuro to Screenprint, Legion of Honor - Make it stand out</image:title>
      <image:caption>Christoffel Jegher after Peter Paul Rubens, The Rest on the Flight into Egypt, Chiaroscuro woodcut, 45.5 x 59.9 cm</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/d62da483-0617-4f99-a4b3-ab6c54f031e4/IMG_1707.jpeg</image:loc>
      <image:title>Reviews - Printing Color: Chiaroscuro to Screenprint, Legion of Honor - Make it stand out</image:title>
      <image:caption>Roy Lichtenstein, Catherdral #4, Color lithograph, 1062 x 686 mm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c5ccfc1b-0864-4369-93fa-f1555b0de0ab/Screenshot+2025-11-15+at+6.06.54%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Printing Color: Chiaroscuro to Screenprint, Legion of Honor - Make it stand out</image:title>
      <image:caption>Andy Warhol, Electric Chair, Color screenprint, 35 x 47 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/4b656bdc-da74-407b-a8dc-ed54312f58f3/unnamed-1.jpg</image:loc>
      <image:title>Reviews - Printing Color: Chiaroscuro to Screenprint, Legion of Honor - Make it stand out</image:title>
      <image:caption>Wayne Thiebaud, Paint Cans</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/62b7a399-0c13-4c56-a8ea-8ce8ce95490a/unnamed-5.jpg</image:loc>
      <image:title>Reviews - Printing Color: Chiaroscuro to Screenprint, Legion of Honor - Make it stand out</image:title>
      <image:caption>Alex Katz, The Green Cap, Color woodcut, 310 x 455 mm</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/9c967b44-2e72-4823-8a27-084b3fd94677/unnamed-6.jpg</image:loc>
      <image:title>Reviews - Printing Color: Chiaroscuro to Screenprint, Legion of Honor - Make it stand out</image:title>
      <image:caption>Alicia McCarthy, ZAPCRLM, Color aquatint, 51 x 51 in</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/51baf88e-eb7c-4c8f-9fb7-48fa8a7e485c/unnamed-4.jpg</image:loc>
      <image:title>Reviews - Printing Color: Chiaroscuro to Screenprint, Legion of Honor - Bertha Lum, Lanterns, Color woodcut, 24 x 12.5 cm</image:title>
      <image:caption>These kinds of intertwined stories wind throughout the exhibit. Some are explicit, some less so. It is easy to see how Bertha Lum’s woodcut Lanterns echoes the bridges of adjacent Hokusai and Kitagawa Utamaro woodcuts. The flavor is Japanesque, though her vision is more focused and abstract. Similarly, Roy Lichtenstein’s Cathedral #4 is an obvious Ben Day take on Monet’s series of cathedral paintings (not here).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1763257990588-N6MTP5QPXSVEXHB4XSM4/unnamed.jpg</image:loc>
      <image:title>Reviews - Printing Color: Chiaroscuro to Screenprint, Legion of Honor</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1763258034210-1NXE9OMSSFUAIQP0OB13/unnamed-10.jpg</image:loc>
      <image:title>Reviews - Printing Color: Chiaroscuro to Screenprint, Legion of Honor</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/ec0ad134-05bd-485e-9890-f101fd164706/Screenshot+2025-11-15+at+5.55.29%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Printing Color: Chiaroscuro to Screenprint, Legion of Honor - Josef Albers, Wide Light, Color screenprint, 432 x 432 mm</image:title>
      <image:caption>Asawa’s print also connects to the nearby Wide Light silkscreen by Joseph Albers. Not only does it share a similar color, but its tonal layering reflects Asawa’s debt to Albers, to his color theories, which she learned from him at Black Mountain College.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1763258418475-C0549SXT1SX8M39YJTEU/unnamed-8.jpg</image:loc>
      <image:title>Reviews - Printing Color: Chiaroscuro to Screenprint, Legion of Honor</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1763258448695-UZ56V16VDJL408FQSVF8/Screenshot+2025-11-15+at+5.59.45%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Printing Color: Chiaroscuro to Screenprint, Legion of Honor</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/katherine-vetne-between-worlds-catharine-clark-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c75f8ca7-aa7c-4fbd-8b7b-be6cb7dccdf6/jack-in-the-pulpit.jpg</image:loc>
      <image:title>Reviews - Katherine Vetne, Between Worlds, Catharine Clark Gallery - Make it stand out</image:title>
      <image:caption>Jack in the Pulpit, 2025 Metalpoint (goldpoint and aluminum wool), graphite, and water soluble graphite on chalk ground 16 x 13 inches</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/8b3bcab6-f6de-434d-a146-fedc3c89ecb9/Screenshot+2025-11-16+at+11.04.58%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - Katherine Vetne, Between Worlds, Catharine Clark Gallery - Make it stand out</image:title>
      <image:caption>Capodimonte Bouquet, 2025 Metalpoint (goldpoint and aluminum wool) and graphite on chalk ground 16 x 16 inches</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/478c3fc0-2f7a-4fc3-b9d9-58ad38ed1e54/Screenshot+2025-11-16+at+11.16.31%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - Katherine Vetne, Between Worlds, Catharine Clark Gallery - Make it stand out</image:title>
      <image:caption>Indulgence #66 (Stemware), 2025 Melted lead crystal stemware 8 3/4 x 5 7/8 x 1 1/2 inches</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/e8ce52b8-bc6c-4adf-907d-f3ad244c541b/Screenshot+2025-11-15+at+7.15.50%E2%80%AFPM+%281%29.png</image:loc>
      <image:title>Reviews - Katherine Vetne, Between Worlds, Catharine Clark Gallery - Make it stand out</image:title>
      <image:caption>Between Worlds, 2025 Metalpoint (goldpoint and aluminum wool), graphite, and gouache on chalk ground 52 x 60 inches</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/6a9f1186-8986-46e2-a225-1163719b8ccd/2508_Katherine%2BVetne_Drawing_6_WEB-2048x-4x5.webp</image:loc>
      <image:title>Reviews - Katherine Vetne, Between Worlds, Catharine Clark Gallery - Make it stand out</image:title>
      <image:caption>Death in the Pot, 2025 Metalpoint (goldpoint and aluminum wool) and graphite on chalk ground 70 x 55 inches</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/16a8beb0-449d-4083-b8c6-3ecc22577a61/Screenshot+2025-11-16+at+10.59.53%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - Katherine Vetne, Between Worlds, Catharine Clark Gallery - Make it stand out</image:title>
      <image:caption>Savior-Faire, 2025 Metalpoint (goldpoint and aluminum wool) and graphite on chalk ground 36 x 48 inches</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/ca8b7a43-0e31-4f17-996e-cdb209b36fde/Screenshot+2025-11-16+at+11.13.50%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - Katherine Vetne, Between Worlds, Catharine Clark Gallery - Make it stand out</image:title>
      <image:caption>The Hunt , 2025 Metalpoint (goldpoint, aluminum) and graphite on modified chalk gesso on panel 36'' x 48''</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/jocelyn-fine-until-we-meet-again-sarah-shepard-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/baa4e579-e2e5-4f22-a10d-f3b3c29164dd/Screenshot+2025-11-13+at+8.12.13%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Jocelyn Fine, Until We Meet Again, Sarah Shepard Gallery - Make it stand out</image:title>
      <image:caption>Jocelyn Fine, Until We Meet Again, acrylic and crayon on canvas, 56 x 52 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a9c9a1ff-0ae5-4397-9f54-33e37e3cab34/Screenshot+2025-11-13+at+8.12.34%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Jocelyn Fine, Until We Meet Again, Sarah Shepard Gallery - Make it stand out</image:title>
      <image:caption>Jocelyn Fine installed at Sarah Shepard Gallery, photo courtesy of www.sarahshepardgallery.com.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/872212dc-2afa-4ed6-a83c-645ae7c35031/Screenshot+2025-11-13+at+8.13.12%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Jocelyn Fine, Until We Meet Again, Sarah Shepard Gallery - Make it stand out</image:title>
      <image:caption>Jocelyn Fine, Even The City Has Stars, acrylic and crayon on canvas, 54 x 64 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/05c70c64-d864-4ba9-92c6-cb6f465a6e46/Screenshot+2025-11-13+at+8.13.34%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Jocelyn Fine, Until We Meet Again, Sarah Shepard Gallery - Make it stand out</image:title>
      <image:caption>Jocelyn Fine, There's So Much I Can't Explain, acrylic and crayon on canvas, 54 x 48 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/9c87a986-77ca-416d-a63f-509fc086f4a7/Screenshot+2025-11-13+at+8.13.52%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Jocelyn Fine, Until We Meet Again, Sarah Shepard Gallery - Make it stand out</image:title>
      <image:caption>Jocelyn Fine, When Day Meets Night, acrylic and crayon on canvas, 25 x 25 inches.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/5fc76f51-b526-4a85-8cf1-48743bda515d/Screenshot+2025-11-13+at+8.14.10%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Jocelyn Fine, Until We Meet Again, Sarah Shepard Gallery - Make it stand out</image:title>
      <image:caption>Jocelyn Fine, It Doesn't Have to Be a Dream, acrylic and crayon on canvas, 54 x 64 inches.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/b71a922by3cv2zw9bbtvvrsi3729ya</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/22f877be-4787-4cc1-a0b0-e81180d6caf6/Screenshot+2025-11-12+at+11.45.33%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - Monet and Venice, Brooklyn Museum - Make it stand out</image:title>
      <image:caption>Claude Monet. Venice, Palazzo Dario, 1908. Oil on canvas. The Art Institute of Chicago, Mr. and Mrs. Lewis Larned Coburn Memorial Collection, 1933.446. (Photo: The Art Institute of Chicago / Art Resource, NY)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/20b28c5e-4c13-47a8-844a-42d3ccf13051/Screenshot+2025-11-12+at+11.45.55%E2%80%AFAM.png</image:loc>
      <image:title>Reviews - Monet and Venice, Brooklyn Museum - Make it stand out</image:title>
      <image:caption>Claude Monet. The Church of San Giorgio Maggiore, Venice, 1908. Oil on canvas. Indianapolis Museum of Art at Newfields, The Lockton Collection</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/8f6a90aa-a52d-4b18-9187-1a33f3ec5e5e/Screenshot+2025-11-12+at+2.55.41%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Monet and Venice, Brooklyn Museum - Make it stand out</image:title>
      <image:caption>John Koch, East River, 1936-1940</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/0cdaa8f7-0eb9-4f4f-86b9-4b362f14909b/View_of_the_entrance_to_the_Arsenal_by_Canaletto%2C_1732.jpg</image:loc>
      <image:title>Reviews - Monet and Venice, Brooklyn Museum - Make it stand out</image:title>
      <image:caption>Canaletto,View of the Entrance to the Arsenal, 1732</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/db223dd2-0f83-4f1a-9fe8-2a0b339cc998/1600px-Claude_Monet_-_The_Break-up_of_the_Ice_%28La_De%CC%81ba%CC%82cle_or_Les_Glac%CC%A7ons%29_-_Google_Art_Project+%281%29.jpg</image:loc>
      <image:title>Reviews - Monet and Venice, Brooklyn Museum - Make it stand out</image:title>
      <image:caption>The Breakup of the Ice (1880).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/bdb1b103-6fbe-476c-930b-4608794ca5ff/Screenshot+2025-11-12+at+2.57.24%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Monet and Venice, Brooklyn Museum - Make it stand out</image:title>
      <image:caption>Claude Monet. Palazzo Ducale, 1908. Oil on canvas. Brooklyn Museum, Gift of A. Augustus Healy, 20.634. (Photo: Brooklyn Museum)</image:caption>
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      <image:title>Reviews - Monet and Venice, Brooklyn Museum</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1762990001591-3XU2DWW97CTRGYCQ10JK/le-grand-canal+%281%29.jpg</image:loc>
      <image:title>Reviews - Monet and Venice, Brooklyn Museum</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1762990005576-X21F489JLF3TFB2PR7PX/images+%281%29.jpg</image:loc>
      <image:title>Reviews - Monet and Venice, Brooklyn Museum</image:title>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/bradley-mccallum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/b2032dea-0202-41b3-9ae5-95aa8ec3329b/bradley-mccallumjpg.jpg</image:loc>
      <image:title>Reviews - Bradley McCallum - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/4aa5a37b-5cd6-4330-a3bf-1b428fb50e21/4193948.jpg</image:loc>
      <image:title>Reviews - Bradley McCallum - Hugh Leeman: Bradley, your art is deeply connected to focusing much needed attention on the darkest parts of the past that can be easily covered up or normalized. Before you ever began down this path with your art, how is it you came to begin making art on such pressing social issues?</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/411c76de-a459-480c-aff7-16c6306b9b67/5ef3b66fe1cbe.image.jpg</image:loc>
      <image:title>Reviews - Bradley McCallum - Make it stand out</image:title>
      <image:caption>Bradley McCallum  and Jacqueline Tarry</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/81d7e51f-24d4-4819-9f66-9830ebf8db8c/Screenshot+2025-11-10+at+6.07.05%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Bradley McCallum - Make it stand out</image:title>
      <image:caption>Witness: Perspectives On Police Violence, The Call Box Tour Each call box contained illuminated transparent imageries of street locations or places, such as landmarks of police vehicles, where violent incidents occurred. They also emitted audio testimony from victims, witnesses, and police officers, the interviews were done by the artists.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/45a0f926-d056-4d69-b098-276f8f93ed96/Screenshot+2025-11-10+at+7.01.12%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Bradley McCallum - Make it stand out</image:title>
      <image:caption>Witness: Perspectives On Police Violence, The Call Box Tour Each call box contained illuminated transparent imageries of street locations or places, such as landmarks of police vehicles, where violent incidents occurred. They also emitted audio testimony from victims, witnesses, and police officers, the interviews were done by the artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/3ff3643c-cb0c-4f6d-b214-c7315abd9e91/Screenshot+2025-11-10+at+7.05.54%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Bradley McCallum - Make it stand out</image:title>
      <image:caption>Silence Civic installation: engraved granite, photography, silk 2001</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/9f760e5e-7e7f-4b2a-9917-f9dc1229ead6/Screenshot+2025-11-10+at+7.07.58%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Bradley McCallum - Make it stand out</image:title>
      <image:caption>Evenly Yoked Performance: video with sound 2010</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1762830674995-P09EZJJSIQI6EFMPRY40/Screenshot+2025-11-10+at+7.10.26%E2%80%AFPM+%281%29.png</image:loc>
      <image:title>Reviews - Bradley McCallum</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1762830674983-BT8IBD13X3ZE7W560W6B/Screenshot+2025-11-10+at+7.10.05%E2%80%AFPM+%281%29.png</image:loc>
      <image:title>Reviews - Bradley McCallum</image:title>
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    <loc>https://www.roborantreview.com/reviews/ana-monteiro-once-upon-a-time-ck-contemporary</loc>
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    <lastmod>2025-11-17</lastmod>
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      <image:caption>Ana Monteiro, In a distant land once lived a lady, oil on linen, 26.5 x 19.75 inches, 2025.</image:caption>
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      <image:caption>Ana Monteiro, The Importance of Being Ernst, oil on linen, 25.5 x 19.75 inches, 2025.</image:caption>
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      <image:caption>Ana Monteiro, In Search of Lost Time, oil on linen, 27.5 x 13.75 inches, 2025.</image:caption>
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      <image:caption>Ana Monteiro, Make Believe, oil on linen, 23.75 x 17.75 inches, 2025.</image:caption>
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      <image:caption>Ana Monteiro, Some HIdden Soul Beneath, oil on linen, 23.75 x 18.25 inches, 2025.</image:caption>
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    <loc>https://www.roborantreview.com/reviews/piper-lewine-double-negative-nancy-four-barrel-coffee-valencia-street-san-francisco</loc>
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    <lastmod>2025-11-07</lastmod>
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      <image:caption>Piper Lewine, Negative Nancy, hand-tufted wool rug, 48 x 52 inches.</image:caption>
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      <image:caption>Piper Lewine, Calimocho, glass mosaic LED box, 24 x 24 x 2 inches.</image:caption>
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      <image:caption>Piper Lewine,  A Million Miles Below Their Feet, wax pastel and acrylic on wood panel, 18 × 24. inches.</image:caption>
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      <image:caption>Piper Lewine, Innocent Enough, wax pastel, acrylic, oil, airbrush, and molding paste on wood panel, 24 × 24 inches.</image:caption>
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      <image:caption>Piper Lewine, And There’s This Way, wax pastel, acrylic, oil, needle punch, airbrush on wood panel, 24 x 24 inches.</image:caption>
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    <loc>https://www.roborantreview.com/reviews/treasured-bearing-katherine-tzu-lan-mann-dolby-chadwick</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-06</lastmod>
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      <image:title>Reviews - Treasured Bearing, Katherine Tzu-Lan Mann, Dolby Chadwick Gallery - Make it stand out</image:title>
      <image:caption>Katherine Tzu-Lan Mann, Gather the Remains, 2025, Acrylic, sumi ink, collage on paper, 44 x 60 in</image:caption>
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      <image:caption>Katherine Tzu-Lan Mann, Stir in the Air II, 2025, Acrylic, sumi ink, collage on paper, 63 x 57 in</image:caption>
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      <image:caption>Katherine Tzu-Lan Mann, Froth and Spume, 2025, Acrylic, sumi ink, collage on paper, 70 x 55 in</image:caption>
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  <url>
    <loc>https://www.roborantreview.com/reviews/svea-lin-soll</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-22</lastmod>
    <image:image>
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      <image:title>Reviews - Svea Lin Soll - Svea Lin Soll is an art consultant and curator with over 25 years of experience spanning gallery ownership, exhibitions, and sales. She began her career in community-based nonprofit arts organizations, developing exhibitions and public programs that emphasized accessibility and engagement. Known for her collaborative approach, Svea has built enduring relationships with artists founded on trust and a shared commitment to sustaining creative communities, particularly in the Bay Area. Today, she partners with clients, architects, developers, and artists to curate thoughtful, site-specific art programs for both public and private spaces. Her large-scale projects often draw inspiration from local landscapes and cultural narratives, showcasing regional artists to reflect and support the communities they inhabit.</image:title>
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      <image:caption>Svea and her mom, Elsmarie Norby, on a trip to Chicago c. 1980.</image:caption>
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      <image:caption>Launch event for Kõmij Mour Ijin / Our Life Is Here at Bakar Bio Lab, UC Berkeley, September 2025</image:caption>
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      <image:caption>Casey Jex Smith, solo exhibition at Swarm Gallery, Oakland, 2007</image:caption>
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      <image:title>Reviews - Svea Lin Soll - Make it stand out</image:title>
      <image:caption>Photographer and bookmaker, Michael Light, documenting in Bravo crater, Bikini Atoll, Marshall Islands, 2023</image:caption>
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      <image:caption>Chelsea Pegram and Robin Johnston, exhibition at Swarm Gallery, Oakland, 2010</image:caption>
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      <image:caption>Artist talk with Amanda Williams and April Banks, Swarm Gallery, Oakland, 2011</image:caption>
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      <image:title>Reviews - Svea Lin Soll - Make it stand out</image:title>
      <image:caption>San Francisco-based artist, Windy Chien putting the finishing touches on her monumental works for a private corporate client. Top: Hitching Post (Parallax), Sunbrella cordage, walnut, brass, 6 x 25 feet; Middle: Knot Installation, Sunbrella cordage, wood, brass, acrylic, 6 x 25 feet; Bottom: Circuit Board (2024), Sunbrella cordage, walnut, 5 x 24 feet. Los Angeles, 2024</image:caption>
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      <image:title>Reviews - Svea Lin Soll - Make it stand out</image:title>
      <image:caption>Wheel graphic I made for a presentation I did with artists about imagining a different kind of art world, 2024</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/f97c0e0b-ff37-4c69-a225-3b3e156fa7fd/17_LaunchEvent_OLIH_Panel_UCBerkeley.jpeg</image:loc>
      <image:title>Reviews - Svea Lin Soll - Make it stand out</image:title>
      <image:caption>Beth Piatote, Director, Arts Research Center and Associate Professor, Comparative Literature and English, speaking at the panel during the launch event for Kõmij Mour Ijin / Our Life Is Here at Bakar Bio Lab, UC Berkeley, September 2025</image:caption>
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      <image:title>Reviews - Svea Lin Soll - Make it stand out</image:title>
      <image:caption>Climate Envoy to the Marshall Islands, poet, performer and educator, Kathy Jetñil-Kijiner, Mejenkwaad, video still, 2023</image:caption>
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      <image:title>Reviews - Svea Lin Soll - Make it stand out</image:title>
      <image:caption>Installation of Cyle Warner’s textile piece in New York, “Chasing a Second Sunrise; It's No Fun Running Alone” (2024), Fabric, cotton twine, cotton rope, 76 x 66 inches, New York, 2025</image:caption>
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      <image:title>Reviews - Svea Lin Soll - Make it stand out</image:title>
      <image:caption>Artist gathering at Windy Chien’s studio, San Francisco, 2024</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/43a6d186-78cb-4874-9cdc-ee1dcf58725b/Screenshot+2025-11-01+at+1.12.50%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Svea Lin Soll - Make it stand out</image:title>
      <image:caption>Camera Bunker on Aomen, Bikini Atoll, Marshall Islands. Photograph by Mark Klett, 2023</image:caption>
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      <image:title>Reviews - Svea Lin Soll - Make it stand out</image:title>
      <image:caption>Kõmij Mour Ijin / Our Life Is Here team, Cape Farewell and UC Berkeley visiting campus before the launch event. From left to right: Shannon Jackson (Cyrus and Michelle Hadidi Professor of the Arts &amp; Humanities, Department Chair of History of Art), Amy Kisch (Curator and Cultural Strategist), Michael Light (Artist), Svea Lin Soll (Curator and Art Consultant), David Buckland (Artist and Founder of Cape Farewell), Pia Sazani (Artist, educator, and researcher) and Jihan Loo (Ph.D. Student, Performance Studies)</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/manet-amp-morisot-legion-of-honor-fine-art-museums-of-san-francisco</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-05</lastmod>
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      <image:title>Reviews - Manet &amp;amp; Morisot, Legion of Honor, Fine Art Museums of San Francisco - Make it stand out</image:title>
      <image:caption>Installation view of "Manet &amp; Morisot" at the de Young Museum, San Francisco, 2025. Photograph by Gary Sexton. Image courtesy of the Fine Arts Museums of San Francisco</image:caption>
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      <image:title>Reviews - Manet &amp;amp; Morisot, Legion of Honor, Fine Art Museums of San Francisco - Make it stand out</image:title>
      <image:caption>Édouard Manet "The Balcony," 1868-69 Oil on canvas, 66 15/16 x 49 3/16 in., (170 x 125 cm) Musée d'Orsay © RMN-Grand Palais / Art Resource, NY</image:caption>
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      <image:title>Reviews - Manet &amp;amp; Morisot, Legion of Honor, Fine Art Museums of San Francisco - Make it stand out</image:title>
      <image:caption>Édouard Manet "Boating," 1874/1879 Oil on canvas, 38 1/4 x 51 1/4 in. (97.2 x 130.2 cm) The Metropolitan Museum of Art, New York, H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929</image:caption>
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      <image:title>Reviews - Manet &amp;amp; Morisot, Legion of Honor, Fine Art Museums of San Francisco - Make it stand out</image:title>
      <image:caption>Édouard Manet "Boating," 1874/1879 Oil on canvas, 38 1/4 x 51 1/4 in. (97.2 x 130.2 cm) The Metropolitan Museum of Art, New York, H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929</image:caption>
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      <image:title>Reviews - Manet &amp;amp; Morisot, Legion of Honor, Fine Art Museums of San Francisco - Make it stand out</image:title>
      <image:caption>Berthe Morisot "Intérieur," 1872 Oil on canvas, 23 5/8 x 28 11/16 in. (59.944 x 72.898 cm) Private Collection Photograph by Randy Dodson, courtesy of the Fine Arts Museums of San Francisco</image:caption>
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      <image:title>Reviews - Manet &amp;amp; Morisot, Legion of Honor, Fine Art Museums of San Francisco - Make it stand out</image:title>
      <image:caption>Édouard Manet "Before the Mirror (Devant la glace)," 1877 Oil on canvas, 36 5/8 x 28 3/16 in. (93 x 71.6 cm) Solomon R. Guggenheim Museum, Thannhauser Collection, Gift, Justin K. Thannhauser, 1978 Image courtesy of the Solomon R. Guggenheim Foundation / Art Resource, NY</image:caption>
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      <image:title>Reviews - Manet &amp;amp; Morisot, Legion of Honor, Fine Art Museums of San Francisco - Make it stand out</image:title>
      <image:caption>Édouard Manet "Young Woman in a Rounded Hat," 1879 Oil on canvas, 22 1/16 x 18 1/2 in. (56 x 47 cm) The Henry and Rose Pearlman Foundation on loan since 1976 to the Princeton University Art Museum Image courtesy of Princeton University Art Museum / Art Resource, NY</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/cornelius-vlker-heart-to-heart-hosfelt-gallery</loc>
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    <lastmod>2025-11-04</lastmod>
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      <image:title>Reviews - Cornelius Völker, Heart to Heart, Hosfelt Gallery - Make it stand out</image:title>
      <image:caption>Blüte (Bloom), 2025 oil on canvas 23 5/8 x 35 3/8 in</image:caption>
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      <image:title>Reviews - Cornelius Völker, Heart to Heart, Hosfelt Gallery - Make it stand out</image:title>
      <image:caption>Blüte (Bloom), 2025 oil on canvas 47 1/4 x 31 1/2 in</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1761885744639-HRJGHJVCHNCYGBD97NAM/cornelius+volker+vase.png</image:loc>
      <image:title>Reviews - Cornelius Völker, Heart to Heart, Hosfelt Gallery</image:title>
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      <image:title>Reviews - Cornelius Völker, Heart to Heart, Hosfelt Gallery</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/46766614-f52f-46b4-b037-15cda439128a/Cornelius+Volker.png</image:loc>
      <image:title>Reviews - Cornelius Völker, Heart to Heart, Hosfelt Gallery - Make it stand out</image:title>
      <image:caption>Zwei Kerzen (Two Candles), 2025 oil on canvas 63 x 70 7/8 in</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1761885019992-OFPKO7PPP2BGCI107QBM/cornelius+volker+calfs+head.png</image:loc>
      <image:title>Reviews - Cornelius Völker, Heart to Heart, Hosfelt Gallery</image:title>
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      <image:title>Reviews - Cornelius Völker, Heart to Heart, Hosfelt Gallery</image:title>
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      <image:title>Reviews - Cornelius Völker, Heart to Heart, Hosfelt Gallery</image:title>
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      <image:title>Reviews - Cornelius Völker, Heart to Heart, Hosfelt Gallery</image:title>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/lyrical-vision-the-six-gallery-1954-1957-at-john-natsoulas-gallery-davis-ca</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/80bfa6eb-b0a2-4a6b-a553-760356cf0bda/Jack+Jefferson%2C+Mission+%239%2C+oil+on+canvas%2C+58+X+52+inches%2C+1956..png</image:loc>
      <image:title>Reviews - Lyrical Vision: The Six Gallery, 1954 – 1957, at John Natsoulas Gallery, Davis, CA - Make it stand out</image:title>
      <image:caption>Jack Jefferson, Mission #9, oil on canvas, 58 X 52 inches, 1956.</image:caption>
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      <image:title>Reviews - Lyrical Vision: The Six Gallery, 1954 – 1957, at John Natsoulas Gallery, Davis, CA - Make it stand out</image:title>
      <image:caption>Madeleine Dimond Martin, Truman, oil and mixed media on canvas, 36 x 30 inches, 1953.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/81277b17-db7b-4d37-97fe-52ac7b9d2d6b/Sonia+Gechtoff%2C+Happy+Birthday+Madeleine%2C+oil+on+canvas%2C+44.5+x+70.5+inches%2C+1953..png</image:loc>
      <image:title>Reviews - Lyrical Vision: The Six Gallery, 1954 – 1957, at John Natsoulas Gallery, Davis, CA - Make it stand out</image:title>
      <image:caption>Sonia Gechtoff, Happy Birthday Madeleine, oil on canvas, 44.5 x 70.5 inches, 1953.</image:caption>
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      <image:title>Reviews - Lyrical Vision: The Six Gallery, 1954 – 1957, at John Natsoulas Gallery, Davis, CA - Make it stand out</image:title>
      <image:caption>Manuel Neri, Woman Bath, mixed media on canvas, 42 x 56 inches, 1955.</image:caption>
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      <image:title>Reviews - Lyrical Vision: The Six Gallery, 1954 – 1957, at John Natsoulas Gallery, Davis, CA - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Reviews - Lyrical Vision: The Six Gallery, 1954 – 1957, at John Natsoulas Gallery, Davis, CA</image:title>
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      <image:title>Reviews - Lyrical Vision: The Six Gallery, 1954 – 1957, at John Natsoulas Gallery, Davis, CA</image:title>
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      <image:title>Reviews - Lyrical Vision: The Six Gallery, 1954 – 1957, at John Natsoulas Gallery, Davis, CA</image:title>
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      <image:title>Reviews - Lyrical Vision: The Six Gallery, 1954 – 1957, at John Natsoulas Gallery, Davis, CA</image:title>
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      <image:title>Reviews - Lyrical Vision: The Six Gallery, 1954 – 1957, at John Natsoulas Gallery, Davis, CA</image:title>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/nanci-amaka</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/7a27c542-90bc-4e5a-b8d2-56a2260d79c6/Screenshot+2025-10-27+at+2.20.55%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Nanci Amaka - Make it stand out</image:title>
      <image:caption>Artist Portrait by Brandyn Liu</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/bed57590-4ce9-427d-a45b-89d8e4a9f86e/Nanci+Amaka+-+Artist+Portrait+by+Rob+Lau.png</image:loc>
      <image:title>Reviews - Nanci Amaka - Nanci Amaka is an interdisciplinary conceptual artist and writer whose work explores trauma, memory, and the liminal space between experience and language. Drawing from her formative years in southeastern Nigeria and her migration to the United States in 1993, Amaka’s practice is rooted in personal history, ancestral knowledge, and the psychological impact of displacement. Her work spans photography, performance, installation, and text, often weaving together poetic narratives that examine vulnerability, social empathy, and the body as a site of memory. Influenced by West African animism and ecological thinking, Amaka engages landscapes as portals for healing and transcendence—particularly in her recent work created in Hawai‘i, where she now lives and works. Amaka holds a BA in Visual Critical Studies from the School of the Art Institute of Chicago and an MFA from California College of the Arts. Her projects have been exhibited nationally and internationally, and she is recognized for her ability to create emotionally resonant, conceptually rigorous work that challenges dominant narratives and invites reflection on identity, autonomy, and care. Whether communing with ancestral terrain or amplifying the voices of the unseen, Amaka’s practice is a call to witness and remember. Her work offers a space for reckoning and renewal—insisting that art can be both a vessel for truth and a tool for transformation. (Natasha Becker 2025)</image:title>
      <image:caption>Artist Portrait by Rob Lau</image:caption>
    </image:image>
    <image:image>
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      <image:title>Reviews - Nanci Amaka - Make it stand out</image:title>
      <image:caption>Cleanse Series (2017 – Ongoing) Title: Floor – Installation View – Catharine Clark Gallery 2025  Details: Six – Channel Performance Documentation Video Runtimes: 04:29, 09:58, 14:55</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/8d568a41-0df6-47e1-acf7-3d4c945ec0bb/07+-+Nanci+Amaka+-+Cleanse+_+Three+Walls+-+Installation+View+-+Hawaii+Triennial+2025.jpg</image:loc>
      <image:title>Reviews - Nanci Amaka - Make it stand out</image:title>
      <image:caption>Cleanse Series (2017 – Ongoing) Title: Three Walls – Installation View – Hawaii Triennial 2025  Details: Three – Channel Performance Documentation Video Runtime: 19:29</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/36c0f56e-f558-458a-9fbf-a11273e4bf35/12+-+Nanci+Amaka+-+Threshold+-+Performance+Video+Still.jpg</image:loc>
      <image:title>Reviews - Nanci Amaka - Make it stand out</image:title>
      <image:caption>Threshold (2025) Title: Untitled  Medium: Performance Video Still</image:caption>
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      <image:title>Reviews - Nanci Amaka - Make it stand out</image:title>
      <image:caption>Ije | Ézè Series (2017 – Ongoing) Title: Nzuko  Medium: Performance Documentation Photo Dimensions: 33in x 44in | 84cm x 112cm</image:caption>
    </image:image>
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      <image:title>Reviews - Nanci Amaka - Make it stand out</image:title>
      <image:caption>Ije | Ézè Series (2017 – Ongoing) Title: Obi Ohia  Medium: Performance Documentation Photo Dimensions: 16in x 21in | 41cm x 53cm</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/8ef49717-5b4f-4cf7-89cf-c792c92c28ac/05+-+Nanci+Amaka+-+Standing+Water+-+Ije+_+E%CC%81ze%CC%80+Series.jpeg</image:loc>
      <image:title>Reviews - Nanci Amaka - Make it stand out</image:title>
      <image:caption>Ije | Ézè Series (2017 – Ongoing) Title: Standing Water  Medium: Performance Documentation Photo Dimensions: 45in x 36in | 144cm x 91cm</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/ccd2a037-0fd0-4cfe-a684-35235e8343e5/06+-+Nanci+Amaka+-+Otu+Abuo+Ato+-+Ije+_+E%CC%81ze%CC%80+Series.jpg</image:loc>
      <image:title>Reviews - Nanci Amaka - Make it stand out</image:title>
      <image:caption>Ije | Ézè Series (2017 – Ongoing) Title: Otu Abuo Ato  Medium: Performance Documentation Photo Dimensions: 44in x 33in | 112cm x 84cm</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1294a4d4-e82f-4e17-b8e6-4a765b5e45e9/13+-+Nanci+Amaka+-+Ejije+%26+Ihe+Di+Ka+-+Mimic+Series.jpeg</image:loc>
      <image:title>Reviews - Nanci Amaka - Make it stand out</image:title>
      <image:caption>Mimic Series (2016) Title: Ejije &amp; Ihe Di Ka  Medium: Gold-Plated Human Tooth Sewn into Vintage Silk Kimono Lining, Repurposed ‘Family Uniform’ Nigerian Wax Print Cotton, Hand-Knit Polyester Scarf, Wool Yarn, Poly-fiber Filling</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a58208d9-0f20-4e9f-aa99-80b628ba3dbc/Screenshot+2025-10-27+at+2.22.25%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Nanci Amaka - Make it stand out</image:title>
      <image:caption>Ije | Ézè Series (2017 – Ongoing) Title: Pillar Between Life and Death  Medium: Performance Documentation Photo Dimensions: 44in x 33in | 112cm x 84cm</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/3aa2a33b-c1a4-47b6-b4c1-b92a2d22912b/Screenshot+2025-10-27+at+3.25.01%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Nanci Amaka - Make it stand out</image:title>
      <image:caption>Anarcha Series (2010) Title: Anarcha Medium: Performance Documentation Photo</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/eaa98ca2-a798-4430-8eb6-4a8d00f49a22/11+-+Nanci+Amaka+-+06082019+-+Corpse+%26+Mirror+Series.jpeg</image:loc>
      <image:title>Reviews - Nanci Amaka - Make it stand out</image:title>
      <image:caption>Corpse &amp; Mirror Series (2013 – Ongoing) Title: 06082019  Medium: Performance Documentation Photo</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c32befa6-d925-423c-a1c4-91736b874f55/09+-+Nanci+Amaka+-+05142015+-+The+Santa+Monica+Wild+Flower+Project.JPG</image:loc>
      <image:title>Reviews - Nanci Amaka - Make it stand out</image:title>
      <image:caption>The Santa Monica Wild Flower Project (2014 - 2015) Title: 05142015  Medium: Performance Documentation Photo</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/4887fce5-7174-46ef-8e95-f00f7bfb10c4/15+-+Nanci+Amaka+-+Santa+Cruz+Scars+-+Scar+Story+Series+-+SCMAH.jpeg</image:loc>
      <image:title>Reviews - Nanci Amaka - Make it stand out</image:title>
      <image:caption>Scar Story Series (2010 – Ongoing) Title: Santa Cruz Scars (2016)  Medium: Performance Documentation Photo - Santa Cruz Museum of Art and History</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/arthur-monroe-know-your-axe-van-doren-waxter</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/4f4d037d-9c9b-4baa-b083-dc006a8b1658/Screenshot+2025-10-27+at+7.08.23%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Arthur Monroe, Know Your Axe, Van Doren Waxter - Make it stand out</image:title>
      <image:caption>Arthur Monroe, Untitled, oil on canvas, 84 x 96 inches, 2003</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/d42567ae-19c9-4227-91d6-2270db9a5931/Screenshot+2025-10-27+at+7.03.03%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Arthur Monroe, Know Your Axe, Van Doren Waxter - Make it stand out</image:title>
      <image:caption>Arthur Monroe, Untitled, oil on canvas, 17 ¾ x 24 inches, 1998</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/3e9fd735-e61e-419d-80f7-17e9c6306a9c/Screenshot+2025-10-27+at+7.05.49%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Arthur Monroe, Know Your Axe, Van Doren Waxter - Make it stand out</image:title>
      <image:caption>Arthur Monroe, Untitled, oil on canvas, 77 x 96 inches, 2003</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/9086b0ce-e0be-46be-afb8-0d133c3cacd3/Screenshot+2025-10-27+at+7.03.44%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Arthur Monroe, Know Your Axe, Van Doren Waxter - Make it stand out</image:title>
      <image:caption>Arthur Monroe, Untitled #1, oil on canvas, 96 x 84 inches, 1989</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/3357a90f-f754-4b3b-a50a-5283c6bedfd5/Screenshot+2025-10-27+at+7.04.01%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Arthur Monroe, Know Your Axe, Van Doren Waxter - Make it stand out</image:title>
      <image:caption>Arthur Monroe, Untitled, oil on canvas, 27 ½ x 18 inches, 2010</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/shahzia-sikander-collective-behavior-cantor-arts-center-stanford-university</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1e241fbf-6081-497b-ad04-b13cc9817880/Screenshot+2025-10-26+at+5.50.22%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Shahzia Sikander, Collective Behavior, Cantor Arts Center, Stanford University - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/e11a1cfa-1a98-4eb4-8686-4f3adb6443bd/2025-09_Shahzia+Sikander_GC-10-web.jpg</image:loc>
      <image:title>Reviews - Shahzia Sikander, Collective Behavior, Cantor Arts Center, Stanford University - Make it stand out</image:title>
      <image:caption>NOW 2023 Patinated bronze</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/d1d226d7-e23d-4861-bdda-3a53e3c3e48c/ShS-S.20.066_Promiscuous-Intimacies-2020_-photo-Chris-Roque-of-UAP.webp</image:loc>
      <image:title>Reviews - Shahzia Sikander, Collective Behavior, Cantor Arts Center, Stanford University - Make it stand out</image:title>
      <image:caption>Promiscuous Intimacies 2020 Patinated bronze</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/5df3b0d0-515c-4955-9c8f-81263db583a0/9_9_Collective+Behavior_Point+of+Departure_The+Scroll.jpg</image:loc>
      <image:title>Reviews - Shahzia Sikander, Collective Behavior, Cantor Arts Center, Stanford University - Make it stand out</image:title>
      <image:caption>The Scroll 1989-1990 Vegetable color, dry pigment, watercolor, and tea on wasli paper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a15b7699-34fd-44ef-b829-31b129e9669b/Screenshot+2025-10-26+at+5.52.05%E2%80%AFPM-2.png</image:loc>
      <image:title>Reviews - Shahzia Sikander, Collective Behavior, Cantor Arts Center, Stanford University - Make it stand out</image:title>
      <image:caption>Weightless 2024 Mixed media collage</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1eae3ec3-8895-4426-90c3-cbc2112293a6/2025-09_Shahzia+Sikander_GC-41-web.jpg</image:loc>
      <image:title>Reviews - Shahzia Sikander, Collective Behavior, Cantor Arts Center, Stanford University - Make it stand out</image:title>
      <image:caption>Parallax 2013 3-channel, single-image HD digital animation with 5.1 surround sound</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/rayos-magos-ancestral-download-moth-belly-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/122016f1-d7d4-4603-94d4-8c5f6561ad68/Rayos_Magos_Studio_Visit_BJB_DSC0686_1.jpg</image:loc>
      <image:title>Reviews - Rayos Magos, Ancestral Download, Moth Belly Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/e184c9f1-8b4b-4540-a07c-df829720468e/Screenshot+2025-10-21+at+9.18.44%E2%80%AFPM+2.png</image:loc>
      <image:title>Reviews - Rayos Magos, Ancestral Download, Moth Belly Gallery - Make it stand out</image:title>
      <image:caption>Inside the artist’s studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/009495c9-1a8e-4435-be97-8ee2efa13806/Screen+Shot+2025-10-12+at+11.26.28.png</image:loc>
      <image:title>Reviews - Rayos Magos, Ancestral Download, Moth Belly Gallery - Make it stand out</image:title>
      <image:caption>El Frijol de La Madre Corazón (The Bean of The Mother Heart) 20"x24" Acrylic Painting on Canvas. Made in 2025.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/77cc3ec5-6280-4b48-8eb0-e6fb29e2f861/Screen+Shot+2025-10-12+at+11.26.54.png</image:loc>
      <image:title>Reviews - Rayos Magos, Ancestral Download, Moth Belly Gallery - Make it stand out</image:title>
      <image:caption>Pesado (Heavy) 20"x24" Acrylic Painting on Canvas. Made in 2025.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/de6cb87d-f058-4968-b314-5b9af9c32fa2/Screen+Shot+2025-10-12+at+11.26.12.png</image:loc>
      <image:title>Reviews - Rayos Magos, Ancestral Download, Moth Belly Gallery - Make it stand out</image:title>
      <image:caption>Joyero con Joyas de Calidad (The Jeweler with Quality Jewels) 20"x24" Acrylic Painting on Canvas. Made in 2025.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/deddd6c0-db64-4d22-8305-996f0648db6f/Screen+Shot+2025-10-12+at+11.25.57.png</image:loc>
      <image:title>Reviews - Rayos Magos, Ancestral Download, Moth Belly Gallery - Make it stand out</image:title>
      <image:caption>Cristal Fritos Baile (Crystal Fried Dance) 20"x24" Acrylic Painting on Canvas. Made in 2025.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/aaron-curry-raw-dog-corbett-vs-dempsey-chicago</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1d8ff01b-06be-47b5-b4cc-f1517782a800/Screenshot+2025-10-21+at+2.33.52%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Aaron Curry, Raw Dog, Corbett vs. Dempsey, Chicago - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/2cdf2a9e-8d85-4e74-aa76-7fdbfb6b2b3f/Aaron+Curry+art.png</image:loc>
      <image:title>Reviews - Aaron Curry, Raw Dog, Corbett vs. Dempsey, Chicago - Make it stand out</image:title>
      <image:caption>(L) Nude Figure, 2025, wood, 66 x 23 x 27 inches (alternate view). (R) Abstraction Box (with blue guts), 2025, acrylic gouache on wood, 16 x 12 1/2 x 7 inches. wood, 16 x 12 1/2 x 7 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/7d154885-0eeb-4d5e-8382-58a9c399be3c/Aaron+Curry+sculpture.png</image:loc>
      <image:title>Reviews - Aaron Curry, Raw Dog, Corbett vs. Dempsey, Chicago - Make it stand out</image:title>
      <image:caption>Nude Figure, 2025, wood, 60 x 22 x 17 inches. (alternate view).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/305864e5-1ee3-4e82-88b5-853a43265bc7/Screenshot+2025-10-21+at+2.35.36%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Aaron Curry, Raw Dog, Corbett vs. Dempsey, Chicago - Make it stand out</image:title>
      <image:caption>Gambling Man, 2025, collage, 11 3/8 x 8 ½”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/cc6e79f4-15cf-4eff-b71b-cd9f036b5b55/aaron+curry+chicago.png</image:loc>
      <image:title>Reviews - Aaron Curry, Raw Dog, Corbett vs. Dempsey, Chicago - Make it stand out</image:title>
      <image:caption>Negative Positive Negative, 2025, acrylic gouache on wood, 19 x 20 x 2 1/2 inches, (unframed), (alternative view), signed and dated verso.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1359cdd5-3401-443a-8d73-a9fe3c2d00b6/aaron+curry+art%2C+ai.png</image:loc>
      <image:title>Reviews - Aaron Curry, Raw Dog, Corbett vs. Dempsey, Chicago - Make it stand out</image:title>
      <image:caption>(L) Primordial Cluster Flux, 2025, acrylic gouache on canvas in (R) Primordial Slop, 2025, acrylic gouache on canvas, artist's frame, 16 1/4 x 13 x 1 1/2 inches. 66 x 60 x 2 inches, signed recto.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/don-farnsworth</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/223227c6-ed19-493f-9385-4fc2b0c046b5/Don+Farnsworth.png</image:loc>
      <image:title>Reviews - Don Farnsworth - Make it stand out</image:title>
      <image:caption>Don with his wife Era</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1760831526813-GSQMMW77GB954ANUGSYA/Bird+Skin+Tray+I%2C+2007%2C+pigmented+inkjet+on+rag+paper%2C+22.5+x+40+in..jpg</image:loc>
      <image:title>Reviews - Don Farnsworth</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1760831529639-9CRSFYWDG56BQ641PJ75/SAAM-1991.191_1.jpg</image:loc>
      <image:title>Reviews - Don Farnsworth</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/90bf42ca-54dd-4252-af04-45d8d512f754/Farnsworth-ImageF.00001-704x800.jpg</image:loc>
      <image:title>Reviews - Don Farnsworth - Make it stand out</image:title>
      <image:caption>Origin:Specimens I, pt. 1, 2007 pigmented inkjet on rag paper 30.75 x 26.5 in. edition of 24</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/90b51cd9-d0e1-4f10-b063-abed9bf9fbc8/Farnsworth-ImageF.00002-704x800.jpg</image:loc>
      <image:title>Reviews - Don Farnsworth - Make it stand out</image:title>
      <image:caption>Origin:Specimens I, pt. 2, 2007 pigmented inkjet on rag paper 30.75 x 26.5 in. edition of 24</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/5c3e8b66-e46f-41b4-a7be-594d136746db/Screenshot+2025-10-20+at+8.35.04%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Don Farnsworth - Era Farnsworth, 2023 On the bus to Parma Hospital</image:title>
      <image:caption>HL: Tell me more on this idea that artists will do anything for content.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/922e0aae-9934-4768-aec6-f05227d90bf0/IMG_6036.jpeg</image:loc>
      <image:title>Reviews - Don Farnsworth - Don making paper</image:title>
      <image:caption>The truth is, schools may not be teaching you or exposing you to the actual techniques and materials used in earlier times. Historic imagery can always inspire. I'm not saying that that's not possible, to look at abstract art, impressionism, Renaissance frescos, or cubism and say I'm going to branch off from that. But the materials they use might be different than the materials we're using today —corporate-made art supplies don't always respond to mark making in the same way as materials from, say, the Renaissance.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/8a53173e-0185-415f-ad2c-2201d12bd724/Screenshot+2025-10-20+at+8.34.28%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Don Farnsworth - Make it stand out</image:title>
      <image:caption>Self Portrait, 2023, graphite, chalk, and mixed media on handmade paper.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/9fcefb41-83c1-4237-89b2-4cdcdd11319f/Screenshot+2025-10-20+at+8.33.58%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Don Farnsworth - Make it stand out</image:title>
      <image:caption>Giancarlo, Patient (Roommate) 2023, graphite, chalk, and mixed media on handmade paper.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1761020299186-Q1Y3WE9WS04NC4X5FUIZ/IMG_6003.jpeg</image:loc>
      <image:title>Reviews - Don Farnsworth</image:title>
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      <image:title>Reviews - Don Farnsworth</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1761020470756-U5QJR8W258OS98M3BX03/IMG_6082+%281%29.jpeg</image:loc>
      <image:title>Reviews - Don Farnsworth</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/089d5c88-4033-458a-83ce-f13b7b6d7722/Screenshot+2025-10-20+at+8.25.49%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Don Farnsworth - Make it stand out</image:title>
      <image:caption>Don and Era Farnsworth, Frida, 2017, acrylic/aqueous paint, water-based and acrylic inkjet, hand applied gold leaf on engraved $1 U.S. bank note in plexiglass frame, 2.63" x 6.12"</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/643c4d73-4dde-41fe-9fb6-625f846aa169/obama.jpeg</image:loc>
      <image:title>Reviews - Don Farnsworth - Make it stand out</image:title>
      <image:caption>Photos with the Obamas, Enrique Chagoya money</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/487792bb-f763-4e19-8055-b0f7821ea618/IMG_5994.jpeg</image:loc>
      <image:title>Reviews - Don Farnsworth - Make it stand out</image:title>
      <image:caption>Altered Dollar Bills 2016-19</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/25826197-6e65-47f8-81a1-54782a992a94/IMG_6083.jpeg</image:loc>
      <image:title>Reviews - Don Farnsworth - Make it stand out</image:title>
      <image:caption>Chuck Close tapestry at Magnolia Editions</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/766e4bd8-bdd1-4817-9db7-0f06e689b86e/Screenshot+2025-10-20+at+8.35.35%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Don Farnsworth - Atim, Physician, Infectious Disease Specialist, 2023, chalk and mixed media on handmade paper</image:title>
      <image:caption>HL: It's interesting the idea of bonding through the challenges of dyslexia. You know, something's occurring to me. There's something very interesting about the seemingly disparate series. So, you've got the money series, which is—there's something kind of tongue-in-cheek about it and very much so loaded with cultural symbolism. On the other, the Parma portraits, I mean, there's this labor of love in the creation of the paper and even going to Oxford to talk about this, something you're deeply passionate about. Then it becomes, like you said, a love letter to these people, to your wife, and so on, while you're on your deathbed. When you think about these two very different realms, the Parma portrait series clearly becomes something that has informed your life and not just your artwork, but just your outlook on life. Talk about that. How after your recovery and now that you're back, how has that affected the way you see the world, the way you see yourself, the way you see others in your art?</image:caption>
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      <image:title>Reviews - Don Farnsworth - Make it stand out</image:title>
      <image:caption>Self-Portrait, 2023 receiving blood (Parma) 2023, chalk and mixed media on handmade paper</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/27be9f64-55b7-4202-82ef-9b5b3218a995/Screenshot+2025-10-20+at+8.34.51%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Don Farnsworth - Make it stand out</image:title>
      <image:caption>Eugino, 2024, Artists Portraits chalk and mixed media on handmade paper</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1761018995751-XQDKQC7DJBN4O1513C1B/IMG_6074.jpeg</image:loc>
      <image:title>Reviews - Don Farnsworth</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1761018994685-A8VY5PT4HACRGVY7YPSW/IMG_6076.jpeg</image:loc>
      <image:title>Reviews - Don Farnsworth</image:title>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/alicia-mccarthy-pt2-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/98fd7202-f177-43bb-bb34-d467059a7f05/alicia_1.jpg</image:loc>
      <image:title>Reviews - Alicia McCarthy, pt.2 Gallery - Make it stand out</image:title>
      <image:caption>Alicia McCathy installation at pt.2 Gallery, Oakland, California</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/66b1c324-3eb3-4732-848b-9f4844add6eb/Screenshot+2025-10-20+at+6.23.33%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Alicia McCarthy, pt.2 Gallery - Make it stand out</image:title>
      <image:caption>Untitled Latex paint on canvas 60 x 60 inches 2023</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/4df0c55e-3530-4ac8-ac54-82eb9141fc71/am_5x5grid%2Bcopy.webp</image:loc>
      <image:title>Reviews - Alicia McCarthy, pt.2 Gallery - Make it stand out</image:title>
      <image:caption>Untitled Latex paint on canvas 60 x 60 inches 2025</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/cddd7d07-1c95-4a5f-b550-1d682d8b0c13/Screenshot+2025-10-20+at+6.23.13%E2%80%AFPM.png</image:loc>
      <image:title>Reviews - Alicia McCarthy, pt.2 Gallery - Make it stand out</image:title>
      <image:caption>Untitled Acrylic paint on canvas 72 x 98 inches 2024</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/8679278e-2b16-4027-939f-e513a858ec6c/AMC2403_Untitled_48%2Bx%2B48%2Binches-sm.webp</image:loc>
      <image:title>Reviews - Alicia McCarthy, pt.2 Gallery - Make it stand out</image:title>
      <image:caption>Untitled Latex and flashe on wood panel 48 x 48 inches 2022</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/bruce-mcgaw-memorial-exhibitionm-john-natsoulas-gallerynbsp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/55f90016-aa8b-49b6-a6c6-0d7550ea2a1e/Bruce+McGaw+Installation+Natsoulas.IMG_2419.JPG</image:loc>
      <image:title>Reviews - Bruce McGaw, Memorial Exhibition, John Natsoulas Gallery - Make it stand out</image:title>
      <image:caption>Bruce McGaw Installation Natsoulas Gallery</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/abc1fa6b-7421-4823-bcf8-82c6a358228e/Bruce+McGaw+Pink+Face+1957+Oil+on+canvas+20.5x17.5in.IMG_2452.jpg</image:loc>
      <image:title>Reviews - Bruce McGaw, Memorial Exhibition, John Natsoulas Gallery - Make it stand out</image:title>
      <image:caption>Bruce McGaw Pink Face 1957 Oil on canvas 20.5x17.5in</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/27f54033-a2e1-417d-8e39-3095e1478ec9/Bruce+McGaw+Car+1956+Oil+on+canvas+11x12.5in.IMG_2431.jpg</image:loc>
      <image:title>Reviews - Bruce McGaw, Memorial Exhibition, John Natsoulas Gallery - Make it stand out</image:title>
      <image:caption>Bruce McGaw Car 1956 Oil on canvas 11x12.5in.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/8af806a8-ea49-4a87-861a-0e7bea74d40e/Bruce+McGaw+Chairs+1962+Oil+on+canvas+74x66in.IMG_2448.jpg</image:loc>
      <image:title>Reviews - Bruce McGaw, Memorial Exhibition, John Natsoulas Gallery - Make it stand out</image:title>
      <image:caption>Bruce McGaw Chairs 1962 Oil on canvas 74x66in.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/58f1eacb-9f37-4ab0-b299-329a01df9128/Bruce+McGaw+Fish+on+Chair+1961+Oil+on+canvas+30x26in.IMG_2433.jpg</image:loc>
      <image:title>Reviews - Bruce McGaw, Memorial Exhibition, John Natsoulas Gallery - Make it stand out</image:title>
      <image:caption>Bruce McGaw Fish on Chair 1961 Oil on canvas 30x26in.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/2f844406-a977-4ef4-97eb-07f45f112f7b/Bruce+McGaw+Self+Portrait+1965+Oil+on+canvas+42x22in.IMG_2420.jpg</image:loc>
      <image:title>Reviews - Bruce McGaw, Memorial Exhibition, John Natsoulas Gallery - Bruce McGaw Self Portrait 1965 Oil on canvas 42x22in.</image:title>
      <image:caption>This exhibition offers several self portraits by Bruce McGaw that engage less in portraiture than in investigations of painting itself. Fra Angelico, Picasso, Ben Shan – when painting can speak of generations of evolving vision, can hold centuries of notation and marking –it can lower the volume and whisper to the heart. This quiet storm scratches its way to the surface of Self Portrait (1965).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/00219489-5bae-4c6d-b71b-702e9ab8754e/Bruce+McGaw+Self+Portrait+c.2000s+Oil+on+canvas+15.75x14in.IMG_2423.jpg</image:loc>
      <image:title>Reviews - Bruce McGaw, Memorial Exhibition, John Natsoulas Gallery - Make it stand out</image:title>
      <image:caption>Bruce McGaw Self Portrait c.2000s Oil on canvas 15.75x14in.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/abeb125d-98c8-4043-874d-506ceb6df0dd/Bruce+McGaw+Woman+at+a+Window+1984+Oil+on+canvas+30x40in.IMG_2439.jpg</image:loc>
      <image:title>Reviews - Bruce McGaw, Memorial Exhibition, John Natsoulas Gallery - Make it stand out</image:title>
      <image:caption>Bruce McGaw Woman at a Window 1984 Oil on canvas 30x40in.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/52fa1bd5-9e49-4a7a-85b5-fbd29d38fbe5/Bruce+McGaw+Street+Scene+with+Skeletons+1992+Oil+on+canvas+48x46.5in.IMG_2436.jpg</image:loc>
      <image:title>Reviews - Bruce McGaw, Memorial Exhibition, John Natsoulas Gallery - Make it stand out</image:title>
      <image:caption>Bruce McGaw Street Scene with Skeletons 1992 Oil on canvas 48x46.5in.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/67fe60df-9437-44ac-87da-6fe6f2613c8a/Bruce+McGaw+After+Lorca++2025+Oil+on+canvas+56x2249.5in.+IMG_2441.jpg</image:loc>
      <image:title>Reviews - Bruce McGaw, Memorial Exhibition, John Natsoulas Gallery - Make it stand out</image:title>
      <image:caption>Bruce McGaw After Lorca 2025 Oil on canvas 56x2249.5in.</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/sydney-swisher-threads-of-memory-jackson-junge-gallery-chicago</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-05</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/455283ab-88cb-4a9c-ba1c-6575adfe7eaf/Sydney+Swisher+art.png</image:loc>
      <image:title>Reviews - Sydney Swisher - THREADS OF MEMORY, Jackson Junge Gallery, Chicago - Make it stand out</image:title>
      <image:caption>Sydney Swisher, Anomaly, oil on reclaimed fabric, 22 x 28 inches, 2024</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1a84b41b-bf31-4f76-b855-a72b910afbf6/Sydney+Swisher-painting.png</image:loc>
      <image:title>Reviews - Sydney Swisher - THREADS OF MEMORY, Jackson Junge Gallery, Chicago - Make it stand out</image:title>
      <image:caption>Sydney Swisher, If It Comes To You, It Means Something, oil on reclaimed fabric, 24 x 30 inches, 2023</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/de1a8c55-f539-4866-ba21-25240c166e74/Sydney+Swisher%2C+Anything+that+Unifies%2C+oil+on+reclaimed+fabric+with+hand-sewn+embellishments%2C+30+x+40+inches%2C+2025.png</image:loc>
      <image:title>Reviews - Sydney Swisher - THREADS OF MEMORY, Jackson Junge Gallery, Chicago - Make it stand out</image:title>
      <image:caption>Sydney Swisher, Anything that Unifies, oil on reclaimed fabric with hand-sewn embellishments, 30 x 40 inches, 2025</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/86cc7799-9065-46c3-962b-5921ad39f877/Sydney+Swisher%2C+The+Meaning+of+Enough%2C+oil+on+reclaimed+fabric+with+hand-sewn+bead+embellishments%2C+24+x+36+inches%2C+2024.png</image:loc>
      <image:title>Reviews - Sydney Swisher - THREADS OF MEMORY, Jackson Junge Gallery, Chicago - Make it stand out</image:title>
      <image:caption>Sydney Swisher, The Meaning of Enough, oil on reclaimed fabric with hand-sewn bead embellishments, 24 x 36 inches, 2024</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/guy-diehl-drawings-birdhouse-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/16a595d4-76c6-4167-be27-07843cf0b701/Guy+Diehl+pandemic+vessels.png</image:loc>
      <image:title>Reviews - Guy Diehl, Drawings, Birdhouse Gallery - Make it stand out</image:title>
      <image:caption>Take-Out Only 2020 Graphite on Renaissance-style linen-hemp paper 11.3in x 17.25 in</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/108aeef9-15fb-4729-81c7-27e04158b3f5/Guy+Diehl+pandemic+vessels-art.png</image:loc>
      <image:title>Reviews - Guy Diehl, Drawings, Birdhouse Gallery - Make it stand out</image:title>
      <image:caption>Take-Out Only #2 (drawing) 2021 Granite on Renaissance-style linen hemp paper. 11.5 in x 18.5 in</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/eb5e1afb-95cb-4ae5-be58-ab012cf64913/Guy+Diehl+pandemic+vessels-to-go.png</image:loc>
      <image:title>Reviews - Guy Diehl, Drawings, Birdhouse Gallery - Make it stand out</image:title>
      <image:caption>Take-Out Only (Red Chalk #2) 2023 Red chalk on Century Renaissance-style linen-hemp paper. 10.75 in x 12.75 in</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/90f796a6-300a-47da-9c2b-0dfcf270ba96/Guy+Diehl-still+life.png</image:loc>
      <image:title>Reviews - Guy Diehl, Drawings, Birdhouse Gallery - Make it stand out</image:title>
      <image:caption>Life is Precarious (Skull &amp; Glass Marble) #2 2022 Red, brown, white black chalk on paper 9.25 in x 12.25 in</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/bcf79729-0522-49ba-90bb-3b669b9ca594/Guy+Diehl-still+life-vessles.png</image:loc>
      <image:title>Reviews - Guy Diehl, Drawings, Birdhouse Gallery - Make it stand out</image:title>
      <image:caption>Still Life Study with Glass Marble 2024 Graphite on Renaissance-style linen-hemp paper. 11.5 in x 12 in</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/93e0a0c4-60ee-4d0a-97f6-1d52d0b8d213/Guy+Diehl-drawing.png</image:loc>
      <image:title>Reviews - Guy Diehl, Drawings, Birdhouse Gallery - Make it stand out</image:title>
      <image:caption>Stick of Butter #2 2025 Steel wool rust powder and red and brown pencil on Renaissance linen/hemp paper 10.5in x 10.5 in</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/3cfeb0d3-9a62-4a63-bf83-3c952b877b00/Guy+Diehl-art-drawing-still+life.png</image:loc>
      <image:title>Reviews - Guy Diehl, Drawings, Birdhouse Gallery - Make it stand out</image:title>
      <image:caption>Message in a Bottle (drawing) 2022 Graphite on Renaissance style linen-hemp paper. 13.4 in x 10. 5 in</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/scott-hove</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/5821634f-3e1f-48c3-a417-c50165bde2f0/scott+hove+artist.jpeg</image:loc>
      <image:title>Reviews - Scott Hove - Scott's ongoing series of lush 'Cakeland' installations and sculptures describe an allegorical paradise, in the process of re-integrating light and dark, from a false dualism to a true whole. Using an emotionally compelling narrative with delicious looking and fear provoking materials and imagery, the viewer is at once seduced by the promise of 'heaven' while being reminded by the presence of a imminent 'hell'.</image:title>
      <image:caption>Hove has exhibited with Merry Kanowski Gallery, La Luz de Jesus Gallery, Roq la Rue, Think Tank Gallery, Hashimoto Contemporary and more recently collaborated with Banksy to create Dismaland in the UK. His work has been commissioned internationally in the United States, London, and Beijing. Hove’s sculptures and installations have been featured in Smithsonian Magazine, LA Times, Architecture &amp; Design, Food and Wine, KQED, The Cooking Channel, Hi Fructose, Vogue, The Daily Telegraph, and more.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/5a593f06-10ab-4e67-98ae-b21c421d3ea9/scott+hove+cakes.jpeg</image:loc>
      <image:title>Reviews - Scott Hove - Make it stand out</image:title>
      <image:caption>White Pearl Drop, Mixed media 11” x 9” x 11”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1049cd05-0095-4741-8f63-03988fc731e6/scott+hove+art.jpeg</image:loc>
      <image:title>Reviews - Scott Hove - Make it stand out</image:title>
      <image:caption>Scott Hove 2017 Mixed Media</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a055f2bd-3ecb-4eb0-a0af-2f6d26eee6d5/scott+hove+cakeland.jpg</image:loc>
      <image:title>Reviews - Scott Hove - Make it stand out</image:title>
      <image:caption>Cakeland in Los Angeles</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1b985396-c675-498f-9c73-07c95a8be8eb/IMG_1742.jpeg</image:loc>
      <image:title>Reviews - Scott Hove - Make it stand out</image:title>
      <image:caption>Cakeland entrance 2020-2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/e796b29e-12c6-4124-85e8-a68eb33ead3b/scott+hove+cakeland-art.jpeg</image:loc>
      <image:title>Reviews - Scott Hove - Make it stand out</image:title>
      <image:caption>Cakeland 2020 - 2024</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/6f485363-51bd-45ba-a6de-88c0425d5f82/scott+hove-cake+mouth.png</image:loc>
      <image:title>Reviews - Scott Hove</image:title>
      <image:caption>HL: What are the illusions that are taking place in society? What's the fragility in society of our current times that inspired you to think on these things and ultimately make them into an art installation?</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a9c8dac1-7afb-414a-a77e-7fb9f67464f7/scott+hove+cakeland.jpeg</image:loc>
      <image:title>Reviews - Scott Hove - Make it stand out</image:title>
      <image:caption>Cakeland 2020 - 2024</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/61acb76f-62d9-435b-9d67-ace4eec0a799/scott+hove-og+mcrib.jpeg</image:loc>
      <image:title>Reviews - Scott Hove - Make it stand out</image:title>
      <image:caption>OG McRib with acrylic on canvas paintings 2024 - 2025</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/b3fc432e-6338-442b-988d-6e37ba241ca2/scott+hove+art-of+mcrib.jpeg</image:loc>
      <image:title>Reviews - Scott Hove - Make it stand out</image:title>
      <image:caption>OG McRib with THE DESTROYER, 8’ x 12’ acrylic on wood panels, 2024 - 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/9f30c7c2-a15b-4a91-a105-a1a0e435c445/scott+hove-art-mcrib.png</image:loc>
      <image:title>Reviews - Scott Hove - MCRIBB NUMBER ONE, Acrylic on Canvas</image:title>
      <image:caption>HL: If OG McRib did this interview today, in what ways would the answers to these questions have been different?</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c77f9a36-3aff-4dbe-a1be-232125128f18/scott+hove-og+mcrib.png</image:loc>
      <image:title>Reviews - Scott Hove - Time Mixed media 38 x 22 x 12 in.</image:title>
      <image:caption>HL: Indeed. I want to ask one more question to kind of pull things full circle here from the idea of nature that you spoke of, the non-duality, and even where we find ourselves today as a society. You had said previously that, "There's always got to be some scary stuff that emphasizes the pretty. If everything's just beautiful, it's really boring." Today, it seems there's plenty of scary. What is the beauty that you see in life as we face such uncertainty of the future?</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/5941f501-73ad-48da-bd1c-516885d9699c/scott+hove+og+mcrib+painting+and+artist.png</image:loc>
      <image:title>Reviews - Scott Hove - VENALITY AND MORAL TURPITUDE</image:title>
      <image:caption>HL: That's excellent. You know, as you say that, it makes me think of a quote often attributed to Viktor Frankl the author of, Man's Search for Meaning, in which he is often paraphrased as noting that, “Pain is inevitable, suffering is optional." I feel like what you've just shared really resonates with that idea that there's an inevitability to the challenges, the pain, the ephemerality and death of life and mortality, but it doesn't mean one has to suffer through the anxieties and the obsessions of the negative.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/book-excerpt-mark-and-jan-hilbert-the-love-story-that-launched-an-art-museum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/68d22758-deaa-4d7f-8273-12c1e42cc6f5/Hilbert+Museum.jpg</image:loc>
      <image:title>Reviews - Book Excerpt, Mark and Jan Hilbert: The Love Story that Launched an Art Museum - Make it stand out</image:title>
      <image:caption>Positioned on the museum’s west-facing façade, the 40x16-foot Italian Murano glass mosaic, Pleasures Along the Beach (1969) by Millard Sheets</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/9d230c8d-91d3-430b-bb0b-434e35986635/Home-Visit.jpg</image:loc>
      <image:title>Reviews - Book Excerpt, Mark and Jan Hilbert: The Love Story that Launched an Art Museum - Make it stand out</image:title>
      <image:caption>Sunday Afternoon in the Plaza de Los Angeles Phil Dike(1906 - 1990), 1939, Oil on canvas, 29 1/2 x 39 1/2 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/caee0251-4fa4-47f2-b32e-e540b2a34749/Fletcher+Martin+Bucolic.jpg</image:loc>
      <image:title>Reviews - Book Excerpt, Mark and Jan Hilbert: The Love Story that Launched an Art Museum - Make it stand out</image:title>
      <image:caption>Fletcher Martin, Bucolic, 1938, Oil on canvas, The Hilbert Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/81a09f3e-c508-48d7-811e-50559c302ccb/Mark+and+Jan+Hilbert-2017%C2%A9Tom+Lamb.jpg</image:loc>
      <image:title>Reviews - Book Excerpt, Mark and Jan Hilbert: The Love Story that Launched an Art Museum - Make it stand out</image:title>
      <image:caption>Mark and Jan Hilbert, photo 2017, ©Tom Lamb</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/48339e84-be57-42ca-9ce5-d1c62d21f49e/Barse+Miller+On+the+Wings+of+an+Angel.jpg</image:loc>
      <image:title>Reviews - Book Excerpt, Mark and Jan Hilbert: The Love Story that Launched an Art Museum - Make it stand out</image:title>
      <image:caption>Barse Miller, If I had the Wings of an Angel, 1937, Oil on canvas, The Hilbert Collection</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/24515a0e-72c4-4c13-8ae2-dbbf623d3a38/Millard+Sheets+San+Dimas+Train+Station.jpg</image:loc>
      <image:title>Reviews - Book Excerpt, Mark and Jan Hilbert: The Love Story that Launched an Art Museum - Make it stand out</image:title>
      <image:caption>Millard Sheets, San Dimas Train Station, 1933, Watercolor on paper, The Hilbert Collection</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/26e45829-bc70-415e-8904-8c3d093dbe22/Frank+N.+Ashley+The+Barefoot+Sixties.jpg</image:loc>
      <image:title>Reviews - Book Excerpt, Mark and Jan Hilbert: The Love Story that Launched an Art Museum - Make it stand out</image:title>
      <image:caption>Frank Ashley, The Barefoot Sixties, Enrico's San Francisco, 1968, Oil on canvas, The Hilbert Collection</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/bill-kane-light-bodies-themes-and-projects</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/bf9a537d-c1fc-4762-9445-f0b69a843a3f/Bill+Kane+art.png</image:loc>
      <image:title>Reviews - Bill Kane, Light Bodies, Themes and Projects - Make it stand out</image:title>
      <image:caption>Bill Kane, LenEM-306 Chopel, Lenticular print on wooden back frame, edition of 3, 76 x 21 inches, 2025</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/df8b6d79-e23a-4db3-99c6-8a74a2da90ac/Bill+Kane-silk+art-buddhism.png</image:loc>
      <image:title>Reviews - Bill Kane, Light Bodies, Themes and Projects - Make it stand out</image:title>
      <image:caption>Bill Kane, Chekawa, Collaged dupioni silk with canvas backing, 96x102", 2009</image:caption>
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      <image:title>Reviews - Bill Kane, Light Bodies, Themes and Projects</image:title>
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      <image:title>Reviews - Bill Kane, Light Bodies, Themes and Projects</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/7856b012-3ff8-4ab0-8d5d-83cc9254821d/sonam-bill+kane.png</image:loc>
      <image:title>Reviews - Bill Kane, Light Bodies, Themes and Projects - Make it stand out</image:title>
      <image:caption>Bill Kane, LenEM-305 Rabten, Lenticular print on wooden back frame, edition of 3, 83 x 28 x 20 inches, 2025</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/b0c99bb5-883f-4e16-bd6e-87d1aed3d69b/LenEMN-317b-Sonam.jpg</image:loc>
      <image:title>Reviews - Bill Kane, Light Bodies, Themes and Projects - Make it stand out</image:title>
      <image:caption>Bill Kane, LenEM-317b Sonam, Lenticular print with neon on wooden back frame, edition of 3, 76 x 21 inches, 2025</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/ann-gale-dolby-chadwick-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/46cf1ead-9653-4e35-99aa-a42489fdf0f9/ann+gale+at+dolby+chadwick+%281%29.png</image:loc>
      <image:title>Reviews - Ann Gale, Dolby Chadwick Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/0ed7c2fe-980d-4330-adf6-35f5b4ae056e/Ann+Gale-art.png</image:loc>
      <image:title>Reviews - Ann Gale, Dolby Chadwick Gallery - Make it stand out</image:title>
      <image:caption>Gloria Reclining, 2025 Oil on canvas 42 x 52 in</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/7105be28-57a1-4406-a5ed-0d57ffe7101d/Ann+Gale-lying+down.png</image:loc>
      <image:title>Reviews - Ann Gale, Dolby Chadwick Gallery - Make it stand out</image:title>
      <image:caption>Robert Lying Down, 2025 Oil on canvas 44 x 58 in</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/89d0cdd8-a3a1-4663-a5bd-a0a44e5ecbb9/Ann+Gale-art-shadow.png</image:loc>
      <image:title>Reviews - Ann Gale, Dolby Chadwick Gallery - Make it stand out</image:title>
      <image:caption>Portrait in Gold Shadow, 2025 Oil on linen wrapped panel 20 x 16 in</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/4bb2983c-fee3-49e2-b836-df00db05ae04/Ann+Gale-portrait.png</image:loc>
      <image:title>Reviews - Ann Gale, Dolby Chadwick Gallery - Make it stand out</image:title>
      <image:caption>Portrait with Yellow Shirt, 2023 Oil on linen 14 x 11 in</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/856e288d-25c3-4ab0-9ae4-a694725e3168/Ann+Gale-dolby+chadwick.png</image:loc>
      <image:title>Reviews - Ann Gale, Dolby Chadwick Gallery - Make it stand out</image:title>
      <image:caption>Zeke with Stripes, 2025Oil on linen wrapped panel 14 x 11 in</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/gustavo-ramos-rivera-gustavo-ramos-rivera-arreglos-intuitivos-intuitive-arrangementsnbspsaint-marys-college-museum-of-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/12a3d2e1-df63-4159-8736-a402ed256689/Gustavo+Ramos+art.png</image:loc>
      <image:title>Reviews - Gustavo Ramos Rivera, Arreglos Intuitivos / Intuitive Arrangements,&amp;nbsp;Saint Mary’s College Museum of Art - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/effe3850-b959-4f31-92bf-6ac147132d55/GRR.1986.PTG-P.002+copy.jpg</image:loc>
      <image:title>Reviews - Gustavo Ramos Rivera, Arreglos Intuitivos / Intuitive Arrangements,&amp;nbsp;Saint Mary’s College Museum of Art - Make it stand out</image:title>
      <image:caption>Carta de maraciel/Maraciel's Card 1986 Oil-based pigments with collage on matboard Image Size: 16 x 20 in.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/abf7426a-7297-4a26-bd43-80e982d0ad75/Gustavo+Ramos+Rivera.jpg</image:loc>
      <image:title>Reviews - Gustavo Ramos Rivera, Arreglos Intuitivos / Intuitive Arrangements,&amp;nbsp;Saint Mary’s College Museum of Art - Make it stand out</image:title>
      <image:caption>Encuentro en la plaza/Encounter at the Plaza 2015 Oil-based pigments with collage on canvas Image Size: 48 x 48 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/53d64464-a22d-4e3b-a4ac-b0063b1170ff/Screen+Shot+2025-10-06+at+14.34.40.png</image:loc>
      <image:title>Reviews - Gustavo Ramos Rivera, Arreglos Intuitivos / Intuitive Arrangements,&amp;nbsp;Saint Mary’s College Museum of Art - Make it stand out</image:title>
      <image:caption>Vista del estudio/Studio View 2015 Oil-based pigments with collage on canvas Image Size: 48 x 48 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/bbd3be03-9428-45db-b3ef-2af865f0485a/Gustavo+Ramos+Rivera+art.jpg</image:loc>
      <image:title>Reviews - Gustavo Ramos Rivera, Arreglos Intuitivos / Intuitive Arrangements,&amp;nbsp;Saint Mary’s College Museum of Art - Make it stand out</image:title>
      <image:caption>Conversacion Interesante/Interesting Conversation 1984 Water-based pigments, charcoal, graphite, crayon, inks with collage on paper Image Size: 30 x 22 1/4 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/3d165885-599e-438d-9b62-eba037214cfb/Gustavo+Ramos+Rivera+monotype.png</image:loc>
      <image:title>Reviews - Gustavo Ramos Rivera, Arreglos Intuitivos / Intuitive Arrangements,&amp;nbsp;Saint Mary’s College Museum of Art - Make it stand out</image:title>
      <image:caption>Monotipo sin titulo con collage/Untitled Monotype with Collage 1991 Monotype: Oil-based inks with collage on paper Image Size: 31 5/8 x 30 3/8 in.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/nicole-mueller</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/af0be742-4975-4fcb-aba9-ae0d259a320b/Screen+Shot+2025-10-03+at+20.50.36.png</image:loc>
      <image:title>Reviews - Nicole Mueller - Make it stand out</image:title>
      <image:caption>Portrait of the artist, San Francisco, CA, 2024 Photography by Cayce Clifford</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/72219b8b-41e1-44d4-bb0a-dfa9a66b3a2a/Screen+Shot+2025-10-03+at+20.50.44.png</image:loc>
      <image:title>Reviews - Nicole Mueller - Make it stand out</image:title>
      <image:caption>The artist at her studio in San Francisco, CA, 2024 Photography by Cayce Clifford</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/986714ab-6cfa-4ad2-8b8e-735f1863853c/Photo-Charles_White-jwpictures.com-0X9A3270.jpg</image:loc>
      <image:title>Reviews - Nicole Mueller - Make it stand out</image:title>
      <image:caption>Loopback, 60 x 96 in., Acrylic on canvas, 2024 Photography by Charles White</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/cdde7ec4-c814-4ac4-b542-bf5e0cd1bf1f/Photo-Charles_White-jwpictures.com-0X9A3251.jpg</image:loc>
      <image:title>Reviews - Nicole Mueller - Make it stand out</image:title>
      <image:caption>Figure Eights, 60 x 96 in., Acrylic on canvas, 2024 Photography by Charles White</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/b15e65ac-12fb-483e-8d20-d465214dd5c8/Photo-Charles_White-jwpictures.com-0X9A3248.jpg</image:loc>
      <image:title>Reviews - Nicole Mueller - Make it stand out</image:title>
      <image:caption>Knockout, 60 x 96 in., Acrylic on canvas, 2024 Photography by Charles White</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/13456a34-de3d-4d95-aaae-e57029b02ca5/Photo-Charles_White-jwpictures.com-0X9A3236.jpg</image:loc>
      <image:title>Reviews - Nicole Mueller - Make it stand out</image:title>
      <image:caption>Knockout (detail) Photography by Charles White</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/6ad4de2b-952c-4253-8af9-bb4b315013b9/Screen+Shot+2025-10-03+at+20.51.09.png</image:loc>
      <image:title>Reviews - Nicole Mueller - Make it stand out</image:title>
      <image:caption>The artist at her studio in San Francisco, CA, 2024 Photography by Cayce Clifford</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/cd511a7d-ff7f-4295-8f1d-813406492094/Screen+Shot+2025-10-03+at+20.50.58.png</image:loc>
      <image:title>Reviews - Nicole Mueller - Make it stand out</image:title>
      <image:caption>The artist at her studio in San Francisco, CA, 2024 Photography by Cayce Clifford</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1d27dfa2-1e01-4174-884d-d535748bf28c/230717_clifford_nicolemueller_DSF5003.jpg</image:loc>
      <image:title>Reviews - Nicole Mueller - Make it stand out</image:title>
      <image:caption>Clark Park, LithoMosaic fabrication in process at the artist’s studio, 2023 Photography by Cayce Clifford</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/df059693-2e55-4d91-915c-a3fde71bbd4d/Screen+Shot+2025-10-03+at+20.51.18.png</image:loc>
      <image:title>Reviews - Nicole Mueller - Make it stand out</image:title>
      <image:caption>Clark Park, LithoMosaic fabrication in process at the artist’s studio, 2023 Photography by Cayce Clifford</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/caf77208-2d3b-4a2c-bfba-09a881079533/Photo-Charles_White-jwpictures.com-0X9A3513.jpg</image:loc>
      <image:title>Reviews - Nicole Mueller - Make it stand out</image:title>
      <image:caption>Installation view, Lowell Ryan Projects, Los Angeles, CA, 2024 Photography by Charles White</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c4db022c-5cd2-42db-a2bf-278ae2dde8ca/Photo-Charles_White-jwpictures.com-0X9A3268.jpg</image:loc>
      <image:title>Reviews - Nicole Mueller - Make it stand out</image:title>
      <image:caption>Mind Gardening (detail) Photography by Charles White</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/676ccc41-266c-498e-8c83-c9c2b8c41499/Photo-Charles_White-jwpictures.com-0X9A3257.jpg</image:loc>
      <image:title>Reviews - Nicole Mueller - Make it stand out</image:title>
      <image:caption>Mind Gardening, 60 x 96 in., Acrylic on canvas, 2024 Photography by Charles White</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/303ce51d-5542-4356-9c15-510b3ba945b8/230717_clifford_nicolemueller_DSF4774.jpg</image:loc>
      <image:title>Reviews - Nicole Mueller - Make it stand out</image:title>
      <image:caption>Portrait of the artist, San Francisco, CA, 2023 Photography by Cayce Clifford</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/michelle-maguire-and-kelsey-mcclellan-wrapped-objects-park-life-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/437b67c6-b0a8-4530-a923-3c6b4e2f07ae/WRAPPED-OBJECTS-DSCF5546_2+copy.jpeg</image:loc>
      <image:title>Reviews - Michelle Maguire and Kelsey McClellan, Wrapped Objects, Park Life Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/09ce4f35-28bb-4ea5-87c0-4d957102ca48/Screen+Shot+2025-10-04+at+10.17.58.png</image:loc>
      <image:title>Reviews - Michelle Maguire and Kelsey McClellan, Wrapped Objects, Park Life Gallery - Make it stand out</image:title>
      <image:caption>Michelle Maguire and Kelsey McClellan, Fruit Cocktail, Two bottles, three cans, plastic, latex, rope 2025, 16x20” archival pigment print</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/8028db0c-ce8c-46af-9c8e-64694ed7dd3f/Screen+Shot+2025-10-04+at+10.18.14.png</image:loc>
      <image:title>Reviews - Michelle Maguire and Kelsey McClellan, Wrapped Objects, Park Life Gallery - Make it stand out</image:title>
      <image:caption>Michelle Maguire and Kelsey McClellan, Mouse, Alarm bell, organza, leather cord 2025, 16x20” archival pigment print</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/0d470a46-f2fc-46fb-8605-2394cf90a147/Screen+Shot+2025-10-04+at+10.18.29.png</image:loc>
      <image:title>Reviews - Michelle Maguire and Kelsey McClellan, Wrapped Objects, Park Life Gallery - Make it stand out</image:title>
      <image:caption>Michelle Maguire and Kelsey McClellan, It’s Getting Wheely Hot!, Roller skate, rubber, raffia 2025, 16x20” archival pigment print</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c3369ce9-4d60-49dc-b817-c9997f99124b/Michelle+Maguire+and+Kelsey+McClellan%2C+Lady+Liberty%2C+Violin%2C+wool%2C+cotton+cord+2025%2C+16x20%E2%80%9D+archival+pigment+print.png</image:loc>
      <image:title>Reviews - Michelle Maguire and Kelsey McClellan, Wrapped Objects, Park Life Gallery - Make it stand out</image:title>
      <image:caption>Michelle Maguire and Kelsey McClellan, Lady Liberty, Violin, wool, cotton cord 2025, 16x20” archival pigment print</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1759599168658-AK1D2Q96B6I3792XJR33/Screen+Shot+2025-10-04+at+10.19.05.png</image:loc>
      <image:title>Reviews - Michelle Maguire and Kelsey McClellan, Wrapped Objects, Park Life Gallery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1759599168718-PM2WS377WYQM17VKK6O2/Screen+Shot+2025-10-04+at+10.19.19.png</image:loc>
      <image:title>Reviews - Michelle Maguire and Kelsey McClellan, Wrapped Objects, Park Life Gallery</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/catherine-maize-recent-paintings-paul-thiebaud-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/60a38e18-2ea3-47e4-9bae-9f63d74cb659/45bdd65a1c8196e53bfc2d8b16dc2437.jpg</image:loc>
      <image:title>Reviews - Catherine Maize, Recent Paintings, Paul Thiebaud Gallery - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/853f932b-9a1a-4588-a9e3-c65affdff7dc/0311959877b2fb18ecc84791bd715d54.jpg</image:loc>
      <image:title>Reviews - Catherine Maize, Recent Paintings, Paul Thiebaud Gallery - Make it stand out</image:title>
      <image:caption>Shelf, 2023, oil on panel, 4” x 8”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1c24419c-05a0-4da0-a312-89b7aeab3b33/Maize%2C+artwork%2C+house</image:loc>
      <image:title>Reviews - Catherine Maize, Recent Paintings, Paul Thiebaud Gallery - Make it stand out</image:title>
      <image:caption>(Untitled) Landscape, 2023, oil on panel, 6” x 7”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/4e9d12eb-e314-4848-ad36-bec53d5e93f0/449b5b5cb2b1ef277bfacb305e36b980.jpg</image:loc>
      <image:title>Reviews - Catherine Maize, Recent Paintings, Paul Thiebaud Gallery - Make it stand out</image:title>
      <image:caption>Bowls on Table, 2025, oil on panel, 6” x 6”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/6d4d49b3-fa88-4b70-9232-7ad1c2dd68c1/maize%2C+chair%2C+art</image:loc>
      <image:title>Reviews - Catherine Maize, Recent Paintings, Paul Thiebaud Gallery - Make it stand out</image:title>
      <image:caption>Chair and Table with Yellow Vase, 2025, oil on panel, 7” x 5”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/79e86446-7f97-4442-a8d1-5424cfb3d674/Vases%2C+maize%2C+colorful</image:loc>
      <image:title>Reviews - Catherine Maize, Recent Paintings, Paul Thiebaud Gallery - Make it stand out</image:title>
      <image:caption>Yellow Carafe with Vases, 2025, oil on panel, 5” x 8”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/jasko-begovic-aka-sko-habibi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/7fb9ddc1-977a-4064-9d1a-81ae61aa1617/Screen+Shot+2025-09-29+at+19.00.39.png</image:loc>
      <image:title>Reviews - Jasko Begovic aka Sko Habibi -&amp;nbsp;&amp;nbsp;Refugees R US @ CULT AIMEE FRIBERG&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Image credits: Jasko Begovic (Sko Habibi), courtesy of the artist and CULT Aimee Friberg Exhibitions</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/6a79a467-a23c-4408-ae20-74a357c20e9b/Screen+Shot+2025-09-29+at+20.00.57.png</image:loc>
      <image:title>Reviews - Jasko Begovic aka Sko Habibi -&amp;nbsp;&amp;nbsp;Refugees R US @ CULT AIMEE FRIBERG&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Photograph by Jasko Begovic aka Sko Habibi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/31e7aeae-3cd7-4dab-b6f8-25451a49985d/Screen+Shot+2025-09-29+at+20.00.30.png</image:loc>
      <image:title>Reviews - Jasko Begovic aka Sko Habibi -&amp;nbsp;&amp;nbsp;Refugees R US @ CULT AIMEE FRIBERG&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Shoe Altar by Dania Cabello</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/91cf815e-1c49-453b-b238-1020a5d73ac4/Screen+Shot+2025-09-29+at+19.00.30.png</image:loc>
      <image:title>Reviews - Jasko Begovic aka Sko Habibi -&amp;nbsp;&amp;nbsp;Refugees R US @ CULT AIMEE FRIBERG&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Image credits: Jasko Begovic (Sko Habibi), courtesy of the artist and CULT Aimee Friberg Exhibitions</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/28bb10f2-a2de-4898-b23f-9c791faf8176/Screen+Shot+2025-09-29+at+20.04.06.png</image:loc>
      <image:title>Reviews - Jasko Begovic aka Sko Habibi -&amp;nbsp;&amp;nbsp;Refugees R US @ CULT AIMEE FRIBERG&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Installation view at Refugees R US</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/7a6a475a-5035-43c5-85d4-e5fc2461201e/Screen+Shot+2025-09-29+at+20.00.18.png</image:loc>
      <image:title>Reviews - Jasko Begovic aka Sko Habibi -&amp;nbsp;&amp;nbsp;Refugees R US @ CULT AIMEE FRIBERG&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Installation view at Refugees R US</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/julio-cesar-morales</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a894abbd-5dc7-4c70-892f-272557cec86d/wendi+norris+gallery</image:loc>
      <image:title>Reviews - Julio Cesar Morales, My America, Gallery Wendi Norris - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/53e96096-ca00-4dbf-a3a3-5a5a0047a4ff/Wendi+Norris+neon+sign</image:loc>
      <image:title>Reviews - Julio Cesar Morales, My America, Gallery Wendi Norris - Make it stand out</image:title>
      <image:caption>Neon sign installation for My America</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/bc510238-3953-45d2-ad47-f3f20e90eda5/jcm0194_gemelos-4-2025_-framed1-.webp</image:loc>
      <image:title>Reviews - Julio Cesar Morales, My America, Gallery Wendi Norris - Make it stand out</image:title>
      <image:caption>Gemelos #4, 2025 Watercolor, graphite and ink on paper 20 x 30 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/77e3a5c8-b92a-4995-bf78-d5a473c44322/gemelos+installation</image:loc>
      <image:title>Reviews - Julio Cesar Morales, My America, Gallery Wendi Norris - Make it stand out</image:title>
      <image:caption>Installation of the artist’s series of Gemelos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/0e4b47b8-c0f0-4655-89db-4acb71409077/jcm0197_gemelos-7-2025_-framed1-.webp</image:loc>
      <image:title>Reviews - Julio Cesar Morales, My America, Gallery Wendi Norris - Make it stand out</image:title>
      <image:caption>Gemelos #7, 2025 Watercolor, graphite and ink on paper 20 x 30 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/75de5027-600b-4547-a844-6d511997fd20/wendi+norris+wood+box</image:loc>
      <image:title>Reviews - Julio Cesar Morales, My America, Gallery Wendi Norris - Make it stand out</image:title>
      <image:caption>Outside: My America is Not Your America, 2025 Vinyl recording, turntable, wood, foam and neon Approximate 7×8×8 feet</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/b639066a-c9c8-4709-bffe-949cdc68ef11/turn+table+wendi+norris</image:loc>
      <image:title>Reviews - Julio Cesar Morales, My America, Gallery Wendi Norris - Make it stand out</image:title>
      <image:caption>Inside: My America is Not Your America, 2025 Vinyl recording, turntable, wood, foam and neon Approximate 7×8×8 feet</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1759207343061-50QZ6SZQPFOO73C6FBO2/Screen+Shot+2025-09-29+at+20.42.09.png</image:loc>
      <image:title>Reviews - Julio Cesar Morales, My America, Gallery Wendi Norris</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1759207343111-BHCDRV81B9JN0K5X9VHF/Screen+Shot+2025-09-29+at+20.41.58.png</image:loc>
      <image:title>Reviews - Julio Cesar Morales, My America, Gallery Wendi Norris</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/23a7188e-a435-4c50-b6eb-8aab364b30f8/la+mano+poderosa</image:loc>
      <image:title>Reviews - Julio Cesar Morales, My America, Gallery Wendi Norris - Make it stand out</image:title>
      <image:caption>La Mano Poderosa by Julia Cesar Morales</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/stephanie-dinkins</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c42a07ab-1ff0-47c0-9681-8f8f0bf203a9/Screen+Shot+2025-09-27+at+16.43.30.png</image:loc>
      <image:title>Reviews - Stephanie Dinkins - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/37f3b40b-2fc4-4302-a946-dde87e19eab5/Screen+Shot+2025-09-27+at+16.41.49.png</image:loc>
      <image:title>Reviews - Stephanie Dinkins - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/fb9c8598-9476-4db3-96a5-f0ff2af4233c/Screen+Shot+2025-09-27+at+16.42.03.png</image:loc>
      <image:title>Reviews - Stephanie Dinkins - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/599e889a-df5d-4da1-9b6f-d3b3af76ae09/Screen+Shot+2025-09-27+at+16.42.23.png</image:loc>
      <image:title>Reviews - Stephanie Dinkins - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/b84229df-4a16-4461-a634-00cbc98eb91e/Screen+Shot+2025-09-27+at+16.42.46.png</image:loc>
      <image:title>Reviews - Stephanie Dinkins - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/2d5b4cea-f8de-4886-b948-a40d5e930732/Screen+Shot+2025-09-27+at+16.42.59.png</image:loc>
      <image:title>Reviews - Stephanie Dinkins - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/8a3bcc97-78cf-46cd-9f44-b283dcdb8031/Screen+Shot+2025-09-27+at+16.42.13.png</image:loc>
      <image:title>Reviews - Stephanie Dinkins - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/6dee6007-bc7f-4abe-ad69-507abda3d192/Screen+Shot+2025-09-27+at+16.43.22.png</image:loc>
      <image:title>Reviews - Stephanie Dinkins - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/4e929ef2-3e81-497a-9b7a-001b670b10c3/Screen+Shot+2025-09-27+at+16.42.33.png</image:loc>
      <image:title>Reviews - Stephanie Dinkins - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/f66d76ba-1a22-43c9-8255-539d70ea5e03/Screen+Shot+2025-09-27+at+16.43.09.png</image:loc>
      <image:title>Reviews - Stephanie Dinkins - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/lawrence-ferlinghetti-ferlinghetti-for-san-francisco-legion-of-honor</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/ba36c3ba-80aa-4e0b-84c4-db4ca44f6868/01_Exhibit+opening+image+by+Legion+Jorge+Bachman_Cropped.jpg</image:loc>
      <image:title>Reviews - Lawrence Ferlinghetti, Ferlinghetti for San Francisco, Legion of Honor&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Installation view of Ferlinghetti for San Francisco, Legion of Honor, 2025. Photograph by Jorge Bachman. https://www.famsf.org/exhibitions/ferlinghetti-san-francisco.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/89067eaf-61a6-444e-a8e8-b6683d94cd53/Screen+Shot+2025-09-29+at+20.51.18.png</image:loc>
      <image:title>Reviews - Lawrence Ferlinghetti, Ferlinghetti for San Francisco, Legion of Honor&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Tool of the trade. One of Lawrence Ferlinghetti’s paint brushes from his studio at Hunters Point Shipyard. Shot on the blue background of his honorary degree from University of North Carolina at Chapel Hill. Photo: Sarah Stangle.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/4adc349b-f0eb-4ca4-85ef-a440c3be800e/02_LF+in+his+Studio_Audiffred+Bldg+by+Harry+Redl+take+from+Bill+Morgan+Book+Beat+Gen+SF+p113.jpg</image:loc>
      <image:title>Reviews - Lawrence Ferlinghetti, Ferlinghetti for San Francisco, Legion of Honor&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Ferlinghetti painting, inside his studio at the Audiffred Building at Embarcadero and Mission, San Francisco. Photo by Harry Redl.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/e1722a3c-158c-493b-9056-204773d96926/03_LF+in+his+Studio_Francisco+Steeet_1982+Christopher+Felver.JPG</image:loc>
      <image:title>Reviews - Lawrence Ferlinghetti, Ferlinghetti for San Francisco, Legion of Honor&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Ferlinghetti in his flat on Francisco St. Photo by Christopher Felver, 1982. 250 Francisco St., San Francisco.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/f88d1eaa-98b4-49dc-862b-1a99af98e9f9/Screen+Shot+2025-09-29+at+20.57.13.png</image:loc>
      <image:title>Reviews - Lawrence Ferlinghetti, Ferlinghetti for San Francisco, Legion of Honor&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/b6aa3e7c-0ac0-48a3-bce8-4b75a109c6cb/06_Ferlinghetti_lovers-at-sea-1992-grey_From+Legion+website.jpg</image:loc>
      <image:title>Reviews - Lawrence Ferlinghetti, Ferlinghetti for San Francisco, Legion of Honor&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Lawrence Ferlinghetti (1919–2021), Lovers at Sea, 1992. Lithograph, 20 x 26 in. (50.8 x 66.04 cm). Fine Arts Museums of San Francisco, Gift of the Lawrence Ferlinghetti Artworks Trust, 2022.22.18 © Lawrence Ferlinghetti / Artists Rights Society (ARS), New York</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/95480f46-3172-4ec4-a33d-18c529916484/Screen+Shot+2025-09-29+at+20.47.51.png</image:loc>
      <image:title>Reviews - Lawrence Ferlinghetti, Ferlinghetti for San Francisco, Legion of Honor&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/8777ac4b-7757-4673-af43-b5dab1731fdd/08_Lovers+at+Sea_Back.jpg</image:loc>
      <image:title>Reviews - Lawrence Ferlinghetti, Ferlinghetti for San Francisco, Legion of Honor&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/200842aa-36c4-45e3-bf94-1bf38dc1dd8c/09_LF+at+SJSU_1992_From+Patrick+Surgalski.jpg</image:loc>
      <image:title>Reviews - Lawrence Ferlinghetti, Ferlinghetti for San Francisco, Legion of Honor&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Left to Right: Stephanie Peek, Lawrence Ferlinghetti, Patrick Surgalski. Working on “Freud” lithograph at San Jose State University, 1992. Photo courtesy of Patrick Surgalski.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/ea86fd53-b6a3-4bfc-92a7-9e06b8cfa8d9/Screen+Shot+2025-09-29+at+21.04.04.png</image:loc>
      <image:title>Reviews - Lawrence Ferlinghetti, Ferlinghetti for San Francisco, Legion of Honor&amp;nbsp; - Make it stand out</image:title>
      <image:caption>“Liberty #3,” 1992, oil paint on canvas tarpaulin (unstretched), 130.75" w x 77.5" h. Ferlinghetti’s personal copy of a postcard featuring a portrait by Stephanie Peek of Ferlinghetti with his painting “Liberty #3,” published by City Lights, 1993. Installation of 4 large-scale Ferlinghetti paintings currently on view at Building 12 at Pier 70 in Dogpatch. Photo by Sarah Stangle.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1c12d635-241d-44ef-8d40-71a5d94e75aa/Screen+Shot+2025-09-29+at+20.48.42.png</image:loc>
      <image:title>Reviews - Lawrence Ferlinghetti, Ferlinghetti for San Francisco, Legion of Honor&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/d6fd791f-46bf-49e9-a5aa-c2b6f27a399d/Screen+Shot+2025-09-29+at+21.06.23.png</image:loc>
      <image:title>Reviews - Lawrence Ferlinghetti, Ferlinghetti for San Francisco, Legion of Honor&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Reviews - Lawrence Ferlinghetti, Ferlinghetti for San Francisco, Legion of Honor&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/ebe6fedd-1602-4fa2-8977-67e3357de842/17_Americus+Book+and+Work+on+Paper_Color+Corrected.jpg</image:loc>
      <image:title>Reviews - Lawrence Ferlinghetti, Ferlinghetti for San Francisco, Legion of Honor&amp;nbsp; - Make it stand out</image:title>
      <image:caption>This work on paper and the signed volume are included in the exhibit and are on loan from the Ferlinghetti estate, pulled from his personal art collection and his private library. Photo by Chris Buck.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/4faa7a77-f0d3-4f6e-ba0b-246d97d896db/Screen+Shot+2025-09-29+at+20.49.19.png</image:loc>
      <image:title>Reviews - Lawrence Ferlinghetti, Ferlinghetti for San Francisco, Legion of Honor&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Examples of the travel journals that were the source material for Lawrence Ferlinghetti: Writing Across the Landscape: Travel Journals 1960 – 2013. Edited by Giada Diano and Matthew Gleeson.</image:caption>
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      <image:title>Reviews - Lawrence Ferlinghetti, Ferlinghetti for San Francisco, Legion of Honor&amp;nbsp;</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1759205612818-LPH0SX8LFRHUEKQ8TVHR/Screen+Shot+2025-09-29+at+20.50.39.png</image:loc>
      <image:title>Reviews - Lawrence Ferlinghetti, Ferlinghetti for San Francisco, Legion of Honor&amp;nbsp;</image:title>
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      <image:title>Reviews - Lawrence Ferlinghetti, Ferlinghetti for San Francisco, Legion of Honor&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Photo caption: “Adrift,” 1992/2020, etching. Printed by Paul Mullowney in 2020, presumably right before the pandemic. That means Lawrence would have been still participating in the production of his artwork just shy of turning 101. Paul Mullowney is the founder and co-director of Mullowney Printing. Mullowney Printing is a multi-faceted print studio which operated in San Francisco since 2011 until moving the business to Portland, Oregon in 2019. The studio publishes traditional print media—etching, relief, photo gravure, screen printing, letterpress editions—by leading contemporary artists. Mullowney became a master printer at Crown Point Press in San Francisco in 1990 and has taught at Pacific Northwest College of Art and San Francisco Art Institute.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/ec6dddc5-eddc-4cdd-a0a1-1875a739dd01/Screen+Shot+2025-09-29+at+21.16.49.png</image:loc>
      <image:title>Reviews - Lawrence Ferlinghetti, Ferlinghetti for San Francisco, Legion of Honor&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Endless Life, 1999. Boxed folio, letterpress with etchings. Artist’s book, published by Edizioni Canopo, Italy. Stephanie Peek and Lawrence Ferlinghetti. Photos Chris Buck.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/44da2c9d-1d57-4368-9fab-94e56d232b7a/Screen+Shot+2025-09-29+at+21.19.44.png</image:loc>
      <image:title>Reviews - Lawrence Ferlinghetti, Ferlinghetti for San Francisco, Legion of Honor&amp;nbsp; - Make it stand out</image:title>
      <image:caption>The small text at the bottom of this broadside reads: “This letterpress broadside, featuring Lawrence Ferlinghetti's poem ‘History of the Airplane’ was specially printed for Mr. Ferlinghetti's reading at The Poetry Center on October 17, 2002. Image by Ed Paschke. Designed by Amy Rowan and The Poetry Center. Limited edition number 24 of 50."</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/harry-bertoia-hosfelt-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/e8d606e9-b9d2-42fa-96eb-9fe686f5e79e/Bertoia+Untitled+1943-50+ink+on+Japanese+paper.jpg</image:loc>
      <image:title>Reviews - Harry Bertoia, In the Great Oneness: Drawings, Sculpture &amp;amp; Sound, Hosfelt Gallery - Make it stand out</image:title>
      <image:caption>Bertoia Untitled 1943-50 ink on Japanese paper</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/404bc120-e533-47ee-9f27-d9372e1c935b/Bertoia++Untitled%2C+c.+1957+block+printed+ink+and+graphite+on++mulberry+pape.jpg</image:loc>
      <image:title>Reviews - Harry Bertoia, In the Great Oneness: Drawings, Sculpture &amp;amp; Sound, Hosfelt Gallery - Make it stand out</image:title>
      <image:caption>Bertoia Untitled, c. 1957 block printed ink and graphite on mulberry pape</image:caption>
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      <image:title>Reviews - Harry Bertoia, In the Great Oneness: Drawings, Sculpture &amp;amp; Sound, Hosfelt Gallery - Make it stand out</image:title>
      <image:caption>Bertoia Untitled c. 1965 spill cast bronze</image:caption>
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      <image:title>Reviews - Harry Bertoia, In the Great Oneness: Drawings, Sculpture &amp;amp; Sound, Hosfelt Gallery - Make it stand out</image:title>
      <image:caption>Untitled, 1960 welded and patinated bronze 6 x 12 1/2 x 7 3/4 in</image:caption>
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      <image:title>Reviews - Harry Bertoia, In the Great Oneness: Drawings, Sculpture &amp;amp; Sound, Hosfelt Gallery</image:title>
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      <image:title>Reviews - Harry Bertoia, In the Great Oneness: Drawings, Sculpture &amp;amp; Sound, Hosfelt Gallery</image:title>
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      <image:title>Reviews - Harry Bertoia, In the Great Oneness: Drawings, Sculpture &amp;amp; Sound, Hosfelt Gallery - Make it stand out</image:title>
      <image:caption>Bertoia Sonambient environment including gong</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/arts-letters-and-power-anthony-van-dyck-and-the-portrait-print-the-crocker-art-museum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/ad265f2b-a32a-4a30-897d-948171a01d9b/RS107529__50A2265.webp</image:loc>
      <image:title>Reviews - Arts, Letters, and Power: Anthony Van Dyck and the Portrait Print, The Crocker Art Museum - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/e4a84e58-fdab-4b58-9a3f-c89b900b727f/Screen+Shot+2025-09-25+at+11.53.37.png</image:loc>
      <image:title>Reviews - Arts, Letters, and Power: Anthony Van Dyck and the Portrait Print, The Crocker Art Museum - Make it stand out</image:title>
      <image:caption>Lucas Vorsterman the Elder (Flemish, 1595–1675) published by Gillis Hendricx (Flemish, active 17th century), Anthony van Dyck, n.d. Engraving on paper, 8 7/8 x 6 in. Crocker Art Museum, gift of Margaret and Timothy Brown, 2021.115.2</image:caption>
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      <image:title>Reviews - Arts, Letters, and Power: Anthony Van Dyck and the Portrait Print, The Crocker Art Museum</image:title>
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      <image:title>Reviews - Arts, Letters, and Power: Anthony Van Dyck and the Portrait Print, The Crocker Art Museum</image:title>
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      <image:title>Reviews - Arts, Letters, and Power: Anthony Van Dyck and the Portrait Print, The Crocker Art Museum</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1758903081236-XXEY0VDZYU2UGQ8VGD0S/Screen+Shot+2025-09-25+at+11.54.09.png</image:loc>
      <image:title>Reviews - Arts, Letters, and Power: Anthony Van Dyck and the Portrait Print, The Crocker Art Museum</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/046853f9-1967-4e86-a6db-c6c73a23d0f7/Screen+Shot+2025-09-25+at+11.54.42.png</image:loc>
      <image:title>Reviews - Arts, Letters, and Power: Anthony Van Dyck and the Portrait Print, The Crocker Art Museum - Make it stand out</image:title>
      <image:caption>Anthony van Dyck (Flemish, 1599–1641), published by Gillis Hendricx (Flemish, active 17th century), Pieter Brueghel the Younger, circa 1645. Etching on paper, 8 3/16 x 5 3/4 in. Crocker Art Museum, gift of Margaret and Timothy Brown, 2021.115.117</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/25b4ca32-7c7f-4f33-9561-d748ee21ce88/Screen+Shot+2025-09-26+at+09.36.48.png</image:loc>
      <image:title>Reviews - Arts, Letters, and Power: Anthony Van Dyck and the Portrait Print, The Crocker Art Museum - Make it stand out</image:title>
      <image:caption>Anthony van Dyck (Flemish, 1599–1641) and unknown engraver, published by Gillis Hendricx (Flemish, active 17th century), Jan Brueghel the Elder, circa 1645. Etching and engraving on paper, 8 x 6 in. Crocker Art Museum, gift of Margaret and Timothy Brown, 2021.115.9</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/chad-abbley-special-offer-the-birdcage</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/75c7c426-209d-4368-9b9c-fe408ec6bbd0/Screen+Shot+2025-09-23+at+20.26.40.png</image:loc>
      <image:title>Reviews - Chad Abbley, Special Offer, The Birdcage - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Reviews - Chad Abbley, Special Offer, The Birdcage - Make it stand out</image:title>
      <image:caption>Steve Jobs Acrylic on canvas 24x30inches</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/5da72340-31a5-4a78-a050-d424db28e1bf/IMG_7463.jpg</image:loc>
      <image:title>Reviews - Chad Abbley, Special Offer, The Birdcage - Make it stand out</image:title>
      <image:caption>50,400k Wh/day Acrylic on canvas 36x24 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/378b3c94-29bf-4e36-b387-359b6e325231/Screen+Shot+2025-09-23+at+20.15.31.png</image:loc>
      <image:title>Reviews - Chad Abbley, Special Offer, The Birdcage - Make it stand out</image:title>
      <image:caption>Artificial Ignorance Acrylic, LEDs on canvas 18x24inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/0800f719-2c63-46d9-8387-82a3f3a3f3f6/IMG_7458.jpg</image:loc>
      <image:title>Reviews - Chad Abbley, Special Offer, The Birdcage - Make it stand out</image:title>
      <image:caption>Spectral Interlude Acrylic on canvas 16x20inches</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/brendt-berger</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-22</lastmod>
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      <image:title>Reviews - Brendt Berger&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Brendt Berger (L) and wife Maria (2nd from left) with friends Jane and Barry at his retrospective show Beavers of the Huerfano</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/758eb929-6faf-471b-a6b5-cc79b1eed4ae/006.jpg</image:loc>
      <image:title>Reviews - Brendt Berger&amp;nbsp; - Make it stand out</image:title>
      <image:caption>"Wave action" 2003 Acrylic on canvas 12'x 8'</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/9b73787e-b683-4099-8af0-155cf81166a4/Screen+Shot+2025-09-22+at+20.07.56.png</image:loc>
      <image:title>Reviews - Brendt Berger&amp;nbsp; - Make it stand out</image:title>
      <image:caption>"lava" 1996 Acrylic on canvas "6 x 8'</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/eecd1a32-58ac-4e3b-8a4b-ed37ba2d30bb/Screen+Shot+2025-09-22+at+20.07.33.png</image:loc>
      <image:title>Reviews - Brendt Berger&amp;nbsp; - Make it stand out</image:title>
      <image:caption>"Hawaiian stretch" diptych 1983 Alkyd on canvas 12'x 8'</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1b800454-7d75-4545-800d-dc561d50e7c8/Screen+Shot+2025-09-22+at+20.07.18.png</image:loc>
      <image:title>Reviews - Brendt Berger&amp;nbsp; - Make it stand out</image:title>
      <image:caption>"Tower Records" 1997 Acrylic on board 40" X 30"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/785d6f64-f574-461e-8cb6-591888f56589/Screen+Shot+2025-09-22+at+20.07.04.png</image:loc>
      <image:title>Reviews - Brendt Berger&amp;nbsp; - Make it stand out</image:title>
      <image:caption>libre, one cube black n yellow and one red. 1983, Acylic on canvas, Dimensions: 10ft x 5ft Painted in Booklyn, NY after a summer at libre.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a28f424e-99fc-4c3f-897a-f81ab2864d66/Screen+Shot+2025-09-22+at+20.08.14.png</image:loc>
      <image:title>Reviews - Brendt Berger&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Brendt and his wife Maria (R) and daughter Sarah (L) at his retrospective</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/322439e7-9a1a-43b0-a124-0108b72f4a7a/Screen+Shot+2025-09-22+at+20.06.36.png</image:loc>
      <image:title>Reviews - Brendt Berger&amp;nbsp; - Make it stand out</image:title>
      <image:caption>"Buzzy birth" 1980 Alkyd on canvas 12'x 8'</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/de353195-c702-4229-b9c4-90483bf66e0e/Screen+Shot+2025-09-22+at+20.06.48.png</image:loc>
      <image:title>Reviews - Brendt Berger&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Museum of Friends, installation vie of the artist’s retrospective</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/56887cf9-942c-4107-8dfb-54e8dbcf8793/Screen+Shot+2025-09-22+at+20.06.13.png</image:loc>
      <image:title>Reviews - Brendt Berger&amp;nbsp; - Make it stand out</image:title>
      <image:caption>"six poles" 1979 Alkyd on canvas 12'x 8'</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/493695a2-3e06-48d9-b5a7-703bdb54e8df/Screen+Shot+2025-09-22+at+20.06.23.png</image:loc>
      <image:title>Reviews - Brendt Berger&amp;nbsp; - Make it stand out</image:title>
      <image:caption>"MoF Series" 2024 Acrylic on paper "65 x 55"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/2ea9eaf1-62eb-4123-8e82-620c14d8d26f/Screen+Shot+2025-09-22+at+20.05.59.png</image:loc>
      <image:title>Reviews - Brendt Berger&amp;nbsp; - Make it stand out</image:title>
      <image:caption>"matters of the heart" 1981 Alkyd enamel on cardboard 15'x 10'</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/my-trail-of-breadcrumbs-bill-scott-patricia-m-nugent-gallery-rosemont-college-pa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-23</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/3c6b70a3-3382-4117-966b-d5f1ca932714/Screen+Shot+2025-09-23+at+12.14.02.png</image:loc>
      <image:title>Reviews - My Trail of Breadcrumbs,  Bill Scott, Patricia M. Nugent Gallery, Rosemont College, PA - Make it stand out</image:title>
      <image:caption>Bill Scott, An Irreplaceable Memory, oil on canvas, 60” x 72”, 2022</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/408ca38c-522a-48c3-b9ae-8f1dafd45f10/Screen+Shot+2025-09-22+at+20.45.06.png</image:loc>
      <image:title>Reviews - My Trail of Breadcrumbs,  Bill Scott, Patricia M. Nugent Gallery, Rosemont College, PA - Make it stand out</image:title>
      <image:caption>Bill Scott, A Garden with Fruit Trees, oil on canvas, 2025</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/e5335e50-f6d2-4c1b-904f-071cc5605b71/Screen+Shot+2025-09-22+at+20.45.40.png</image:loc>
      <image:title>Reviews - My Trail of Breadcrumbs,  Bill Scott, Patricia M. Nugent Gallery, Rosemont College, PA - Make it stand out</image:title>
      <image:caption>Bill Scott, Perennials, oil on canvas, 48 x 48 inches, 2025</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/eb18acee-2643-4823-a418-00632004b531/Screen+Shot+2025-09-22+at+20.45.56.png</image:loc>
      <image:title>Reviews - My Trail of Breadcrumbs,  Bill Scott, Patricia M. Nugent Gallery, Rosemont College, PA - Make it stand out</image:title>
      <image:caption>Bill Scott, The Outcome of Chance, oil on canvas, 40 x 50 inches, 2023</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/5a1a6d9f-beae-41f6-a942-903bd9b199c8/Screen+Shot+2025-09-22+at+20.46.08.png</image:loc>
      <image:title>Reviews - My Trail of Breadcrumbs,  Bill Scott, Patricia M. Nugent Gallery, Rosemont College, PA - Make it stand out</image:title>
      <image:caption>Bill Scott, Fireflies, oil on canvas, 48 x 66 inches, 2025</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/e9bb6c47-f889-4121-88a2-503ec1ee28d9/Screen+Shot+2025-09-23+at+09.36.39.png</image:loc>
      <image:title>Reviews - My Trail of Breadcrumbs,  Bill Scott, Patricia M. Nugent Gallery, Rosemont College, PA - Make it stand out</image:title>
      <image:caption>"As the Night Finally Ends," 2022, oil on canvas, 40 x 55.5 inches</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/84c61f1c-65c0-4c8e-beac-40e95cd424c7/Screen+Shot+2025-09-23+at+09.34.00.png</image:loc>
      <image:title>Reviews - My Trail of Breadcrumbs,  Bill Scott, Patricia M. Nugent Gallery, Rosemont College, PA - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/la-raiz-strike-slip-gallery-san-francisco-ca</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/bc11d75e-149f-4205-b23f-3916997c9961/Screen+Shot+2025-09-22+at+08.55.23.png</image:loc>
      <image:title>Reviews - La Raíz, Strike-slip Gallery, San Francisco, CA - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/ef682ed1-ef67-4ed5-ae75-ed0cda8c5001/VictorReyes-Motherland.png</image:loc>
      <image:title>Reviews - La Raíz, Strike-slip Gallery, San Francisco, CA - Make it stand out</image:title>
      <image:caption>Victor Reyes, Motherland, pigment and binder on canvas, 60 x 54 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/93661474-b242-4497-ac64-0912621eda56/FernandaMartinez-Eventhere%2Cevenhere+copy.png</image:loc>
      <image:title>Reviews - La Raíz, Strike-slip Gallery, San Francisco, CA - Make it stand out</image:title>
      <image:caption>Fernanda Martinez, Even there, even here., acrylic on canvas, 36 x 36 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/38aef4e1-1dd4-4b5f-a56c-eba10aa472c0/MigueArzabe-QaqaUnku+copy.jpeg</image:loc>
      <image:title>Reviews - La Raíz, Strike-slip Gallery, San Francisco, CA - Make it stand out</image:title>
      <image:caption>Miguel Arzabe, Qaqa Unku, woven acrylic on Yupo, 57.5 x 32.5 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/514ce064-bc64-4a4e-a0c6-880e286aa353/HectorMunozGuzman-RevolutionfortheHomies+copy.jpeg</image:loc>
      <image:title>Reviews - La Raíz, Strike-slip Gallery, San Francisco, CA - Make it stand out</image:title>
      <image:caption>Héctor Muñoz-Guzmán, Revolution For The Homies, acrylic, cement, soil and glued Homies figures on wood panel, 18.5 x 14 in.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/938e7a47-120e-4eec-85ec-0be2deb25206/HectorMunozGuzman-ElHombreDeFlores+copy.jpeg</image:loc>
      <image:title>Reviews - La Raíz, Strike-slip Gallery, San Francisco, CA - Make it stand out</image:title>
      <image:caption>Héctor Muñoz-Guzmán, El Hombre De Flores, acrylic on cement on wood panel, 48 x 36 in.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c94e7932-2ba8-45e3-b098-9e6177f8641b/Samayoa-30Years%26DosPerros+copy.jpeg</image:loc>
      <image:title>Reviews - La Raíz, Strike-slip Gallery, San Francisco, CA - Make it stand out</image:title>
      <image:caption>Esteban Raheem Abdul Raheem Samayoa, 30 Years, airbrush on t-shirt wrapped on burlap, 14 x 11 in., and Dos Perros, oil paint and pastel on burlap, 26 x 20 in.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/e9bf0653-7484-4ca5-a0b0-195d8d53a0e5/LaRaizpromographic.png</image:loc>
      <image:title>Reviews - La Raíz, Strike-slip Gallery, San Francisco, CA - Make it stand out</image:title>
      <image:caption>La Raíz promotional graphic</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/griff-williams</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/4215f85e-dc8b-42c7-b475-9b5c2b57c451/Screen+Shot+2025-09-20+at+13.09.26.png</image:loc>
      <image:title>Reviews - Griff Williams</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a2a47e1e-0b59-4a35-9a79-7d024efacb69/rainbow+landscape+williams</image:loc>
      <image:title>Reviews - Griff Williams - Make it stand out</image:title>
      <image:caption>Moon Mountain 29, Oil and Acrylic on canvas over panel, 41” x 61”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/9439cac8-3d86-4dd7-a1f5-b9ff66ae87a1/Screen+Shot+2025-09-20+at+12.52.26.png</image:loc>
      <image:title>Reviews - Griff Williams - Make it stand out</image:title>
      <image:caption>Griff Williams and son on the set of Tell Them We Were Here</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/fd7277c1-2a45-4a66-9d29-39be24772f93/Screen+Shot+2025-09-20+at+12.52.36.png</image:loc>
      <image:title>Reviews - Griff Williams - Make it stand out</image:title>
      <image:caption>Griff on the set of Tell Them We Were Here</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/6ce728c6-19f8-432d-b32d-dab05db0d6c0/Screen+Shot+2025-09-20+at+12.53.36.png</image:loc>
      <image:title>Reviews - Griff Williams - Make it stand out</image:title>
      <image:caption>Tell Them We Were Here being screened</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/819d79b6-07d9-4060-8be0-4e697fe8060d/Screen+Shot+2025-09-20+at+12.50.48.png</image:loc>
      <image:title>Reviews - Griff Williams - Make it stand out</image:title>
      <image:caption>Tucker Nichols and Dave Eggers, Family Draw, Patio Music</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/8eec8159-e558-49ab-9203-0482880dbe94/Screen+Shot+2025-09-20+at+12.52.54.png</image:loc>
      <image:title>Reviews - Griff Williams - Make it stand out</image:title>
      <image:caption>Opening at G16</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/e508e6bb-56df-4a8f-9df0-9607e8746181/Screen+Shot+2025-09-20+at+12.53.22.png</image:loc>
      <image:title>Reviews - Griff Williams - Make it stand out</image:title>
      <image:caption>G16 art opening</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/5bd00a00-6262-4bec-818a-25770a735e20/Screen+Shot+2025-09-20+at+12.51.20.png</image:loc>
      <image:title>Reviews - Griff Williams - Make it stand out</image:title>
      <image:caption>G16 opening 100 records</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/4db78614-8854-4e6e-b195-b145ac80d939/Screen+Shot+2025-09-20+at+12.51.49.png</image:loc>
      <image:title>Reviews - Griff Williams - Make it stand out</image:title>
      <image:caption>Margaret Kilgallen at G16</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a5820e36-7ec6-42f6-bda1-4b59d6953933/Screen+Shot+2025-09-20+at+12.50.32.png</image:loc>
      <image:title>Reviews - Griff Williams - Make it stand out</image:title>
      <image:caption>Rex Ray exhibit at G16</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/46432092-61ea-4550-b37f-dda345cb1e65/Screen+Shot+2025-09-20+at+13.22.39.png</image:loc>
      <image:title>Reviews - Griff Williams - Make it stand out</image:title>
      <image:caption>Sonny Smith at G16</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/siana-smith</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a1b9da53-96cb-4887-8b9a-45d3752c89d3/Contemplate+sm.jpg</image:loc>
      <image:title>Reviews - Siana Smith - Siana Smith is a visual artist whose work explores the complexities of consumerism, personal attachment, and environmental impact through depictions of daily objects and people. Drawing on her experiences as an immigrant who arrived in the United States in the early 1990s, Siana’s art reflects a unique perspective shaped by her upbringing in post-Cultural Revolution China and her immersion in American consumer culture. This duality plays a central role in her practice, infusing her paintings with symbols of transience and tension that invite viewers to look beyond the surface allure of objects and consider their more profound social and psychological contexts. Siana’s work has been exhibited nationally at the De Young Museum, the New York Academy of Art, the Triton Museum of Santa Clara, Southern Arkansas University. Through her art, Siana engages in conversations about consumer culture, identity, and the environment.</image:title>
      <image:caption>Contemplate 48”X36”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/88167fcc-5b3c-49f1-becb-a5f1478abc7e/SianaSmith_Crmpl+I.jpg</image:loc>
      <image:title>Reviews - Siana Smith - HL:You arrived in the United States in the early 1990s. As an artist who is a keen observer, what were your perceptions of the United States before arriving, in comparison to the reality you observed after arriving?</image:title>
      <image:caption>(L) Crmpl I , oil on canvas, 48”X36”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/4d6fba7b-6da6-45d3-afd8-0ecf343228d4/weapon+4.jpg</image:loc>
      <image:title>Reviews - Siana Smith - SS: Growing up in China before it opened to the West, I had little exposure to Western art. Many books were forbidden and destroyed, and cultural life was restricted. One of my earliest memories of beauty came from listening secretly with my family to classical music on a short-wave radio at night, the volume turned low so we wouldn't be overheard. There were no art classes or after-school art activities, and my first formal encounter with art was much later, in college, when I took a drawing class, which I liked. At home, we hung three of my late grandfather's Chinese ink paintings. After moving to the United States, I was amazed at how art seemed to be everywhere: galleries, museums, public spaces. But in my early years, I was focused on survival: putting myself through school, building a career, and learning to adapt. Only later, once life felt more stable, did I allow myself to explore the arts more fully: taking dance lessons, studying piano, and taking up photography, especially bird photography, and eventually fully committed to fine art as my true calling.  Because I didn't grow up favoring one style, both old and new speak to me: the careful craft of traditional masters and the daring expressiveness of contemporary art. In my own practice, I find myself blending the two, using old-fashioned techniques to tell stories about the world we live in today.</image:title>
      <image:caption>(L) Weapon, oil on canvas, 72”X26”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/78583fa4-00d0-47e6-b3c4-58717bf324af/Other+places+in+time.jpg</image:loc>
      <image:title>Reviews - Siana Smith - HL: You have created in two seemingly very disparate sectors, on one hand, the technology sector as a software engineer, and on the other, now as a fine artist. What do engineers see in the world that artists may tend to miss, and what do artists see of the world that engineers might not see?</image:title>
      <image:caption>(L) Other Places in Time , oil on canvas, 24”X18”</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/775fc4a6-e5ff-4cb8-a51c-69956db6b20e/Screen+Shot+2025-09-16+at+18.50.05.png</image:loc>
      <image:title>Reviews - Siana Smith - Make it stand out</image:title>
      <image:caption>Cutting Edge, Oil on panel, 16”X20”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/cfe2297a-aae5-4f72-b3d6-dfda2fdffa40/Crmpl+IV.jpg</image:loc>
      <image:title>Reviews - Siana Smith - HL: Noting that it was a rediscovery of your passion implies there was a previous discovery that was later set aside for some time. Can you tell the story of your initial discovery of art and what led to putting your passion away until more recently?</image:title>
      <image:caption>(L) Crmpl IV , oil on canvas, 60”X48”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a261562a-802a-4705-8b10-913e43372f7c/9.9.2020%2C37.7018464419476%2C+-122.40675640172758+sm.JPG</image:loc>
      <image:title>Reviews - Siana Smith - Make it stand out</image:title>
      <image:caption>9.9.2020,37.7018464419476, -122.40675640172758 , oil on canvas, 48” X60”</image:caption>
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      <image:title>Reviews - Siana Smith - Make it stand out</image:title>
      <image:caption>Devirtualizatioin, oil on canvas, 24”X48”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1758074072455-9ECXNEPAFJTXO74TMWBO/Screen+Shot+2025-09-16+at+18.53.16.png</image:loc>
      <image:title>Reviews - Siana Smith</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1758074072349-ETLSW8Z6QT9DPYKDEGDI/Screen+Shot+2025-09-16+at+18.53.30.png</image:loc>
      <image:title>Reviews - Siana Smith</image:title>
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      <image:title>Reviews - Siana Smith</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1758073086574-9HSNO9UCPR715FNQ28JL/Haircut.jpg</image:loc>
      <image:title>Reviews - Siana Smith</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/44e27bd4-51e9-44ae-930b-d211757747e4/Screen+Shot+2025-09-16+at+18.02.22.png</image:loc>
      <image:title>Reviews - Siana Smith - Make it stand out</image:title>
      <image:caption>Crossing, mixed media, 21”X32”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/3ee1fb11-6c59-4bcb-a1b4-d9893ec1c39a/Screen+Shot+2025-09-16+at+18.01.27.png</image:loc>
      <image:title>Reviews - Siana Smith - Make it stand out</image:title>
      <image:caption>Battle, Oil on canvas, 24”X48”</image:caption>
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      <image:title>Reviews - Siana Smith - Make it stand out</image:title>
      <image:caption>Family Time 1 48”X72” triptych, oil on canvas</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/olin-johanssen-penultimate</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-19</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/f87b52cf-5621-4364-8dad-efb7555fe557/Olin+Johanssen-orio.png</image:loc>
      <image:title>Reviews - Olin Johanssen, Penultimate, Orion Custom Framing - Make it stand out</image:title>
      <image:caption>Olin Johanssen, close up of Péfto, Penultimate at Orion Custom Framing, 2025</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/58b33aa6-2502-480e-bc9f-b9a57b979e7e/Olin+Johanssen-orio-art.png</image:loc>
      <image:title>Reviews - Olin Johanssen, Penultimate, Orion Custom Framing - Make it stand out</image:title>
      <image:caption>Olin Johanssen, Baíno, oil on canvas, 30 x 24 inches, 2024</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/5ed7f239-6ca9-45bf-ad1e-bc7f3c7db02a/Olin+Johanssen-orio-painting.png</image:loc>
      <image:title>Reviews - Olin Johanssen, Penultimate, Orion Custom Framing - Make it stand out</image:title>
      <image:caption>Olin Johanssen, Fotiá, oil on canvas, 30 x 30 inches, 2024.</image:caption>
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      <image:title>Reviews - Olin Johanssen, Penultimate, Orion Custom Framing - Make it stand out</image:title>
      <image:caption>Olin Johanssen, Kairos, oil on canvas, 24 x 20 inches, 2024.</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/ahna-girshick</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/de1c8204-b146-4d1c-b261-8428b0d73eec/A4E21650-B70E-4AC2-9B8C-8DB4910D62D6_1_105_c.jpeg</image:loc>
      <image:title>Reviews - Ahna Girshick - Ahna Girshick explores the primal universal visual language that connects humans, machines, and nature. Her artwork has been exhibited at the Museum of Modern Art (NY), The Contemporary Jewish Museum (SF), and The Barbican Centre (London), Southern Exposure (SF), Ely Center for Contemporary Art (New Haven), 120710 (Berkeley), University of California School of Law (San Francisco), and White Columns registry (NY). She holds a PhD from UC Berkeley in Vision Science, and was a postdoctoral fellow at NYU. She lectures in UC Berkeley’s Cognitive Science program on shared illusions in human and machine perception, and has given public talks at The Commonwealth Club of California, Stanford Research Institute, The Internet Archive’s Intersection of Art and Technology salon, and other venues worldwide.</image:title>
      <image:caption>Ahna Girshick in her studio at the 120710 arts complex in west Berkeley, CA</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/e82bd9bf-06cd-4da8-bf90-d0de6feaafd8/Lower+Cordinices+Creek+2400x1800+RGB.jpg</image:loc>
      <image:title>Reviews - Ahna Girshick - Make it stand out</image:title>
      <image:caption>Machine Seeing Tree, Lower Cordinices Creek Archival pigment print, custom software. 12"x16". 2023</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/646c78b3-6d37-4c97-85c3-2f45f9888b19/Ahna+Girshick-Beck-collaboration.png</image:loc>
      <image:title>Reviews - Ahna Girshick - HL: Tell me more about your collaborations with artists like Philip Glass and Björk?</image:title>
      <image:caption>(L) NYC: 73-78 , Interactive digital video, 2012, Nine stills from a 21-minute experience. Audio remix</image:caption>
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      <image:title>Reviews - Ahna Girshick - Make it stand out</image:title>
      <image:caption>Convolutions (12 synthetic neurons from Inception v1, inception layer 3a), II Archival pigment print with UV coating on dibond panel, custom machine learning software. 15"x20". 2024</image:caption>
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      <image:title>Reviews - Ahna Girshick - Make it stand out</image:title>
      <image:caption>Convolutions (12 synthetic neurons from Inception v1, inception layer 3a), I Archival pigment print with UV coating on dibond panel, custom machine learning software. 15"x20". 2024</image:caption>
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      <image:title>Reviews - Ahna Girshick</image:title>
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      <image:title>Reviews - Ahna Girshick</image:title>
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      <image:title>Reviews - Ahna Girshick</image:title>
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      <image:title>Reviews - Ahna Girshick</image:title>
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      <image:title>Reviews - Ahna Girshick - Make it stand out</image:title>
      <image:caption>Bias Reflector, I UV-cured ink on glass mirror, custom machine learning software, 18”x14”, 2025 an innocent pattern – to understand its</image:caption>
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      <image:title>Reviews - Ahna Girshick - Make it stand out</image:title>
      <image:caption>Tree and River Segments, Found at Stow Lake Oil and acrylic on canvas. 40"x36". 2023 With detail of algorithmic process</image:caption>
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      <image:title>Reviews - Ahna Girshick - Make it stand out</image:title>
      <image:caption>Tree and River Segments, Found at Stow Lake Oil and acrylic on canvas. 40"x36". 2023 With detail of algorithmic process</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/98c4a165-c4c3-4835-95c6-9732ca7825d9/Blake_garden_segmentation_map.png</image:loc>
      <image:title>Reviews - Ahna Girshick - Make it stand out</image:title>
      <image:caption>Forest Vision Geography Oil and acrylic on canvas. 24"x30". 2023 With detail of algorithmic process and painted legend on back of canvas</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a0c1eb72-abb6-4972-b61e-6900e2d70114/Blake_garden+cropped.jpeg</image:loc>
      <image:title>Reviews - Ahna Girshick - AG: These days there is a glut of AI-generated imagery that just feels “dead”. I’m less interested in those tools, but I am very interested in these AIs’ perceptual processes and underlying technology. What assumptions do those tools make? What do they say about our own perception? I want my ideas processed through my human brain, or my human hand. All of my work starts with an idea, often a photo, then an algorithm, coding, then back to something material. In the last stage I try to discard many of the technical details that got me there and respond to the canvas, because in the end, a viewer will connect best to something human-generated.</image:title>
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      <image:title>Reviews - Ahna Girshick - Make it stand out</image:title>
      <image:caption>Gabor Filter Garden Oil on archival paper, custom software, 2021 25.5 cm x 18.5 cm</image:caption>
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      <image:title>Reviews - Ahna Girshick</image:title>
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      <image:title>Reviews - Ahna Girshick</image:title>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/don-scott-macdonald-and-jeffrey-beauchamp-cloud-songs-pamela-walsh-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-16</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1339def0-f301-41b3-8370-944ff2102f8b/Jeffrey+Beauchamp-rumors+of+a+deluge.png</image:loc>
      <image:title>Reviews - Don Scott Macdonald and Jeffrey Beauchamp, Cloud Songs, Pamela Walsh Gallery - Make it stand out</image:title>
      <image:caption>Jeffrey Beauchamp Spicy Rumors of a Deluge, 2025 Oil on canvas 36 in x 60 in</image:caption>
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      <image:title>Reviews - Don Scott Macdonald and Jeffrey Beauchamp, Cloud Songs, Pamela Walsh Gallery - Make it stand out</image:title>
      <image:caption>Don Scott Macdonald  Late, 2025 Oil and alkyd on canvas 36 in x 36 in</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/f7a327ee-0f56-4b14-b1d9-44f29c4d4909/Beauchamp-Jeffrey-pamela+walsh+gallery.png</image:loc>
      <image:title>Reviews - Don Scott Macdonald and Jeffrey Beauchamp, Cloud Songs, Pamela Walsh Gallery - Make it stand out</image:title>
      <image:caption>Jeffrey Beauchamp Rest On the Flight to Egypt, 2025 Oil on canvas 30 in x 30 in</image:caption>
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      <image:title>Reviews - Don Scott Macdonald and Jeffrey Beauchamp, Cloud Songs, Pamela Walsh Gallery</image:title>
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      <image:title>Reviews - Don Scott Macdonald and Jeffrey Beauchamp, Cloud Songs, Pamela Walsh Gallery</image:title>
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      <image:title>Reviews - Don Scott Macdonald and Jeffrey Beauchamp, Cloud Songs, Pamela Walsh Gallery - Make it stand out</image:title>
      <image:caption>Don Scott Macdonald  Westbound, 2021 Oil and alkyd on canvas 30 in x 30 in</image:caption>
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      <image:title>Reviews - Don Scott Macdonald and Jeffrey Beauchamp, Cloud Songs, Pamela Walsh Gallery - Make it stand out</image:title>
      <image:caption>Don Scott Macdonald Unfurling, 2025 Oil and alkyd on canvas 30 in x 30 in</image:caption>
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      <image:title>Reviews - Don Scott Macdonald and Jeffrey Beauchamp, Cloud Songs, Pamela Walsh Gallery - Make it stand out</image:title>
      <image:caption>Jeffrey Beauchamp Pavarotti Sings the ABC Song In His Sleep, 2025 Oil on canvas 36 in x 60 in</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/94303186-6882-4c27-80dc-2213528f7942/Beauchamp-landscape-pamela+walsh.png</image:loc>
      <image:title>Reviews - Don Scott Macdonald and Jeffrey Beauchamp, Cloud Songs, Pamela Walsh Gallery - Make it stand out</image:title>
      <image:caption>Jeffrey Beauchamp Rosemary Unleashes the Nerf Jihad, 2007 Oil on canvas 84 in x 60 in</image:caption>
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      <image:title>Reviews - Don Scott Macdonald and Jeffrey Beauchamp, Cloud Songs, Pamela Walsh Gallery</image:title>
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      <image:title>Reviews - Don Scott Macdonald and Jeffrey Beauchamp, Cloud Songs, Pamela Walsh Gallery</image:title>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/jeffrey-gibson-the-space-in-which-to-place-me-the-broad-los-angeles-california</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-15</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/98de878b-3e47-4db2-b7f6-c3f9b740ec6b/1.Jeffrey+Gibson+Headshot.jpg</image:loc>
      <image:title>Reviews - Jeffrey Gibson, the space in which to place me, The Broad, Los Angeles, California - By Liz Goldner</image:title>
      <image:caption>Artistic marvels in a variety of kaleidoscopic colors are displayed in Jeffrey Gibson's exhibition, the space in which to place me. The title is from the Oglala Lakota poet Layli Long Soldier's poem, "Ȟe Sápa," which contemplates Indigeneity. The more than 30 murals, flags, paintings, birds, sculptural pieces, busts, and other shapes in this show reflect a variety of influences. These include traditional Native art, modernism, popular culture, dancing, pow wows, music, and Gibson's personal philosophy of interconnectedness. Lyrics from songs by Tracy Chapman, Mahalia Jackson, Roberta Flack, and Nina Simone are interwoven into the text in this work.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1ea63fda-1a3e-4069-9070-cf2c1e7bcb30/BIRDS+FLYING+HIGH+YOU+KNOW+HOW+I+FEEL.jpg</image:loc>
      <image:title>Reviews - Jeffrey Gibson, the space in which to place me, The Broad, Los Angeles, California - Make it stand out</image:title>
      <image:caption>BIRDS FLYING HIGH YOU KNOW HOW I FEEL, 2024, Courtesy of Jeffrey Gibson Studio</image:caption>
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      <image:title>Reviews - Jeffrey Gibson, the space in which to place me, The Broad, Los Angeles, California</image:title>
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      <image:title>Reviews - Jeffrey Gibson, the space in which to place me, The Broad, Los Angeles, California</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/029be00c-ed17-46cf-8cc0-b602330a18f6/The+Returned+Male+Student.jpg</image:loc>
      <image:title>Reviews - Jeffrey Gibson, the space in which to place me, The Broad, Los Angeles, California - Make it stand out</image:title>
      <image:caption>THE RETURNED MALE STUDENT FAR TOO FREQUENTLY GOES BACK TO THE RESERVATION AND FALLS INTO THE OLD CUSTOM OF LETTING HIS HAIR GROW LONG, 2024, Courtesy of Jeffrey Gibson Studio, Photo by: Max Yawney</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/don-farnsworth-parma</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-19</lastmod>
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      <image:title>Reviews - Donald Farnsworth, The Parma Portraits, Boca Raton Museum of Art - Make it stand out</image:title>
      <image:caption>The Parma Portraits - by Donald Farnsworth ISBN 9781736846919 PDF copy: https://www.magnoliapaper.com/s/parmaportraitsv4.pdf</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a0f8c25c-ec3c-4199-b930-9fa6f9284894/Laura%2C+2023_DSF2591+copy.jpg</image:loc>
      <image:title>Reviews - Donald Farnsworth, The Parma Portraits, Boca Raton Museum of Art - Make it stand out</image:title>
      <image:caption>Laura, Physician, 2023</image:caption>
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      <image:title>Reviews - Donald Farnsworth, The Parma Portraits, Boca Raton Museum of Art - Make it stand out</image:title>
      <image:caption>Era Farnsworth, Donald's wife.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/2de7aa90-8d56-4cd6-93b3-323aae6d5bc9/Corina%2C+2023_DSF2620+copy.jpg</image:loc>
      <image:title>Reviews - Donald Farnsworth, The Parma Portraits, Boca Raton Museum of Art - Make it stand out</image:title>
      <image:caption>Corina, Nurse, 2023</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/e02702a4-a606-4b4d-968f-105d38c045df/Angelo%2C+2023+Angelo_DSF2588+copy.jpg</image:loc>
      <image:title>Reviews - Donald Farnsworth, The Parma Portraits, Boca Raton Museum of Art - Make it stand out</image:title>
      <image:caption>Angelo, Nursing orderly and aide, 2023</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a362feb6-a549-46d7-874c-60c327a85347/Arianna_DSF2639+copy.jpg</image:loc>
      <image:title>Reviews - Donald Farnsworth, The Parma Portraits, Boca Raton Museum of Art - Make it stand out</image:title>
      <image:caption>Arianna, Infectious disease specialist, 2022</image:caption>
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      <image:title>Reviews - Donald Farnsworth, The Parma Portraits, Boca Raton Museum of Art - Make it stand out</image:title>
      <image:caption>Federica, Physician, 2023</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/29d6489f-1bf9-4c90-98ed-ea147a7ed53d/Claudia%2C+2023_DSF2600+copy.jpg</image:loc>
      <image:title>Reviews - Donald Farnsworth, The Parma Portraits, Boca Raton Museum of Art - Make it stand out</image:title>
      <image:caption>Claudia, Infectious Disease Specialist, 2023</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/leilah-babirye-we-have-a-history-de-young-museum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-11</lastmod>
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      <image:title>Reviews - Leilah Babirye, We Have A History, de Young Museum - Make it stand out</image:title>
      <image:caption>Installation view of "Leilah Babirye: We Have a History", de Young, San Francisco, 2024. Photo by Gary Sexton. Image courtesy of the Fine Arts Museums of San Francisco</image:caption>
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      <image:title>Reviews - Leilah Babirye, We Have A History, de Young Museum - Make it stand out</image:title>
      <image:caption>Installation view of "Leilah Babirye: We Have a History", de Young, San Francisco, 2024. Photo by Gary Sexton. Image courtesy of the Fine Arts Museums of San Francisco From L to R: “Bakalipo (Family of Sisters),” “Senga Wensonga (Matchmaker Auntie),” "Abambejja ba Kabaka (Sister of the King III),” (2020)</image:caption>
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      <image:title>Reviews - Leilah Babirye, We Have A History, de Young Museum - Make it stand out</image:title>
      <image:caption>Portrait of the artist (2022). Courtesy Stephen Friedman Gallery, London and New York. Photo by Mark Hartman.</image:caption>
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      <image:title>Reviews - Leilah Babirye, We Have A History, de Young Museum - Make it stand out</image:title>
      <image:caption>Leilah Babirye, "Omugole Omukyala Namirembe Kaddulubale (Peaceful Bride of Mwanga II)," 2020 Wood, wax, nails, wire, glue, and found objects (96 1/8 x 36 5/8 x 11 3/4 in. (244.16 x 93.03 x 29.84 cm), Collection of Steve Corkin &amp; Dan Maddalena</image:caption>
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      <image:title>Reviews - Leilah Babirye, We Have A History, de Young Museum - Make it stand out</image:title>
      <image:caption>Leilah Babirye, "Nakimbugwe from the Kuchu Royal Family of Buganda," 2024 Ceramic, wood, copper, wire, and bicycle tyre inner tubes, 41 x 18 x 18 in., (104.14 x 45.72 x 45.72 cm,). Courtesy of the artist, Stephen Friedman Gallery, London and New York, and Gordon Robichaux, New York</image:caption>
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      <image:title>Reviews - Leilah Babirye, We Have A History, de Young Museum - Make it stand out</image:title>
      <image:caption>Installation view of "Leilah Babirye: We Have a History", de Young, San Francisco, 2024. Photo by Gary Sexton. Image courtesy of the Fine Arts Museums of San Francisco L: "Katiiti Kalibbala from the Nsenene (Grasshopper) Clan" (2024)</image:caption>
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  <url>
    <loc>https://www.roborantreview.com/reviews/leilah-babirye-we-have-a-history-de-young-museum-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-11</lastmod>
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      <image:title>Reviews - Leilah Babirye, We Have A History, de Young Museum, San Francisco - Make it stand out</image:title>
      <image:caption>Installation Views, Leilah Babirye, We Have A History , photo Grey Dey</image:caption>
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      <image:title>Reviews - Leilah Babirye, We Have A History, de Young Museum, San Francisco - Make it stand out</image:title>
      <image:caption>(L) Leilah Babirye "Omugole Omukyala Namirembe Kaddulubale (Peaceful Bride of Mwanga II)," 2020 Wood, wax, nails, wire, glue and found objects, (96 1/8 x 36 5/8 x 11 3/4 in. (244.16 x 93.03 x 29.84 cm) Collection of Steve Corkin &amp; Dan Maddalena (R) Leilah Babirye "Nakatiiti from the Kuchu Grasshopper Clan," 2020 Wood, copper, nails, found objects, 63 3/4 x 29 1/2 x 8 in. (161.93 x 74.93 x 20.32 cm) Courtesy Gordon Robichaux, New York</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/88abf359-4423-4657-aaca-94a4873cc849/Leilah+Babirye-sculpture-african-+grey+dey.png</image:loc>
      <image:title>Reviews - Leilah Babirye, We Have A History, de Young Museum, San Francisco - Make it stand out</image:title>
      <image:caption>(L) Leilah Babirye "Namasole Naluggwa (The King's Mother)," 2019 Glazed ceramic, wood, metal and found objects, 47 1/2 x 18 x 10 in. (120.65 x 45.72 x 25.40 cm) Collection of Wayee Chu and Ethan Beard, San Francisco (R) Baawala from the Kuchu Mamba (Lungfish) Clan, 2022, glazed ceramic, bicycle tire inner tubes, and aluminum wire</image:caption>
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      <image:title>Reviews - Leilah Babirye, We Have A History, de Young Museum, San Francisco - Make it stand out</image:title>
      <image:caption>Installation View, Leilah Babirye, We Have a History photo: Grey Dey</image:caption>
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      <image:title>Reviews - Leilah Babirye, We Have A History, de Young Museum, San Francisco - Make it stand out</image:title>
      <image:caption>Installation view of "Leilah Babirye: We Have a History", de Young, San Francisco, 2024.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/bc296b0a-7793-4602-9525-ae76f365d519/Leilah+Babirye-sculpture-bust.png</image:loc>
      <image:title>Reviews - Leilah Babirye, We Have A History, de Young Museum, San Francisco - Make it stand out</image:title>
      <image:caption>Leilah Babirye "Senga Muzanganda (Auntie Muzanganda)," 2020 Glazed ceramic, wire and found objects, 55 x 22 1/2 x 17 1/8 in. (139.7 x 57.15 x 43.51 cm) Property of a Private Collection, Boston</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/enrique-chagoya</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/9cfc37e3-60ba-49b0-be4b-342d61322282/enrique+chagoya+headshot.png</image:loc>
      <image:title>Reviews - Enrique Chagoya - Enrique Chagoya holds a BFA in printmaking from the San Francisco Art Institute and an MFA from the University of California, Berkeley. A professor at Stanford University, he shows nationally and internationally, including a 2007 retrospective organized by the Des Moines Art Center in Iowa which travelled to the UC Berkeley Art Museum and Palm Springs Art Museum, the 17th Biennale of Sydney, and a 2013 exhibition at the Centro Museum ARTIUM in the Basque capital of Vitoria-Gasteiz (Spain) which went to the CAAM in the Canary Islands. His work is held in the permanent collections of SFMOMA, the de Young Museum, LACMA, the National Museum of American Art, the Des Moines Art Center, the Whitney Museum of American Art, the Museum of Modern Art, New York, the Metropolitan Museum of Art, New York, and the New York Public Library.</image:title>
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      <image:title>Reviews - Enrique Chagoya - Make it stand out</image:title>
      <image:caption>Wild Spirits that Shine Obstinately Beyond Walls, 2023 Acrylic, water-soluble oil, matte medium and glass eyes on Amate paper mounted on canvas 16 x 96 inches overall; eight panels: 16 x 12 inches each.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c14c46e3-9786-483d-85d7-6808c112b0d4/37e534298d93472b50bbba8046b3c2de.jpg</image:loc>
      <image:title>Reviews - Enrique Chagoya - Hugh Leeman: Enrique, as a child, you grew up in Mexico, and there was an Indigenous nurse who took care of you. It changed your perspective on racial inequality within Mexico and expanded your understanding of Indigenous histories that continue to influence your artwork. Who was this nurse, and what can you tell us about her story?</image:title>
      <image:caption>Enrique Chagoya Detention at the Border of Language, 2023 Acrylic and water soluble oil on handmade Amate paper mounted on canvas with solvent transfers 60 x 80 inches</image:caption>
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      <image:title>Reviews - Enrique Chagoya - Make it stand out</image:title>
      <image:caption>Encounter at the Border of Language, 2024 Acrylic and water-mixable oil on handmade amate paper mounted on canvas, 60 x 80 in</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c3eabac4-9735-4d28-a892-d4ecd7c5b373/Untitled+%28Shoes%29.jpg</image:loc>
      <image:title>Reviews - Enrique Chagoya - Make it stand out</image:title>
      <image:caption>Untitled (Shoes), 2004 Charcoal, pastel on paper mounted on canvas 60 x 60 in.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/4f98b7fe-4e3d-4293-839c-edaa9fd4e71f/The+Seven+Deadly+Sins+Gluttony.jpg</image:loc>
      <image:title>Reviews - Enrique Chagoya - Make it stand out</image:title>
      <image:caption>The Seven Deadly Sins: Gluttony, 2020 Acrylic and water mixable oil, with glass eyes collaged on canvas. 12 x 16 in.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/96107948-df5e-44af-ba39-e096ffc86b72/Yesterday+is+Never+Again.jpeg</image:loc>
      <image:title>Reviews - Enrique Chagoya - Make it stand out</image:title>
      <image:caption>Yesterday is Never Again, Today is Still Forever/Ayer es nunca jamas, hoy es siempre todavia, 2006 Acrylic and water-based oil on canvas 60 x 80 in.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/6a20eee4-d812-4be0-be17-aac771240f4c/Enrique+Chagoya-christian-controversy.webp</image:loc>
      <image:title>Reviews - Enrique Chagoya - Make it stand out</image:title>
      <image:caption>Ghostly Meditations (perpetual anarchist church), 2012 Acrylic and India ink on de-acidified 19th century paper (facing pages of etchings from a 19th century book) 13 3/4 × 18 3/4 in | 34.9 × 47.6 cm</image:caption>
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      <image:title>Reviews - Enrique Chagoya - Make it stand out</image:title>
      <image:caption>Damaged artwork in Loveland Colorado</image:caption>
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      <image:title>Reviews - Enrique Chagoya - EC: Well, the difference is that some people just "see with their ears"; they believe what they've been told to believe. Others see with their eyes and their own independent minds. Censorship is usually a sign that you are doing something that threatens power, especially when you are speaking truth to power. What is happening in the world is that the wealthy have gotten super-wealthy in the last 30 or 40 years, since the Reagan administration began to end regulation. The middle and working classes have lost income dramatically. The American dream is collapsing in front of our eyes. This is not the first time it's happened; we had a "Gilded Age" before, but now we have a "Gilded Age" on steroids. This is what I'm talking about when I say history repeats itself. Hegel, the conservative philosopher, said history repeats twice, the first time as a tragedy, and the second as a farce. Marx was talking about Napoleon III compared to the first Napoleon. But I think humans are the only animals that trip twice on the same stone. History repeats, and the first time is a tragedy, but the second time is a catastrophe, because we should have learned our lesson.</image:title>
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      <image:title>Reviews - Enrique Chagoya - Make it stand out</image:title>
      <image:caption>An Object That Was Not What It Thought, 2025 Acrylic on handmade amate paper mounted on canvas.  60”x80”</image:caption>
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      <image:title>Reviews - Enrique Chagoya - Make it stand out</image:title>
      <image:caption>Road Map, 2003 Color lithograph with folds 22 × 30 in | 55.9 × 76.2 cm Edition of 30</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/e0697fd0-d396-4a4c-bade-3edc84a0ce80/border+wall-chagoya.png</image:loc>
      <image:title>Reviews - Enrique Chagoya - Make it stand out</image:title>
      <image:caption>Danza Macabra, 2025 Acrylic on handmade amate paper mounted on canvas.  60”x80”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/7c416fc3-8c99-4ae7-b530-da862bd493af/Screen+Shot+2025-09-08+at+16.52.37.png</image:loc>
      <image:title>Reviews - Enrique Chagoya - Make it stand out</image:title>
      <image:caption>Dance of The Nothing In Between, 2025 Acrylic on handmade amate paper mounted on canvas.  12”x16”</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/jessica-jane-charleston-nightsong-cult-aimee-friberg</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-19</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/b7b09bf9-e842-48b3-9ca4-cc59d348a309/Jessica+Jane+Charleston.png</image:loc>
      <image:title>Reviews - Jessica Jane Charleston, Nightsong, CULT Aimee Friberg - Make it stand out</image:title>
      <image:caption>Mural installation at Cult Aimee Friberg Gallery in San Francisc by Jessica Jane Charleston</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/f07d903a-1e1e-4088-afd4-ed7dbd37e349/Jessica+Jane+Charleston-cult+aimee+friberg.png</image:loc>
      <image:title>Reviews - Jessica Jane Charleston, Nightsong, CULT Aimee Friberg - Make it stand out</image:title>
      <image:caption>She Talks to Snakes and they Guide Her, 2025, Acrylic on canvas,16 x 12 1/8 in, 40.8 x 30.8 cm</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/2ea6f914-1cbd-4397-8b03-e902cdd26b21/Jessica+Jane+Charleston-cult+aimee+friberg-sf.png</image:loc>
      <image:title>Reviews - Jessica Jane Charleston, Nightsong, CULT Aimee Friberg - Make it stand out</image:title>
      <image:caption>The Horses in the Middle of the Night, in the Middle of the Woods, 2025, Acrylic on canvas, 40 x 79 7/8 in, 101.5 x 203 cm</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/aa336578-64ae-4998-824a-e7b5abb9aaad/Jessica+Jane+Charleston-cult+aimee+friberg-installation.png</image:loc>
      <image:title>Reviews - Jessica Jane Charleston, Nightsong, CULT Aimee Friberg - Make it stand out</image:title>
      <image:caption>Red Roses, 2025, Acrylic on canvas, 43 7/8 x 34 in, 111.5 x 86.4 cm</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/4d54d242-2e15-4500-b629-eb04ab1b94bd/Jessica+Jane+Charleston-cult+aimee+friberg-painting.png</image:loc>
      <image:title>Reviews - Jessica Jane Charleston, Nightsong, CULT Aimee Friberg - Make it stand out</image:title>
      <image:caption>Blue Flight, 2025,Acrylic on canvas, 44 x 33 7/8 in, 111.6 x 86 cm</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/af1bf411-e049-40e7-8b9c-fdb16e28a96c/Jessica+Jane+Charleston-cult+aimee+friberg-artworks.png</image:loc>
      <image:title>Reviews - Jessica Jane Charleston, Nightsong, CULT Aimee Friberg - Make it stand out</image:title>
      <image:caption>Daily ink drawings, installation view</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/caleb-hahne-quintana-a-boy-that-dont-bleed-anat-ebgi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/99891a6f-b1d9-44b9-8f23-47d6caf5bc37/Caleb+Hahne+Quintana-waterfall+and+boy.png</image:loc>
      <image:title>Reviews - Caleb Hahne Quintana, A Boy that Don't Bleed, Anat Ebgi - Make it stand out</image:title>
      <image:caption>(Detail) A Flicker in the Ancient Rhythm, 2025 Flashe and drybrush on linen 74' x 54"</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/5606c312-5c71-4217-ab5c-c96f5b87a1fd/Caleb+Hahne+Quintana-the+record+keeper.png</image:loc>
      <image:title>Reviews - Caleb Hahne Quintana, A Boy that Don't Bleed, Anat Ebgi - Make it stand out</image:title>
      <image:caption>The Record Keeper, 2025 Oil and acrylic on clayboard Artwork 7” x 5”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/8ba13aea-1398-4213-87e4-b6b11895e8e7/Caleb+Hahne+Quintana-boy+that+dont+bleed.png</image:loc>
      <image:title>Reviews - Caleb Hahne Quintana, A Boy that Don't Bleed, Anat Ebgi - Make it stand out</image:title>
      <image:caption>Between Flesh and Stone, 2024-2025 Flashe on linen 72" x 46"</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/7b543816-1114-44dd-ba2d-670c4cd027d5/Caleb+Hahne+Quintana-horse.png</image:loc>
      <image:title>Reviews - Caleb Hahne Quintana, A Boy that Don't Bleed, Anat Ebgi - Make it stand out</image:title>
      <image:caption>Specter (Threshold), 2024-25 Oil and flashe on linen 54” x 74”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/0afe6080-1d08-4a3e-8c8c-23391e7d5beb/Caleb+Hahne+Quintana-+waterfall.png</image:loc>
      <image:title>Reviews - Caleb Hahne Quintana, A Boy that Don't Bleed, Anat Ebgi</image:title>
      <image:caption>The horse as counterpart is best seen in A Flicker in the Ancient Rhythm. Standing in awe, hands at his side, palms turned out, the protagonist's posture disquieted by his arrival at the cusp of an ongoing half-lit trail. A two-tiered waterfall's crashing mist, combined with the passing of a celestial body's supernatural light, has created a rainbow, suggesting a kaleidoscopic shift in perception. Once again dressed in blue, the boy has taken steps ahead of his horse to marvel at the cascading water central to the more than 6-foot-tall painting. As we admire the brilliance of the painter's poetry, we can momentarily become the boy, standing between luminance and the water hole with hints of the moon reflecting across its ripples, its dark body suggesting the profundities of the unknown and all that lies beyond what light allows us to see.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1852e60d-8c21-496e-a1e2-bd1af764afe2/Caleb-Hahne-Quintana-081125-01+copy.jpg</image:loc>
      <image:title>Reviews - Caleb Hahne Quintana, A Boy that Don't Bleed, Anat Ebgi</image:title>
      <image:caption>Although the artist plumbs the darkness, he is brilliant for what he holds us with under the bright yellow ochre light. In The Soul Is the Body's Witness, Quintana shows us from above the barefoot boy in blue jeans and a white t-shirt, considering the self through a downward gaze cast across his elongated shadow. The shadow's heart glows amidst its center, creating a sense of spiritual engagement with the alter ego. The scene is calm, blending realism with inquiry under blazing light, and we are witnesses to his confrontation with the intangibility of the internal. The curious yellow-orange light lends the painting a mythic feel, perhaps inspired by the forest fires of the artist's native Colorado, which have appeared in previous paintings, and he speaks of plastering the sky in orangish tints.[3]</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c09561b7-96f5-4cb3-90bc-581e8487f46e/Caleb+Hahne+Quintana-volcano.png</image:loc>
      <image:title>Reviews - Caleb Hahne Quintana, A Boy that Don't Bleed, Anat Ebgi</image:title>
      <image:caption>The relative calm confrontation of The Soul Is the Body's Witness erupts like the volcano; Quintana paints in Study of Vesuvius Erupting (Alessandro d'Anna) as the boy is hit by the storm of shadow and self in The Boy Fights Himself. Backdropped by a tree bent to its trunk's extreme nature mirrors the corporeal struggle between the boy who won't bleed and the elements within. The inevitable inner conflict has turned to violence, recalling the ancient Judeo-Christian conflict of Jacob wrestling the angel, visually synthesizing humans' ongoing conflict between shadow and self. Artists from Rembrandt to Chagall and Delacroix to Gauguin have painted the story inspired by the book of Genesis, which presents the event as "And Jacob was left alone; and there wrestled a man with him until the breaking of the day." [4]</image:caption>
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      <image:title>Reviews - Caleb Hahne Quintana, A Boy that Don't Bleed, Anat Ebgi - Make it stand out</image:title>
      <image:caption>The Boy Fights Himself, 2025 Oil on linen 30” x 40"</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/270d148b-404a-4251-90b2-b29e4087d7f0/Caleb+Hahne+Quintana-sleeping+boy.png</image:loc>
      <image:title>Reviews - Caleb Hahne Quintana, A Boy that Don't Bleed, Anat Ebgi - Make it stand out</image:title>
      <image:caption>Hour Without Shadow, 2024, Oil on linen, 24” x 46"</image:caption>
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      <image:title>Reviews - Caleb Hahne Quintana, A Boy that Don't Bleed, Anat Ebgi</image:title>
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      <image:title>Reviews - Caleb Hahne Quintana, A Boy that Don't Bleed, Anat Ebgi</image:title>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/danae-mattes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/014378e9-5fd9-41ce-8c3e-b7d9ec4e472b/Danae+Mattes.png</image:loc>
      <image:title>Reviews - Danae Mattes, Of Water, Dust, and Light, Dolby Chadwick Gallery - Make it stand out</image:title>
      <image:caption>Danae Mattes Of Water, Dust, and Light, IX, 2025 Clay and mica on canvas73 x 136 in</image:caption>
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      <image:title>Reviews - Danae Mattes, Of Water, Dust, and Light, Dolby Chadwick Gallery - Make it stand out</image:title>
      <image:caption>Danae MattesOf Water, Dust, and Light, VI, 2025 Clay and mica on canvas 78 x 66 in</image:caption>
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      <image:title>Reviews - Danae Mattes, Of Water, Dust, and Light, Dolby Chadwick Gallery - Make it stand out</image:title>
      <image:caption>Danae Mattes Vault Clay and mica on canvas 72 x 65 in</image:caption>
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      <image:title>Reviews - Danae Mattes, Of Water, Dust, and Light, Dolby Chadwick Gallery - Make it stand out</image:title>
      <image:caption>Danae Mattes Of Water, Dust, and Light, V, 2025 Clay and mica on canvas 66 x 65 in</image:caption>
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      <image:title>Reviews - Danae Mattes, Of Water, Dust, and Light, Dolby Chadwick Gallery - Make it stand out</image:title>
      <image:caption>Danae Mattes Rising III Clay and mica on canvas , 60 x 42 in</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/dean-larson</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/842e8323-62ca-411f-b0b5-24874d8b5ef9/dean+larson+painting-workers-scaffolding.jpeg</image:loc>
      <image:title>Reviews - Dean Larson - Artist Dean Larson was raised in Palmer, Alaska, where he first learned painting under the mentorship of Alaskan Artist Fred Machetanz. After graduating from Willamette University in Salem, Oregon, Dean moved to Baltimore, Maryland, for graduate studies at the Schuler's School of Fine Art and Towson University. In 1997, the artist moved to San Francisco, CA. Dean's commissioned portraits and studio paintings can be found in museums and other public collections in the United States and Europe. Larson has also taught painting (mainly cityscape and landscape) at the Academy of Art University in San Francisco since 2006. He maintains a studio near Mission Dolores, the original Spanish Mission in San Francisco. Larson has painted the portraits of Senator Ted Stevens, which hang in the United States Capitol in Washington, D.C., and Senator Mark Hatfield, which hangs at Willamette University. Larson's work is also included in the collections of the United States Institute of Peace (USIP), the Alaska State Capitol, Triton Museum of Art, and the Smithsonian's National Portrait Gallery</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/44f6aa12-5966-42c9-893d-9e7a5a70c45f/dean+larson+painting-beach+scene.jpg</image:loc>
      <image:title>Reviews - Dean Larson</image:title>
      <image:caption>Sunset on the Beach, oil on canvas 48x36 in</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/705a7892-52ba-4785-8010-7f088cbaea51/dean+larson-ted+stephens-portrait.jpg</image:loc>
      <image:title>Reviews - Dean Larson - Make it stand out</image:title>
      <image:caption>Ted Stephens , 2018, oil on cavas, 47 x 35.25 in, U.S. Senate Collection</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1756670460952-TAHMHY3WZLG3NYHAUUH9/Screen+Shot+2025-08-31+at+12.48.09.png</image:loc>
      <image:title>Reviews - Dean Larson</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1756670460239-G233635VZ4GZL39PB8L7/fbee5c399fba1e92cdd0e51824f402e0.jpg</image:loc>
      <image:title>Reviews - Dean Larson</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/d5d70baf-da53-44f3-a1cf-ee69491b8686/dean+larson-ballet+painting.jpeg</image:loc>
      <image:title>Reviews - Dean Larson - HL: One of your more intimate subjects is your former partner, a ballet dancer at San Francisco's Lines Ballet studios. Can you share how it felt to paint someone you shared such a personal connection with, and how that process differs from rendering the likeness of public figures? DL: José I. Ibarra and his dance partner Pete Litwinowicz had a company called DanceContinuumSF for six years, and so helping out with rehearsals and performances became a regular activity.  One of the places they would rehearse, the Lines Ballet studios, has large semi-circular Palladian windows that look out over Market Street, United Nations Plaza, and also San Francisco City Hall.  The group's dancers allowed me to photograph them regularly during rehearsals, and from that, an entire series of dance-themed compositions was developed.</image:title>
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      <image:title>Reviews - Dean Larson</image:title>
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      <image:title>Reviews - Dean Larson</image:title>
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      <image:title>Reviews - Dean Larson</image:title>
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      <image:title>Reviews - Dean Larson</image:title>
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      <image:title>Reviews - Dean Larson - Make it stand out</image:title>
      <image:caption>Rowboat, 30x40 in., oil on canvas</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/b4c8e139-1431-48df-bb53-77f64218b1c7/san+lorenzo+market</image:loc>
      <image:title>Reviews - Dean Larson - Make it stand out</image:title>
      <image:caption>San Lorenzo Market, 2015, oil on canvas, 12 x 9 in.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/86322104-1910-4980-887e-1865e0a6bc3e/dean+larson-san+francisco.jpeg</image:loc>
      <image:title>Reviews - Dean Larson - Make it stand out</image:title>
      <image:caption>Winter Rains (Market Street, San Francisco) oil on canvas, 30x30 in</image:caption>
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      <image:title>Reviews - Dean Larson - Make it stand out</image:title>
      <image:caption>Bi-Rite Market, oil on canvas, 12x16 in</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/ruth-asawa-retrospective-sfmoma</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-11</lastmod>
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      <image:title>Reviews - Ruth Asawa, Retrospective, SFMOMA - Make it stand out</image:title>
      <image:caption>Imogen Cunningham, Untitled (Ruth Asawa holding a looped wire sculpture), sepia-toned gelatin silver print., 1952</image:caption>
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      <image:title>Reviews - Ruth Asawa, Retrospective, SFMOMA - Make it stand out</image:title>
      <image:caption>Ruth Asawa, multiple hanging wire sculptures, San Francisco Museum of Modern Art Restrospective, 2025</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/8499c505-1ff0-4456-b30b-e290c7abba53/watermelons-ruth+asawa.png</image:loc>
      <image:title>Reviews - Ruth Asawa, Retrospective, SFMOMA - Make it stand out</image:title>
      <image:caption>Ruth Asawa, Untitled (WC.187, Two Watermelons), ink on paper, c. 1960s</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/6cc3edf6-92c6-4235-9a79-61a38c218b62/living+room-ruth+asawa.png</image:loc>
      <image:title>Reviews - Ruth Asawa, Retrospective, SFMOMA - Make it stand out</image:title>
      <image:caption>Recreation of Ruth Asawa’s Living Room, Digital Photograph, “Ruth Asawa: Retrospective" exhibition at the San Francisco Museum of Modern Art (SFMOMA), 2025.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/5927f8c0-4ef8-46c4-a8ee-4636b4ef8f3a/ceramic+face+masks-ruth+asawa.png</image:loc>
      <image:title>Reviews - Ruth Asawa, Retrospective, SFMOMA - Make it stand out</image:title>
      <image:caption>Ruth Asawa, various ceramic face masks (c.1960s-2000), “Ruth Asawa: Retrospective" exhibition at the San Francisco Museum of Modern Art (SFMOMA), 2025</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/209668cb-3026-4679-ab66-c67519f2b32f/lithograph-ruth+asawa.png</image:loc>
      <image:title>Reviews - Ruth Asawa, Retrospective, SFMOMA - What distinguishes this retrospective from previous presentations is its refusal to isolate Asawa as merely a sculptor of ethereal forms. It presents a fuller picture—one that includes early drawings, student work, teaching materials, civic efforts, and family ephemera. The result is not an enigmatic myth of the lone genius, but a portrait of someone who believed art should live in schools, gardens, and neighborhoods. Her practice was porous; her legacy communal.</image:title>
      <image:caption>Ruth Asawa, Spring (TAM.1474), lithograph, printed by Tamarind Lithography Workshop, Los Angeles, 1965</image:caption>
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      <image:title>Reviews - Ruth Asawa, Retrospective, SFMOMA - Make it stand out</image:title>
      <image:caption>Ruth Asawa, A display of various wire sculptures, Ruth Asawa Retrospective, San Francisco Museum of Modern Art, 2025</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c4629eaf-1ede-4122-94f9-f9631be2aa5e/green+splatter+art-on+paper.png</image:loc>
      <image:title>Reviews - Ruth Asawa, Retrospective, SFMOMA - Make it stand out</image:title>
      <image:caption>Ruth Asawa, Untitled (PF.293 Bouquet from Anni Albers), ink on paper, c. early 1990s</image:caption>
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      <image:title>Reviews - Ruth Asawa, Retrospective, SFMOMA - Make it stand out</image:title>
      <image:caption>Gallery room, Digital Photograph, “Ruth Asawa: Retrospective" exhibition at the San Francisco Museum of Modern Art (SFMOMA), 2025.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/pamela-carroll-the-beauty-inherent-bakersfield-museum-of-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a323bc6c-15a1-49a7-bcf4-91bccc3613e1/Succulents+and+Aloe.png</image:loc>
      <image:title>Reviews - Pamela Carroll, The Beauty Inherent, Bakersfield Museum of Art - Make it stand out</image:title>
      <image:caption>Aloe with Books and Shells, oil on Panel, 2013</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/b6c5ea08-e02a-42ae-814f-69a2251ef000/Silk+cloth+with+lemons</image:loc>
      <image:title>Reviews - Pamela Carroll, The Beauty Inherent, Bakersfield Museum of Art - Make it stand out</image:title>
      <image:caption>Silk Cloth and Lemons, 16 x 12', Oil on panel, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a2460ad3-ab07-4ea9-a995-ae53e1b92699/Succulents+with+Basket.png</image:loc>
      <image:title>Reviews - Pamela Carroll, The Beauty Inherent, Bakersfield Museum of Art - Make it stand out</image:title>
      <image:caption>Pamela Carroll, Still Life with Shell, Books and Tea Chest, 20002, Oil on panel, 11" x 14"</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/0e84f540-92d1-4876-97d7-8ef308830814/Pear.png</image:loc>
      <image:title>Reviews - Pamela Carroll, The Beauty Inherent, Bakersfield Museum of Art - Make it stand out</image:title>
      <image:caption>Pear, 6” x 6”, oil on panel, 2025</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/7e6da12e-94ae-4e2d-9fc4-62d1f0f0fcb6/Lemons+in+Spongeware+Bowl.png</image:loc>
      <image:title>Reviews - Pamela Carroll, The Beauty Inherent, Bakersfield Museum of Art - Make it stand out</image:title>
      <image:caption>Lemons in Spongeware Bowl, 2023, Oil on panel, 28" x 20"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/0381f06c-2d2f-4c6f-bfbf-a5adaa74c76a/Heirloom+Tomatoes-Pamela+Carroll-art.png</image:loc>
      <image:title>Reviews - Pamela Carroll, The Beauty Inherent, Bakersfield Museum of Art - Make it stand out</image:title>
      <image:caption>Heirloom Tomatoes, 2022 Oil on panel 9" x 12"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/45455199-e2fc-4c76-9dfe-9392ca1293e8/Sea+Shells.png</image:loc>
      <image:title>Reviews - Pamela Carroll, The Beauty Inherent, Bakersfield Museum of Art - Make it stand out</image:title>
      <image:caption>Sea Shells, 2022 Oil on panel 12" x 24"</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/e5eec0b2-cc00-40af-b793-b0f0cb45b7aa/Tea+Chest-shell.png</image:loc>
      <image:title>Reviews - Pamela Carroll, The Beauty Inherent, Bakersfield Museum of Art - Make it stand out</image:title>
      <image:caption>Still Life with Shell, Books and Tea Chest, 20002 Oil on panel 11" x 14"</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/0f74db6c-ec1e-4b0c-8d09-e2d3d807add0/Blueberries.png</image:loc>
      <image:title>Reviews - Pamela Carroll, The Beauty Inherent, Bakersfield Museum of Art - Make it stand out</image:title>
      <image:caption>Blueberries, n.d. Oil on panel 7" x 9"</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/the-bridge-studio-collective-111-minna-gallerynbspnbsp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/7f460df5-a859-46b0-9567-c4bfda92a43b/Switch_Leon_Loucheur_acrylic</image:loc>
      <image:title>Reviews - The Bridge Studio Collective, 111 Minna Gallery&amp;nbsp;&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Switch Leon Loucheur Acrylic on Canvas | 36″ x 96″ | 2025</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/e23057e9-00fa-4e9f-b1eb-7e9996d1ba76/Adam+Feibelman+art</image:loc>
      <image:title>Reviews - The Bridge Studio Collective, 111 Minna Gallery&amp;nbsp;&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Home is Where the Heart Was Adam 5100 Feibelman Collage | 42″ x 30″ | 2025</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/e19cdf4c-86ac-4ad9-a50b-a8b74a8378f9/A20Love20Story_Daniel20Chen_Oils20on20Canvas_72x120_51840_2024.jpg</image:loc>
      <image:title>Reviews - The Bridge Studio Collective, 111 Minna Gallery&amp;nbsp;&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Daniel Chen, A Love Story, Oil on Canvas | 72″ x 120″ | 2024</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/d4c04340-d73a-4ce2-8321-46f2a8a880d0/Lady+with+red+fox</image:loc>
      <image:title>Reviews - The Bridge Studio Collective, 111 Minna Gallery&amp;nbsp;&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Lady with a Red Fox Alice Koswara Acrylic on Canvas | 18″ x 24″ | 2025</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/84f1ed0e-2f74-46fe-9154-af98ebbcc82e/Business20Center_Jon20Stich_acrylic20and20colored20pencil20on20canvas_16x20_2500_2024.jpg</image:loc>
      <image:title>Reviews - The Bridge Studio Collective, 111 Minna Gallery&amp;nbsp;&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Business Center Jon Stich Acrylic and colored pencil on Canvas | 16″ x 20″ | 2024</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1756347079266-N3ZLX9JEPONL07PQV5JY/La20mesa20de20mi20suegra_Jillian20Knox_Digital20Print20on20Crystal20Lustre20Archive20Paper_24x36_2000_2020.jpg</image:loc>
      <image:title>Reviews - The Bridge Studio Collective, 111 Minna Gallery&amp;nbsp;&amp;nbsp;</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1756347080541-ZMLWNCF0ALQ06TSWED57/Blue20Oasis_Jennifer20Banzaca_Acrylic20on20Canvas_17.25x13.25_950_2024.jpg</image:loc>
      <image:title>Reviews - The Bridge Studio Collective, 111 Minna Gallery&amp;nbsp;&amp;nbsp;</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/91bc87b7-da85-43b5-88ee-c41bf31d6b25/Flail_Robert20Bowen_acrylic20on20canvas_18000_2025.jpg</image:loc>
      <image:title>Reviews - The Bridge Studio Collective, 111 Minna Gallery&amp;nbsp;&amp;nbsp; - While this review has highlighted only a handful of works, the exhibition is enriched by contributions from Robert Bowen, Daryll Peirce, David Choong Lee, Eric "HiERICBRO" Broers, Jillian Knox, Jennifer Banzaca, Leon Loucheur, and Lisa Kairos, artists whose practices stretch across illustration, abstraction, photography, textiles, and sculpture. Together, their works expand the range of voices within the Bridge Studio Collective, underscoring the strength of a group that thrives on difference as much as connection. On view at 111 Minna Gallery through mid-September, the show rewards slow looking and repeat visits. The gallery itself equal parts bar, café, and cultural hub remains one of San Francisco's most inviting spaces to encounter contemporary art, where the experience of the work is inseparable from the atmosphere of community it fosters.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/gaps-and-glances-sarah-k-horowitz-ingleside-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/5edc2289-cd9a-479a-baef-07da9b47d71f/horowitz+art.png</image:loc>
      <image:title>Reviews - Gaps and Glances, Sarah K. Horowitz, Ingleside Gallery - Make it stand out</image:title>
      <image:caption>Sarah K. Horowitz, 92.3% of aView from 19th Avenue, acrylic on birch panel, 60 x 40 inches, 2025</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/d817e025-6405-4420-bd96-23e6a36eaf01/Sarah+K.+Horowitz+painting</image:loc>
      <image:title>Reviews - Gaps and Glances, Sarah K. Horowitz, Ingleside Gallery - Make it stand out</image:title>
      <image:caption>Sarah K. Horowitz, Secret View from Denslowe Drive, acrylic on canvas, 12 x 12 inches, 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/85afd2ce-b06f-4799-b099-3feb5b691a49/Sarah+K.+Horowitz+red+painting</image:loc>
      <image:title>Reviews - Gaps and Glances, Sarah K. Horowitz, Ingleside Gallery - Make it stand out</image:title>
      <image:caption>Sarah K. Horowitz, Neighbor’s Birdhouse, acrylic on gallery-wrapped canvas, 12 x 12 inches, 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/e9aa086a-b940-464f-a275-dec77c17e6f2/Sarah+K.+Horowitz+green+houses</image:loc>
      <image:title>Reviews - Gaps and Glances, Sarah K. Horowitz, Ingleside Gallery - Make it stand out</image:title>
      <image:caption>Sarah K. Horowitz, 85% of a View from McCormick Street, acrylic on linen, 12 x 12 inches, 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/2e013a1f-e02d-4c0d-b948-7938838e9d91/Houses+by+Sarah+K.+Horowitz</image:loc>
      <image:title>Reviews - Gaps and Glances, Sarah K. Horowitz, Ingleside Gallery - Make it stand out</image:title>
      <image:caption>Sarah K. Horowitz at Ingleside Gallery, August 15 – September 30, 2025, Ingleside Gallery, 329 W. Portal Ave, San Francisco</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/rigoberto-gonzalez-interview-smithsonian-censorship-trump</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/48df61e9-5f27-408f-9714-68ca4cd02d2b/rigoberto-gonzalez-art-interview-trump-censorship-smithsonian.jpg</image:loc>
      <image:title>Reviews - Rigoberto Gonzalez - Born in 1973 in Reynosa, Tamaulipas, Mexico, Rigoberto lives in Edinburg, Texas. He holds a B.F.A. from The University of Texas at Pan American in 1999 and an M.F.A. from the New York Academy of Art in 2004. He currently teaches drawing and painting at the University of Texas Rio Grande Valley.  Gonzalez's work has been exhibited at the Smithsonian National Portrait Gallery, Washington, DC, the Konsthallen Bohuslan Museum, Uddevalla, Sweden, the Museum of Contemporary Art: Branch of the National Museum in Wrocław, Poland, and the Guildhall Art Gallery, London, England. Rigoberto has participated in artist residencies at the Roswell Artist Residency, Roswell, New Mexico, and at the Santa Fe Art Institute Artist Residency Program, Santa Fe, New Mexico.</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/deb45fc1-0c6a-485f-8c2d-223d448fd820/Rigoberto+Gonzalez-censorship+of+art-smithsonian-trump-woke-+The+Rest+on+the+Flight+to+Egypt+Oil+on+Linen.JPG</image:loc>
      <image:title>Reviews - Rigoberto Gonzalez - Make it stand out</image:title>
      <image:caption>The Rest on the Flight Into Egypt, oil on linen, 5’ x 6’</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/ebe53ab8-3cfa-4216-999c-9808e3fe2fcf/Beheading</image:loc>
      <image:title>Reviews - Rigoberto Gonzalez - Make it stand out</image:title>
      <image:caption>Se Los Cargo La Chingada Beheading 2010 Oil on linen 7 x7ft</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/29da0d4b-48e3-47f6-9fe9-7293346742a1/Refugees+Crossing+The+Border</image:loc>
      <image:title>Reviews - Rigoberto Gonzalez - Make it stand out</image:title>
      <image:caption>Refugees Crossing the Border into South Texas, 2020 Oil on linen 6 x5 ft</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c403606a-6341-4f96-8697-2ec7d1aeed93/Rigoberto+Gonzalez%2Crattlesnake</image:loc>
      <image:title>Reviews - Rigoberto Gonzalez - Make it stand out</image:title>
      <image:caption>Crotalus 2018 Oil on linen 30 x 36 in</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/7fa45a87-5839-49e4-8b7c-642d06f92bbb/Rigoberto+artwork%2C+levanton</image:loc>
      <image:title>Reviews - Rigoberto Gonzalez - Make it stand out</image:title>
      <image:caption>Levanton 2010 Oil on linen 7x 9 ft</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1d6316ba-ea2b-4a01-ac76-3760ebb680da/La+llorona</image:loc>
      <image:title>Reviews - Rigoberto Gonzalez - HL: You speak of storytelling, folklore, and mythology in your art. One such legend in Mexico that is very well known is that of La Llorona. [A woman who drowns her children in a jealous rage over her partner's infidelity, her spirit wanders the countryside, weeping for lost children as a tale of social oppression.] Considering the dark and heavy nature of this myth, it becomes particularly interesting that you had your wife and two nieces pose for the painting. How did that conversation go to convince them to pose? RG:  Actually, it's my ex-wife now, but oh, you know it was just a painting. However... It could have jinxed the relationship, as is often said about getting someone's name tattooed, because it supposedly brings bad luck, as the relationship ended badly after that. But they were supportive of me doing the painting when we did it.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/100bcff4-23e9-4324-b5aa-b8339b9d78c5/Rigoberto+Gonzalez-art-censorship.png</image:loc>
      <image:title>Reviews - Rigoberto Gonzalez - HL: You have mentioned previously that everyone, even the cartel narcos, are victims of the drug violence and the dynamic situation at the border. Amidst all of this violence and its countless victims, how do you see yourself in this drama?</image:title>
      <image:caption>(L) Perseus with the Head of Medusa Female Member of the Zeta Cartel Beheaded by the Golf Cartel Muler Zeta Decapitada por el Cartel del Golfo 2014 Oil on linen 79” x 66”</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/26bffac5-cbf3-4682-ba65-903a4585143f/The+Guide%2C+Rigoberto+Gonzalez</image:loc>
      <image:title>Reviews - Rigoberto Gonzalez - Make it stand out</image:title>
      <image:caption>La Guia The Guide 2015 Oil on linen 48 x 60 in</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/d134677a-c897-403a-b6fb-c926184a13eb/Rigoberto+Gonzales+masterwork</image:loc>
      <image:title>Reviews - Rigoberto Gonzalez - Make it stand out</image:title>
      <image:caption>On the 17th of February of 2009 in Reynosa, Tamaulipas, Mexico, oil on linen, 9' 8" x 20, 2010</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/39dcf2d5-53ab-4fe9-a3c8-68a389b0baea/Rigoberto+Gonzalez-art-censored.png</image:loc>
      <image:title>Reviews - Rigoberto Gonzalez - Make it stand out</image:title>
      <image:caption>Ancla Anchor 2008, Oil on linen 3 x 4 ft</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/d65875d3-d1b9-4cf4-ba56-f2d2acf29eb5/Rigoberto+Gonzalez-art-censorship-smithsonian.jpg</image:loc>
      <image:title>Reviews - Rigoberto Gonzalez - Make it stand out</image:title>
      <image:caption>Contrabando y Traicion Contraband and Treason 2007 Oil on linen 7 x6 ft</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/b4cfd141-d170-4f25-aa63-8871306de3d7/Beheaded+portrait</image:loc>
      <image:title>Reviews - Rigoberto Gonzalez - Make it stand out</image:title>
      <image:caption>Para que Aprendan a Respetar So that They Learn to be Respectful 2009 Oil on linen 16x 18 in</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/5e112a72-b24b-4efd-8db2-1842ddcf4032/River+crossing</image:loc>
      <image:title>Reviews - Rigoberto Gonzalez - Make it stand out</image:title>
      <image:caption>All that is Beneath The Heavens La Ribera del Diablo 2018 Oil on linen 5 x6 ft</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/abi-joy-samuel-amp-zachary-oldenkamp-dialogues-ryan-graff-contemporary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/65f1fe23-ac7f-43be-9446-47a07acabede/collaboration-+abi+joy+samuel+and+zachary+oldenkamp</image:loc>
      <image:title>Reviews - Abi Joy Samuel &amp;amp; Zachary Oldenkamp, Dialogues, Ryan Graff Contemporary - Make it stand out</image:title>
      <image:caption>ABI JOY SAMUEL &amp; ZACHARY OLDENKAMP SLOW FREQUENCY Oil, acrylic, charcoal and graphite on paper mounted to panel 11 x 14 inches</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1755752622099-QEX0615O5C3PN0M960CW/Screen+Shot+2025-08-20+at+21.34.08.png</image:loc>
      <image:title>Reviews - Abi Joy Samuel &amp;amp; Zachary Oldenkamp, Dialogues, Ryan Graff Contemporary</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1755752601669-CXOVOG2JQTZKP9QLJS0A/Screen+Shot+2025-08-20+at+22.02.56.png</image:loc>
      <image:title>Reviews - Abi Joy Samuel &amp;amp; Zachary Oldenkamp, Dialogues, Ryan Graff Contemporary</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1755753249694-L8K0S5M5Z66BDBXQD2IA/oldenkamp+drawing+charcoal.png</image:loc>
      <image:title>Reviews - Abi Joy Samuel &amp;amp; Zachary Oldenkamp, Dialogues, Ryan Graff Contemporary</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1755753350445-6EMWSBMHJKF7XAZ9FDEQ/seurat.png</image:loc>
      <image:title>Reviews - Abi Joy Samuel &amp;amp; Zachary Oldenkamp, Dialogues, Ryan Graff Contemporary</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1755753590374-TKWHMBHE0YYCU6N59VLZ/oldenkamp+drawing.png</image:loc>
      <image:title>Reviews - Abi Joy Samuel &amp;amp; Zachary Oldenkamp, Dialogues, Ryan Graff Contemporary</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c50fe96d-6094-43c0-a74a-33f285c04c7d/Screen+Shot+2025-08-20+at+21.36.28.png</image:loc>
      <image:title>Reviews - Abi Joy Samuel &amp;amp; Zachary Oldenkamp, Dialogues, Ryan Graff Contemporary - Make it stand out</image:title>
      <image:caption>ZACHARY OLDENKAMP &amp; ABI JOY SAMUEL UNTITLED Charcoal and graphite on paper 14 x 17 inches</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1756171304493-5NS4TQTEE6777R0V7GOX/Abi+Joy+Samuel-weight+beneath.png</image:loc>
      <image:title>Reviews - Abi Joy Samuel &amp;amp; Zachary Oldenkamp, Dialogues, Ryan Graff Contemporary</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1756171356319-4NC8N4PQM2ZH8H4H070Z/Abi+Joy+Samuel-Be+you+but+not+too+much.png</image:loc>
      <image:title>Reviews - Abi Joy Samuel &amp;amp; Zachary Oldenkamp, Dialogues, Ryan Graff Contemporary</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/d28cfca0-9596-4b90-bf75-88957ccf8df3/Screen+Shot+2025-08-20+at+21.33.40.png</image:loc>
      <image:title>Reviews - Abi Joy Samuel &amp;amp; Zachary Oldenkamp, Dialogues, Ryan Graff Contemporary - Make it stand out</image:title>
      <image:caption>ABI JOY SAMUEL OVERCOME Oil on canvas 48.4 x 35.8 inches</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1755788631753-927L9054X0KPQ8I3BWD4/Expanse+1-oldenkamp+art.png</image:loc>
      <image:title>Reviews - Abi Joy Samuel &amp;amp; Zachary Oldenkamp, Dialogues, Ryan Graff Contemporary</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1755788632480-N6MG0BE1R5V112B2NDT3/Expanse+2-oldenkamp+art.png</image:loc>
      <image:title>Reviews - Abi Joy Samuel &amp;amp; Zachary Oldenkamp, Dialogues, Ryan Graff Contemporary</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/362a4fd4-be7d-43fe-a117-b13f660d851a/Screen+Shot+2025-08-20+at+21.32.43.png</image:loc>
      <image:title>Reviews - Abi Joy Samuel &amp;amp; Zachary Oldenkamp, Dialogues, Ryan Graff Contemporary - Make it stand out</image:title>
      <image:caption>ZACHARY OLDENKAMP VACUUM Charcoal, graphite, watercolor and gouache on paper mounted to panel 12 x 24 inches</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1755752775241-TKOD6F7H8Y5XCU7FHIG5/abi+joy+samuel+art.png</image:loc>
      <image:title>Reviews - Abi Joy Samuel &amp;amp; Zachary Oldenkamp, Dialogues, Ryan Graff Contemporary</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1755752775499-MUTKLBPPNM0D7Y56ASPA/oldenkamp+art.png</image:loc>
      <image:title>Reviews - Abi Joy Samuel &amp;amp; Zachary Oldenkamp, Dialogues, Ryan Graff Contemporary</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/routed-west-twentieth-century-african-american-quilts-in-california-at-berkeley-art-museum-and-pacific-film-archivenbsp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/ec9d9683-1032-43f7-b4e3-24f8eaa0d677/BAMPFA+quilts.png</image:loc>
      <image:title>Reviews - Routed West: Twentieth-Century African American Quilts in California at Berkeley Art Museum and Pacific Film Archive&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c93a8113-6a36-4742-b6d2-94f175c05fb8/Log+Cabin.png</image:loc>
      <image:title>Reviews - Routed West: Twentieth-Century African American Quilts in California at Berkeley Art Museum and Pacific Film Archive&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Untitled (Log Cabin, Barn Raising variation) Anna Nicholson, 1940s; Vicksburg, Mississippi, or California Bay Area</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/dda4833f-c7ca-4a6b-8d56-00ca262e0597/Isiadore+Whiteheads+home.JPG</image:loc>
      <image:title>Reviews - Routed West: Twentieth-Century African American Quilts in California at Berkeley Art Museum and Pacific Film Archive&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Isiadore Whitehead in her guest bedroom decorated with Double Wedding Ring quilt, drapes, mats, and chair (cats. 46–53), Oakland, California, 1984</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/bbb7f51b-39c2-4f4e-bce8-1260e2596463/portrait+quilt</image:loc>
      <image:title>Reviews - Routed West: Twentieth-Century African American Quilts in California at Berkeley Art Museum and Pacific Film Archive&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Mary Bright Commemorative Quilt (with Dresden Plate, Monkey Wrench, Wild Goose Chase, Fan, Basket of Flowers, Star of Lemoyne, Nine Patch blocks) Alice Neal, 1955-1956; Oakland, California</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/99e99d33-94ca-4a7d-b9a8-5cb2be72e617/Exhibition+Space.JPG</image:loc>
      <image:title>Reviews - Routed West: Twentieth-Century African American Quilts in California at Berkeley Art Museum and Pacific Film Archive&amp;nbsp; - In addition to looking, guests are invited to feel the textures of the works at the brilliant “Touch Labels” stationed next to certain quilts where viewers are allowed to touch, squeeze, and feel small samples, accommodating the sometimes overwhelming urge to Touch The Art.</image:title>
      <image:caption>Exhibition space at BAMPFA</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/b917f977-0fe3-482b-adae-6c9a8a1ee935/Touch+Label.png</image:loc>
      <image:title>Reviews - Routed West: Twentieth-Century African American Quilts in California at Berkeley Art Museum and Pacific Film Archive&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Touch Label Sample of Untitled (Puff quilt with tobacco sacks) Annie Crawford, 1933–1940; Call, Texas Estella Brown, Crawford’s niece, and her relatives were keepers of this quilt in Berkeley, California, until 1980.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/0fc37b4f-6225-406b-b1d2-f3a004b111c5/Medallion.png</image:loc>
      <image:title>Reviews - Routed West: Twentieth-Century African American Quilts in California at Berkeley Art Museum and Pacific Film Archive&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Untitled (Medallion) Maker Once Known/Unidentified Artist Probably 1930s; near McComb, Mississippi, or San Francisco, California Clara Belle Coleman and her descendants were the keepers of this quilt until 1987.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/steve-lomprey</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/485ba5c9-098f-4aec-920e-403fb8f3a266/STEVE+LOMPREY+PORTRAIT.JPG</image:loc>
      <image:title>Reviews - Steve Lomprey - Steve Lomprey was raised in New York City’s West Village, immersed in a vibrant artistic community that shaped his lifelong curiosity and creativity. He is a multimedia artist, founder of Carbon Based Projects, and the mind behind the TV series REAL FICTIONS, which explores human perception and possibility. As Founder and CEO of The New Narrative Project, Steve creates media experiences that challenge conventional thinking, offering an “overview effect” that reimagines our collective possibilities. In his Montclair, California studio, he produces mixed-media abstractions, blending paint, materials, and digital processes into works that are uniquely expressive, unpredictable, and process-driven. Exhibited at SFMOMA Artists Gallery, the San Francisco Fine Art Fair, and the Los Angeles Art Show, and held by clients including Stanford University, Facebook, and Lexus, Steve’s work reflects a lifelong pursuit of curiosity, exploration, and the endless possibilities of imagining and seeing the world through the widest lens.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1755554531208-R932YYLNVZS8MOQKD820/MOM+AND+DAD.jpg</image:loc>
      <image:title>Reviews - Steve Lomprey</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1755554531136-5W2HG7K88587F1S4PQFD/WESTBETH+COURTYARD+BASEBALL_ME+PITCHING.JPG</image:loc>
      <image:title>Reviews - Steve Lomprey</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/46690591-6172-4ad0-9e6e-78ea9f665843/geology+inspired+art</image:loc>
      <image:title>Reviews - Steve Lomprey - Make it stand out</image:title>
      <image:caption>Alien Landscape Series, mixed media on canvas, 60” x 60”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/91494558-ce37-4bf2-86e7-00ab4df5a41c/ARTIFACT+5.jpg</image:loc>
      <image:title>Reviews - Steve Lomprey - Make it stand out</image:title>
      <image:caption>Artifact Series, mixed media on canvas, 60” x 60”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/fa56b6a8-7df2-4fbf-93fb-af08ff69ac05/landscape.png</image:loc>
      <image:title>Reviews - Steve Lomprey - Make it stand out</image:title>
      <image:caption>Alien Landscape Series, paint and mixed media on canvas, 60” x60”</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/5dfc2af9-2790-4c1a-a961-3530cde8dbba/ARTIFACT+4.jpg</image:loc>
      <image:title>Reviews - Steve Lomprey - Make it stand out</image:title>
      <image:caption>Artifact Series, paint and mixed media on canvas, 60” x 60”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/bfdc4a65-a129-42eb-97c1-7e078974fcbe/ARTIFACT+3.jpg</image:loc>
      <image:title>Reviews - Steve Lomprey - Make it stand out</image:title>
      <image:caption>Artifact Series, paint and mixed media on canvas, 60” x 60”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/8f5ac6cc-cc8d-4e01-914e-c15d6b5988e8/GUERILLA+PAINTING.JPG</image:loc>
      <image:title>Reviews - Steve Lomprey - Make it stand out</image:title>
      <image:caption>GUERRILLA , mixed media on panel, 72” x 144”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/9d4bc710-143b-4fa1-bb9a-91eed4bd0e7f/Painting+by+steve+lomprey</image:loc>
      <image:title>Reviews - Steve Lomprey - Make it stand out</image:title>
      <image:caption>GUERRILLA, mixed media on panel, 72” x 144”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/d708343c-91e5-4591-86b9-e93143050009/ARTIFACT+2.jpg</image:loc>
      <image:title>Reviews - Steve Lomprey - Make it stand out</image:title>
      <image:caption>Artifact Series, paint and mixed media on canvas, 60” x 60”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/858fc6bb-ada7-4afc-aeac-6afe3d0f5beb/real+fictions.png</image:loc>
      <image:title>Reviews - Steve Lomprey - Make it stand out</image:title>
      <image:caption>Screen shot of Real Fictions streaming series</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/b202af94-2551-4573-94b8-0ec315b38e08/ARTIFACT+1.jpg</image:loc>
      <image:title>Reviews - Steve Lomprey - Make it stand out</image:title>
      <image:caption>Artifact Series, paint and mixed media on canvas, 60” x 60”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/ruth-asawa-retrospective-sf-moma</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/0a80ef6a-882d-4dda-98cb-b48fe411313f/Ruth+Asawa+SFMOMA</image:loc>
      <image:title>Reviews - Ruth Asawa, Retrospective, SFMOMA - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/5972ce97-0165-41f9-ae29-8e6bb0f1eb47/Ruth+Asawa+sketch</image:loc>
      <image:title>Reviews - Ruth Asawa, Retrospective, SFMOMA - Make it stand out</image:title>
      <image:caption>An untitled double-page sketch of cosmos by Ruth Asawa, from 1976–89.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/30a68678-0087-4e25-a5ef-d40316d87dbc/Ruth+Asawa+flowers</image:loc>
      <image:title>Reviews - Ruth Asawa, Retrospective, SFMOMA - Make it stand out</image:title>
      <image:caption>Untitled (Albert’s Rose Bouquet), by Ruth Asawa, 1990</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/daniel-cabrillos-jacobsen-yesterday-as-in-tomorrow-municipal-bonds</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/14c40393-cd0d-481f-b1b4-830f65dc48b5/cabrillos+jacobsen%2C+art+review.png</image:loc>
      <image:title>Reviews - Daniel Cabrillos Jacobsen, Yesterday as in Tomorrow, Municipal Bonds - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a451e3b5-da57-42fb-b4ef-cae2db00e79a/untitled+yellow+home+cabrillos+jacobsen+art.png</image:loc>
      <image:title>Reviews - Daniel Cabrillos Jacobsen, Yesterday as in Tomorrow, Municipal Bonds - Make it stand out</image:title>
      <image:caption>Untitled, Yellow Home, 2025 Oil on wood 12 1/4 x 9 in</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/5fb5fa60-2790-497c-89bf-5de75a7278c9/Untitled+Home-Cabrillos+Jacobsen.png</image:loc>
      <image:title>Reviews - Daniel Cabrillos Jacobsen, Yesterday as in Tomorrow, Municipal Bonds - Make it stand out</image:title>
      <image:caption>Untitled, Home, 2025 Oil on canvas and burlap 9 7/8 x 7 5/8 in</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/5b7357fa-e46c-4b1b-809c-a552fb4fe65f/when+the+parents+away+the+cats+play-+cabrillos+jacobsen.png</image:loc>
      <image:title>Reviews - Daniel Cabrillos Jacobsen, Yesterday as in Tomorrow, Municipal Bonds - Make it stand out</image:title>
      <image:caption>When the Parents Away, the Cats Will Play, 2025 Oil on canvas 9 7/8 x 7 5/8 in</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/76ee87a9-11dd-423d-b445-cca82d654db6/Woman+reading-cabrillos+jacobsen.png</image:loc>
      <image:title>Reviews - Daniel Cabrillos Jacobsen, Yesterday as in Tomorrow, Municipal Bonds - Make it stand out</image:title>
      <image:caption>Woman Reading, 2025 Oil on canvas 9 1/2 x 9 5/8 in</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/8ccbdcea-f7e7-4abc-8826-15fe553215d5/Moonwatching-cabrillos+jacobsen</image:loc>
      <image:title>Reviews - Daniel Cabrillos Jacobsen, Yesterday as in Tomorrow, Municipal Bonds - Make it stand out</image:title>
      <image:caption>Moonwatching, 2025 Oil on wood 13 3/4 x 9 in</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1652b974-d32e-4410-9321-f382df161d64/Nightsky-Cabrillos+Jacobsen</image:loc>
      <image:title>Reviews - Daniel Cabrillos Jacobsen, Yesterday as in Tomorrow, Municipal Bonds - Make it stand out</image:title>
      <image:caption>Nightsky, 2025 Oil on found book cover 7 1/4 x 9 7/8 in</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/wayne-thiebaud-art-comes-from-art-legion-of-honor</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c0753ed8-f57f-4871-bb43-ebf0ffb32180/wayne-thiebaud-cakes-pies-1994-1995.jpg</image:loc>
      <image:title>Reviews - Wayne Thiebaud: Art Comes from Art, Legion of Honor - Make it stand out</image:title>
      <image:caption>Cakes and Pies (detail), 1995 Oil on canvas, 72 × 64 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/28eef4c0-a34f-42fd-9930-b7a723f4a6c3/HMSG-96.19-000001.jpg</image:loc>
      <image:title>Reviews - Wayne Thiebaud: Art Comes from Art, Legion of Honor - Make it stand out</image:title>
      <image:caption>Girl with Ice Cream Cone, 1963, oil on canvas, 48 1/8 x 36 1/4 in</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/41134c96-5cfa-427a-8dcc-7f0dc8e4f76e/Bubble+Gum+Machines</image:loc>
      <image:title>Reviews - Wayne Thiebaud: Art Comes from Art, Legion of Honor - Make it stand out</image:title>
      <image:caption>Three Machines, 1963, oil on canvas, 30 x 36 1/2 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/7ef2aa42-e3aa-4483-b0fe-498dabdfb92b/Cakes+and+Pies+Wayne+Thiebaud</image:loc>
      <image:title>Reviews - Wayne Thiebaud: Art Comes from Art, Legion of Honor - What's a Thiebaud exhibition without a few slices of cake? They're here, presented on raised cake platters for our visual consumption. Cakes and Pies is a canvas populated by twenty-five delicious confections. Once again pushed to the foreground, and painted in a pastel palette of pinks and greens, rich chocolate browns and pale whites, the sugary food invites us to remember that childhood satisfaction that accompanied a perusal of the glass counter display at the neighborhood bakery. The image is large, measuring six feet by five feet four inches, lending the work a sumptuous grandeur. Again, we aren't sure where to go with it. Is Cakes and Pies merely a decorative 'what you see is what you get' arrangement of form and color? Is it a critique of gluttony? Or is the canvas a wry depiction of the baker's craft?</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/harry-bowden-works-from-the-estate-incline-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/63307a30-7fce-45a8-91d0-67bbc3d356cf/Harry+Bowden%2C+abstract+art</image:loc>
      <image:title>Reviews - Harry Bowden, Works from the Estate, Incline Gallery - Make it stand out</image:title>
      <image:caption>Harry Bowden, Untitled, gouache on paper, 12.75 x 20 inches framed</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/771bd29b-76c4-402e-9b4b-599fa785a9bf/Harry+Bowden+photo</image:loc>
      <image:title>Reviews - Harry Bowden, Works from the Estate, Incline Gallery - Make it stand out</image:title>
      <image:caption>Harry Bowden and wife, Lois (far left), photographer unknown.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/b537e859-cd3c-4a7a-b145-767592ca5c6d/pink+table+horizontal</image:loc>
      <image:title>Reviews - Harry Bowden, Works from the Estate, Incline Gallery - Make it stand out</image:title>
      <image:caption>Bowden, de Kooning and Léger, proposed WPA mural,</image:caption>
    </image:image>
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      <image:title>Reviews - Harry Bowden, Works from the Estate, Incline Gallery - Make it stand out</image:title>
      <image:caption>Untitled, 1938, gouache on paper</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1713dd79-0835-4024-b8ea-0d8f4c71675f/Image+5.jpeg</image:loc>
      <image:title>Reviews - Harry Bowden, Works from the Estate, Incline Gallery - Moving into the 1950s, Bowden’s main work took on a new density and deliberation. While continuing to work with the immediacy of pastel and watercolor, adding the layered richness of oil paint, he began producing more detailed compositions that balanced abstraction with recognizable subjects. In these years, landscapes and figures emerged with greater clarity, yet still carried the structural experimentation and spatial ambiguity that had always defined his vision. The result was a body of work that felt both grounded and elusive—paintings that could suggest place or presence without ever surrendering fully to depiction. It was a period of refinement, where Bowden’s command of form, color, and texture reached a quiet maturity.</image:title>
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      <image:title>Reviews - Harry Bowden, Works from the Estate, Incline Gallery - Make it stand out</image:title>
      <image:caption>The Bay, Oil on canvas, 1957</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/d73ed62d-726f-4373-813b-bc8aff25874f/painting+nude</image:loc>
      <image:title>Reviews - Harry Bowden, Works from the Estate, Incline Gallery - Make it stand out</image:title>
      <image:caption>Standing Nude, oil on canvas, 1952</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a37af12e-e7ef-4882-bf15-a637c72723c3/Harry+Bowden+quote.png</image:loc>
      <image:title>Reviews - Harry Bowden, Works from the Estate, Incline Gallery - Make it stand out</image:title>
      <image:caption>Charles Campbell's remarks on his relationship with Bowden, quoted in Treasures Catalogue, Thomas Reynolds Gallery, 2012</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/43d93e60-4c3a-4396-8ca0-a1ce8389c0b4/black+and+white+photo+trumpet</image:loc>
      <image:title>Reviews - Harry Bowden, Works from the Estate, Incline Gallery - Make it stand out</image:title>
      <image:caption>Bob Scobey on Ferry Boat Fort Sutter, 1953</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/ca2bca0a-92f2-47ea-8b5f-94a1162bfc1f/nude+Harry+Bowden</image:loc>
      <image:title>Reviews - Harry Bowden, Works from the Estate, Incline Gallery - While many attribute certain styles of Bowden’s to particular time periods, in reality we know he practiced multiple disciplines simultaneously, weaving his quintessential characteristics into every artwork he created. One could even argue that Bowden fits into the Bay Area Figurative Movement which emerged during the time period he was in Northern California (in 1948 he taught color, anatomy, and figure drawing at the California School of Fine Arts), although his self-identification was as a New York abstract artist. The collection on view is not only robust, it truly offers attendees a comprehensive view of a lifetime of work, assembled and displayed together for the first time. The show, at Incline Gallery in the Mission District of San Francisco, opens tomorrow Friday, August 15 and will run for two successive weekends, closing on August 24, 2025.</image:title>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/william-rhodes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a09025b4-4663-4bd4-86d2-8e970a9c892e/william+rhodes-art+show</image:loc>
      <image:title>Reviews - William Rhodes - William Rhodes is a sculptor and mixed-media artist known for integrating craft, cultural memory, and spiritual symbolism in his work. He holds an MFA in Furniture Design from the University of Massachusetts Dartmouth. His artistic practice incorporates found materials, textiles, and community collaboration. Based in San Francisco, Rhodes has dedicated over a decade to working as an artist and educator within the Bayview–Hunters Point community. His experience includes teaching art in public schools and various community programs. He also established an intergenerational art program at Bayview Senior Services, where youth and seniors engage in collaborative projects that celebrate shared experiences and cultural heritage.</image:title>
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      <image:title>Reviews - William Rhodes - Make it stand out</image:title>
      <image:caption>Revolution In Our Lifetime 72” x 60” Collaboration with Black Panther Minister of Cultural Affairs Mr. Emory Douglas paint, pencil, pen, and fabric</image:caption>
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      <image:title>Reviews - William Rhodes - Make it stand out</image:title>
      <image:caption>Black Times - Angela Davis 72” x 60” paint, ink, and thread on fabric</image:caption>
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      <image:title>Reviews - William Rhodes - Make it stand out</image:title>
      <image:caption>Black Times - Huey P. Newton 72” x 60” paint, ink, and thread on fabric</image:caption>
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      <image:title>Reviews - William Rhodes - WR: It's huge. I work with Bayview Senior Services, so I'm around seniors and the community every day. I see the impacts of homelessness and food insecurity up close. I felt I had to do something, and art became that something. The people I work with often help make the art. They're also the critics. Instead of major publications weighing in, though, I appreciate that it's Miss Mary saying, "My grandkids need to see that portrait," or asking, "Where are you going with that piece?"  During COVID, families came to me asking for portraits I'd done of loved ones who had passed. They had no other images. That's when I realized these portraits weren't just art, they were records, memorials. That meant more than any gallery show.  A lot of the people I work with have never been to a museum; they don't feel those spaces are for them. But they'll come to see a quilt with their grandmother on it. That kind of connection taps into a different world, and that's the world I want to be part of.</image:title>
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      <image:title>Reviews - William Rhodes - Make it stand out</image:title>
      <image:caption>Solidarity 72” x 60” paint, ink, and thread on fabric</image:caption>
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      <image:title>Reviews - William Rhodes - Make it stand out</image:title>
      <image:caption>Free the NY 21 72” x 60” paint, ink, and thread on fabric</image:caption>
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      <image:title>Reviews - William Rhodes</image:title>
      <image:caption>HL: You mentioned your mission earlier—to tell your story through whatever medium fits. With recent shows in Oakland and an upcoming one in London, what message are you trying to convey? WR: My mission is to show that everyone has a voice and value, especially people who are overlooked, unhoused folks, and those living on the margins. In cities like San Francisco, it's easy to walk past someone suffering and not see them. Society turns poverty into something criminal. I want people to know that everyone has a voice and everyone has value. A lot of the people in my work are unhoused, and I've seen how, in a city as wealthy as San Francisco, we can walk past someone starving on the street and not see them. I'm not blaming anyone; it's how our society functions, and I have to check that in myself, too. We get desensitized. People become poor, and then they become villains in the public eye.</image:caption>
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      <image:title>Reviews - William Rhodes</image:title>
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      <image:title>Reviews - William Rhodes</image:title>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/casual-time-altman-siegel-san-francisco</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-11</lastmod>
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      <image:title>Reviews - Casual Time, Altman Siegel, San Francisco - Make it stand out</image:title>
      <image:caption>Rodolfo Abularach Artio, 1984 Oil on canvas 12 x 16 in</image:caption>
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      <image:title>Reviews - Casual Time, Altman Siegel, San Francisco - Make it stand out</image:title>
      <image:caption>Alexandre Zhu Two-Speed, 2025 Charcoal on canvas 39 3/8 x 27 1/2 in</image:caption>
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      <image:title>Reviews - Casual Time, Altman Siegel, San Francisco - Make it stand out</image:title>
      <image:caption>Alexandre Zhu Hadal, 2025 Charcoal on canvas; Diptych Overall dims: 66 7/8 x 94 1/2 in</image:caption>
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      <image:title>Reviews - Casual Time, Altman Siegel, San Francisco - Make it stand out</image:title>
      <image:caption>Victoria Gitman On Display, 2010 Oil on panel 8 3/4 x 9 3/4 in</image:caption>
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      <image:title>Reviews - Casual Time, Altman Siegel, San Francisco</image:title>
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      <image:title>Reviews - Casual Time, Altman Siegel, San Francisco</image:title>
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      <image:title>Reviews - Casual Time, Altman Siegel, San Francisco - Make it stand out</image:title>
      <image:caption>Xiaochi Dong’s Twilight (2025). ink, acrylic, Akadama soil, Moroccan red clay powder on linen 70 7/8 x 86 5/8</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/david-antonio-cruz-stay-take-your-time-my-love-ica-sf</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-11</lastmod>
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      <image:title>Reviews - David Antonio Cruz, stay, take your time, my love, ICA SF - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Reviews - David Antonio Cruz, stay, take your time, my love, ICA SF</image:title>
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      <image:title>Reviews - David Antonio Cruz, stay, take your time, my love, ICA SF</image:title>
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      <image:title>Reviews - David Antonio Cruz, stay, take your time, my love, ICA SF - Make it stand out</image:title>
      <image:caption>Francis Bacon, Three Studies of Lucian Freud, 1969</image:caption>
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      <image:title>Reviews - David Antonio Cruz, stay, take your time, my love, ICA SF - Make it stand out</image:title>
      <image:caption>David Antonio Cruz, ilovedeveryoneofthem, 2022. Oil, acrylic, and ink on wood panel. 72 x 60 inches. Collection of Pamela and David Hornik. Photo: Nicholas Lea Bruno</image:caption>
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      <image:title>Reviews - David Antonio Cruz, stay, take your time, my love, ICA SF</image:title>
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      <image:title>Reviews - David Antonio Cruz, stay, take your time, my love, ICA SF</image:title>
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      <image:title>Reviews - David Antonio Cruz, stay, take your time, my love, ICA SF - Make it stand out</image:title>
      <image:caption>(L) canyoustaywithmetonight_causeyouarehere,youarehere,andweareherewithyou, 2021, Oil and latex on wood panel 72 x 98 in</image:caption>
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      <image:title>Reviews - David Antonio Cruz, stay, take your time, my love, ICA SF - Make it stand out</image:title>
      <image:caption>thesecretofremainingyoungisnevertohaveanemotion,thatisunbecomingthosebarriokids, 2022 Oil and latex on wood panel Green Family Art Foundation, courtesy of Adam Green Art Advisory</image:caption>
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      <image:title>Reviews - David Antonio Cruz, stay, take your time, my love, ICA SF</image:title>
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      <image:title>Reviews - David Antonio Cruz, stay, take your time, my love, ICA SF</image:title>
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      <image:title>Reviews - David Antonio Cruz, stay, take your time, my love, ICA SF</image:title>
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      <image:title>Reviews - David Antonio Cruz, stay, take your time, my love, ICA SF</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/f046f263-eec7-4e98-905f-7a9a9d914124/david+antonio+cruz-artwork-ICASF.png</image:loc>
      <image:title>Reviews - David Antonio Cruz, stay, take your time, my love, ICA SF - Make it stand out</image:title>
      <image:caption>David Antonio Cruz, stay,takeyourtime,mylove, 2025. Oil, latex, ink, and graphite on wood panel . 72 x 96 inches. Courtesy of the artist and Monique Meloche Gallery, Chicago. Photo: Nicholas Lea Bruno</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/25fbc3a0-7579-4900-a5c8-b265d5985f08/Family+portrait+studio+ICASF</image:loc>
      <image:title>Reviews - David Antonio Cruz, stay, take your time, my love, ICA SF</image:title>
      <image:caption>At ICA San Francisco, the artist invites the visitor to participate and perform similarly, as a scene seemingly out of the oil paintings is set up for selfies, complete with a couch, multi-colored pillows, backdrops of opposing fabrics, and a synthetic rug with a Near Eastern aesthetic resting atop blue and purple checkerboard carpet. If we sit and take our time, we might just find something as radical as intimacy and quiet sanctuary amidst the beautiful riot of contrasting colors.</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/the-quotidian-world-of-helen-berggruen-berggruen-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/8acbad88-9471-46a8-bc78-429f271f1a04/helen+berggruen+oil+painting</image:loc>
      <image:title>Reviews - The Quotidian World of Helen Berggruen, Berggruen Gallery - Make it stand out</image:title>
      <image:caption>Suspension of the Future Tense, 2025 Oil on linen 30 x 40 inches</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/d46d36d1-a79b-4c7d-9ce8-240452bd47c0/helen+berggruen+oil+painting+inside+studio</image:loc>
      <image:title>Reviews - The Quotidian World of Helen Berggruen, Berggruen Gallery - Make it stand out</image:title>
      <image:caption>Powerlock, 2025 Oil on linen 30 x 40 inches</image:caption>
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      <image:title>Reviews - The Quotidian World of Helen Berggruen, Berggruen Gallery - Make it stand out</image:title>
      <image:caption>Pont de La Tournelle, 2025 Oil on linen 37 x 32 inches</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/3bf0981f-ca1f-45f9-b898-1f00ce2b206a/helen+berggruen+oil+painting+on+linen</image:loc>
      <image:title>Reviews - The Quotidian World of Helen Berggruen, Berggruen Gallery - Make it stand out</image:title>
      <image:caption>Elkader Co-op, 2005-2025 Oil on linen 24 x 18 inches</image:caption>
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      <image:title>Reviews - The Quotidian World of Helen Berggruen, Berggruen Gallery - Make it stand out</image:title>
      <image:caption>Paris Cement Mixers, 2025 Oil on canvas 36 x 48 inches</image:caption>
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      <image:title>Reviews - The Quotidian World of Helen Berggruen, Berggruen Gallery - Make it stand out</image:title>
      <image:caption>Pont au Change, 1995-2025 Oil on canvas 31 1/2 x 41 1/2 inches</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1754503306635-LYUQP21SRALSXYMQ8IVD/Helen+Berggruen+art-berggruen+gallery.jpg</image:loc>
      <image:title>Reviews - The Quotidian World of Helen Berggruen, Berggruen Gallery</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1754503306667-5VTS8KT7ICOE7SXM5AI8/Helen+Berggruen+art-+berggruen+art+gallery.jpg</image:loc>
      <image:title>Reviews - The Quotidian World of Helen Berggruen, Berggruen Gallery</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1754503310740-MCPDGH81WEJAW4FH30FL/Helen+Berggruen+art.png</image:loc>
      <image:title>Reviews - The Quotidian World of Helen Berggruen, Berggruen Gallery</image:title>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/service-tension-san-francisco-arts-commission-main-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/eedbba4c-1f0f-4576-a63a-6e0a63852896/Autumn+Wallace-oil+painting</image:loc>
      <image:title>Reviews - Service Tension, San Francisco Arts Commission Main Gallery - Nestled between two large doorways on the back wall of the San Francisco Arts Commission's (SFAC) main gallery hangs Autumn Wallace's painting Use Case, 2022. The canvas, just over five and a half feet tall, towers over viewers and barely contains a churning mass of hybrid human-animal parts that evoke the simultaneous doubling and merging of more than one figure—swirling with an implied centrifugal force, shades of hazy violet and blue render sinuous extremities, subtle undersides, and suggestive openings. Squeezed in the middle of the heap, an upside-down face emerges: grimaced, disoriented, tooth missing, and jaw clenched—deep red as if boiling with pressure. Rapture and agony appear in proxy, as a second face, perhaps a double of the first, recedes behind a nearby purple hoof-like appendage. Its mouth is agape and eager–poised to receive a single drop of white liquid–with eyes rolled back, summoning the essence of Caravaggio's Mary Magdalene in Ecstasy.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/463d5e45-aa71-418e-8211-659c206016c6/sfac+art+gallery%2C+service+tension.jpg</image:loc>
      <image:title>Reviews - Service Tension, San Francisco Arts Commission Main Gallery - Wallace's Use Case anchors a provocative and playful investigation into the messiness and complexity of the queer body, as part of the group exhibition Service Tension, curated by Elena Gross and Leila Weefur. Interpretations of troubling notions of masculinity within queer dynamics and sexual desire are embodied across various mediums, perspectives, practices, and aesthetics, transforming the gallery "into a space where power dynamics are not just displayed but actively negotiated" [1] with the viewer, and relationally between objects themselves.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/71f922ba-839b-4080-ab13-79a337660005/Sasha+Kelley-Portraits+of+Chocolate+Chip</image:loc>
      <image:title>Reviews - Service Tension, San Francisco Arts Commission Main Gallery - Make it stand out</image:title>
      <image:caption>Sasha Kelley, Portraits of Chocolate Chip, 2017, Photo printed on Photo Text, 115 x 78 inches, Courtesy of the Artist, Photo credit: Aaron Wojack.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/91a27dc4-feda-4174-9a7f-16c57344f56d/SFAC_ServiceTension.jpg</image:loc>
      <image:title>Reviews - Service Tension, San Francisco Arts Commission Main Gallery - Make it stand out</image:title>
      <image:caption>Ricki Dwyer, Psychically Milked, 2023, Woven cottons and linen, chrome platted cast brass kisses, Dimensions variable, Courtesy of the Artist, Photo credit: Aaron Wojack.</image:caption>
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      <image:title>Reviews - Service Tension, San Francisco Arts Commission Main Gallery</image:title>
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      <image:title>Reviews - Service Tension, San Francisco Arts Commission Main Gallery</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/10e23a68-47b5-459b-938c-5d1e4222f95a/SFAC_ServiceTension-5173.jpg</image:loc>
      <image:title>Reviews - Service Tension, San Francisco Arts Commission Main Gallery - Make it stand out</image:title>
      <image:caption>Service Tension, Installation View, Featuring works by Salimatu Amabebe, Ricki Dwyer, Xandra Ibarra, Sasha Kelley, Tiona Nekkia McClodden, and Autumn Wallace, Photo credit: Aaron Wojack.</image:caption>
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      <image:title>Reviews - Service Tension, San Francisco Arts Commission Main Gallery - Make it stand out</image:title>
      <image:caption>Service Tension, Installation View, Featuring works by Salimatu Amabebe, Xandra Ibarra, Sasha Kelley, and Autumn Wallace, Photo credit: Aaron Wojack.</image:caption>
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      <image:title>Reviews - Service Tension, San Francisco Arts Commission Main Gallery - Make it stand out</image:title>
      <image:caption>Service Tension, Installation View, Featuring works by Xandra Ibarra and Autumn Wallace, Photo credit: Aaron Wojack.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/swosti</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/35b7b798-5bcf-4af1-ad61-70d87fa0452b/Swosti-with+artist-san+francisco.png</image:loc>
      <image:title>Reviews - Swosti Rajbhandari Kayastha</image:title>
      <image:caption>Artists and guests at the opening of the exhibition at CIIS</image:caption>
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      <image:title>Reviews - Swosti Rajbhandari Kayastha - Make it stand out</image:title>
      <image:caption>Nepal Art Now, 2019 at Weltmuseum, Vienna. Pramila Giri, Bronze sculptures</image:caption>
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      <image:title>Reviews - Swosti Rajbhandari Kayastha - Make it stand out</image:title>
      <image:caption>Nepal, Where the Gods Reside, 2023, Bihar Museum Biennale, Bihar Museum, Patna, India 18 x 18 ft sand mandala installation</image:caption>
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      <image:title>Reviews - Swosti Rajbhandari Kayastha - Make it stand out</image:title>
      <image:caption>Nepal Art Now, 2019 at Weltmuseum, Vienna. Central installation- Life is Beautiful – Being in the Body Ashmina Ranjit, original in 2016, Installation; glass bangles, red wool, colour pigments, sari, cane frames, fishing lines, nails</image:caption>
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      <image:title>Reviews - Swosti Rajbhandari Kayastha - Make it stand out</image:title>
      <image:caption>Visitors at the opening of the exhibition at PCA</image:caption>
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      <image:title>Reviews - Swosti Rajbhandari Kayastha - Make it stand out</image:title>
      <image:caption>Kabi Raj Lama, explaining about his art at the opening at CIIS Destruction and Construction, 2023 Lithograph 240 x 116 cm (81 x 116 cm each panel)</image:caption>
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      <image:title>Reviews - Swosti Rajbhandari Kayastha</image:title>
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      <image:title>Reviews - Swosti Rajbhandari Kayastha</image:title>
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      <image:title>Reviews - Swosti Rajbhandari Kayastha</image:title>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/gil-batle-almost-sanctuary-catharine-clark-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/0189da75-45c8-4733-86a9-386272a5f9a8/Gil+Batle-Almost+Sanctuary-Catharine+Clark-Gallery-flowers.png</image:loc>
      <image:title>Reviews - Gil Batle, Almost Sanctuary, Catharine Clark Gallery - Make it stand out</image:title>
      <image:caption>Bouquet Shank, 2025 Acrylic on ceramic 8 inches in diameter</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/8e69c9a4-8eb7-4440-80c1-7894ca6e4ca3/Gil+Batle-Almost+Sanctuary-Catharine+Clark-Gallery-tattoo-ostrich-egg.png</image:loc>
      <image:title>Reviews - Gil Batle, Almost Sanctuary, Catharine Clark Gallery - Make it stand out</image:title>
      <image:caption>Chain Gang, 2016-2019 Base relief carving on ostrich egg Unique Ostrich egg: 5 x 4 x 4 (approx) Marble base</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/134cf5cc-2b30-4eb3-a175-c6b6a1d91139/Gil+Batle-Almost+Sanctuary-Catharine+Clark-Gallery-trophy.png</image:loc>
      <image:title>Reviews - Gil Batle, Almost Sanctuary, Catharine Clark Gallery - Make it stand out</image:title>
      <image:caption>Trophy, 2025 Solder (60% tin and 40% lead), glass (broken whiskey bottles) Etched with a high-speed dental drill 14 3/4 x 11 1/4 x 8 1/2 inches</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/2d1185a6-7302-4e45-b3f5-b7e7278ca712/Gil-batle-flower-plate-catharine-clark-gallery.png</image:loc>
      <image:title>Reviews - Gil Batle, Almost Sanctuary, Catharine Clark Gallery - On several plates, flowers grow atop prison shanks, knives handmade in prison from a single piece of metal, with cloth wrapping one end to protect the aggressor's hands. The shanks are delicately rendered, as if roots stabbed into the soil, which resembles a close-up of the layers of skin, epidermis, dermis, and subcutaneous tissue. From the steel shaft of the prison shank, tiny roots branch out into the surrounding environment. Above the shank's cloth-wrapped handle, the detailed bouquets blossom. A decorative pattern in black rounds the plate's basin. The simplicity of the pattern bears the heavy weight of Batle's long-time reality of counting days served, as upon closer inspection, the pattern recurs in several of the show's plates, featuring roman numeral hashmarks bundled in countless clusters of five encircling the plates' central scenes.</image:title>
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      <image:title>Reviews - Gil Batle, Almost Sanctuary, Catharine Clark Gallery - Make it stand out</image:title>
      <image:caption>Pineapple, 2025 Acrylic on ceramic 10 x 9 inches</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/01d27429-9712-4dc8-a351-2bf5025b1979/Maya-munia-gil-batle-catharine-clark-gallery.png</image:loc>
      <image:title>Reviews - Gil Batle, Almost Sanctuary, Catharine Clark Gallery - Make it stand out</image:title>
      <image:caption>Maya Chestnut Munia, 2025 Acrylic on ceramic 6 x 12 inches</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c14df0e3-e867-41a0-9f14-c826caacceb4/Gil+Batle-Almost+Sanctuary-Catharine+Clark-Gallery-tinikling-bird.png</image:loc>
      <image:title>Reviews - Gil Batle, Almost Sanctuary, Catharine Clark Gallery - Make it stand out</image:title>
      <image:caption>The Tinikling Bird, 2025 Acrylic on ceramic 10 x 13 inches</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/5aeaa96c-b7a7-4e32-96e5-d918f6a4e110/Gil+Batle-Almost+Sanctuary-Catharine+Clark-Gallery-carabao.png</image:loc>
      <image:title>Reviews - Gil Batle, Almost Sanctuary, Catharine Clark Gallery - Make it stand out</image:title>
      <image:caption>Fil-am Self Portrait, 2025 Acrylic on ceramic 11 x 15 inches</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/3c0c5682-cec6-456e-8689-fbfca587b2d7/Gil+Batle-Almost+Sanctuary-Catharine+Clark-Gallery-belt-pate-philippines-filipino-artist.png</image:loc>
      <image:title>Reviews - Gil Batle, Almost Sanctuary, Catharine Clark Gallery - Striking a deeply vulnerable tone through a recurring motif in his oeuvre, a belt in Precarious (2025), inscribed with the words "I beat you because I love you," encircles a naval officer squatting on a spinning sphere emblazoned with keys, locks, and barbed wire. Batle's father was a naval officer; the belt appears in previous series aside scenes of abuse endured as a child.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/ec782f25-e7bc-400a-a748-811e384d2364/Gil+Batle-Almost+Sanctuary-Catharine+Clark-Gallery-belt-pate-philippines-filipino-artists-lizard.png</image:loc>
      <image:title>Reviews - Gil Batle, Almost Sanctuary, Catharine Clark Gallery - Make it stand out</image:title>
      <image:caption>Caudal Autotomy, 2025 Acrylic on ceramic 9 inches in diameter</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/isaac-vazquez-avila-letting-go-pt2-gallery-oakland-ca</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-11</lastmod>
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      <image:title>Reviews - Isaac Vazquez Avila, Letting Go, pt.2 Gallery, Oakland, CA - Make it stand out</image:title>
      <image:caption>Isaac Vazquez Avila, Installation at pt. 2 Gallery</image:caption>
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      <image:title>Reviews - Isaac Vazquez Avila, Letting Go, pt.2 Gallery, Oakland, CA - Make it stand out</image:title>
      <image:caption>Isaac Vazquez Avila Aa. Oil pastel, acrylic, gouache on canvas. 24.5 x 33.5 inches Artist made frame 2025</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/fdf6beb7-ed99-403e-9d32-03109920c53a/iva_yellow_f%2Bcopy.jpg</image:loc>
      <image:title>Reviews - Isaac Vazquez Avila, Letting Go, pt.2 Gallery, Oakland, CA - At the center of his process, Vazquez Avila tries not to set out to do anything, meaning he doesn't try to pursue representational imagery or a particular type of abstraction. He's literally letting go of intentionality and any perceived stratagem. Although one might expect, as a result, to get a painting that is strictly mark making, or haphazard application of paint on some substrate, Vazquez Avila manages to render beautiful and elaborate compositions as he surrenders to fundamentally held ideals of color, shapes, texture, and composition. In other words, his painting complexity isn't diminished by a process reverting to primitive impulses, though that would likely be the case for someone not steeped in a life of aesthetic engagements. One senses, looking at these artworks, that Vazquez Avila was painting even before he was a painter. His unanchored process results in a visual scape of some kind, without identity or prefix (i.e., seascape, cityscape, landscape, etc). The paintings seem to offer the viewer a place, one vaguely approximating representation.</image:title>
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      <image:title>Reviews - Isaac Vazquez Avila, Letting Go, pt.2 Gallery, Oakland, CA - Make it stand out</image:title>
      <image:caption>Isaac Vazquez Avila D. Oil pastel, acrylic, gouache on canvas 16 x 20 inches 2025</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/0ddbeee2-45b0-481f-8319-64b0c251fb6a/Isaac-Vazquez-Avila-sculpture.jpg</image:loc>
      <image:title>Reviews - Isaac Vazquez Avila, Letting Go, pt.2 Gallery, Oakland, CA - Make it stand out</image:title>
      <image:caption>Isaac Vazquez Avila K. Mixed media on found wood 12 x 11 x 3 inches 2025</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a16ec76d-3cba-48eb-898a-f16e6513603c/Isaac-Vazquez-Avila-painting-yellow-tones.jpg</image:loc>
      <image:title>Reviews - Isaac Vazquez Avila, Letting Go, pt.2 Gallery, Oakland, CA - Make it stand out</image:title>
      <image:caption>Isaac Vazquez Avila R. Oil pastel, acrylic, gouache on canvas 10 x 8 inches 2025</image:caption>
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    <image:image>
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      <image:title>Reviews - Isaac Vazquez Avila, Letting Go, pt.2 Gallery, Oakland, CA - Make it stand out</image:title>
      <image:caption>Isaac Vazquez Avila J. Mixed media on found wood 14 x 7 x 5 inches 2025</image:caption>
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    <image:image>
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      <image:title>Reviews - Isaac Vazquez Avila, Letting Go, pt.2 Gallery, Oakland, CA - Make it stand out</image:title>
      <image:caption>Isaac Vazquez Avila A. Oil pastel, acrylic, gouache on canvas. 26 x 25.5 inches Artist made frame 2025</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1753978150998-P705HZ8U574GZWGUIXAS/Isaac-Vazquez-Avila-detail.png</image:loc>
      <image:title>Reviews - Isaac Vazquez Avila, Letting Go, pt.2 Gallery, Oakland, CA</image:title>
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      <image:title>Reviews - Isaac Vazquez Avila, Letting Go, pt.2 Gallery, Oakland, CA</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1753978152560-2LCLOWV1IGU8BL0Z1FBG/Isaac-Vazquez-Avila-detail-3.png</image:loc>
      <image:title>Reviews - Isaac Vazquez Avila, Letting Go, pt.2 Gallery, Oakland, CA</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/f26e6539-74af-4b82-bf26-074d3b0aed65/Isaac-Vazquez-Avila-painting-green.jpg</image:loc>
      <image:title>Reviews - Isaac Vazquez Avila, Letting Go, pt.2 Gallery, Oakland, CA - Make it stand out</image:title>
      <image:caption>Isaac Vazquez Avila S. Oil pastel, acrylic, gouache on canvas 10 x 8 inches 2025</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/david-huffman-a-brilliant-balckout-jessica-silverman-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/76e4310c-d5e1-4751-a04c-db6e9226b80e/under+the+sun+and+moon%2C+david+huffman%2C+jessica+silverman+gallery%2C+traumanaut%2C+show.png</image:loc>
      <image:title>Reviews - David Huffman, A Brilliant Blackout, Jessica Silverman Gallery - Make it stand out</image:title>
      <image:caption>Ancestors of the Ascending Self (detail), 2025 Acrylic, gouache and collage on Yupo 88 x 64 x 3 inches</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/81c59621-cd70-4463-b437-547cdc471a23/david+huffman+artwork%2C+jessica+silverman+gallery+review%2C+by+hugh+leeman%2C+green+and+blue+sky+with+orange+tree.png</image:loc>
      <image:title>Reviews - David Huffman, A Brilliant Blackout, Jessica Silverman Gallery - Make it stand out</image:title>
      <image:caption>Sacred Space, 2025 Acrylic and gouache on canvas 11 x 14 x 3/4 inches</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/3baf96a6-c5c0-491a-aa87-2d8f5b98c705/david+huffman+artwork%2C+jessica+silverman+gallery+review%2C+by+hugh+leeman%2C+green+and+blue+sky+with+pink+and+purple.png</image:loc>
      <image:title>Reviews - David Huffman, A Brilliant Blackout, Jessica Silverman Gallery - Make it stand out</image:title>
      <image:caption>Together We Are More, 2025 Acrylic, oil, gouache, fabric, color pencil, glitter and spray paint on canvas 77 x 77 x 2 inches</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a64b091f-03d0-4dec-a9b8-2c4744d52108/Huffman_Celestial-Amnesia%2C+art+review.png</image:loc>
      <image:title>Reviews - David Huffman, A Brilliant Blackout, Jessica Silverman Gallery - Make it stand out</image:title>
      <image:caption>Celestial Amnesia, 2025 Acrylic and gouache on wood panel 24 x 30 x 1 3/4 inches</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/e81051a8-6abf-4878-9bdf-4efa98c65121/david+huffman+painting+traumanauts%2C+art+review.png</image:loc>
      <image:title>Reviews - David Huffman, A Brilliant Blackout, Jessica Silverman Gallery - The nature that his mother insisted on manifests through abstracted landscapes incorporating a multitude of media, visually situating the healing journey and highlighting the act of painting that Huffman sees as healing in and of itself. As tenured faculty at CCA, he shares this with his students: "We explore what painting can do. It's more than becoming a known artist with a gallery; it's about a path of the soul, a kind of fulfillment that you're not missing out on life. If you get that practice down, you really get something in your life." [4]</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1753473934881-82FKNQH2B9CUTMMBJZ4W/david+huffman%2C+traumanaut%2C+peace+symbol.png</image:loc>
      <image:title>Reviews - David Huffman, A Brilliant Blackout, Jessica Silverman Gallery</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1753473932830-K2QJPMPS64SGSGKDV50A/david+huffman%2C+traumanaut%2C+love+flag.png</image:loc>
      <image:title>Reviews - David Huffman, A Brilliant Blackout, Jessica Silverman Gallery</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/d8688f38-5cc3-478a-bc1b-7129420277b6/under+the+sun+and+moon%2C+david+huffman%2C+jessica+silverman+gallery%2C+traumanaut.png</image:loc>
      <image:title>Reviews - David Huffman, A Brilliant Blackout, Jessica Silverman Gallery</image:title>
      <image:caption>Under the Sun and Moon (2025), 60” × 60” × 2.5”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1753474277186-G85L3ITQIXR2JPDQF7A1/david+huffman%2C+traumanaut+horse.png</image:loc>
      <image:title>Reviews - David Huffman, A Brilliant Blackout, Jessica Silverman Gallery</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1753474277154-HV3I1PMPVMI6R0VMHJVI/david+huffman%2C+traumanaut+elephant.png</image:loc>
      <image:title>Reviews - David Huffman, A Brilliant Blackout, Jessica Silverman Gallery</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1753476103957-JZCORPLBY7E0NCKN2ID9/david+huffman%2C+lobi%2C+traumanaut%2C+art.png</image:loc>
      <image:title>Reviews - David Huffman, A Brilliant Blackout, Jessica Silverman Gallery</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1753474711463-EYS40MT610X73PH7EKR9/david+huffman+art%2C+west+african+art.png</image:loc>
      <image:title>Reviews - David Huffman, A Brilliant Blackout, Jessica Silverman Gallery</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/eb231ed7-c2ab-493f-865f-ecc27295bc3b/david+huffman%2C+boundless%2C+a+beautiful+blackout%2C+art.png</image:loc>
      <image:title>Reviews - David Huffman, A Brilliant Blackout, Jessica Silverman Gallery - Beyond West African culture's art, a deep reverence for nature is conveyed in Huffman's painting, Boundless (2025), in which a Traumanaut raises his arms, venerating a tree, as if collecting energy from its neon-orange foliage. The painting's reverence for nature also honors pop culture as the Traumanaut and tree are backdropped by vertical stripped fabric that has the feel of a summer picnic blanket stretched over the canvas's top half onto which the artists has repetitively stenciled the glittered words Soul Train from the show's logo, creating a visual rhythm of the overlapping letters honoring the T.V. series that for more than 30 years did as author Nelson George says "the "Soul Train" dancers had the afros, and those crazy colors. I mean, one thing that you really saw when you saw "Soul Train" was vibrant - the set was vibrant, the colors of the dancers was quite dynamic, it was California-style brought into homes in New York, Detroit, Atlanta and affected everything." [7]</image:title>
      <image:caption>Boundless, 2025 Acrylic, oil, glitter, fabric, color pencil and spray paint on wood panel 20 x 16 x 1 inches</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/benjamin-cook-polymodal-translation-zg-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/86c55889-d66b-4c6d-a733-892ca192b169/Polymodal+Translation%2C+Benjamin+Cook%E2%80%99s%2C+Zg+Gallery%2C+Chicago+by%2C+Grey+Dey%2C+artwork+in+blue.png</image:loc>
      <image:title>Reviews - Benjamin Cook, Polymodal Translation, Zg Gallery - Make it stand out</image:title>
      <image:caption>Fanny Pack (blue): Template Painting Study Acrylic painting on paper, 2023, 20” x 27.5”ˆ</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/b29ba0e2-e7b8-4131-8673-046ecfa2d643/Polymodal+Translation%2C+Benjamin+Cook%E2%80%99s%2C+Zg+Gallery%2C+Chicago+by%2C+Grey+Dey%2C+green+artwork.png</image:loc>
      <image:title>Reviews - Benjamin Cook, Polymodal Translation, Zg Gallery - Make it stand out</image:title>
      <image:caption>Make-Up Bag: Template Painting Study, acrylic on paper, framed: 35" x 27.25"</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/cbbd2ee4-c0ad-470c-9596-243630e8c47e/Polymodal+Translation%2C+Benjamin+Cook%E2%80%99s%2C+Zg+Gallery%2C+Chicago+by%2C+Grey+Dey%2C+make+up+bag.png</image:loc>
      <image:title>Reviews - Benjamin Cook, Polymodal Translation, Zg Gallery - Make it stand out</image:title>
      <image:caption>Make-up Bag: Product Render Drawing Study, color pencil on Mylar, sheet: 12.5" x 20"</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/664c0f1a-ca51-4051-9b27-39c35e144f85/Polymodal+Translation%2C+Benjamin+Cook%E2%80%99s%2C+Zg+Gallery%2C+Chicago+by%2C+Grey+Dey%2C+yellow+artwork.png</image:loc>
      <image:title>Reviews - Benjamin Cook, Polymodal Translation, Zg Gallery - Make it stand out</image:title>
      <image:caption>Windows 95: Product Render Drawing Study and Windows 95 Bean Bag Chair</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/ab44cece-9b6b-401a-8ad9-74b8668bc6c9/Polymodal+Translation%2C+Benjamin+Cook%E2%80%99s%2C+Zg+Gallery%2C+Chicago+by%2C+Grey+Dey%2C+installation+of+art.png</image:loc>
      <image:title>Reviews - Benjamin Cook, Polymodal Translation, Zg Gallery - Make it stand out</image:title>
      <image:caption>Windows XP: Template Painting and Product Render Drawing Study and Windows NT 4.0 Template Painting and Product Render Drawing Study</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1753374819559-UC9ID2HAG78TY35K5TUX/Polymodal+Translation%2C+Benjamin+Cook%E2%80%99s%2C+Zg+Gallery%2C+Chicago+by%2C+Grey+Dey%2C+gallery+Zg.png</image:loc>
      <image:title>Reviews - Benjamin Cook, Polymodal Translation, Zg Gallery</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1753374819356-T7JIARWOYTWN0KBQYI2Y/Polymodal+Translation%2C+Benjamin+Cook%E2%80%99s%2C+Zg+Gallery%2C+Chicago+by%2C+Grey+Dey%2C+gallery+Zg%2C+intro+install.png</image:loc>
      <image:title>Reviews - Benjamin Cook, Polymodal Translation, Zg Gallery</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/05b6c5e7-1bea-4689-aa39-aa0586f30857/Polymodal+Translation%2C+Benjamin+Cook%E2%80%99s%2C+Zg+Gallery%2C+Chicago+by%2C+Grey+Dey%2C+artwork+of+a+rainbow+luggage.png</image:loc>
      <image:title>Reviews - Benjamin Cook, Polymodal Translation, Zg Gallery - I highly recommend visiting this super fun and captivating exhibition. And ask yourselves, while you are enjoying these objects, why do we take the things we or others wear or carry so seriously? As the works in the exhibition show us, we can put anything onto our possessions, our bodies, and in our private or shared spaces. Throwing an aesthetic style onto a fanny pack, as Cook did, doesn't necessarily mean anything. Perhaps your reading of the perceived signifiers are projections. In any case, creativity and the disruption of the virtual/real binary is the message of Polymodal Translations. Where we find new ways to explore, express, and display our creativity is as good as any other.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/michael-reafsnyder-summer-jam-scott-richards-contemporary-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/8b5d9446-9194-49f5-9186-ffbd4db20eed/Michael+Reafsnyder%2C+abstract+paintings%2C+contemporary+art%2C+scott+richards+contemporary+art%2C+first+class.png</image:loc>
      <image:title>Reviews - Michael Reafsnyder, Summer Jam, Scott Richards Contemporary Art - Make it stand out</image:title>
      <image:caption>First Class, 60” x 52”, acrylic on linen</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c3d298a3-0cc4-43e8-8a65-f09fbb0382b0/Michael+Reafsnyder%2C+abstract+paintings%2C+contemporary+art%2C+scott+richards+contemporary+art%2C+yellows+and+orange.png</image:loc>
      <image:title>Reviews - Michael Reafsnyder, Summer Jam, Scott Richards Contemporary Art - Make it stand out</image:title>
      <image:caption>Sunburst 48” x 80” acrylic on linen</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1752896596411-DG2TPDJ9TGTI6PK8OHPT/Michael+Reafsnyder%2C+abstract+paintings%2C+contemporary+art%2C+scott+richards+contemporary+art%2C+blue+and+whie.png</image:loc>
      <image:title>Reviews - Michael Reafsnyder, Summer Jam, Scott Richards Contemporary Art</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1752896596455-BUGDEZPSTL8LXZMEG4OW/Michael+Reafsnyder%2C+abstract+paintings%2C+contemporary+art%2C+scott+richards+contemporary+art%2C+red+and+blue.png</image:loc>
      <image:title>Reviews - Michael Reafsnyder, Summer Jam, Scott Richards Contemporary Art</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/921a7c4f-1b80-4927-9743-e5a5bd0f7093/Michael+Reafsnyder%2C+abstract+paintings%2C+contemporary+art%2C+scott+richards+contemporary+art%2C+beagle+break.png</image:loc>
      <image:title>Reviews - Michael Reafsnyder, Summer Jam, Scott Richards Contemporary Art - Make it stand out</image:title>
      <image:caption>Beagle Break, 52” x 60”, acrylic on linen</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1752897068964-K16ZURINFU3S598MB1BV/Michael+Reafsnyder%2C+abstract+paintings%2C+contemporary+art%2C+scott+richards+contemporary+art%2C+pastry+store%2C+pinks.png</image:loc>
      <image:title>Reviews - Michael Reafsnyder, Summer Jam, Scott Richards Contemporary Art</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1752897069308-OEMOR8KMC6Q98X29N201/Michael+Reafsnyder%2C+abstract+paintings%2C+contemporary+art%2C+scott+richards+contemporary+art%2C+rippin+good.png</image:loc>
      <image:title>Reviews - Michael Reafsnyder, Summer Jam, Scott Richards Contemporary Art</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1752898331167-0B1JLJ7HN1NYE24TKWZE/Michael+Reafsnyder%2C+abstract+paintings%2C+contemporary+art%2C+scott+richards+contemporary+art%2C+chop+shop.png</image:loc>
      <image:title>Reviews - Michael Reafsnyder, Summer Jam, Scott Richards Contemporary Art</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1752898334610-2BUXJ74YNGBZ09LI6IK4/Jet+Stream%2C+Michael+Reafsnyder%2C+abstract+painting.JPG</image:loc>
      <image:title>Reviews - Michael Reafsnyder, Summer Jam, Scott Richards Contemporary Art</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/2b807de0-8d56-427e-97bf-b5378f3c9e63/Michael+Reafsnyder%2C+abstract+paintings%2C+contemporary+art%2C+scott+richards+contemporary+art%2C+chop+shop+detail.png</image:loc>
      <image:title>Reviews - Michael Reafsnyder, Summer Jam, Scott Richards Contemporary Art</image:title>
      <image:caption>With so much impasto paint collecting on the palette knife, an intense flipping motion of the wrist towards the canvas from a few feet away splatters entropic dollops over the streaks of paint, such as in Chop Shop (2025). Reafsnyder impossibly layers a multitude of tinted colors in Summer Glide (2024), his streaks of cake icing thick colors’ uniform direction interrupted by paint scraped from the artwork, revealing elements of what came before, returning at times nearly to the canvas itself.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/5ef92572-81a9-4e99-8cf7-fd02aa819fe5/Michael+Reafsnyder%2C+abstract+paintings%2C+contemporary+art%2C+scott+richards+contemporary+art%2C+first+class+.png</image:loc>
      <image:title>Reviews - Michael Reafsnyder, Summer Jam, Scott Richards Contemporary Art - Make it stand out</image:title>
      <image:caption>Summer Glide 40” x 46”</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/faith-xlvii-venarum-mundi-heron-arts</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/0bf34d56-8527-4934-8c75-52611154bada/Installation+shot+The+Nature+of+Memory%2C+FaithXLVII%2C+Roborant+Review%2C+Maltagliati.jpg</image:loc>
      <image:title>Reviews - Faith XLVII, Venarum Mundi, Heron Arts - Make it stand out</image:title>
      <image:caption>Installation by Faith XLVII, The Nature of Memory</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/c597df4f-2575-495c-a953-0beda22befc7/Entry+wall+installation+shot%2C+FaithXLVII%2C+Roborant+Review%2C+Maltagliati.jpg</image:loc>
      <image:title>Reviews - Faith XLVII, Venarum Mundi, Heron Arts - Make it stand out</image:title>
      <image:caption>Entry to Faith XLVII’s show Venarum Mundi</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/0a3e5d18-554a-472c-80ee-081e5780a05a/Chaos+Theory+III_Collage%2C+ink+and+thread+on+Hannemuele+paper_30+x+25+in._2017%2C+Faith+XLVII%2C+Roborant+Review%2C+Nick+Maltagliati.jpg</image:loc>
      <image:title>Reviews - Faith XLVII, Venarum Mundi, Heron Arts - There are three works that are the foundation of her current practice, which incorporate coffee cups dyed with paint and ink, cut into neat squares, and stitched together. These three pieces expand into a greater stitching application found throughout the gallery space. Below the artworks on the entry wall, there are the materials that represent her dyeing procedure. Jars with natural pigment powders, thread, an indigo-dyed bamboo reed, and yellow kitchen gloves that are more blue than yellow comprise this display. It was refreshing to see such a presentation of materials showing an artist’s process, as we typically only see the finished product.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/7a7df98a-6f1a-4c13-8219-8c6b8d11af00/The+Nature+of+Memory+installation%2C+Faith+XLVII%2C+Roborant+Review%2C+Nick+Maltagliati.jpg</image:loc>
      <image:title>Reviews - Faith XLVII, Venarum Mundi, Heron Arts - The vertical fabric segments create a gradient as they surround the red, magenta-leaning, see-through fabric, which mimics the sun, perhaps. The gradient of indigo starts dark on both sides and gradually becomes lighter as the panels meet in the middle. This composition is installed with even spacing, and as bars hidden in the fabric hold the panels level. There is a couch right in front of this piece, allowing space for the viewer to sit and contemplate their own memory of nature. Continuing through the show, there is a unique juxtaposition of clean geometry that one finds in traditional quilting, and textured materiality stemming from weathered banknotes and ink-dyed maps. The two main series that comprise the show are Chaos Theory (tapestries consisting of global atlases that dissect and rearrange the arbitrary borders that we are familiar with from geography class) and The Deconstruction of Value (tapestries crafted from discontinued paper money from various countries that have had severe financial upheavals).</image:title>
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      <image:title>Reviews - Faith XLVII, Venarum Mundi, Heron Arts - Make it stand out</image:title>
      <image:caption>Chaos Theory XXI Deconstructed atlas, inked and sewn tapestry on linen, each piece is 83 x 51 in. (2022)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/870a798e-cd82-442b-9652-34eeb780d1d0/Installation+shot+of+Chaos+Thoery+XXI%2C+Faith+XLVII%2C+Roborant+Review%2C+Nick+Maltagliati.jpg</image:loc>
      <image:title>Reviews - Faith XLVII, Venarum Mundi, Heron Arts - Make it stand out</image:title>
      <image:caption>Installation shot of Chaos Theory XXI</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a668a864-487a-47a5-8f37-f0afffff99c0/Faith+XLVII%2C+Roborant+Review.png</image:loc>
      <image:title>Reviews - Faith XLVII, Venarum Mundi, Heron Arts - One particular quilt, “The Deconstruction of Value XVI”, possesses a rich texture showcasing a history of handling by humans with a robust patina of creases, notes written in ink, and even pieces of tape to mend minor tears. Faith’s repurposing of legal tender examines our relationship and desire for money controlled within a system that could easily snap and dismantle how we circulate, interact, and connect with one another.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/2c64947f-b2bd-4ae7-9418-ae8a5d58a4bc/Faith+XLVII%2C+Roborant+Review%2C+detail.png</image:loc>
      <image:title>Reviews - Faith XLVII, Venarum Mundi, Heron Arts - Make it stand out</image:title>
      <image:caption>The Deconstruction of Value XVI (detail of the quilt seen above)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/2d4bdc59-0be5-416c-8365-452814024824/umbra+viventis+lucis+-+back_Double+sided+radial+disk%2C+deconstructed+maps+and+found+objects_48+x+48+in._2018%2C+Faith+XLVII.jpg</image:loc>
      <image:title>Reviews - Faith XLVII, Venarum Mundi, Heron Arts - Make it stand out</image:title>
      <image:caption>umbra viventis lucis back Double sided radial disk, deconstructed maps and found objects 48 x 48 in. 2018</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/845dad3f-b8f8-4ab6-af76-26e36ff29811/Entanglement_Deconstructed+flags+of+the+world%2C+pencil+crayon+and+ink._102+x+69+in._2020%2C+Faith+XLVII.jpeg</image:loc>
      <image:title>Reviews - Faith XLVII, Venarum Mundi, Heron Arts - Make it stand out</image:title>
      <image:caption>Entanglement Deconstructed flags of the world, pencil crayon and ink. 102 x 69 in. 2020</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/shimmering-tale-chris-cosnowski-at-dolby-chadwick-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/4fa4e464-fb98-4b4b-bc09-3e774fa22b57/Chris+Cosnowski%2C+still+life%2C+painting%2C+dolby+chadwick+gallery%2C+roborant+review+by+Hugh+Leeman%2C+Trophy+silver.jpg</image:loc>
      <image:title>Reviews - Shimmering Tale, Chris Cosnowski, Dolby Chadwick Gallery - American artist, Chris Cosnowski's exhibition Shimmering Tale of still life oil paintings depicting toys and trophies at Dolby Chadwick gallery in San Francisco ask the viewer through the ancient coded language of the genre to decipher meaning in our era of postmodern myth-making, examine cultural narratives, and consider the absurdity of the present as we analyze images the artist spent countless hours producing by hand to realistically represent objects made in mere seconds through mass production.</image:title>
      <image:caption>Shimmering Tale's use of still life contributes critical contemporary social commentary to a genre that has historically shown us that beneath the surface of material culture lies the opportunity to examine the values of the societies that consume the depicted objects. More than three millennia ago, the ancient Egyptians realistically depicted food on the tomb walls of the elite, believing that these images could become real in the afterlife. Two millennia ago, in ancient Pompeii, similar works reveal the society's sense of self. Although early 16th-century art critic Giorgio Vasari looked down upon the genre, by the late 16th century, Caravaggio brought it new life with his talents and inspired painters across Italy and Spain. Still life, however, is most often associated with the excesses, evolutions, and phenomenal social changes of the 17th-century Netherlands.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/8c9de886-8387-499e-831b-32e438a121ed/Chris+Cosnowski%2C+still+life%2C+painting%2C+dolby+chadwick+gallery%2C+roborant+review+by+Hugh+Leeman%2C+cherub.jpg</image:loc>
      <image:title>Reviews - Shimmering Tale, Chris Cosnowski, Dolby Chadwick Gallery - In 17th-century Dutch still life, one finds stunning representations of personal possessions, testament to commercial prowess, and the diversions of everyday life with an undercurrent that meditates on time. These works are best known for their flowers, whose ephemeral beauty speaks to life's transience while hinting at ethical dilemmas. In Shimmering Tale, Cosnowski's paintings perform a similar act, as his hyperrealistic representations speak to social concepts similar to those found in 17th-century Dutch still life, while humorously hinting at the dilemmas of today.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/322ab879-c835-4e6b-88dc-5ba30d3098e0/Chris+Cosnowski%2C+still+life%2C+painting%2C+dolby+chadwick+gallery%2C+roborant+review+by+Hugh+Leeman%2C+milk+and+honey.jpg</image:loc>
      <image:title>Reviews - Shimmering Tale, Chris Cosnowski, Dolby Chadwick Gallery - Cosnowski has expertly rendered and curated the still life as if photo shoots on social media aggrandizing mass-produced toys and trophies, nostalgic for a great American past that the artist hints is ambiguous at best. Nostalgia, his paintings suggest, is a natural reaction to postmodern skepticism triggered by the overwhelming amount of information and imagery. The objects rendered as plastic, gilded in cultural critique, speak to the power of myth to cast itself through multiplicity as if fact, and eventually into Baudrillard's hyperreality.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/7d402892-2e3b-417b-a11e-623ef116402a/Chris+Cosnowski%2C+still+life%2C+painting%2C+dolby+chadwick+gallery%2C+roborant+review+by+Hugh+Leeman%2C+old+mold.jpg</image:loc>
      <image:title>Reviews - Shimmering Tale, Chris Cosnowski, Dolby Chadwick Gallery - Make it stand out</image:title>
      <image:caption>Old Mold, 2024 Oil on panel 23 x 23 in</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/7571b013-4768-44cb-9282-c4352f7ab084/Chris+Cosnowski%2C+still+life%2C+painting%2C+dolby+chadwick+gallery%2C+roborant+review+by+Hugh+Leeman%2C+shimmering+tale.jpg</image:loc>
      <image:title>Reviews - Shimmering Tale, Chris Cosnowski, Dolby Chadwick Gallery - Make it stand out</image:title>
      <image:caption>Shimmering Tale, 2025 Oil on panel 55 x 45 in</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/dae2a745-e160-4078-87b4-14e50a5ce246/Chris+Cosnowski%2C+still+life%2C+painting%2C+dolby+chadwick+gallery%2C+roborant+review+by+Hugh+Leeman%2C+eden.jpg</image:loc>
      <image:title>Reviews - Shimmering Tale, Chris Cosnowski, Dolby Chadwick Gallery - Make it stand out</image:title>
      <image:caption>Eden, 2025 Oil on panel 14 x 24 in</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/66266130-6d27-4be8-9fef-89cb6eccf71c/Chris+Cosnowski%2C+still+life%2C+painting%2C+dolby+chadwick+gallery%2C+roborant+review+by+Hugh+Leeman%2C+step+right+up.jpg</image:loc>
      <image:title>Reviews - Shimmering Tale, Chris Cosnowski, Dolby Chadwick Gallery - Make it stand out</image:title>
      <image:caption>Step Right Up!, 2025 Oil on panel 14 x 14 in</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/4597c871-6772-480f-b8bb-4977b6d200bb/Chris+Cosnowski%2C+still+life%2C+painting%2C+dolby+chadwick+gallery%2C+roborant+review+by+Hugh+Leeman%2C+follow+the+leader.jpg</image:loc>
      <image:title>Reviews - Shimmering Tale, Chris Cosnowski, Dolby Chadwick Gallery</image:title>
      <image:caption>The brilliance in Shimmering Tale lies in its coded language, which reads as a modern American saga. If one looks closely enough, the viewer can untangle allegories painted into the plastic pieces of nostalgic realism that allow us to see the beliefs, behaviors, and cultural memories of a nation, akin to more than three millennia of still life painters, from anonymous ancient Egyptian tomb painters to the 17th-Century Dutch still life or an Andy Warhol soup can, all tell fascinating tales about the societies in which the material culture was consumed.</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/lay-of-the-land-root-division-san-francisco</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/eb70b216-b413-4cc5-99dd-62032606bf23/Lay+of+the+Land%2C+Root+Division%2C+San+Francisco%2C+Shrey+Purohit%2C+Roborant+Review%2C+open.png</image:loc>
      <image:title>Reviews - Lay of the Land, Root Division, San Francisco - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/79a26454-4e09-4ee5-a3a7-1f00a91c513d/Joshua+Moreno+-+Floating+Findings+%28Set+Adrift%2C+2025%29Lay+of+the+Land%2C+Root+Division%2C+San+Francisco%2C+Shrey+Purohit%2C+Roborant+Review%2C+contemporary+art+reviews.png</image:loc>
      <image:title>Reviews - Lay of the Land, Root Division, San Francisco - Make it stand out</image:title>
      <image:caption>Floating Findings (Set Adrift, 2025) by Joshua Moreno</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1751840720730-YVV1BGVKYUS5ZQ56LAI5/Jeremiah+Barber+-+artwork%2C+Floating+Findings+%28Set+Adrift%2C+2025%29+by+Joshua+Moreno.png</image:loc>
      <image:title>Reviews - Lay of the Land, Root Division, San Francisco</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1751840720213-W28IBR2YS9TAXAREXFGM/Jeremiah+Barber+-+detail%2C+Floating+Findings+%28Set+Adrift%2C+2025%29+by+Joshua+Moreno.png</image:loc>
      <image:title>Reviews - Lay of the Land, Root Division, San Francisco</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1751840867203-DVS2V0WACGHMHZ5SLD2A/Lay+of+the+Land%2C+Root+Division%2C+San+Francisco%2C+Shrey+Purohit%2C+Roborant+Review%2C+contemporary+art+reviews%2CNaomi+Alessandra+Schultz+-+haxan+fence+1.png</image:loc>
      <image:title>Reviews - Lay of the Land, Root Division, San Francisco</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1751840866759-O2VEGRKUEW15DJ0YE22N/Lay+of+the+Land%2C+Root+Division%2C+San+Francisco%2C+Shrey+Purohit%2C+Roborant+Review%2C+contemporary+art+reviews%2CNaomi+Alessandra+Schultz+-+Still+Life+with+Clippings+and+Waste+Paper+Bag.png</image:loc>
      <image:title>Reviews - Lay of the Land, Root Division, San Francisco</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/5a9ed293-7f4f-48cc-9fd0-d5811a5dae10/Lay+of+the+Land%2C+Root+Division%2C+San+Francisco%2C+Shrey+Purohit%2C+Roborant+Review%2C+contemporary+art+reviews%2C+Catherine+Wang+McMahon+-+3+artworks+with+side+view.png</image:loc>
      <image:title>Reviews - Lay of the Land, Root Division, San Francisco - Three stacked works by Catherine Wang McMahon tie China, India, Brazil, and California together using earth pigments on handmade Dongba paper, stretched with nails and grommets. They hold tension and care at once, trying to keep these disparate places in conversation. Her question, “Can we remember homelands we’ve never visited?”, lingers long after you leave.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a02a61f5-b8e9-448f-82e0-061bb2941934/Lay+of+the+Land%2C+Root+Division%2C+San+Francisco%2C+Shrey+Purohit%2C+Roborant+Review%2C+contemporary+art+reviews%2CCatherine+Wang+McMahon+-+detail+of+Himalaya.png</image:loc>
      <image:title>Reviews - Lay of the Land, Root Division, San Francisco - Make it stand out</image:title>
      <image:caption>Catherine Wang McMahon</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/a40b866f-56a2-4637-8dd3-660d69703775/Lay+of+the+Land%2C+Root+Division%2C+San+Francisco%2C+Shrey+Purohit%2C+Roborant+Review%2C+contemporary+art+reviews%2CTricia+Rainwater+-+artworks+.png</image:loc>
      <image:title>Reviews - Lay of the Land, Root Division, San Francisco - Tricia Rainwater’s piece might be the most raw. A large black-and-white fabric print shows her standing in a wooded place, holding a small Ziploc bag. Placed on the wall next to it, dozens of tiny bags line the wall, each preserving something ordinary, wood shavings, a bracelet envelope, a poorly rolled joint, her mother’s graduation cap button, a photo of her uncle. Her small passport photo peers out from behind plastic, asking to be seen fully even in this careful dissection of a life.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1751841482395-1W5ZL4LORI9M5GOPL8JL/Lay+of+the+Land%2C+Root+Division%2C+San+Francisco%2C+Shrey+Purohit%2C+Roborant+Review%2C+contemporary+art+reviews%2CTricia+Rainwater+-+From+Extraction+to+Erasure.png</image:loc>
      <image:title>Reviews - Lay of the Land, Root Division, San Francisco</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1751841483290-VO0QP79KNPCO5JN59OC6/Lay+of+the+Land%2C+Root+Division%2C+San+Francisco%2C+Shrey+Purohit%2C+Roborant+Review%2C+contemporary+art+reviews%2CTricia+Rainwater+-+detail+2-+From+Extraction+to+Erasure+.png</image:loc>
      <image:title>Reviews - Lay of the Land, Root Division, San Francisco</image:title>
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      <image:title>Reviews - Lay of the Land, Root Division, San Francisco</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/eb337ae1-e03d-483a-bc8c-1b5b6a286cbe/Lay+of+the+Land%2C+Root+Division%2C+San+Francisco%2C+Shrey+Purohit%2C+Roborant+Review%2C+contemporary+art+reviews%2C+land+acknowledgement.png</image:loc>
      <image:title>Reviews - Lay of the Land, Root Division, San Francisco - What moves me about Lay of the Land is that it doesn’t try to fix any of these contradictions. It just makes room to look closely, sometimes with humor, sometimes with a delicate kind of reverence—at things we usually skip past. Most of the wall texts keep it simple: just the artist, title, materials and a quiet question. They trust viewers to bring their own tangled histories. Tricia Rainwater’s installation could easily seem clinical, each Ziploc bag pinned up like evidence. But inside are intensely personal artifacts of family and daily life. Her passport photo, trapped behind plastic, is like a tiny plea to see the whole person, not just her fragmented archive. Catherine Wang McMahon’s question about remembering homelands we’ve never seen is painfully relevant. So much of immigrant and diasporic memory is partial, held together by stories, rituals, or objects that try to stand in for a place.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/everyday-war-yuan-goang-ming-the-asian-art-museum-of-san-francisco</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/d118552a-81d6-4e95-bbe1-6ef6abf5e471/Yuan+Goang-Ming%2C+Everyday+War%2C+Asian+Art+Museum%2C+everyday+manuever%2C+Hugh+Leeman%2C+roborant+review.JPG</image:loc>
      <image:title>Reviews - Everyday War, Yuan Goang-Ming, The Asian Art Museum of San Francisco - Make it stand out</image:title>
      <image:caption>Everyday Maneuver, 2018, at the entrance to the show Everyday War</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1751412362008-XSGWHMA3EYHUDV64BB5F/Yuan+Goang-Ming%2C+Everyday+War%2C+Asian+Art+Museum%2C+entry%2C+Hugh+Leeman%2C+roborant+review.JPG</image:loc>
      <image:title>Reviews - Everyday War, Yuan Goang-Ming, The Asian Art Museum of San Francisco</image:title>
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      <image:title>Reviews - Everyday War, Yuan Goang-Ming, The Asian Art Museum of San Francisco</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1da5b886-f557-458d-aef8-6096ce5b3c40/Yuan+Goang-Ming%2C+Everyday+War%2C+Asian+Art+Museum%2C+everyday+manuever+screen%2C+Hugh+Leeman%2C+roborant+review.JPG</image:loc>
      <image:title>Reviews - Everyday War, Yuan Goang-Ming, The Asian Art Museum of San Francisco - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/70a87ff5-224a-49bb-a950-bacb6b3a80a7/Yuan+Goang-Ming%2C+Everyday+War%2C+Asian+Art+Museum%2C+everyday+war+transforms%2C+Hugh+Leeman%2C+roborant+review.JPG</image:loc>
      <image:title>Reviews - Everyday War, Yuan Goang-Ming, The Asian Art Museum of San Francisco - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/1751408784726-RBFJKHQ9FXUHPMZOASN7/Yuan+Goang-Ming%2C+Everyday+War%2C+Asian+Art+Museum%2C+everyday+war+what+lies+beyond+us%2C+drawing%2C+Hugh+Leeman%2C+roborant+review.JPG</image:loc>
      <image:title>Reviews - Everyday War, Yuan Goang-Ming, The Asian Art Museum of San Francisco</image:title>
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      <image:title>Reviews - Everyday War, Yuan Goang-Ming, The Asian Art Museum of San Francisco</image:title>
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      <image:title>Reviews - Everyday War, Yuan Goang-Ming, The Asian Art Museum of San Francisco</image:title>
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      <image:title>Reviews - Everyday War, Yuan Goang-Ming, The Asian Art Museum of San Francisco - Make it stand out</image:title>
      <image:caption>Everyday Maneuver at the show Everyday War</image:caption>
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      <image:title>Reviews - Everyday War, Yuan Goang-Ming, The Asian Art Museum of San Francisco - Make it stand out</image:title>
      <image:caption>Video Still, The 561st Hour of Occupation, 2014</image:caption>
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      <image:title>Reviews - Everyday War, Yuan Goang-Ming, The Asian Art Museum of San Francisco</image:title>
      <image:caption>Beyond the videos, the museum visitor comes to a table set comfortably with a white tablecloth, crystal wine glasses holding healthy splashes of white wine, and full water glasses awaiting dinner guests. The optimistic scene is shattered, and the viewer is shocked to their senses as hidden haptic sensors intermittently rattle the table, as if a bomb has dropped in the distance, its reverberations have shaken the hopeful scene to the darkest potential lingering in the back of Taiwan's mind. The table's invited guests will never come. The table and the domesticity of the installation prepare the viewer for the headline video, Everyday War (2024), 10:33 minutes.</image:caption>
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      <image:title>Reviews - Everyday War, Yuan Goang-Ming, The Asian Art Museum of San Francisco - For museum visitors witnessing Everyday War, the artist has exchanged the reclined beach chairs for couches with a side table topped by a dimly lit lamp, seemingly straight out of a Dwell magazine domestic fantasy. Sitting comfortably on the household furniture, facing an oversized screen that loops the artist's single-channel video, a camera pans in on an apartment scene, then back out, over and again, always in slow motion.</image:title>
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      <image:title>Reviews - Everyday War, Yuan Goang-Ming, The Asian Art Museum of San Francisco - Make it stand out</image:title>
      <image:caption>Everyday War, video still, 2024, 10:33 minutes for the show Everyday War at the Asian Art Museum, San Francisco</image:caption>
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      <image:title>Reviews - Everyday War, Yuan Goang-Ming, The Asian Art Museum of San Francisco</image:title>
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      <image:title>Reviews - Everyday War, Yuan Goang-Ming, The Asian Art Museum of San Francisco</image:title>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/james-eddy-at-incline-gallery-san-francisco</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/59fef992-06da-482c-870b-00428e304cf1/James+Eddy%2C+Roborant+Review%2C+Matt+Gonzales.png</image:loc>
      <image:title>Reviews - James Eddy at Incline Gallery, San Francisco - By: Matt Gonzalez</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/570948e7-25ad-4c7d-8597-746330fc69ae/James+Eddy%2C+Roborant+Review%2C+Matt+Gonzales%2C+art+story.png</image:loc>
      <image:title>Reviews - James Eddy at Incline Gallery, San Francisco - The subjects, often presented in storyboard narratives which allow him to tell a tale in various compartmentalized elements, revolve from personal stories drawn from various dramas in his own life. These autobiographical experiences, with Eddy as the main protagonist, also offer clever depictions of adages and sayings that take on the sensation of aphorisms. Most are mischievous and meant to evoke a dark or self-deprecating humor. The works illustrating pictorial sequences are derivative of the Mexican ex-voto tradition which comprised an artist rendering on tin or copper making a votive offering to a saint, giving public thanks for their holy intercession, given in fulfillment of a vow or prayer. The phrase comes from the Latin phrase “ex voto suscepto” meaning “from the vow made.” Eddy’s artistic renderings usually invoke a specific saint, from the bountiful Catholic canon, to venerate; although the saintly references are presumably tongue-in-cheek. Eddy’s ex-votos incorporate a personal narrative of overcoming adversity and expressing gratitude for divine intervention, usually realized through rescue or cure. The pieces include details such as the date the event in question occurred and when the artwork, and thus offering, was made.</image:title>
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      <image:title>Reviews - James Eddy at Incline Gallery, San Francisco</image:title>
      <image:caption>Eddy is most comfortable being cheeky and impertinent revealing his delight working within the domain of humor. Particularly as our world seems ever more solemn these works offer the viewer a respite from seriousness, yet also serve up modern wisdom about romance and overcoming hardship. In many instances the central motif revolves around slaying demons and other adversaries. While he isn’t limited to offering thanks for miracles (“milagros”) he does commemorate recovery from illness and survival from various accidents and misfortunes. Many include a text caption that recounts the details of the events. The paintings are a testament to the spirit of human resilience, and evoke a sense of wonder and empathy. Eddy has noted that he utilizes a diverse mixture of narrative traditions “including proverbs, ledger drawings, modern advertising, spoken clichés, comic books, salesman's samples, storyboards, street art, broadsides, and pop art.”</image:caption>
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      <image:title>Reviews - James Eddy at Incline Gallery, San Francisco - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/82b2d53b-9805-496a-91a7-7d84b89525ab/James+Eddy%2C+Roborant+Review%2C+Matt+Gonzales%2C+Poison+Oak.png</image:loc>
      <image:title>Reviews - James Eddy at Incline Gallery, San Francisco</image:title>
      <image:caption>In another ex-voto, Eddy commemorates the miraculous recovery from a severe rash caused by poison oak, where he invoked Saint Bartholomew the Apostle for assistance. In the summer of 2024, James had the rather unlucky experience of falling headfirst into a dense thicket of poison oak in Lafayette. Beyond the initial embarrassment of feeling like a "total jackass", he developed a severe, rapidly spreading rash. When home remedies failed, he appealed to Saint Bartholomew, the patron saint of skin diseases, for help. His prayer was answered, and the affliction began to subside. The ex-voto honors the "miraculous recovery" and gives thanks to the saint.  In many respects these stories could be seen as rather mundane and playful, highlighting poison oak and childish super glue misadventures; yet that is precisely why they are so relatable. Many people can imagine the agony and frustration of dealing with these situations whether they themselves have experienced them.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/7adefdf1-ef52-4925-868b-62589c0781c2/James+Eddy%2C+Roborant+Review%2C+Matt+Gonzales%2C+Happy+Holidays.png</image:loc>
      <image:title>Reviews - James Eddy at Incline Gallery, San Francisco</image:title>
      <image:caption>Eddy is a modern retablero (folk artist of retablos); a storyteller conveying precious tidbits from his own life that resonate beyond himself toward the larger human experience. His paintings are shrines and modern votive offerings presented in a humble form. They are not exactly cartoony, but utilize deceptively simple renderings to cast figures drawn with large-eyes and a naivete on their expression. Look closely though and you’ll see sophisticated perspective, compositional choices, and complicated visual forms. This is a well-conceived offering of paintings that will fill the viewer with a healthy blend of humor and hopefulness.</image:caption>
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  </url>
  <url>
    <loc>https://www.roborantreview.com/reviews/blog-post-title-one-w44ef</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-11</lastmod>
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      <image:title>Reviews - Masako Miki, Midnight March, ICA San Francisco - Make it stand out</image:title>
      <image:caption>Masako Miki artwork, felt and wood sculptures</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6849c9198946fd5bd5b82422/ce8fc6bc-d10e-4799-a67b-4bc492543b84/masako+miki%2C+SF+ICA+Hugh+Leeman+review%2C+felt+and+wood.JPG</image:loc>
      <image:title>Reviews - Masako Miki, Midnight March, ICA San Francisco - The artist is at her best with the three dimensional felted sculptures, which draw from her Japanese heritage, inspired by Japan's oldest religion, Shinto, and its supernatural beings known as yōkai. While viewers who follow Miki's work will see images they are familiar with from previous shows in the three paintings that pull from Shinto folklore, like her cheerfully stylized fox, it is the felted yōkai sculptures that are the central theme at the ICA and so prevalent one feels that we inhabit their space as opposed to the other way around.</image:title>
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      <image:title>Reviews - Masako Miki, Midnight March, ICA San Francisco - To enter Midnight March, the viewer descends a staircase aside a wooden terraced forum. One can imagine the terraced forum allowed the seated, when still a bank, to take in corporate talking heads giving presentations on interest rates. For Midnight March, viewers are presented with an entirely different perspective as one can look down past the seating and steps into what used to be the bowels of the bank at a half lit world of Miki's furniture sized felt sculptures. After the viewer walks down the steps, they enter a fantastical space populated by the artist's brightly colored, mostly ambiguous entities, giving the sense that they are encountering a visual representation of what 20th-century author Joseph Campbell referred to as the poetry of metaphor in mythology. The yōkai's role in millennia-old Japanese folklore ranges from malevolent to benevolent spirit-like forces understood to inhabit nature's awe-inspiring landscapes, from mountains, waterfalls, and forests to the commonplace corners of a dark closet. Whatever the intentions and location may be with each yōkai, they come out at night or the times between the changing of light when day breaks to dusk, acting as warning signs or simply inciting fear. Despite the foreboding nature of their appearance in Shinto belief, Miki has recreated them as cute, soft characters that seemingly challenge perceptions of their power.</image:title>
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      <image:title>Reviews - Masako Miki, Midnight March, ICA San Francisco - Dozens of Miki's colorful yōkai sculptures sitting throughout all parts of the subterranean space allow viewers to come face to face with some as tall as 6 feet while others barely reach the knee. Yet, save the rare pair of closed eyes or lips that hang from the ceiling, the forms are largely unfamiliar, allowing the viewer to experience the potential of myth to pull us from time and place and situate us in the collective unconscious.</image:title>
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      <image:title>Reviews - Masako Miki, Midnight March, ICA San Francisco</image:title>
      <image:caption>Masako Miki's Midnight March allows us to consider the greater potential in our understanding of the cultural imagination by contrasting the dark history of yōkai in the dimly lit basement with soft, fuzzy, colorful felt forms all too large for the support of their tiny legs. Through this visual metaphor, the artist suggests the stories embedded in cultures' collective imagination and their invisible forces connected to contemporary culture's pandemonium can be toppled. This poetry of metaphor pulling from seemingly disparate sources points to art's potential for profundity and speaks directly of Miki's creative prowess.</image:caption>
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    <loc>https://www.roborantreview.com/reviews/tag/Richard+Misrach</loc>
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